Archive for the ‘Scraping Genius Off The Wheel’ Category


TRAPPED UNDER ICE’S JUSTICE TRIPP: THE METALSUCKS INTERVIEW

Thursday, August 18th, 2011 at 2:00pm by

Without question, Trapped Under Ice is one of the biggest bands in hardcore today, an impressive coup given their relative newcomer status compared with established scene leaders like Hatebreed, Madball, and Terror. Through hard work, hard touring, and undeniable talent, the Baltimore band have somehow managed to fight their way to the top riding the wave of their 2009 game-changing LP Secrets Of The World. Their forthcoming follow-up, the ominously titled Big Kiss Goodnight, has already garnered considerable excitement among hardcore fans. A few days prior to this past weekend’s This Is Hardcore festival (review here), I seized the opportunity to speak in depth with TUI frontman Justice Tripp about the new album. That interview is available for your enjoyment below the cut.

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HARDCORE STILL LIVES — AND WHAT A LIFE IT IS

Monday, August 15th, 2011 at 3:02pm by

This Is Hardcore 2011To truly get a sense of what hardcore looks, sounds, and smells like today, one could hardly do better than to have attended this past weekend’s aptly-named This Is Hardcore festival, a four day extravaganza and endurance test of one’s devotion to the subgenre. Scores of fans, dozens of bands, and a representative sample of scene vendors descended upon Philadelphia to represent and revel in a robust lineup with acts as disparate as Bitter End, H2O, and Touché Amore. At no point did the diversity of acts seem more apparent than on Friday, when metallic misanthropes Ringworm essentially opened for the melodic likes of Mouthpiece and Title Fight.

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EXCLUSIVE VIDEO PREMIERE: VENIA’S CRUX

Monday, August 15th, 2011 at 1:00pm by

Back in March, I showed Venia some love in my Bleeder’s Digest 7″ review. The Minneapolis metallic “Spirit-filled” hardcore act crammed some tough-as-nails tunes onto that little black circle, and it pleases me to be able to present this music video for opening cut “Crux” (one of that release’s most moshable tracks) exclusively via MetalSucks.

The clip shows the band members at work and at play, from an intimate performance to a micro-pit in their van. There’s even a cameo from Chipotle, the fast food venue of choice by 9-out-of-10 hardcore acts! The director’s no slouch either, Michael Dalton, having worked on videos for acts including Living Sacrifice, The Showdown and Onward To Olympas. Check it out and, if you dig what you see and hear, make sure to pick up I’ve Lost All Faith In Myself via Blood & Ink Records. And here are upcoming tour dates for the band…

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BLEEDER’S DIGEST: QUICKIE REVIEWS OF SKIN LIKE IRON AND XIBALBA

Tuesday, August 9th, 2011 at 2:30pm by

Skin Like Iron, Arrival (React!)
Descent Into Light, this band’s 2010 record for Six Feet Under, didn’t get the coverage it deserved on this site–and that’s my fault. Like so many good albums that come my way, it didn’t make an immediate impact. I’m making a conscious effort not to do the same thing with Arrival, an even-better follow-up that showcases Skin Like Iron’s coloring-outside-the-lines hardcore. The diversity offered on this short album acts like a headbutt to the ridiculous argument that hardcore is out of ideas. Melodic meets menace in ways far more inventive than what emo, screamo, or metalcore so predictably deliver. Skin Like Iron aren’t operating in some sort of scene bubble; “Consequences” even takes some cues from blackened death metal, from its post-apocalyptic lyrics to its breakneck tempo. After a grim intro, “Dim Horizon” punks the fuck out in a way that would turn a moshpit into a veritable piranha pit. This is a glorious, dark, and stunning release.

(4 out of 5 horns)

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OXBOW FRONTMAN JOINS BLACK FLAG (SORTA)

Thursday, August 4th, 2011 at 10:00am by

Black Flag will never reunite in any form that even remotely satisfies its generations of fans. But perhaps the coolest “not-quite-a-reunion” yet has just been announced.

Chuck Dukowski, Black Flag’s original bassist, has just recruited Eugene Robinson from Oxbow/Vice contribution to front a new band called Black Face. They’ve just recorded four songs that were written around My War-era Flag but that nobody in the world apart from Chuck has ever heard before. The tracks are called “Monster,” “I Want To Kill You,” “Where Will We Run,” and “Leave Me Out to Rot.” The band, which features former Oxbow drummer Tom Dobrov and Insects vs. Robots guitarist Milo Gonzalez, are also going to start playing all the songs that Chuck wrote for Black Flag live.

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TOO SOON? GARY’S BEST HARDCORE OF 2011… SO FAR

Wednesday, August 3rd, 2011 at 2:00pm by

Axl did one. Vince did one. Even Corey did one. So, of course, I’ve gotta do one, right?

2011 has been a pretty decent year for hardcore so far, with solid releases from artists old and new. Unsurprisingly, then, my picks at this point in the year reflect that dynamic. I intentionally excluded EPs (Jello Biafra’s latest, for example) and singles, as well as all the non-hardcore stuff I’ve enjoyed this year (J. Mascis’ blissful solo album). So, without further ado, here are my picks!

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METALHEADS: CUT THE SHIT AND STOP SUPPORTING BURZUM

Tuesday, July 26th, 2011 at 4:30pm by

Nobody should have been surprised. Varg Vikernes’ odious, conspiratorial, anti-Semitic commentary on the Norway tragedy is just the latest statement of ignorance from the man behind black metal’s most infamous project, Burzum. You’re welcome to read it if you’re into swastikas or crackpot theories for the tinfoil hat set. Your time would be better spent watching dubstep remixes of Charlie Sheen interviews on YouTube.

Interest in Vikernes’ music appears to have spiked in the wake of his 2009 release from prison, having served twenty-one years for arson and murder. A new Burzum record emerged in 2010, and another one followed just this past March. Music journalists have leapt at the opportunity to interview Vikernes, with print venues like Decibel giving the man the cover treatment and inducting his Filosofem LP into its “Hall Of Fame.” I’ve sat dumbstruck at the fawning softball questions posed to him by writers for outlets like Guitar World, Invisible Oranges, and, much to my chagrin, this very site. (Full disclosure: The interviewer on that last one is a personal friend.)

Why do metalheads choose to support Vikernes?

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EXCLUSIVE FULL ALBUM STREAM: EARTH CRISIS’ NEUTRALIZE THE THREAT

Friday, July 8th, 2011 at 2:00pm by

The arrival of a new Earth Crisis album is a big deal for anyone who loves metallic hardcore. After all, the band — led by vocal straight-edge vegan activist Karl Buechner — was one of the sound’s most popular purveyors throughout the 90s. To The Death, their 2009 reunion record for Century Media, made clear that the group’s style and voice had not mellowed with age. And now, we’re just mere days away from Earth Crisis’ latest salvo, calculatingly titled Neutralize The Threat. Lucky you, though, as MetalSucks readers are getting first crack at hearing the entire record with this exclusive album stream!

If you like what you hear — and I know you will — be sure to pre-order your copy on CD and/or vinyl from CM Distro.

-GS

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IS HARDCORE THE NEXT INDIE TREND?

Thursday, June 30th, 2011 at 2:00pm by

A year ago, this site published my review of Rohnert Park, the then-new album from San Francisco based hardcore act Ceremony. I cited the similarities of that record with those of comparatively more popular acts Fucked Up and Pissed Jeans, two groups that record for “indie” labels that are distinct from those owned by the hardcore subculture. It appears I was not alone in that observation, as Matador Records has announced Ceremony has signed with them, effectively leaving hardcore imprint Bridge Nine. Artists leave smaller labels for bigger ones all the time, but this instance potentially signals a nascent trend in indie music: “popular” hardcore.

Unlike pop punk, so peppy and easy-to-digest, the kind of hardcore I’m referring to here is often scowling and anti-social, taking cues from both the subgenre’s unglamorous seventies/eighties originators as well as that same period’s “no wave” artisans. King Of Jeans, Pissed Jeans’ exceptional 2009 album for Sub Pop–yes, that Sub Pop–, was a dark and furious romp showered with #whitepeopleproblems galore (Pitchfork ranking: 8.3). Ceremony’s Matador labelmates Fucked Up just unveiled a rock opera (8.6, with “best new music” status) that has been received by discerning listeners as positively as their breakthrough The Chemistry Of Common Life (8.8, “best new music”). Even oldtimers are getting a second chance, as Black Flag/Circle Jerks alum Keith Morris is experiencing with OFF!, an invigorating quartet that dropped the SST-referencing The First Four EPs compilation (, “best new music”) on snarlingly irreverent and hipster-centric Vice Records. The latest act that Pitchfork is fawning over? Scandinavian punk teens Iceage (8.4, best new music). Taking all that in account, Matador’s snapping up Ceremony makes logical business sense.

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JELLO OUT OF ISRAEL

Wednesday, June 29th, 2011 at 2:00pm by

Two weeks ago, I reported on the controversy surrounding Jello Biafra and his plan to bring his band The Guantanamo School of Medicine to Tel Aviv for a concert. Supporters of the academic and cultural boycott of Israel seem to have prevailed, as the former Dead Kennedys frontman announced that the show now will not happen:

Jello Biafra and the Guantanamo School of Medicine are not going through with the July 2 date in Tel Aviv.

This does not mean I or anyone else in the band are endorsing or joining lockstep with the boycott of all things Israel….

The toll and stress on the band members and myself has been huge, both logistically and as a matter of conscience. I can’t drag anyone any further into rough waters without being better prepared than some of us thought we were. A responsible leader does not go, ‘Hey, check out the storm at the top of Mount Everest. Let’s go up anyway just in case we don’t die.’ Some members are angry with me for this decision, let alone how long it took me. I don’t blame them.

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JELLO’S GOT A BIGGER PROBLEM NOW

Tuesday, June 14th, 2011 at 1:30pm by

No stranger to controversy, hardcore punk icon Jello Biafra seems to have once again caused a bit of a stir, though not in a way that he’d otherwise like. His band The Guantanamo School of Medicine recently announced a short tour which includes a July 2nd gig in Israel at Tel Aviv’s Barby Club. Shortly thereafter, an organization called the Palestinian Solidarity Campaign contacted Biafra, urging him not to play the show and to support the academic/cultural boycott of that country. Last week, he published his response letter to the organization, commenting that “the decision to play in Tel Aviv was not taken lightly” and expressing his interest in using the trip to learn more about the Israeli-Palestinian conflict. Fans as well as those with opinions on the cultural boycott took the debate to the band’s Facebook page, leading Biafra to release a statement:

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ANOTHER HIGH PROFILE TRAPPED UNDER ICE COLLABORATION?

Friday, June 10th, 2011 at 12:40pm by

At this year’s Black N Blue Bowl, performers gave shout-outs to Trapped Under Ice so consistently that it became absurd that the Baltimore hardcore act wasn’t even playing the event. (They did play a rather memorable set at last year’s fest.) The band’s rise can only be described as meteoric these past couple years, but apparently that’s not enough for these guys. Drummer Brendan Yates fronts the SGT D APPROVED Turnstile, which recently released the Pressure To Succeed 7″ on Reaper, while guitarist Sam Trapkin is part of S.O.S., the supergroup we can’t stop talking about featuring dudes from Hatebreed, Madball, and Terror.

Now, TUI frontman Justice Tripp has gotten into the act with SAI NAM, a new project featuring two notable names in the world of NYHC: guitarist Mike Dijan (Breakdown, Crown Of Thornz, Skarhead) and drummer Lou Medina (Breakdown, All Out War, District 9). Justice first hinted about this project some months back via Twitter, but this week the band unveiled one of their tracks via Soundcloud and Facebook. “Comeback” is a barbed-wire wrapped brick of a track, and if this is what SAI NAM is all about, then I’m game for the pit beast of an LP these guys have in them. Check it out below.

Comeback by SAI NAM Band

-GS

FOUNDATION TAKE THE SMOKE ON THE ROAD

Thursday, June 9th, 2011 at 12:30pm by

Back in late April, we were thrilled to provide the exclusive pre-release album stream of When The Smoke Clears, the latest album from Atlanta’s straight-edge up-and-comers Foundation. This exceptional and oh-so-metallic record has garnered a great deal of attention from the hardcore community and seems to have already served to raise their profile in an otherwise crowded scene. (Album cut “Devotion II” might have single-handedly accomplished this task.)

As such, Foundation are doing the logical thing and hitting the road for shows throughout North America, culminating in their appearance opening for Underdog at the first night of this year’s highly anticipated This Is Hardcore festival in Philly. Tour dates are below, though I have it on good authority that there are more to be announced. Oh no, I’ve said too much!

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MATT HENDERSON: THE METALSUCKS INTERVIEW

Tuesday, June 7th, 2011 at 2:30pm by

Agnostic Front. Blind Approach. Madball. Guitarist Matt Henderson made his mark on all of them, and in doing so, on the still-thriving institution that is hardcore. It seems downright criminal that his name isn’t mentioned in the same sentence as Greg Ginn, given that most bands in the scene these days sound more like 90s Madball than Black Flag. Not that it matters to Matt, mind you, as I learned in my chat with this down-to-earth guy. Industry-hardened yet still affable, he’s more interested in S.O.S., the project he’s formed with members of Hatebreed, Terror, and Trapped Under Ice. The veritable supergroup’s forthcoming I Owe You Nothing EP seems like a love letter to hardcore, a respect-laden tribute to the bands that inspired and creatively challenged its membership. While we have to wait until June 21 for the Good Fight / Reaper release (pre-order here and here), Matt’s answers regarding the band as well as his place in the history of hardcore are worth reading.

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DON’T FORGET YOUR ROOTS, ESTABLISHED HARDCORE BANDS

Thursday, June 2nd, 2011 at 12:00pm by

If you’ve been to a hardcore show in, say, the past fifteen years, chances are that at least one band on the bill played a cover song made famous by another hardcore act. It’s a surefire way to get a pit going even if your band’s original material sucks. Fortunately, H2O and Skarhead, two bands that most certainly do not suck, have decided to pay respects to their hardcore predecessors with respective covers albums. H2O just entered the studio this week to begin work on Don’t Forget Your Roots (a title that H2O fans will smirk at given the anthemic “Family Tree”), which will feature their interpretations of The Ramones, Dag Nasty, Madball, Rancid, Circle Jerks, Descendents, Cro-Mags, Bad Brains, The Clash, Government Issue, Verbal Assault, Gorilla Biscuits, The Mighty Mighty Bosstones, 7 Seconds, Embrace, Social Distortion, Sick of It All and Warzone.

Skarhead, on the other hand, have already recorded their covers record, due out this July on I Scream Records. Entitled Dreams Don’t Die, the collection features a shit ton of guests including Paul Bearer (Sheer Terror), Eddie Sutton (Leeway), and Scott Vogel (Terror). Next month, Lord Ezec will lead a Skarhead tour that goes up and down the East Coast with a few Midwest dates towards the end. I caught the band’s set at last year’s Black N Blue Bowl, and if you like your hardcore thuggish and raw, you won’t want to miss this. Furthermore, Eddie Sutton is joining the band for this jaunt! You can find these dates along with the Dreams Don’t Die track-listing below.

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IF YOU’RE JUST READING ABOUT IT NOW, YOU’RE NOT ATTENDING THIS IS HARDCORE 2011

Tuesday, May 31st, 2011 at 1:00pm by

In a scene where yearly festivals are as abundant as they are sweaty, This Is Hardcore has emerged as the leader of the pack, unequivocally the most anticipated of all hardcore music events in America. Combining coveted reunions with plentiful appearances by modern acts big and small, the event brings revelers and pit beasts to Philadelphia for a humid August weekend. Part of the fest’s success stems from its notorious secrecy, and 2011′s is no exception. The lineup was embargoed until noon EST on Monday May 30, at which point tickets immediately went on sale online and at AKA in Philly. Extended from three to four days of music, the fest boasts performances from metallic acts like Madball, Maximum Penalty, Mother of Mercy, Nails, Reign Supreme, Ringworm, Suburban Scum, Terror, and Victims.

If you’re reading this now and you haven’t bought your ticket yet, you’re not attending This Is Hardcore 2011. Four-day as well as weekend passes sold out in less than 24 hours, and at the time of this writing, extremely limited numbers of single-day tickets were available. The full lineup, organized in order by day, can be found below.

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UNGLUED

Friday, May 27th, 2011 at 1:00pm by

May 18, 2011 – The amount of emotional damage in the Gramercy Theatre last night could fill an orphanage, with large bespectacled women and bleached blonde cardboard cutouts hardly co-mingling with stumbling drug casualties, rock n roll wannabees with overzealous intoxicated girlfriends, and Brads-from-Accounting, along with a morose minority of pitiable sad sacks. Evidently, Scott Weiland’s fanbase is a lot less glamorous and enviable than rock and fashion magazines let on.

In town for a Howard Stern Show inteview and a Barnes & Noble book signing on the release date of his “as told to” memoir “Not Dead And Not For Sale,” the Stone Temple Pilots frontman had also scheduled a solo gig at this small-ish venue. Only the truly naive or ignorant came expecting a show packed with STP and Velvet Revolver jams, though given the aforementioned motley assortment of attendees that might have been a sizable demographic. What even the most sensible of us didn’t expect was the meandering shitshow that we were to wait more than two hours for.

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GET OVER IT, METALHEAD: YOU WON. GRUNGE LOST.

Wednesday, May 18th, 2011 at 3:30pm by

Axl’s somewhat recent post on kiddie-pop starlet Miley Cyrus’ screwface-inducing version of Nirvana’s 1991 breakthrough single “Smells Like Teen Spirit” brought well deserved grumbles from the so-reliable-you-can-set-your-watch-to-them commenters. Yet much of that ire was directed not at the spawn of the man who brought us “Achy Breaky Heart”, but rather at the Seattle grunge band she chose to cover. It seems anytime that the name Kurt Cobain is even alluded to on this site and others, metalheads rush to bash the man and the music he left behind, usually with the same sneering refrain: grunge killed mainstream metal. Well I’m here to say one thing to those people:
GET OVER IT.

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OPTION PARALYSIS: IN THE STUDIO WITH FORMER THIEVES

Thursday, April 28th, 2011 at 1:00pm by

Getting into the studio to record an album should be a pretty exciting time for any young band. However, this process is replete with numerous pitfalls, challenges, and — as demonstrated in the video above — options. The subject, Former Thieves, play hardcore in an angular and perpetually irate manner, leveraging hooks and shouts in relatively equal parts. Yet choosing which gear to record with can be an torturous choice — even if you do so in a tongue-in-cheek manner. But really, why are you wasting time watching me describe a video you can click on and watch yourself?

The studio sessions above produced The Language That We Speak, their full length debut for No Sleep Records that just dropped last week. Fans of groups like The Carrier or Defeater best not snooze (get it?) on this one, especially since Former Thieves are hitting the road with both of those artists (albeit at different times) in May and June. Check out the tour dates below the cut.

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JUCIFER’S EUROPEAN VACATION

Wednesday, April 27th, 2011 at 11:30am by

As you probably know by now, Jucifer live on the road — literally! A truly mobile unit, the savage sludge metal duo are North American nomads who rest their head nightly in the same RV that gets them from show to show. So I was surprised to learn that Jucifer were crossing the pond for a headlining tour of Europe and Russia, which, unless they plan on hopping a ferry, implies that they’d be leaving their trusty vehicle behind. That’s probably as close to a vacation as Jucifer ever get!

The full list of dates are below, and most are supported by Italian metallers The Orange Man Theory, whose latest record was produced by Today Is The Day figurehead Steve Austin. There are a few festivals in the mix as well, including Wroclaw, Poland’s Asymmetry Fest (with Electric Wizard and the reunited Godflesh) and the Belgian Durbuy Rock Festival (with Korpiklaani and Triptykon). If you’re lucky enough to live close to any of these cities, here’s a super-duper rare opportunity to catch one of the noisiest bands around. Buy some merch from them as well, so they can buy souvenirs and finance a forthcoming re-release of the 1994 cassette-only Nadir EP, re-mastered by Scott Hull.

Now how are they gonna get all those amps overseas? Hmmm…

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