LEGACY TOUR DIARY, ENTRY #3: MISHA MANSOOR OF PERIPHERY BATTLE-TESTS HIS NEW LIVE SETUP
Tuesday, November 30th, 2010 at 5:00pm by BulbAs part of our sponsorship of The Legacy Tour, featuring Darkest Hour, Veil of Maya, Periphery and Revocation, one member from each band will be penning an exclusive blog entry for MetalSucks to run during the tour (get a full list of tour dates here). Our first entry featured Veil of Maya guitarist Marc Okubo taking us on a run-through of his entire live rig, and the second entry was an update from Revocation’s Dave Davidson. Here’s Periphery’s Misha Mansoor on his new live rig setup (the idea for which he first mentioned in a prior column) and how that’s working out for him:
So a little while back I posted a column about going direct with the guitars on a future tour, and that tour just so happens to be this tour we are on now with Revocation, Veil Of Maya and Darkest Hour. The idea behind going direct is that instead of having an amp/rig that goes through a cabinet then gets mic’ed up, you just take an audio signal direct to the board and skip the whole cab and mic. This allows for a simpler and cleaner signal chain, as removing the cab, mic and mic-placement variables makes the signal extremely consistent every night. Now we are going direct with our Fractal AxeFX Ultras which is an absolutely phenomenal unit for direct tones.












Metallica’s transition from the genre-solidifying Master Of Puppets to the arena-ready hard rock of Load and Re-Load was a jarring experience for longtime fans still clutching their denim vests. The problem wasn’t that they put out those (ultimately multi-platinum) records, but that they had the audacity to call them Metallica albums. Between you and me, if Load had been the debut of any other band, it’d have been hailed and praised. That’s sort of how I’ve come to view 







