LEGACY TOUR DIARY, ENTRY #1: VEIL OF MAYA’S MARC OKUBO WALKS YOU THROUGH HIS LIVE RIG

Monday, November 8th, 2010 at 2:40pm by

marc okubo

As part of our sponsorship of The Legacy Tour, featuring Darkest Hour, Veil of Maya, Periphery and Revocation, one member from each band will be penning an exclusive blog entry for MetalSucks to run during the tour. The tour kicks off this Friday, November 12th in Worcester, MA and runs through the U.S. and Canada for a full month before wrapping on December 12th in Richmond, VA. Get a full list of dates here. Our first entry comes from Veil of Maya guitarist Marc Okubo:

What’s going on guys!? My name is Marc Okubo with Veil of Maya, and today I’m going to give you guys a run down of my live gear list, and let you know what’s “under my hood” if you will. I’m pretty picky about the gear I use simply because it’s part of my job to make sure VOM sounds 100% on stage and to make sure every single note cuts though live… being the only guitar player I must re-create live all the sounds that I used on the record. The gear that I’m currently using has been my personal selection of choice for quite a while now.

RANDALL V2 AMP

Randall V2

This is a hybrid head. It’s mainly solid state but with preamp tubes in it as well. There’s three channels including clean, solid state distortion and tube distortion. I use the solid state channel on this head with the added sustain switch on. I run my EQ levels all to about 5 or 6. My tone live tends to be a bit darker than on CD mainly because a lot of shows we don’t have our own sound guy and micing adds extra treble and gain a lot of times. I run my effects pedals through the effects loop of the V2 so that I can create loops with crazy effects on them and my tone isn’t heavily altered. I send my noise suppressor through the front of my head. This amp gives me that super balls out sound that I’ve always been looking for that perfectly matches my style and sound of VOM. I used it to record our latest album [id].

BOSS GT10

Boss GT10

This is my multi-effects processor. I use this for all of my effects besides looping (even though it has a built-in looper as well). I use this mainly for creating harmonies live but also for vibrato, delay, volume pedal and tuner. The pedal has a pretty good smart-harmonist that I usually have set to diatonic thirds. I make different patches depending on the key I plan on playing in and essentially make harmonies to give the effect that we do actually have two guitar players.  I plan on using more of the pedal’s capabilities on our next album seeing as how there’s so many crazy effects that I can use to add layers and textures to our sound.

BOSS RC50

Boss RC-50

I use this for looping myself live, to create second guitar parts on the spot. The pedal also features a reverse loop option which allows me to play guitar
parts backwards and add a creepy vibe to our songs. We haven’t graduated to playing to a click track live yet so it can be kind of difficult to loop everything perfectly on time. If possible I like to record two bars of the same part so it stays on time for a longer period of time.  If it goes off I can always just stop the loop and start it over whenever appropriate. It allows you to tap tempo if you feel you are playing too fast or too slow

ISP Decimator

ISP Decimator

This is my noise suppressor. It is by far the best I have used.  It’s so strong that I usually only crank it to a little less than half way and I have virtually no feedback [depending on the venue]. If you are unsatisfied with your current noise suppressor and you have $130 laying around then you need this in your arsenal. It also comes in a cool metallic silver casing so its really shiny :).

IBANEZ RGD2120z

Ibanez RGD2110z

This is my current main guitar. I tune it to dropped B (B, F#, B, E, G#, C#). It’s different from every other guitar I’ve owned; the neck is 26.5 inches witch is pretty much a baritone guitar. It took a lot of getting used to but I’m starting to grow very used to playing it. The paint job is really interesting; it’s kind of like a silver guitar that someone shaved their afro on. its got crazy texture to it and you can never see my sweat on it.  I really like the fact that there is no tone knob on the guitar because I don’t think I have ever adjusted the tone knob of a guitar in my life. The bridge and frets are super smooth and comfortable for me. I’m not sure what pickups come stock with the guitar but I have an EMG 81 for my bridge pickup and an EMG 85 for the neck.

MONSTER CABLES / Mogami Gold Cables

These are some of the best sounding cables out there. Super clear and reliable and if anything ever goes wrong Guitar Center will exchange new ones. I haven’t transferred over to wireless yet but I plan on doing so very soon.

IN-TUNE GUITAR PICKS

I use .88 grip picks through these guys because they printed our logo on some picks. I’m currently out of VEIL picks so until I restock I will be using Dunlop tortex .88 picks. The green ones. If I keep my picking at the right angle I get the perfect amount of tone for the note and not for the pick.  I haven’t used a different kind of pick in years.

- Marc Okubo

  • David

    Great idea for an article.

    Not sure I’d ever use any of that equipment, but it’s interesting to see how he applies it.

    David

  • JByrne

    That’s a pic of the guitarist from The Faceless lol

    • Slaughterhouse

      No its not lol…Thats Mark

      • Slaughterhouse

        Oh nevermind…lol I guess they changed it before I seen the article

  • Chris

    Uhh…yeah. That’s Steve Jones from the Faceless. Way to demonstrate a perfect picture-based freudian slip, guys!

    • http://www.metalsucks.net Vince Neilstein

      oopsies!!! I goofed. all better now.

  • fightingmike

    Not into any other that gear, but i guess it works for some people.

  • herdy gurdy

    This is an awesome article. More like this would be greatly appreciated.

    • Dylanstodon

      AGREED!

      • wilson

        agreed agreed

    • Driven9

      agreed too

  • A2James

    Not a bad setup, kinda surprised he uses a solid-state amp setting for live “clarity” though. Tube distortion is the only way to go, especially to get that strong enough midrange sound while performing live. Nice Ibanez though

    • Matt

      Tell that to Meshuggah and see what they say….Last time I check they use Line 6 Vetta II’s…..Solid State. Solid state is a more consistent sound while tube is generally warmer but unpredictable depending on the power and such at a venue (even with a power conditioners I’ve experienced tube amps go finicky sometimes).

      I do like tube though so don’t get me wrong.

      • Matt

        checked*

      • Seb

        I’ve seen Meshuggah 4 times, and not only do they use Vetta II’s, but the last 2 times i’ve seen them, at least, they don’t even use cabs. Strait into the house system.

        Then again, they play in venues that can accommodate that, and have their own sound guy.

  • moldytoast164

    inb4 Misha for Periphery.

  • http://www.facebook.com/people/Alejandro-Aldana/683878171 Alejandro Aldana

    nice, i’ve got the same noise suppressor as him. my teacher gave it to me as an x-mas gift.

  • http://www.facebook.com/people/Stephen-Parker/1048411723 Stephen Parker

    I would definitely agree that the Decimator rules the suppressor world.
    It hardly colors your tone, negatively, at all.

  • Kyle Anderson

    Awesome idea for an article. Would like to see what KYLESA rigs looks like?

  • soy el niño más bonito

    i personally wanna know how John Baisley get’s that fuzzed out, grimy lead tone

    • soy el niño más bonito

      *gets

      • raptor jesus

        Big Muff with a Keely mod. Might be a FuzzFace instead of the BM, but I know he’s got the Keely mod on it.

        • Jew Nob

          I retubed his amps for him when Baroness came through Austin and he was using Peavey VTM 120′s. Not sure if he is still using those, though.

  • NYCguyFromOverThere

    Oftentimes, I hear the “cool kidz” waiting on line for a show telling there buddies what certain guitarists use and whatever. Pretty fun talk. These kinds of articles, to me, sound like something very inspiring and definitely relative to the metal scene. This really was an awesome read and maybe MS can do a monthly (bimonthly?) feature on rigs or something!!! DO IT!

    • NYCguyFromOverThere

      Well … aside from Misha’s column I guess is what I meant.

  • Pickles the Drummer Doodly Doo Ding Dong Doodly Doodly Doo

    I really liked this article and am hoping to see more in the future, particularly of Djent artists because they generally have massive rigs.

  • GuyFromKC

    Sick gear, but the dude totally blew me off at a show in KCMO after I told him “SICK set dude!” and I meant what I said. He just looked at me like I was joking and walked off, was kinda akaward.

    • marc

      sorry about that man. im sure i meant no disrespect. it must have been an off day for me or something like that. next time were town i would love to hangout and chat. hopefully i didn’t discourage you from listening to us. and thanks for the nice words :)

      sorry about the double post as well haha

      • Charlie

        I was about to say… I met him awhile back and he was absolutely cool, despite the fact that I only had the usual “I haven’t heard you guys before and it was awesome” to say. Apparently recognition hasn’t ungrounded the guy! Good on him.

  • marc

    sorry about that man. im sure i meant no disrespect. it must have been an off day for me or something like that. next time were town i would love to hangout and chat. hopefully i didn’t discourage you from listening to us. and thanks for the nice words :)

    • Scott

      Mad respect

    • http://www.facebook.com/people/Collin-Gabriel/731342336 Collin Gabriel

      LEGITIMATE!

  • http://www.facebook.com/people/Steven-Stamopoulos/575083326 Steven Stamopoulos

    I use a marshall jvm 410, and thats really noisy, especially on the high gain channels… even though the gain is usually on 4/5

    is it worth getting a noise supressor? I don’t use any pedals, (aside from the footswitch) and my band plays hard rock, (but actual hard rock, not like, sissy “hard rock”) but live it can get annoying forgetting to mute the pickup for a second.
    The noise is probably more of a nuisance when practicing actually…
    anyway

    is it worth getting a noise supressor?

    • Sam Trudell

      Absolutely. EVERY guitarist needs a noise suppressor. Worth every penny

      • Dave

        I would disagree with that. I have been playing guitar for the better part of the past 20 years and I have never owned a noise suppressor or noise gate. Too many guitar players use this pedal as a crutch. They turn the gain WAY up and then get the pedal to kill the noise and feedback. If you take the time to actually learn to play the amp, you would find that you probably need way less gain and you can control the feedback better.

    • Spanky

      I have the basic ($130) version of the ISP Decimator, and it it arguably the best noise gate I’ve ever used. Unfortunately, as with most noise suppressors, it’s only useful in live situations. I experimented with it in the studio, and it’s a tone sucker.

  • ittoa666

    They need a second guitarist.

    • Matt

      +1

      The loop thing is cool but they’d sound much tighter with a second guitarist

  • http://alternateworld.tumblr.com/ Zakk

    Marc is such a badass guitarist. If you were to go to a VOM show and close your eyes you’d never know there’s just one guitarist up there, and those loop effects are so sick haha. I always love seeing these guys live, they’re one of my favorites.

  • Jesse

    I don’t play guitar, so none of this is very interesting to me, BUT, I read the whole thing anyway, just because I love VOM. I’ve been so into VOM since I first heard Common Man’s Collapse, but never had the chance to catch them live. Fortunately that’s all going to change on Friday when I make the 5 hour drive to the Palladium. One of the best bands around today, for sure.

  • http://www.facebook.com/people/Andres-Pallavicini/100001748263922 Andres Pallavicini

    Nice, I’ve been looking for a good noise suppressor for a while now. But why have a GT-10 if it’s only used for such few effects? Wouldn’t separate analog pedals work better?

    • http://www.facebook.com/people/Scotty-Krieg/1444384710 Scotty Krieg

      Well, a multi effect processor eliminates all the tap dancing that several analog pedals would entail. also, depending on the number of effects he has, it could be cheaper to have the GT-10. I’m not sure if that’s specifically why he does it, but those are some advantages of the multi effect processor.

  • Slaughterhouse

    VOM is the shit. Love both albums greatly. I’ve seen them live twice and both times they killed it.

    As far as gear goes, I definitely need to get my hands on that Decimator. Been meaning to for awhile. I own a X3 live but should have waited for the new HD500. When I bought my X3 Live I was looking at the GT-10 as well as the RP1000.

  • plusoneintellect

    great article.

  • Ares

    NERDGASM!

  • http://www.facebook.com/dippy88 Chris

    Marc is my homeboy!

  • Lethe

    N what strings does he use? Great article though =)

  • http://www.facebook.com/people/James-Centers/542069401 James Centers

    Marc is awesome! I love the V2 and the GT-10