Swedish death-thrash quintet The Crown is so awesome that their music overcomes your personal preferences and tastes. They represent a hot bikini fox that even your gf ogles, a burger whose aroma mesmerizes your vegan pals, a party joint on which squares toke sociably. So, extreme metallers can laud the quintet as the elite of their genre, while everybody else can say, “I’m not way into that scene, but I love The Crown.” They’re a common denominator, an irresistible force. Though their stuff is out there, it gets in you. Everybody saw Star Wars. Everybody reads In Cold Blood. Everybody can love The Crown. This is my belief srs.

And there’s more Crown to love as of last week when they announced their second reunion with original vocalist Johan Lindstrand. This follows a hiatus-breaking entry in the Crown discography, the tight, monochromatic Doomsday King (with ex-God Macabre screamer Jonas Stålhammer). It’s an unusual Crown album, admits guitarist Marko Tervonen, and one made under “difficult” circumstances. Its reception was unusual too: Some fans perceived a thematic about-face by the devilish Crown and firmly decried Doomsday‘s Christian-ish tone. About this mild backlash, a friendly and laughy Tervonen spoke with MetalSucks last week between answering a billion questions about the brief Stålhammer era, his awesome strategy for The Crown’s next classic album (forecast for a late Spring release), the new opportunity to reunite with Lindstrand, their slight tour schedule, families, friends, confusable album titles, and the songwriting arsenal/ball-crunching power of the “properly” reunited Crown.

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Last time we spoke with a member of Mastodon was when we interviewed Troy Sanders in person on the Rockstar Mayhem Tour in 2008. It was our biggest interview to date, and we were a bit starstruck. MetalSucks has grown leaps and bounds since then, and Mastodon have too; they’ve toured the world several times over and become without a doubt one of the biggest metal bands on the planet. This Mastodon interview session’s subject was guitarist Bill Kelliher; having now interviewed a number of my heros I wasn’t nervous like I was back in ’08, but it’s always a pleasure to speak with someone whose art you respect so much.

When I’m connected with Bill he’s cruising around Atlanta in his ’64 Pontiac Catalina “because it’s a beautiful day.” Doing nothing seems to be Bill’s preferred activity when he’s not on the road, which doesn’t happen much these days with Mastodon’s busy schedule. After his cruise and our interview, Bill was planning on a quiet night at home with the family: “I’ve got 2 little boys and usually it’s a birthday party or something that we’ve got planned – dinner parties or whatever. It’s always something. My wife and I are just like ‘let’s have a night to do nothing tonight.’ Sit on the couch maybe and watch a movie with the boys.” With Mastodon’s new album The Hunter coming out on September 27th and a headline tour with The Dillinger Escape Plan and Red Fang following shortly thereafter, Bill better squeeze in these nights while he still can.

The Hunter takes Mastodon in a different direction than their past two magnus opuses (opii?). None of the record’s songs are over 5 minutes long. According to Kelliher, the band just “dumped out [their] bag of riffs” and assembled them into songs that worked without worrying about a grandiose concept. “Can we just write a record and have fun and not have to have all these crazy stories and imagery? Can we do without that on this record?” Indeed they can and indeed they have. Kelliher’s thoughts on that and more after the jump.

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Well, we’ve arrived at my last post I’ll be making here during my 24 hour take over of Metalsucks.net and this one’s gonna be a doozy.

Before I get started I’d like to extend a sincere thanks to Vince and Axl for allowing me to come into their home and ruin it A.C. Slater style. I really appreciate the opportunity and I hope I didn’t do too shitty of a job.

The contest rules said I could post any-fucking-thing I want but I’m really wondering if this last post will be the “exception” to that rule?!  I will say this, if this is posted in full I will have the utmost respect for Ben Umanov (a.k.a. Vince Neilstein) because he’s gonna have to swallow some pride by allowing it to happen.

Just to be clear I mean no disrespect by anything that follows, it’s just something I personally feel needs to be addressed.

On July 25th, Ash Avildsen-the owner of Sumerian Records-posted a blog expressing his opinion on the whole Spotify/Metalsucks situation that’s been brewing on this site as of late while also taking some pretty strong shots at Metalsucks.net’s owner, Vince Neilstein.  Readers of this site have continually asked for a response from Vince, yet he’s remained silent; something that’s completely unlike him to do.  I strongly feel that Ash’s opinion should be made available to as many people as possible though.  Why?  Because we’re in a time where label after label is failing along with hundreds of thousands of bands and management companies.  Not Sumerian though.  They continue to grow at a pretty alarming rate and I think there is something to be said for that; they must be doing something right.

As an avid reader/loyal fan of Metalsucks I used to dig how Vince would post on a certain topic and give his well thought-out opinion in a calm and collected manor.  A great example of this was when Ash created a video sharing his opinion on music piracy.  Metalsucks featured it in a story along with a very fair analysis of it by Vince where he shared his opinion on what he agreed with along with what he didn’t-all while maintaining a certain level of respect.  That’s what get’s my respect and is a HUGE reason why I love Bob Lefsetz.  He’ll voice his opinion on a topic then when he does his follow up “Mailbag” newsletter he is pretty 50/50 in including ones from readers fully on his side all the way to ones totally tearing him apart; even ones where they say he’s an asshole that doesn’t have a clue what he’s talking about.

With that said I think the whole Spotify debate that’s been raging on this site as of late has gotten really out of hand.  Vince almost seems to become enraged if someone doesn’t agree with his opinion on Spotify.  As the whole has progressed it’s seemed to be getting worse and I’ve started to think that he’s only posting interviews/opinions of others that are inline with his.  Yes, he’s posted responses from parties that disagree with him on the matter but they always seem to be ones that are really weak and easy for him to pick apart which of course makes it easy for him to come out looking completely right in the matter. With that said I think Ash’s blog was VERY well written and really provided some great insights into why it is important for labels to get revenue off of their bands music sales.  It was strong, concise, to the point, and was presented in a very easy to understand manor and I have a feeling that’s why Vince didn’t respond-it really called him out. Keep in mind they had no problem posting Ash’s response when it was attacking The Gauntlet.  Personally, I was anxiously awaiting what he’d have to say and was pretty bummed out when a response never came.

I do realize this is Vince’s site and he can do whatever the fuck he pleases but I also feel like there’s a certain responsibility that should be carried so you don’t come out looking like Fox News.  For many readers this is the ONLY site where they’re getting information on this whole Spotify thing and I strongly feel that they should be able to hear both sides perspectives so they can fairly form their own opinion on the matter.  After all, when a jury’s deciding which side to take in a trial wouldn’t it be a little unfair to the defense if the prosecution were the only ones allowed to make their case?

So first check out Ash’s entire blog which I’ve reposted below and after that you’ll find an interview I conducted with the man himself this week.  I had so many things I wanted to get his in-depth opinion on and he was kind enough to answer everything in full!

As for me, as I said in the beginning it’s my last post-I hope you enjoy it as well as everything else I posted today!  As for this post you may be asking yourself: is this the ultimate troll, a statement on unbiasedness, or a loving attempt at putting out the fire on those bridges?  I’ll let you decide…

Love your favorite guest writer in Metalsucks history,

Justin Gosnell

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Chris Adler is a man that needs no introduction.  He’s revered worldwide for his skills behind the drum kit and his band-Lamb of God-is absolutely one of the biggest metal bands in America today.  You’d think after becoming so renowned as a drummer and having his band take part in such huge events (world tour as direct support for Metallica anyone?!) he’d take it easy and just rest on his laurels.  That’s completely the opposite of the truth.

Chris continues to work harder than ever to this day to not only refine his craft but to also keep up with what’s going on in the metal world today.  Chris was gracious enough to spend some time with me where we discussed everything from his decision to switch from bass to drums, all the way to the details on his drum clinics, as well as his thoughts on Bandhappy.com.  

Check it out and troll away in the comments section.  For more info on Chris Adler and all his current actives be sure to check out his website by clicking here.  

-Justin Gosnell

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John Wesley has had quite a career in his life.  I could tell you about it myself but I think he does a better job of it in this interview than I ever could do on my own.

I’ve been very fortunate to get to know Wes pretty well over the last couple of years and was even blessed with the opportunity to record some Vestascension material with him down at his studio in Florida.  One thing I’ve found out about the guy is that he is real.  He’s just an all around great person that has a great heart.

Seeing as how he’s been touring since I was a baby-and he’s slowly worked his way up through the industry while facing MANY hardships and overcoming many obstacles-I jumped at the chance to discuss all of this with him at length.

Check out the interview below and make sure you go check out his latest EP calling The Lilypad Suite by clicking here.  

-Justin Gosnell

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Ok.  Where do I begin…

Chances are there’s quite a few of you out there in the metal world that don’t know the name Bob Lefsetz.  For those that do however-actually for anyone that does-you’re fully aware of what a goldmine this guy is in terms of the knowledge and insight into the music business he posses.

Some people don’t like to hear what he has to say, some people claim he’s mean and/or cruel.  Well you know what?  99.99% of those people are the ones in bands that fucking suck, the ones that complain the industry isn’t fair, the ones that think it’s supposed to be easy to be a rockstar, and really just any band that’s still in disbelief that Warner Brothers hasn’t come and scoop them up out of their mommies basements and put them on tour with Metallica opening for them.

PAY ATTENTION-there’s not one damn thing I’m going to say today that’s of more importance than this:  IF YOU DON’T SUBSCRIBE TO HIS MAILING LIST DROP EVERYTHING YOU’RE DOING AND SIGN UP NOW BY CLICK HERE!  I promise you, if you’re a musician that’s trying to navigate the treacherous waters that are the current music industry this guy will seriously help you.  There’s a reason why Bob is so widely respected by so many of the top people in the industry both on the business side of things as well as the musicians themselves.

Since I’ve been focusing today on trying to help out up-and-coming musicians I was going to write a post basically stating exactly what I said above-and that was it.  On a whim however, I decided fuck it, I’m gonna ask Bob if I can interview him.  So, I shoot off an email.  Now, I’ve emailed him before about marketing and whatnot and tried to share a few ideas and believe me I pray every night that he’ll maybe one day notice my own band or those marketing ideas I’ve tried to develop (of which I’m opting not to link here out of sheer respect).  Why?  Not because I think he’s some magic genie that’s going to write about my band or “make it happen”-far from it.  It’s because-and I don’t know if this is even how to describe it-once you have followed him for awhile and understand his mind you just want approval from him.  He’s like that dad you have that is always stern, like a military dad, and you kind of go through life always just thinking “FUCK, if he’d just pat me on the back once or just say good job!!”.  In a nutshell, that’s my relationship with Bob. lol

So with that said, when I was sitting on my laptop and I saw an email pop up from him that wasn’t one of his newsletters I almost sharted-no fucking joke.  I’ll admit something too (and if Bob is reading this he’s going to be like “that asshole-I knew he was a fucking unprepared noob!”).  I didn’t have a single question written.  I seriously never in a million years expected for him to accept my request.  I would have expected to get an email from Zeus before ever getting one from Bob.  Maybe it’s because of what his email said too – “Ok, can you do it right now?”.  So, I did what any self respecting man would do and I lied and told him I needed 15 minutes because I was stuck in traffic (sorry Bob!).  Then, of course I faced writers block.  After all these years I’ve spent reading his shit and all the millions of things I’ve wanted to ask him how the fuck could I not think of one fucking question to ask him once he finally says that he’s ready to answer them?!

Well, as it turns out Bob is a pretty cool guy.  Yeah-he has a strong opinion and he’s not afraid to let you know it and certainly not afraid to fight for his causes.  To be totally honest I was nervous as fuck.  I’ve been very lucky to meet almost all of my heros in music.  I won’t name drop, but really, pretty much all of them.  However, never have I ever  been more nervous than I was when I was interviewing Bob.  And I’m sure it showed as I stumbled through questions.  Then my phone got disconnected not once, but twice.  The first time I thought I was sucking so bad at interviewing him that he just hung up.  He is a very busy guy so I wouldn’t have had any hard feelings.  But, he actually let me try 3 fucking times to get it right-and it ended up working out-and well, that’s that.

Thanks for listening to my long ass story….now it’s time to open your ears and listen to what Mr. Lefsetz has to say…

-Justin Gosnell

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When I first began making my list of all the people I wanted to interview Mike Mowery was one of the first names I added.  His management company-Outerloop Management-is rapidly growing and becoming more and more successful at a time when so many others are failing.  Outerloop’s current roster boasts some of the hottest names in the industry right now including Periphery, Darkest Hour, Veil of Maya, Dying Fetus, Misery Signals, Oceano-and the list just goes on and on.  (For the complete roster click here).

You fucking trolls will of course say alllll those bands suck and they’re allllll gay.  Well you know what, fuck you.  You can act like a bunch of little assholes and pick apart each little band and cry like babies about why you don’t like them but you CAN NOT deny that those bands are becoming more and more successful.  In fact, that’s what makes your pussies hurt so much-they’re out in the world playing todays biggest and best metal tours and you’re at home playing a tour on Guitar Hero.

For you bands/musicians out there that are looking for some great advice-this is for YOU!  Mike Mowery is a fucking management WIZARD.  So, listen up because the man himself is getting ready to drop some very useful knowledge on you…..

<3 Justin Gosnell 

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Well hello again!

I hope you’ve been enjoying everything I’ve been posting here today on Metalsucks.net.  This next interview is really something I was beyond thrilled to be able to do!

A Perfect Circle is without a doubt one of my all-time favorite bands and are also a huge inspiration on myself as well as my own band, Vestascension. So, when Matt McJunkins agreed to do an interview with lil’ ol me, well, I basically soiled myself.  Matt is a really awesome dude and everyone out there should give this a good read even if you’re not into any of the bands he’s involved with.  He provides some very interesting insight into what it takes to land an audition and what to do and what not to do if you actually land one.  Of course he also talks about his work in A Perfect Circle, Ashes Divide, Puscifer, 30 Seconds To Mars, and even gives a few details about his new project with Jeff Friedl.

Check it out below and if you’d like to know more about Matt click here to visit his official website.

-Justin Gosnell

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If you’re into what’s happening in the modern music world and especially the modern metal scene then you’re no doubt already familiar with the band Periphery.  To say they are carrying one of the biggest buzzes in the industry right now is an understatement.  While you may have heard of them, and even be a huge fan of their music, what you may not know is that they are continually focused on giving music lessons and teaching any and all up-and-coming musicians who want to learn.  Giving lessons has become a standard part of just about every tour they do and in a time where other bands find they are struggling to stay afloat on the road, Periphery uses this approach to not only bring in some invaluable extra money while on tour but also to enrich the next generation of musicians and create a stronger bond with their fans.

Periphery’s drummer Matt Halpern has gone way above and beyond with Bandhappy.com, a forthcoming website that has been many years in the making.  Once a musician creates an account on Bandhappy they are then able to pay for and take LIVE, online or on tour music lessons from a plethora of musicians and teachers from all over the world. If one would like to teach, anyone can apply, and once approved, all teachers gain access to an online profile where they can set their schedules, rates, and teach either online or on tour, anytime from anywhere – it’s easy to use and gives complete control to the teacher, enabling them to provide a truly personal learning experience. Perhaps the most awesome feature of Bandhappy is that it provides a great opportunity for students to take LIVE and personal lessons from some of the top names in the industry.  Something like that can be a complete dream come true and is something that’s never be made available before.  I certainly couldn’t imagine myself when I was 16 being able to take a guitar lesson from Adam Jones-my mind would have exploded!

Matt was kind enough to give me all the details on Bandhappy and more in the following interview.

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photos by Daniel Zetterstrom

In April, Jeff Loomis (#7 on our list of the Top 25 Modern Metal Guitarists) and drummer Van Williams announced their departure from Nevermore. And while bands lose members all the time, few splits have ever rocked the metal world the way this one did. The idea of Nevermore without Williams and, especially, Loomis, seemed like blasphemy to a lot of fans — including this one. For Loomis is truly a guitar god; his style and sound define Nevermore, and if he retired tomorrow, his legend would already be assured.

But Loomis stayed quiet about the cause of the split, even as Nevermore vocalist Warrel Dane openly talked smack in the press. Instead of dwelling on the past, it seemed that Loomis wanted to concentrate on the future: In July, he teased a new solo effort — his first since 2008′s Zero Order Phase — and in August, he revealed that he’d recruited some pretty incredible collaborators for that album, including Soilwork drummer Dirk Verbeuren, and 7 Horns 7 Eyes’ guitarist Aaron Smith, who is producing the release.

And while there’s still no official release date or even a title for Loomis’ first post-Nevermore outing, he has, at last, started to speak out on the whirlwind year he’s been experiencing… albeit cautiously. He’s granted interviews to a few European magazines, but MetalSucks is the only North American media outlet with whom he has discussed — and, as we understand, will discuss — the break-up. And, yes, as card carrying members of the Cult of Loomis, we were only too thrilled to be able to get his side of the story.

After the jump, read everything Loomis has to say about what went wrong with Nevermore, how he feels about Dane’s comments in the press, the current status of his relationship with Dane and Nevermore bassist Jim Sheppard, and, of course, some juicy details on his new solo album.

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A veritable force within the pantheon of doom, the mighty YOB have recently unleashed their most focused album to date, Atma. Once again, they do not disappoint, offering the listener a soul-crushing, transcendental experience of balls-heavy doom/sludge. YOB possess that rare triple-threat quality of producing consistently excellent recordings, performing flawlessly live, and bringing forth an intelligent, complementary aesthetic to their music. I caught the band on their recent US tour with Dark Castle, which if you missed, means you receive an F in life. The band is about to head across the pond to Europe with Dark Castle and Kongh, captivating new audiences and destroying speakers along the way. I

had the chance to catch up via e-mail with YOB founder Mike Scheidt, where he gave his insight on the band’s growing popularity, working with Scott Kelly, and YOB’s unique inspirations. So spark up some hash, put Atma on your speakers, and enter the devastating world of YOB.

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Photo by Clay Patrick McBride

Sebastian Bach’s new record is surprising and unsurprising. That is, no one who has witnessed the former Skid Row singer’s recent playdates with members of Asking Alexandria and Black Veil Brides could be shocked by Kicking And Screaming‘s slick, modern vibe. Plus, a clue was provided by each of Bach’s personnel moves, be it a 21-year old guitar prodigy, or a producer of tight radio rockers (Shinedown, Saliva) and lovable old guys (Iommi, David Lee Roth). And duh it’s 2011: For mainstream rock, the choice is big production or small potential. And there is nothing small about Sebastian Bach.

Anyway, those were my thoughts during the opening notes of Kicking And Screaming. But the album’s surprise element mounted with each song: He pulled it off! Yes, Bach is great at bright, pop-punkish hard rock throughout the totally lovable Kicking. Eventually it dawned on me that Bach might’ve been supplementing — not discarding — his OG fans via cavorting with scenebros, dissing of today’s Skid Row, and tabloid-friendly barroom antics. Via producer, boy wonder axeman, and his own snarling edge, his aim was a collection of jamz for both sensibilities and their overlap. Via classic Bach thrust and charm, Kicking is a Skid Row fan’s newest friend.

Last week, I spoke with Baz about Kicking And Screaming‘s creative team, singing high, being high, Steven Adler, John 5, Phil Varone, and tons more in an epic MetalSucks interview that crescendos from chill (excited new album chatter) to silly (an impromptu stoner giggle party) to rampage (invective against the Skid Row he never bargained for). Read and laugh!

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In what seems like really not that much time, Magrudergrind have become one the most popular bands in all of grind — and it’s easy to see why. Not only do their albums kick ass all up and down the boulevard, but their live show is truly something to behold. Last year, a friend of mine who didn’t “get” the appeal of Magurdergind’s recordings saw them live and was promptly won over by them, which, really, is the highest compliment that can be paid to a band’s live act.

Whether you’re already aware of how great they are live or you still need to have your Magrudercherry popped, you’re in luck — the band’s nine day tour with the legendary Despise You begins tomorrow night (get dates here). We couldn’t think of a better way to celebrate than to e-mail Magrudergrind front man Avi Kulawy some typically irritating MetalSucks-style questions. Lucky for us, he was a good sport about it!

After the jump, get Kulawy’s thoughts on what makes this particular tour special, which member of Magrudergrind has the stinkiest van farts, vocal warm-ups fit for grindcore, and more.

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To be in Anthrax today, it must feel like standing at the mouth of a transcontinental pipeline, squinting, feet poised to step out of dank darkness and into light. Cuz that tunnel reaches all the way back to 2003′s We’ve Come For You All and through a reunion tour with singer Joey Belladonna in 2005, a second parting with Belladonna and an attempt at redrafting singer John Bush in 2007, the late 2007 arrival of new singer Dan Nelson, the completion of Worship Music mark I, Nelson’s abrupt flake-out in July 2009, a few shows with Bush that Fall, the plan to re-enlist Bush full time (he declined), the second return of Joey Belladonna, and the second completion of Worship Music with Belladonna and producer Jay Ruston (Steel Panther, The Donnas). Got all that?

But after that stressfest — one nearly the duration of two presidential terms — Anthrax now emerges from the tunnel of stink into fresh air and sunny skies: The completed Worship Music rips. You love it. On it, drummer Charlie Benante and crew fold Joey into the modern Anthrax heavy rock sound (e.g. “Crawl” “The Devil You Know”) and roll out big, punishing waves on which Joey surfs, a melodic power-voice plowing forth atop a Thrash Metal rip curl (“Judas Priest” “Fight ‘Em ‘Til You Can’t”). It’s crazy that there’s an album at all; Worship Music might’ve never survived its parents’ nutty divorce. But Worship Music lives and lives loud as the long-awaited modern Joe-thrax album, the never attempted sequel to 1990′s Persistence Of Time, as Anthrax’s challenge to Big 4 snorers who coast on fumes as relevance laps them, and as a modern metal instant classic.

About the whole ordeal and its happy ending, MetalSucks talked with an affably frank Charlie Benante, who betrayed no fatigue from answering a billion picky questions about the fans’ perspectives, the band’s stiff upper lip, their stone-faced guitarist, Persistence‘s status as a dark classic and harbinger of ’90s frown metal, Joey’s solo career, double albums, Jody Watley, and a prompt follow-up to Worship Music.

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After Tesseract bassist Amos Williams and I finished chatting about the band’s new singer Elliot Coleman, I couldn’t resist: I asked him about Spotify and his record label’s decision to leave the service. From there the conversation evolved into a friendly debate about the future of the music industry: do streaming services play a role? how do they alter the landscape? how can record companies adapt? Amos is obviously a lot more than just the bass player of a metal band; he’s a smart businessman with a good head on his shoulders, even if we don’t see eye-to-eye on everything. And he’s incredibly thoughtful and polite to boot.

The remainder of our chat after the jump.

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The Accüsed turned thirty this year. What did they do to commemorate the milestone? Did they reissue one of their early crossover classics in a five-CD box set format with four hours of throwaway demo tracks? Nope. Did they play The Return of Martha Splatterhead in its entirety on a lifeless reunion tour? Not a chance. Did they switch up their sound in a bid for relevance? Hell no. Ever the black sheep of the Pacific Northwest extreme music scene, The Accüsed celebrated by playing the smallest, least-traveled markets they could find in the region, as part of their “Backwoods Bloodbath Tour 2011.”

You could see that approach as either a humble “thank you” to the small towns that supported The Accüsed while they cut their teeth back in the ‘80s, or a “fuck you” to the notion of a self-congratulatory victory lap. Maybe it’s both. Legacies are for dead men anyway. And if the affability of the band’s guitarist Tom Niemeyer is any indication, The Accüsed have a whole lot of life left in ‘em. Nevermind that Niemeyer is the lone remaining original member of the band. The Accüsed will keep on going as long as their murderous mascot Martha Splatterhead has more work to do. And she always has more work to do.

We talked to Niemeyer about the evolution of the band, his horror obsession, and how he stays motivated after so many years.

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(TesseracT 2k11! Official photo with new vocalist Elliot Coleman.)

Yesterday the metalsphere with abuzz with the news that TesseracT had parted ways with vocalist Daniel Tompkins and had replaced him with Sky Eats Airplane / Of Legends vocalist Elliot Coleman. Instead of opting for the traditional route of announcing a band member swap with much media to-do, TesseracT just went and showed up for a gig in Milton Keynes, UK with Coleman holding the mic, didn’t say a word, and let the Internet do all the dirty work for them. Today TesseracT came out with an official announcement featuring quotes from various involved parties, but we’ve up and done you one better: an interview with bassist / main band-businessman Amos Williams.

Amos shared with us his thoughts on new vocalist Elliot Coleman, how it came to pass that Tompkins and the band parted ways, future U.S. tour plans, a new album and what the band members do when they’re not touring

Our chat after the jump. Later this week we’ll unveil Part 2 of the interview, in which we talk about… well, just wait.

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Though some of you may be tired of me writing about it, This Is Hardcore was awesome this year. One of the festival’s highlights was Deathwish recording artists Bitter End, a San Antonio, TX act with a penchant for New York style hardcore. I already knew that their latest record Guilty As Charged was one of my favorites from last year, but when during their set I found myself shouting along with the majority of the lyrics, I realized just how much it had stuck with me. I was originally scheduled to interview the band in person after their set, but in all the chaos and fun that didn’t happen. Fortunately, guitarist Jacob Henderson answered a few of my questions via email while on the way to their next gig.

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Without question, Trapped Under Ice is one of the biggest bands in hardcore today, an impressive coup given their relative newcomer status compared with established scene leaders like Hatebreed, Madball, and Terror. Through hard work, hard touring, and undeniable talent, the Baltimore band have somehow managed to fight their way to the top riding the wave of their 2009 game-changing LP Secrets Of The World. Their forthcoming follow-up, the ominously titled Big Kiss Goodnight, has already garnered considerable excitement among hardcore fans. A few days prior to this past weekend’s This Is Hardcore festival (review here), I seized the opportunity to speak in depth with TUI frontman Justice Tripp about the new album. That interview is available for your enjoyment below the cut.

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Italy’s Fleshgod Apocalypse are the current winners of the Band I Had No Idea Was So Popular Award.  Every time they sneeze, we get a cavalcade of e-mails about it. And when they played as part of the MetalSucks-sponsored Summer Slaughter tour (remaining dates here) in New York last week, the venue was packed when they went on despite the fact that it was 3:30 in the afternoon on a Thursday and they were only the second band on the bill — and the crowd knew every song. I was, frankly, shocked.

But pleasantly so! Fleshgod Apocalypse are fucking great, and they deserve all of the success they’ve been experiencing as of late. I suspect that their new full-length, Agony (out now on Nuclear Blast), is going to wind up on a lot of year-end lists, and their live show absolutely does not disappoint. These dudes are the real deal.

So I was stoked to get to speak with guitarist/vocalist Tommaso Riccardi, guitarist/vocalist Cristiano Trionfera, and drummer Francesco Paoli a couple of hours after their Summer Slaughter set. After the jump, check out our chat about touring the U.S., breaking out of the Italian metal scene, the differences between American crowds and European crowds, their upcoming MetalSucks-sponsored tour with Decapitated, Decrepit Birth, The HAARP Machine, and Rings of Saturn, and more.

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