A big, big problem with bands today, metal or otherwise, is the distinction between “epic” and “long.” Yes, when taking into account the triple-LP progsters of the ’70s or glacial chord exercises of Earth and Sunn 0))), length is seemingly a prerequisite. But ending your album with a 13 minute song for the sake of a 13 minute long song doesn’t always mean said song is going to be epic. Amon Amarth’s latest is a perfect example – the longest song on that CD is under 7 minutes long, but one could not look someone in the eye and tell them that every song on that album is not fucking epic. The same goes for the need for bands to take up all of the 78+ minutes of a CD. There is a very short list of bands that can pull this feat off, and the problem with the CD era is that every band thinks they can cram 17-18 songs on an album and have it flow smoothly. The worst part, of course, is if an album falls flat, it can fall flat for an excruciating 70 minutes. Abigail Williams – the like-it-or-not forerunners of this ridiculous up-and-coming genre called black metalcore – fall flat in an epic fashion, and do so for an uncomfortable amount of time on their latest, In the Shadow of a Thousand Suns. Through 63 agonizing minutes, the band subject whomever is unlucky enough to take interest in them to an unpleasant forcefeeding of derivative black metal repackaged for the Hot Topic generation.
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