NEW FILTER ALBUM IS MORE AMALGAMUT, LESS ANTHEMS

Wednesday, September 8th, 2010 at 12:30pm by

Richard Patrick strikes me as particularly bitter about the state of the music biz these days. Both times I saw the band in concert on their last album cycle (2008′s Anthems for the Damned) — at an intimate record release show at NYC’s Mercury Lounge and at a giant amphitheater opening for STP — he seemed to be having a hard time coming to grips with the fact that his audience was older now and no longer moshed / visibly got into the music / cared as much. I read an interview yesterday in which he was complaining that fans were complaining that albums were too expensive at $10. Dude, $10 is too expensive when you consider that the CD prices of yore were so high because they had to be manufactured and shipped (and yeah record companies were greedy) and that a [paid] digital download presumably cuts some of those costs out of the equation. And that recording technology is waaaay cheaper these days than it used to be. Times have changed, dude. Sure, the industry is way different, but so is the musical climate. Sounds to me like sour grapes… Filter ain’t as big as in their ’90s heyday, so Patrick blames it on the industry.

It’s too bad though, because I’ve always had a tremendous amount of respect for Patrick as a singer, songwriter and performer. Anthems of the Damned was a bit underwhelming, especially for a supposed comeback album, but I’m midway through listen two of new album The Trouble With Angels and I gotta say it’s pretty good. The big, heavy, chunky, drop-D riffs that made 2002′s The Amalgamut so strong– my favorite Filter record — are back in full force, and Patrick’s songwriting muscles seem to be flexed just a little tighter than on his previous affair. But mostly it’s the heaviness that I’m welcoming back with open arms. If you were a fan of Filter’s first two records or the aforementioned Amalgamut, definitely give this one a shot (and don’t let the lead single “The Inevitable Relapse” lead you astray… ’cause, ya know, it’s the radio single). It’s even got small traces of Filter’s industrial past. Patrick’s got four album tracks streaming on Filter’s MySpace page – “No Love” and “Catch a Falling Knife” are my personal faves. Sure, The Trouble with Angels doesn’t really tread any new ground for Filter but no one was expecting it to, including Patrick.

-VN


(
three out of five horns)

  • DidgeryDo

    Wow sounds like not much has changed in the whiny bitching world of Richard Patrick. I remember him best mouthing off to the entire venue for some stupid reason when I saw them way back in 2002.

  • http://www.myspace.com/msrp Nic Heidt

    This album rules! Don’t bother with the bounus tracks though, they were cut for a reason.

  • Monochrome Sound

    Wait…what? Filter? They’re metal? I mean, I’ve only heard a handful of songs from them and they sound like 90′s alt rock to me…

    I could be completely wrong though.

    • NoNameNoSlogan

      you are correct. Filter is not metal. I remember listening to their first album when they were trying to be industrial but they failed at that too. They have a couple of songs that have some charm but they are in no way “metal”…this site is circling the drain.

      • Paul

        Buh bye…

      • http://www.metalsucks.net Vince Neilstein

        LOL at “this site is circling the drain.” We used to cover way more borderline / not-quite-metal bands when we first started. Richard Patrick’s Army of Anyone project got a lot of ink.

        Obviously you haven’t been around here for that long.

  • http://www.metalsucks.net/category/scraping-genius-off-the-wheel/ Gary Suarez

    Such a great album. A return to form after too many ho-hum ballads.

  • Bierko

    The first album skated along industrial metal because Stuart Zechman from the first Stabbing Westward album was a part of it. The first stabbing westward album is very industrial, dark, and heavy.

    • http://www.flickr.com/photos/glittergina Gigi Si

      Stuart Zechman “accidentally” gave the SW “Ungod” riff to Filter which turned into their hit “Hey Man, Nice Shot.”

      And Richard played guitars for NIN before doing Filter…Gotta love that 90s industrial rock era

      -Gigi

  • Andy Synn

    I think he’s right about people bitching about being charged for music though, it seems as though charging any amount of money above $0 will have you being bitched at.

    It’s a simple contract system – you want something, you pay for it. $10 seems pretty reasonable.

    • http://www.heavymetal.co.nz heavymetalnz

      I agree, $10 is FUCK ALL
      the recessions not that fucking bad, jeeezz

  • Paul

    I really dug “Title of Record” and “The Amalgamut” (and yes, I believe they qualify as metal. Go ahead, argue with me if you’ve got that kind of time to waste.)

    I didn’t know they had new material out. I’ll have to give this one a listen.

    • Altered Bestiality

      Good, but not metal. Just because there is some double bass in American Cliche doesn’t make them metal. Sorry.

      See? Took 10 seconds. No waste

      • Dirtman73

        Dur hur hur jur.

  • Mike

    The heaviness isn’t back though. These riffs don’t crush me like the ones on the Amalgamut album did. They sound more like something from the most recent STP album. Not a fan of this one at all, I want my $10 back

  • David

    Filter were always a studio band. A good studio band, not a good live band.

  • WHY!?!?!

    why the hell is Filter getting reviewed here??? Seriously! metalsucksSUCKS!!!!!!11

  • wow

    so metalsucksSUCKS and is now censoring comments….cool! fact is, this filter review does not belong on this site! that’d be like blabbermouth sharing news about lady gaga or some shit WTF is wrong with you people!

  • http://www.myspace.com/ifthesetreescould handbeef

    love this record. no love is my favorite track. patrick’s screams are incredible this time around. do yourself a favor and check this out.