Archive for August, 2010


CINEMETAL ROUND-UP: NEW VIDEOS FROM VEIL OF MAYA, CANCER BATS, APOCALYPTICA, ASPHYX, AND DAGOBA

Monday, August 30th, 2010 at 2:00pm by

As was the case last Wednesday, a whole buncha bands have all released new videos at once, and for convenience’s sake, I’m just gonna lump them all together in one post. If you don’t like it, go get a bowling ball, hold it over your head, and release the ball. Thanks.

First up we have “Unbreakable,” the new Raul Gonzo-directed video from Sumeriancore masters Veil of Maya. I’m not as big of a fan of this band as Vince is, although I certainly respect the heck outta ‘em, especially after seeing their live set at Summer Slaughter earlier this month. But I have no fucking idea what’s going on in this video. These people are connected to the band via wires and stuff, and, uh, I guess the music is, like, making them type real fast, and mash stuff with their hands, and, um, fingerpaint?, and, uh… then they put all this stuff in the oven, and it grows into a brain. I mean, I’m a college educated New York Jew, so I know from over-thinking stuff, but I don’t even know where to begin with this one. If anyone has any theories, by all means, put ‘em in the comments section. Otherwise I’m just gonna go with, “Hey, cool song!”

Click to read more…

WHAT DO WE THINK OF TANGENTS?

Monday, August 30th, 2010 at 1:20pm by

Derek Kerswill is the current drummer for the mighty Unearth, and has also worked with Kingdom of Sorrow, Seemless, Icepick, and, uh, Stryper. So I was curious to hear Tangents, his new, non-metal side project, ’cause, well, I’m always curious to hear the non-metal talented metal dudes make — it always feels like it gives me some deeper insight into where they’re coming from, for lack of a better term.

Well, Noisecreep is now streaming a new Tangents track, “The Pieces Fall,” and while I’m digging the music, which is as catchy as anything you’d get from making out with Tommy Lee, Dave Witham’s vocals just don’t do it for me. I don’t think Witham is a bad singer, from a technical standpoint; which is to say, he doesn’t sound like so much of the autotuned crap I hear these days. They’re just a little too thin. It’s kinda like how when I was a kid, I’d go to the movies and see dudes like Harrison Ford and Bruce Willis, and they were man; now I go see guys like Leonardo DiCaprio and Matt Damon, and while they’re certainly talented, they all look kinda like boys, still waiting for the facial hair to come in and their voices to drop. Witham’s vocal style gives me the aural equivalent of that same feeling.

But like I said, the music is good, and I’m sure that, as always, plenty of you will disagree with my assessment. Check out Tangents’ “The Pieces Will Fall” here, and then come back and let us know what you think in the comments section. Tangents’ debut album, One Little Light Year, comes out October 26.

-AR

ALICE IN CHAINS, ANSO’S EARS: A LOVE AFFAIR RENEWED

Monday, August 30th, 2010 at 12:40pm by

At the Golden Gods thing back in April, I really perked up when Alice In Chains’ Jerry Cantrell came down the press line. It was surprising and weird because I was not aware that his band remained significant to me. But there I was, rudely turning away from Zakk Wylde in mid-sentence to beam fanatically at Cantrell and bassist Mike Inez. The two seemed spot-lit and energetic; there was a sense of relief that the band had returned from the brink, and with a fucking awesome album to boot. I couldn’t take my eyes off them the whole night, not least of all during their innumerable trips to the stage to collect awards for Black Gives Way To Blue before a roomful of applause and well wishes. So deserved. Awesome.

This is a big turnaround for me after a decade of intense AIC fatigue, during which I suffered actual nausea from the harmonies of “Heaven Beside You,” and the opening chords of “Rooster” triggered an immediate lunge for the radio dial. (The latter is partially my fault, ‘cuz I remember a beer blast at which I stood guard over the stereo as that song stayed on repeat for like two hours.) I’ll never tire of Cantrell’s masterful solo in “Man In The Box” or the majesty of “Down In A Hole,” but otherwise it seemed that by 2000 we’d all gotten enough Alice In Chains for a lifetime. Not to mention the proliferate AIC clones complete with insta-Laynes — which really riled me cuz if anyone, it’s Cantrell whom a smart band would replicate. And, sadly, Staley himself was pretty much a super-bummer on two legs before long. Semi-consciously, I began to ignore their existence. Me and Alice In Chains were over. Such a great band, such a shame.

But, yes, some time apart and a tardiculous new album have healed the oft-rocky relationship between AIC and my ears. We’re back together, stronger than ever, and it’s no exagerration to state that I still can’t stop listening to BGW2B, a pop-doom metal masterpiece that finally brings some closure to the Staley situation (and it even impacted the new Soilwork record). Actually, I always think of Type O Negative’s Peter Steele when I hear the album’s big finale, “Private Hell.” Maybe you do, too.

-ADF

Alice In Chains embarks on the BlackDiamondSkye tour with Deftones and Mastodon starting September 16. Get dates here.

BLEEDER’S DIGEST: QUICKIE REVIEWS OF NEW RELEASES BY TURBID NORTH AND OTARGOS

Monday, August 30th, 2010 at 12:00pm by

TURBID NORTH, OROGENY (SELF-RELEASED)

I’d never heard of Alaska’s Turbid North before they sent me their new album, and my decision to move it to the top of my “listen to” pile was based soley on their awesome, awesome cover art — which led me to believe that they were some kind of folk metal band. Nope. Turbid North play muscular yet melodic modern death metal that’s much more in line with Misery Index than Finntroll. And y’know what? They kick all kinds of ass. The music isn’t revolutionary by any stretch of the imagination, but Orogeny offers a steady stream of crush-your-ballspectacular riffs, well-structured guitar solos, and massive, booming drums. Given their skill at administering blunt force trauma, it’s impressive that that they also demonstrate a skill for Mastodonian stoner-prog atmospherics, as on the epic two-part “Kodiak,” and the twelve-minute plus closer, “Floating the Ionosphere.” The production is top-notch, too.

(3 1/2 outta 5 horns)

Click to read more…

NEW MADBALL IS SONG IS NEW

Monday, August 30th, 2010 at 11:20am by

Madball are my Motorhead. Having released a fair share of classic, genre-defining albums, they don’t have to prove shit to anyone anymore. They don’t have to reinvent their sound or jump on bandwagons. Their metallic strain of the NYHC sound has made them a legacy act worth revering, and the albums they’ve released this century so far prove that that the quartet haven’t softened with age or via lineup changes.

So, no, I’m not surprised by the consistency and emboldened aggression of their latest song “R.A.H.C.” Short for “Real American Hardcore”, the track comes from their forthcoming album Empire. The lyrics are pretty fucking great, with the first verse dripping with sarcasm about those who bash/dismiss/disregard the hardcore community and the second curbstomping those same haters into submission. It’s fucking tough-as-nails, and you can hear it at the band’s MySpace page.

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ALBUM OF THE DAY: GUT, THE CUMBACK

Monday, August 30th, 2010 at 10:40am by

So we used to do this thing called “Album of the Day,” and then we stopped, and now we’re starting again. It won’t be a daily event, just a “Whenever the mood strikes whomever the fuck on the MS staff” thing. So enjoy. Or don’t. We don’t especially care.

You may know Gut for their groundbreaking work on legendary releases like Fistful of Sperm, Cripple Bitch, and Odor Of Torture. Along with The Meatshits, 7 Minutes of Nausea, Ulcerous Phlegm, and Anal Cunt, they were pioneers of the late 80s/early 90s wave of pornogrind and noisecore. Obviously this stuff isn’t for everybody, because it makes even slam metal seem accessible by comparison (see Anal Cunt’s 5,643 song 7″ for perhaps the most extreme example), but I loved it then and I love it now. As far as I’m concerned, those bands were the most extreme music ever recorded to this day, because they pushed the boundaries of music to the absolute limit — anything more would just be noise. Gut were my favorites, largely because they were the first to emphasize groove riffs, and because they had the sickest porn samples — way cooler than the tiresome horror/gore samples that their unimaginative death metal peers relied on.

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WE NOW RETURN TO OUR REGULARLY SCHEDULED PROGRAMMING; OR, BDM, WATAIN ANNOUNCE TOURS

Monday, August 30th, 2010 at 10:01am by

Three cheers for Crack Hitler, who I think did a very admirable job of running the site on Friday. Sure, he only did six posts, but as I understand, he has a very busy job working at a hospital, which is certainly far more noble and important than running a snarky metal blog. And he brought some excellent music to our attention. Crack Hitler, sir, I applaud you.

Now back to the regular shit. Here are two cool tours that were announced while we were letting a reader from Perth call the shots:

  • The Black Dahlia Murder have announced a headlining tour with Goatwhore and Arkaik. I don’t know Arkaik, but you had me at “Black Dahlia Murder and Goatwhore.” Vince has never seen BDM do a full headlining set, and, by Satan, I am going to make sure he finally breaks that cherry, ’cause these dudes kill live. These shows will provide enough fun to justify enduring all the B.O. that comes with a modern death metal sausage fest. Get dates here.
  • Speaking of Goatwhore: For obvious reasons, Behemoth had to cancel their headlining run with Watain, Black Anvil, and Withered, so the former two bands are now doing their own tour with the sluttiest of all capra aegagrus hircus. Which, even without Behemoth and Withered, is still a really, really kick-ass line-up.  Get dates from The PRP.

-AR

SHATTURDAY SHTUFF TO BAY AREA TO: JUDGEMENT DAY/AQUARIUS RECORDS/DANCIN’ IN THA REIGN

Saturday, August 28th, 2010 at 4:05pm by

Happy end-of-Summer, y’all!!! Take that however you wish, but I for one am super-psyched for the Fall….fuck this crazy heat, fuck Summer woes, fuck Shania Twain, and fuck you too! Being a good sport n all, I’m prepared to enjoy one last wave of Summer and then let’s move on to the uber-beautiful Autumnal glaze…

HAVING SAID THAT, not all of us have even experienced the “Summer” yet.

Out west in NorCal Country, our Bay Area Brethren are just now gearing up for their Summer, which pretty much starts around now/early September, and you know what that means? More crackheads! More BBQs! More casual sex! More crackheads!

And so, in honor of our besties out westies, I present to you a few smatterings of tings to get your Bay Area Summer in gear…

Click to read more…

CRACK HITLER’S TOP FIVE METAL VOCALISTS (WHO WERE NEVER IN METAL BANDS)

Friday, August 27th, 2010 at 3:00pm by

I’m a firm believer in the idea that being metal and being in a metal band are not mutually exclusive. Much like how watching your uncle dressed as santa claus get drunk and fight your dad at family christmas is metal despite technically being the manifestation of years of pent-up tension between two dullard paper pushers, the following vocalists managed to be metal without the aid of a single inverted crucifix or a pig squeal. Read on!

Click to read more…

MAKE ‘ENEMIES’ WITH THE ARMED

Friday, August 27th, 2010 at 2:00pm by

Detroit, MA’s The Armed are your new favourite band, and here’s why in bullet point form:

  • Their self-released debut album, ‘These Are Lights’, rips the tits off a bear. It’s a half-hour of classy modern metalcore that brings to mind both Botch and The Dillinger Escape Plan, and it was mixed by Kurt Ballou.
  • The follow-up EP, ‘Common Enemies’ has just come out, and features a guest performance by ex-DEP drum cyborg Chris Pennie.
  • Both of these releases are available for FREE in high-quality mp3 straight from the band right here.
  • They’ve got all this done and they’ve only been playing together since LAST MAY.

Once you’ve cleaned yourself up, click through for an interview I did with drummer Tony Wolski just prior to the release of  ‘Common Enemies’ earlier this year.

Click to read more…

HIP-HOP AND METAL ARE STILL TRYING TO KILL EACH OTHER

Friday, August 27th, 2010 at 1:00pm by

It was a while ago now that Axl dug up Ill Bill’s Unauthorised Biography Of Slayer, a surprisingly detailed history of Slayer delivered entirely in rap. But like all metalheads, Ill Bill has a little bit of trouble keeping his love of all things heavy in one place. Check out this jam by Ill Bill’s posse, Non Phixion, titled ‘The CIA Is Still Trying To Kill Me’, featuring members of the Deftones and Fear Factory. Yes, it does have that boofheaded-guitar-riff-over-hip-hop-beat thing that made nu-metal suck, but the whole first verse is peppered with references to classic metal bands and albums. The shout-outs aren’t exactly harde to pick, but at the very least it’ll put a smile on your miserable face, so quit yer whingin and check this out:

-Crack Hitler

JOHN WILLIAMS IS FUCKING METAL

Friday, August 27th, 2010 at 12:00pm by

John Williams is totally fucking metal, and you cannot deny it. Sure, Scott Ian or James Hetfield may have each written a bunch of memorable riffs in their lives, probably ones that send you into an uncontrollable frenzy of cheeto-misted keyboard moshing too. But name me one metal guitarist ever who has written as many straight-up fucking killer tunes as John Williams? Chariots Of Fire, Jaws, Star Wars, Indiana Jones, motherfucking Jurassic Park?! The dude has enough air-punching moments of musical badassery to his name to give Tony Iommi a run for his money. When you finally man up and ask the girl who makes your sandwhich at Subway out and she says yes, what are you going to be whistling when you walk out of there? Angel Of Death, or the goddamn Raiders March?

Here’s Williams’ crowning achievement, the theme from Jurassic Park, set to a kitschy photo montage. Now take five, shut your door and pretend you’re ten years old again. It’s okay, nobody is looking.

-Crack Hitler

‘METAL(LIBLOG) SUCKS’

Friday, August 27th, 2010 at 11:00am by

A while ago I got linked, I’m pretty sure it was from here, to this blog entry by a dude who calls himself Metallikris on his imaginatively-titled Metalliblog, in which he rates every metal musician of note that he’s met on a scale of 1 to 10 based on how nice they were to him. Now while I have a captive audience, that I can only assume our fine friend Metallikris is amongst (because he writes about this site on his blog), I would just like to ask…

What the fuck?

These people work their arses (ah-hem, asses. Sorry yanks) off for decades learning to play their instruments, fight the ridiculous uphill battle to start a band, do something original and actually get some recognition for it, do insane hours on tour, and then somehow their entire worth as a human being can be quantatively measured by how they deal with you wanting to get your photo taken with them after they’ve gotten offstage? What in the hell have you have you ever done in your life that gives you the divine power to judge ANYONE that way, let  alone talented, hardworking musicians who do things you never could?

When you say that Ralph Santolla should “get cancer quick!”or that Willie Adler’s wife is “probably fucking the local milkman”, you’re talking shit on real human beings in the name of getting some second-hand attention, and that’s just weak. And are you really surprised that Fredrik Akesson from Opeth was maybe just a little pissed off that you mistook him for Peter Lindgren, the guy he replaced in the band?

Now at this point I could drag out your self-edited imdb actor page or your hilariously self-important twitter account and let the metalsucks maniacs have their way with them, but instead I’m going to just say this:

Get a reality check, dude.

-Crack Hitler

READERS’ CHOICE (KINDA): THE PERTH EDITION

Friday, August 27th, 2010 at 10:00am by

This is my hometown of Perth. On the odd chance that you’ve heard of it, it’s probably as the home of Bon Scott, Sam Worthington (actually, both went to my high school), or (eeeeeew) Pendulum. As you can see from the above diagram, it’s pretty far away from anything that isn’t the Indian Ocean. In fact, we’re a full 2,104kms (1, 307 miles) from the nearest major city, making us the second most isolated city on earth. Because we’re so far away from everything, a lot of smaller bands don’t tour out here, and guitars and drums cost a shitload extra because of the shipping costs. But we do have a lot of sand. And rocks. And coastline.

Anyway, I thought this would be a cool opportunity to share with you guys some of the better heavy bands from the rapidly-evaporating cultural oasis that I call home.

Click to read more…

REMEMBER, METALSUCKS MANIAC “CRACK HITLER” IS RUNNING THE SITE TOMORROW!

Thursday, August 26th, 2010 at 11:00pm by

You voted for him, and tomorrow, Crack Hitler has complete control over MetalSucks for 24 hours. It should be fun! Check back tomorrow to see what he’s come up with.

Meanwhile, we’ll be outside enjoying the nice weather tomorrow. See ya Monday!

-Axl & Vince

PHOTO CAPTION CONTEST: WIN A SIGNED GOD FORBID EARTHSBLOOD BOOKLET

Thursday, August 26th, 2010 at 5:00pm by

rock catLast week we offered ya’ll the chance to win Protest the Hero’s new guitar tab book for Kezia. I s’pose this is a popular item, because lots of folks entered! Thankfully we have five of these puppies (kitties?) to send out:

  • J-Rod: “CATACLYSM!”
  • Kuranes: “Meowlodeath.”
  • Austin Nutter: “Brent Hinds looks way taller in the promo pics.”
  • rich: “drummers get all the pussy.”
  • Conan: “Heath-Cliff Burton taking over vocals from James Garfield for Metallicat.”

This week I’ve got an extra signed booklet of God Forbid’s Earthsblood to give away. It’s signed by the full band that recorded the album, including Dallas, and since I’ve already got one for myself I figured I’d give this extra one away. Thanks to Robert Bingham for sending in this week’s photo; just come up with the funniest caption — remember to use a real email address (or post it if you’re using FB Connect) — and the booklet is yours.

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FEAR, EMPTINESS, DECIBEL: AMOPRHIS’ TALES FROM THE THOUSAND LAKES GETS INDUCTED INTO THE DECIBEL HALL OF FAME

Thursday, August 26th, 2010 at 4:30pm by

Before there were blogs there were these things called magazines, and the only metal magazine we still get excited about reading every month is Decibel. Smart, funny, insightful, and honest, Decibel was recently called “The not completely fucktarded version of MetalSucks” by revered cultural critic Slavoj Žižek. Here’s managing editor Andrew Bonazelli.

First of all, holy shit, we misspelled Kataklysm on the last cover. Great catch by Clancy in the comments. You win my unyielding respect, which means a lot, since I’m the sort of person who seriously entertained rolling bowling balls down a hill toward oncoming traffic during high school. Anyway (hi mom!), Good Christ, do I fucking detest misspelling. I’m talking anything from “Woah” instead of “Whoa” to Jonas “Renske” instead of “Renkse.” Then again, the second “e” in our logo was backwards, dawg, for the first 24 issues. (It took throwing those big fat smart bugs in Isis on the cover to inspire some semblance of editorial literacy — and some semblance of not many people buying an issue of Decibel that month.)

Amorphis — well, you can’t really misspell that, short of writing a review as Sylvester the Cat. Another thing about Amorphis: They’re hard to write about when you’re simultaneously listening to The Promise Ring in your iTunes. Who the FUCK put that shit in there anyway? Surely not the same genius that put Amorphis’ Tales From the Thousand Lakes into our vaunted Hall of Fame. (Transitions: my specialty.) That genius would be Albert Mudrian, our Editor in Chief, the same man who has IMed me the word “Woah” on several occasions over the past two weeks. Do you know how much he loves Tales From the Thousand Lakes? So much so that he detested it until 2008, before mysteriously falling in love with it. (Kind of the same way you all feel about Disturbed’s Ten Thousand Fists.) And just like that, we got Scandi-phile Chris Dick on the trail, and Tomi, Esa, Jan, Olli-Pekka and Kasper regaling us with — you guessed it —t ales of ill-fated dentistry videos, Doors covers, clean vocals and hotel trashing. And accomplishing that was no walk in the park, as the Dickman has been working on a Moog-less version of this HOF for years, with or without the EIC’s kind of necessary approval.

So, what do you guys think? Is Tales worthy of induction? Is another Amorphis jam more deserving? Should we have just gone with 10K Fist Fuckz? Talk it out.

-AB

Buy yourself a copy of the October 2010 issue of Decibel here, or just go ahead and buy yourself a full subscription hereIt comes down to about two bucks an issue for a one-year subscription, which is roughly thirty-six dollars more a year you could be spending on spelling lessins.

EXCLUSIVE VIDEO PREMIERE: SKELETONWITCH’S “SUBMIT TO THE SUFFERING”

Thursday, August 26th, 2010 at 4:00pm by

Few bands today personify pure, unadulterated, no bullshit FUCKIN’ METAL the way Skeletonwitch do, and their most recent Prosthetic release, Breathing the Fire, was one of our most favoritest releases of 2009. Which is we why here at MetalSucks are totally stoked to be debuting their righteously evil new video, “Submit to the Suffering,” which was directed by Don Tyler (Mastodon, Ringworm). Check it out below!

And, hey, guess what? Breathing the Fire is on sale for just $8.99 RIGHT NOW. You can order a copy here. If you don’t own this awesome album, may you burn in the fires of false metal hell!!!

[This exclusive has now ended.]

IF ONLY WE COULD FOLLOW THEM THERE: THE ATLAS MOTH GO FORTH AMONGST THE WEED FIELDS

Thursday, August 26th, 2010 at 3:20pm by

The Atlas Moth

Chicago dark-n’-crusty sludge/doomsters The Atlas Moth, a really good band I’ve slowly gotten hip to over the past couple of years, are releasing a digital-only covers EP this fall that promises to be pretty darn sweet. Titled The One Amongst the Weed Fields, it contains darkened renditions of “California Dreamin’” (The Mamas & The Papas), “Fearless” (Pink Floyd), “Golden” (Failure), and “Five to One” (The Doors). That Failure cover is currently streaming over at Stereogum, so you should definitely check that out, but the one I’m most excited to hear is “Fearless.” Long-time readers of this site should know I’m a huge Floyd freak, and I’ve always thought “Fearless” was ripe for a metal re-interpretation.

Click to read more…

IS DAATH’S EMIL WERSTLER “THE BEST GUITAR PLAYER IN METAL?”

Thursday, August 26th, 2010 at 2:40pm by

That’s what producer Mark Lewis calls Werstler in the latest Daath in-studio video report from Skulls N’ Bones. And it’s obviously the kind of statement which is gonna get people really, really hot and bothered.

But there’s a very, very strong argument to be made that Lewis speaks the truth.

Personally, I knew that Werstler was a really talented dude, but I had no idea just how incredible he was until I watched him play in the studio. He’s one of those guitar players who can do pretty much anything — and he’s a workaholic who loves a challenge. Some of the stuff I watched him lay down for Daath’s new, self-titled album was really, really mind-blowing — doubly so when you consider that he was often coming up with it right there on the spot.


Daath comes out October 26 on Century. My own multi-part behind-the-scenes report will begin next month.

-AR