DOOMBOX: GRAF ORLOCK’S SHORT, SWEET NEW EP

Wednesday, November 24th, 2010 at 12:00pm by

I dare you not to like Doombox, the new Graf Orlock EP. Seriously. I dare you. I will give you $40* if you can genuinely convince me it’s not great. And I will be a man $40 richer, because it’s ridiculous. It pulls out all the stops: viciously serrated metalcore brashness, epic samples, gritty production, and most of all, a pretty solid balance of fun and brutality, something a lot of (blank)core bands either over- or under-do. Doombox is brief but incredibly effective. So go ahead, try not to like it. This $40 could be yours.

Like most decent releases, Graf Orlock make it sound effortless, like they wrote the whole thing in the amount of time it takes to listen to Doombox (about 12 minutes). But a closer listen reveals that these guys know their shit: the samples that start each song color what comes after it, lending the band their trademark cinematic quality — they’re two minute epics that say a terrific amount despite the vocals being generally indecipherable. But pretentiousness doesn’t rule the day here: ass-kicking does. Premonitions of War-style grind riffs pummel before they drop a massive, swaggering rock n’ roll riff on you. The vocals run the gamut from gruff to obnoxious, but only stick around for as long as need be. Nothing overstays its welcome, but Doombox doesn’t feel understuffed, either. There’s a journey and definite arc, and before you know it, it’s over. You’re looking up and feeling bruised but exhilarated, wondering if you want more of if you need to step back for a few minutes and maybe listen to some Catherine Wheel to cleanse your palette.

Graf Orlock aren’t the first band to sound like this; in fact, I’d argue that, on paper, “(blank)core with grindy parts and samples” is right up there with At the Gates riffs and breakdowns in terms of shit that’s tired out. But not a lot of bands pull it off quite like this. The samples are a part of a greater collage instead of arbitrarily slapped on there for “badass” or “LOL” purposes. In fact, the mere acknowledgment of a greater collage instead of an excuse to punch your friends at a VFW puts Graf Orlock leaps and bounds ahead of their contemporaries. So go ahead, call the EP overrated. Listen to it once and turn your nose up. But if you can look me in the eye and tell me that Doombox, in just over ten minutes, doesn’t get under your skin and MEAN it, this $40 is yours. No joke: I feel that confident in it. Just when you think this sort of thing’s been played out, Graf Orlock come along and make you feel like an asshole.

(4 out of 5 horns)

-SO

*Offer not valid in all states, provinces, countries, and real life

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  • jethr0skull

    I’m not a tapeplayer hater

  • John

    Band is fucking incredible live

  • http://www.facebook.com/people/Randon-Bowerman/100000186242024 Randon Bowerman

    Bore Core

    • datrick

      word

  • http://www.theoppositionmachine.wordpress.com the opposition machine

    one of my favorite bands right now….these guys are unfuckwithable

    • http://www.theoppositionmachine.wordpress.com the opposition machine

      oh shit..i think i actually owned that radio back in the day

  • NoNameNoSlogan

    Sammy O’ Hagar You are, seriously, the only good contributor to this site IMO. Every time I say to myself “fuck this site. why do I keep coming back here?” you post something that’s awesome or one of your *ahem* “colleagues” refers to one of your posts and I say to myself “well at least they have Sammy”

  • Chad Ochocincolol

    Where can I get this right now

    • Ryan

      right?! where’s the release date? where can i get this? WHAT THE FUCK

  • Ryan

    since MetalSucks sucks…get DOOMBOX here: http://www.graforlock.com/vitriol/

    pre-orders start 12/17

  • legato

    that EP cover is made of so much win

  • http://www.facebook.com/people/Gabriel-Orwig/1344939887 Gabriel Orwig

    how can I listen to this?

  • Sakkage

    Reminds me of the cover of a Saliva album.

    • CoryJude

      I booked these guys at a skating rink in Louisiana back in like, ’05 or something with Bleeding Kansas. The two bands set up facing each other at the same time and played “battle style,” each alternating playing songs. It was pretty amazing.