A LONG OVERDUE POST ABOUT FROM EXILE

Monday, September 27th, 2010 at 4:30pm by

I’m sitting here editing an interview with Eric Guenther, which we’re gonna run tomorrow afternoon. Guenther plays synths on the new Daath album, and did the same on Levi/Werstler’s Avalanche of Worms earlier this year, but his main gig is as guitarist and vocalist for Atlanta’s From Exile. And even though I’ve had From Exile’s self-released Monolith forever, and even though I love and listen to it constantly, I’ve never gotten around to writing about it. It doesn’t say anything about the music; it’s just one of those things.

But I’m gonna write about From Exile now, damn it. ‘Cause this is a damn fine band, and you should all be listening to them.

From Exile obviously have a connection to Daath; besides Guenther being a frequent collaborator of that band’s, Monolith was produced one Eyal Levi, and it features guest solos from Eyal and Emil Werstler, and drums by Kevin Talley, and the album art is by Jorden Haley, the same guy who does all of Daath’s graphics. The close connection between the two bands makes sense in a certain regard; both groups’ sounds are ostensibly a melting pot of various influences synthesized into something exciting and new, and both bands have a “fuck it, anything goes” swagger about their music, without ever sacrificing strong songcraft.

But From Exile is very much its own animal. Their MySpace page lists Yes, Dream Theater, In Flames, and Pink Floyd as their primary influences, and I believe it. The band makes seemingly effortless shifts from Gothenburgian dual-guitar shred to Megadethian thrash-gallop to soaring blues metal to druggy, proggy post-rock to Crowbarian molasses… and that’s all within the first four songs.

It’s also got the best use of an organ on a metal album I’ve heard in a long time. I really do mean that.

As I write this, I’m listening to Monolith, and the more I listen, the more I feel like a big stupid idiot for having never written about this band before. What the fuck is wrong with me?

Monolith is streaming, in its entirety, here; at that same spot, you can also download an mp3 or FLAC copy for all of seven bucks, which, I can pretty much promise you, is gonna be the best seven bucks you spend all week. The band is working on a four song, digital-only EP cover EP, and, also at that same website, you can hear a sample of From Exile’s version of one my favorite Nine Inch Nails songs, “Ruiner,” which promises that these covers will most certainly not be rote re-recordings of the original.

And once you’ve listened to Monolith and the Nine Inch Nails sample and are now fully on-board with From Exile, you’ll want to go back and read the guest blog Eric Guenther wrote for us as part of Levi/Werstler’s site takeover back in April.

And tomorrow we’ll run that interview with Eric, which should only further enhance that tingling sensation you’re currently experiencing where your bathing suit covers.

-AR

  • fritz

    Listened to the first four tracks.. Meh. Thought it was pretty dull.

  • Avoid The Light

    Nothing but pure love for this album

  • http://www.heavyblogisheavy.com Alkahest

    How did I not know about this band? Sounds fucking great!

    And is that a clip of them covering NIN’s Survivalism on their website? Yes. Yes it is.

    • g

      “Ruiner”, actually

      • http://www.heavyblogisheavy.com/ Alkahest

        Really? It sounds just like Survivalism. weird!

  • http://www.facebook.com/people/Dre-Toledo/628955415 Dre Toledo

    Listening right now. Some psychodelic good stuff :D

  • Kyle

    these guys are great

  • http://www.facebook.com/people/Aaron-Golden/518648518 Aaron Golden

    This is exactly the type of record that you want to throw on if you are high on drugs. No normal people would ever listen to this type of “music.” I see kids playing guitar all day in Guitar Center, and I have heard a computer try to sing before, its been done. However, it’s America, and we just let anyone with a computer press record.

    • http://www.facebook.com/people/Gideon-McAdams/1343010120 Gideon McAdams

      i like the way you said “high on drugs.” what is a drug to you? you realize, when you like a song, you’re basically high on adrenaline?

      do you mean E? cause if you listen to music on E, i think you wouldn’t be talkin shit bout not listening to music while not high. you’d be shaking hands with trees and experiencing orgasms while listening to mood music.

      oh, i think you might actually mean shrooms. do not listen to this album on shrooms. DO. NOT. LISTEN. TO. THIS. ALBUM. ON. SHROOMS. if you were reading what i just said on shrooms, you are doing it wrong.

      did you mean acid? LSD? i think if you’re listening to this album, you’d probably be best getting some crayolas and drawing the cover to this album. it will not come out the way you think it will.

      btw, if you were talking about weed, your argument is invalid. weed is a fucking plant. in fact, it’s just that: a weed.

      my final analysis of this moment in time is that you should in fact go shape your life around this song:
      http://www.youtube.com/watch?v=LB5YkmjalDg&ob=av3e

      go listen to your 90s pop metal records and oh, while you’re out, could you get a fucking clue?

      • BabiesKillYou

        +2 smack down. Yea drugs!

        • Kye

          Uh huh..

          Well as someone who doesn’t do drugs (and will gladly call weed a drug, but that’s a rather idiotic argument to get into), which I suppose makes me a “normal person”, I’d like to throw out that I listen to this type of “music”(why the fuck was this in quotes) all the time.

          I could also be missing the point since the second half of the original comment doesn’t seem to have anything to do with the first.

  • Brawny

    WTF, this shit is amazing.

  • http://www.facebook.com/people/Gideon-McAdams/1343010120 Gideon McAdams

    good job in writing only about the band and not about the music the band plays. you brilliantly captured their essence… and in just one sentence.

    so here goes:

    From Exile in a list of inconsequential attributes:

    Alice in Chains/Pink Floyd vocals
    Daath/typical techdeath guitars with some more Opeth-y epic melodies (like if they were on tour together, it would all make sense if you were stoned.)
    Annoyingly numerous amount of leads
    Almost no noticable song structure, that’s including transitions
    Proggy effects on almost everything, especially vocals
    typical drums
    mostly inaudible bass, you have to pay attention to be able to even notice it’s there
    yaaaay keyboards!
    is this one of those albums where it’s one song cut into albumfriendly songtitles, or is the keyboardist just sewing the songs together?
    oh, btw, did i mention i also love this album and l listen to it in one go every time?

    i totally appreciate that a band like this can play with the aggressive qualities of death metal, yet still bring the acceptability and melodic qualities of their influences, which screams OOOPPPPEEEETTTTTHHHHHHHH.

    seriously tho, Impure Visionary’s sparse vocals almost make the song for me.

    The Unlearning Dissent is fucking epic.

    Apparition is just fucking awesome

    Veritas makes me want to MOOOSSSHHHH and then just makes me want to headbang

    In the Faded Line is an AWESOME album closer

    Exhumed rips.

    and who the fuck is Dakota West Foss? that is not my name. im gonna go pass out so i can wake up early and get free pancakes. fuck yeah.

    • AreWeHereNow?

      “is this one of those albums where it’s one song cut into albumfriendly song titles?”

      Absolutely correct. You’ll notice themes that run throughout the album. It is all quite interconnected.

      With that said, I agree with your other comment that it lacks structure… or that which is standardly perceived as song structure. The focus is on themes rather than seamless progressions of riffs that, for most listeners, creates a sense of cohesion. For me, it creates an interesting, unique listen (though I am still bothered by the lack of much needed transitions in multiple sections), for others it may seem aimless and masturbatory.

  • http://www.myspace.com/thestarsthrewdowntheirspears Tim

    I freaking love that album cover.

    Music is great too.

  • ben

    Wow, only on track 4 but I’m really loving this. Definitely going to have to part with $7 now.

  • thelump

    Woah, a gif!

  • Obsiquium Mindris

    music is cool. although they could have come up with a better name……….. when i first saw the title i thought it was just another deathcore band….

  • AreWeHereNow?

    This was originally a part of my reply above, but it got a bit long and sidetracked even though they are related:

    I think FE missed the mark if they were trying to sculpt an album that would capture the attention of a broad audience. Many people who gave this record the 30 second or 2 minute test probably turned it off, never to reopen the files.

    If these dudes were trying to create a record that would launch their career forward (broaden their fan base, make them some money, and bring support from labels, managers, lawyers, etc), Monolith is a flop when considering what these guys are obviously capable of creating. If they can retune their writing to a better frequency, they will see broader support and success. Monolith fails to fulfill multiple NECESSARY conditions for a successful record in the modern music scene (the absence of conventional structure and the experimental vocals – style and structure – are holding them back).

    If their goal was to create a unique work filled with valuable material, it is a success. I think it is and will be embraced by a small open minded community that is willing to step beyond the normal system of expression used in the metal world/western popular music.

    Monolith is a great addition to my music library and I await FE’s future releases.

  • DidgeryDo

    Here is my long overdo comment to what was a long overdo post. This album is great.

  • Jacob

    i think that not only can this appeal to metal fans today but could also appeal to classic rock fans, seeing as it has some classic rock elements in it. If this had enough publicity they would definitely get more fans and possibly a wider fan base