RIGGED: MACHINE HEAD’S PHIL DEMMEL TAKES YOU THROUGH HIS CURRENT ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL GEAR SETUP

Wednesday, July 13th, 2011 at 4:00pm by


Rigged

(Photo by Fiaz Farrelly)

Greetings to all you MetalSuckahs from Reno, Nevada where Machine Head are doing a warm-up show before the Rockstar Energy Drink Mayhem Festival starts in two days. My name’s Phil Demmel, I’ve been playing guitar with these guys for the past nine years and I’m stoked to share with you gear-heads the rig that I’m currently using.

As of two days ago we’ve switched to using an amp/tone/effects processor called the Fractal Axe-FX.

We’ve been able to program our Peavey 5150/6505 settings into it and interface it with our Custom Audio Electronics effects unit so we have access to all our presets, and also manual moves if need be. Included in my CAE unit is: Rocktron Prophecy 2 for some clean tones (it will be weeded out after I get more familiar with the Fractal), MXR Zakk Wylde Overdrive, MXR Super Fuzz, BOSS CE-5 Chorus, MXR EVH Phase-90, BOSS NS-2 Noise Suppressor, Voodoo Lab pedal power, Electro-Harmonix Electric Mistress.In the effects loop- BOSS DD-7 delay, CE-5 chorus and a compressor for that Neil Schon sustain. Depending on the venue I’ll use the rack mounted Dunlop Wah or a Zakk Wylde wah (in polka dot Buddy guy casing tributing Randy Rhoads).

It’s controlled by a footswitch that I have onstage and my tech has back with him. I do most of my own moves now but soon he will be making them for me off-stage.

My signal path starts with my Jackson Demmelition Signature Series guitars. We use Dunlop strings and Dunlop Ultex Sharp picks.

My tribute to Randy Rhoads:

and my newest Boondock Saint 27 inch scale baritone;

From there my wireless signal gets transmitted to the Sennheiser receiver, then to a Boss tuner and then to the Fractal. We’ve switched over to In-Ear Monitors so there are no cabinets on stage.

I also take my inspiration with me everywhere we play:

We play in drop B tuning +40 cents for most songs and C# standard +40 cents for a handful of others. For a few songs (“Ten Ton Hammer” and “Left Unfinished”) we tune the 3rd string up a half-step for an evil 5th fret harmonic.

So that’s about it. Machine Head has a new record coming out this September called Unto the Locust and we’ll be playing on the Rockstar Mayhem Tour this summer. Come check us out!

- Phil Demmel / Machine Head

  • Zane

    This column would be a lot more interesting if everybody didn’t just use the Axe-Fx, which I’m sure is killer, but doesn’t make for good reading…

    • Builtforsin

      Before that everyone used a 5150 and a Tube Screamer…

      • http://www.gravatar.com/avatar/f60fa9e6421f91d4c1d1d0e1fe20a144.png Goro923

        This. I didn’t know why everybody was jizzing over the Axe-Fx, but holy shit it has everything you could want and none of the effects sound cheap.

      • Zane

        No doubt…

        • Matt

          It’s a matter of convenience. I still say tube heads have more balls (even though most people use a tube power amp to push the axe-fx, I think it still lacks the tone compared to when you push the tubes on a normal tube amp) but I understand why bands are going this route.

          And the reason people used 5150′s so much is because you can throw one down a flight of stairs, turn it on, and it still works. AMERICA!

  • http://www.facebook.com/people/Seth-Jones/736964211 Seth Jones

    all that stuff is worth more than my house

    • Adam

      Where do you live? I would love to buy a house there!

      • http://www.facebook.com/people/Seth-Jones/736964211 Seth Jones

        lol maineville, ohio.

  • Matt S

    Hah, Reno, my hometown.

    • Farva

      I am truly sorry for your lots.

  • Dissolution

    Met him yesterday in Auburn (and the rest of the guys in MH), waaaaaaaaay cool dude. We bought my little bro his signature Jackson guitar and were talking to him about that. Great dude, sick guitar player, and is in my favorite band. Fucking excellent.

  • Ghost

    Holy the boondock saint looks killer

  • Coors Light

    Guitar is awesome. Too bad I still HATE Machine Head’s guitar tone. I’m sure I’m probably in the minority.

    • FongChung

      It’s not their guitar tone that sucks. It’s their trend hopping records that are atrocious.

      • Ben

        Har har har. You’re sooooo hilarious. You got them there.

        How about you shut the fuck up?

  • http://www.facebook.com/people/Chris-Lyons/1593360020 Chris Lyons

    kinda sad to see the 5150′s go, but can’t blame a player for going with the Fractal for a simpler road setup.

  • eetfuk

    No cabinets on stage?! Is this a polka concert?!

  • http://www.facebook.com/people/Rui-Alexandre/654298181 Rui Alexandre

    I’m pretty sure they have fake, hollow cabs in there.

    PS: Fiaz rocks your socks!

  • http://www.facebook.com/people/Pierre-Rigo/781472277 Pierre Rigo

    So that confirms the tuning. I was wondering if it the”+40cents” were on purpose. Yes they are.

  • harro1

    He has a Prophecy II and is switching to the Axe-FX ?!!? Holy crap that Fractal gear must be the shit!

  • http://www.facebook.com/people/Justin-Lee/100000286726780 Justin Lee

    dissapointed that theyre using modeling stuff instead of real amps :P

  • David

    “It’s controlled by a footswitch that I have onstage and my tech has back with him. I do most of my own moves now but soon he will be making them for me off-stage.”

    Is he basically saying that he’s training a guy to slap his footpedals for him backstage?

    That’s almost as bad as that time they found the xtra drummer under Judas Priests’ stage, playing all the drum parts.

    • Adam

      That’s actually fairly common and if you think about it, not having to tap dance around enables him to concentrate on performing and….stuff…..

      • http://www.facebook.com/people/Nathan-Lawrie/1357645181 Nathan Lawrie

        CHICKS FLASHING TITS IN CROWD

        TITTTTS