I’m going to put about as much effort into writing this introduction as Jon Leon does to keeping band members in White Wizzard.

First up today we have “Cult” from Evile. I think Evile are one of the better re-thrash bands out there, and I like that they now seem to be moving through the evolution of thrash; this tune is way more in the vein of what the original thrash bands where doing in the early 90s, when Metallica released The Black Album, Megadeth released Countdown to Extinction, and Anthrax released The Sound of White Noise, all of which began a shift in emphasis from speed to crunch. (Maybe Evile’s next album will sound like Load or Risk?) And even if the gimmick in this video wears out its welcome a little fast, it’s still much cooler than most metal clips.

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The latest edition of Metal Injection’s “Ask the Artist” series — in which various artists are asked one uniform question (See what they did there?) —  poses the query “What are the best and worst stage moves in metal?” to various bands that were on this summer’s two biggest metal tours — Mayhem Fest and Summer Slaughter.

And it’s a great question to ask, because it’s certainly one that seems to come up in metallic circles quite a bit. Just recently, a publicist told me she understood that I didn’t like one of her bands because they played too much “breakdowncore,” and I told her the breakdowncore was silly, sure, but not as silly as they choreographed stage moves they used for each and every song. So it’s interesting to hear the thoughts of the musicians who actually have to be extra-conscientious of stage moves themselves.

Not shocking — a lot of the bands, including Trivium and Fleshgod Apocalypse, poke fun at crabcore and general scene-friendly stage moves. More shocking: so do Oceano.

Check out more of Metal Injection’s “Ask the Artist” videos here.

-AR

The line-up for this year’s edition of the annual Thrash and Burn tour has been announced, and it’s terrible; so terrible that I don’t even have any witty way of expressing it’s terribleness. So I’m not here to make more jokes at the expense of some deathcore bands; I hope they all have fun on the tour, and I hope everyone who attends the tour has a terrific time, and I hope that all parties involved cherish the memory forever and ever and ever.

I would, however, like to discuss the fact that, as was the case with this year’s Summer Slaughter trek (which is organized by the same folks who do Thrash and Burn), fans are being asked to vote for one final band to join the bill. Because while some of the candidates are awful (Dr. Acula, The Devastated, etc.) and I don’t know some of the candidates enough to have any real opinion of them, one of the candidates is a band I actually like: White Arms of Athena.

Which is why I am here to ask you to please vote against White Arms of Athena being on this bill.

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As we mentioned yesterday, this past Friday, Miikka Skaffari,  our newest member of the MetalSucks Photo Squad, went to the MetalSucks-sponsored Summer Slaughter tour in San Francisco… and boy oh boy, did Miikka ever deliver for his first-ever MS assignment. Dude captured some really, really awesome pics of a bunch of the bands on the bill, including headliners The Black Dahlia Murder (above), Whitechapel, Darkest Hour, Dying Fetus, Six Feet Under, Oceano, and As Blood Runs Black. Check out all of Miika’s photos after the jump! And don’t forget that Summer Slaughter — which also features Fleshgod Apocalypse, Powerglove, and Within the Ruins — is still making its way across America right now! Get dates here.

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I finally had to make myself stop listening to The Black Dahlia Murder’s new album, Ritual, on such a regular basis (e.g., twice a day for however many days since I’ve had it), because as a blogger I have a responsibility (or something) to listen to a wide variety of metal releases in order to discuss them on the site (or so I’m told).

My point being simply that the album is good to the point of total fucking distraction, and you should be prepared to be totally fucking distracted upon its release. And one such way to prepare yourself is to watch the twelve-minute-plus “making of” video the band has released to Bloody Disgusting. There’s some cool shit in there — Shannon Lucas being the sick drummer we all know him to be, Ryan Knight putting half the other guitar players in modern metal to shame, a live, real, flesh and blood violinist recording the album intro, and, of course, no small amount of BDM tomfoolery.

The video isn’t embeddable, but you can watch it by clicking on the below screen cap of guitarist Brian Eschbach’s ass forever traumatizing Jason Suecof’s dog, Stinky.

Ritual comes out June 21 on Metal Blade, and then TBDM hit the road to headline the MetalSucks-sponsored Summer Slaughter tour along with Whitechapel, Darkest Hour, Six Feet Under, Dying Fetus, As Blood Runs Black, Oceano, Fleshgod Apocalypse, Powerglove, and Within the Ruins. Get dates after the jump!

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As regular readers are aware, I’m usually dead-set against cover albums, which tend to feature meaningless, generally inferior versions of great songs the listener already owns in their original, classic forms.

But I’m willing to give Dying Fetus the benefit of the doubt that if they’ve made a covers album, it’s worth listening to. They’ve earned that much. Why? BECAUSE THEY’RE DYING FUCKING FETUS, that’s why. Duh.

So. In celebration of both their twentieth anniversary and their stint on the year’s edition of the MetalSucks-sponsored Summer Slaughter tour, this July the  band will release History Repeats…, which will not only feature the band re-imaging tracks from some of death n’ grinds finest (Napalm Death, Cannibal Corpse, Bolt Thrower, etc.), but will also feature “Rohypnol,” a brand new song. You might know rohypnol as “roofies,” or “the date rape drug.” So this tune is probably a charming power ballad in the vein of Bon Jovi’s “Bed of Roses.”

History Repeats… comes out July 19 on Relapse, and is limited to 5,000 copies. You can get it a f.y.e. stores, or just pre-order it directly from Relapse.

The full track list for this bad mother is after the jump, along with those Summer Slaughter dates. Other bands on the bill are The Black Dahlia Murder, Whitechapel, Darkest Hour, Six Feet Under, Oceano, Fleshgod Apocalypse, As Blood Runs Black, Powerglove, and Within the Ruins.

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Remember when this year’s Summer Slaughter (which we’re sponsoring!) was announced, there was this fan poll to determine who the last band added to the bill should be?

Well, Within the Ruins have been announced as the winners! They’ll join The Black Dahlia Murder, Whitechapel, Darkest Hour, Six Feet Under, Dying Fetus, As Blood Runs Black, Oceano, Fleshgod Apocalypse, and Powerglove for all dates on the trek. Our own Dave Mustein wrote of the band, “WTR don’t suck live; their performance is nearly as good as on record, which is pleasantly surprising due to the ferocious technicality of their music.” So the band’s presence should just enhance your Summer Slaughter excitement.

Here are dates again, in case you need ‘em:

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When I was growing up, summer Slaughter meant a hot July night listening to Mark Slaughter complain about Vinnie Vincent’s body odor between songs at your local Enormodome. But life in America is awesomer now (not srs) and Summer Slaughter now means extreme metal piled eyeball-high and ballz-deep, plus your chance to make kissy faces at Mike Schleibaum, not Dana Strum. And since MetalSucks is an official Summer Slaughter sponsor, you can give us your thanks for the fun. We’ll pass them on to the other sponsors, promise. Dates after we jump you:

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MetalSucks is oh-so-very happy to be teaming up with RED Distribution to bring you, our most beloved readers, the MetalSucks Fan Pack, which will be available exclusively at all FYE stores starting this Tuesday, April 12. Not only does this limited edition box full o’ metal come with a CD featuring twenty brootal tunes by twenty brootal bands (including Kvelertak, Trap Them, Believer, Napalm Death, TesseracT, Thomas Giles, Deicide and a bunch more) but it also comes with that HOLY SHIT THAT IS SO KILLER t-shirt you see above, which was designed by our friend Rodney Githens from Vertebrae 33 (you might also recognize his work from this sexy t-shirt and this Louvre-worthy poster that he did for us).

How much would you expect to pay for this incredible package? Twenty bucks? Fifteen bucks? Try $9.99. That’s right, gang — twenty songs from twenty bands and that guaranteed-to-get-you-laid t-shirt for under ten bucks.

But wait! There’s more! If you act now and head over to the official MetalSucks Fan Pack web page, you can get a coupon for 30%, which brings the price down to a mere seven dollars. Holy crap, that’s a metsieh if ever there was one.

So go here to get a complete track list of all the bands on the comp, and to use the nifty store-finder to locate the f.y.e. nearest to you. And, oh yeah, you can also enter to win this custom guitar:

So, yeah, that’s pretty fuckin’ bad-assed.

-Axl & Vince

MetalSucks is proud to once again be sponsoring the best mega-package tour of the summer — Summer Slaughter, of course! As you can see from the above poster, the mini-fest’s organizers have once again put together line-up that show cases a who’s who of the current metal scene.

And they’re taking it one step further this year — they’re letting YOU, the fans, decide who the last band added to the bill should be! Go to the official Summer Slaughter Facebook page to cast your vote.

Cities and dates for the tour will be announced on 4/20. ‘Til then… get ready to get slaughtered…

That headline doesn’t even make sense. So what? Seven of the Top 10 Hard Music albums on this week’s Soundscam charts are actually new(ish) releases! And only one is a greatest hits! Hallelujah!

Rise Against continued to dominate, while new releases by Soundgarden (sorta), Protest the Hero, Born of Osiris and Tesseract sold well. A bunch of other records came out, too (uhhh… Saliva, uhh…. CKY, uhhh… Straight Line Stitch) and some solid sellers from weeks past remained on the charts. Numbers after the break.

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A BON JOVI GREATEST HITS ALBUM IS STILL THE #2 “HARD MUSIC” ALBUM IN ALL THE LAND. What the fuck, people?!

Thankfully the #1 spot belongs to Rise Against, a band I don’t particularly care for but whom people seem to dig and at least seem legit. The huge number of units their new album shifted was good enough for #2 on the overall Soundscan charts too, behind Adele.

Mastodon’s live album and As Blood Runs Black’s new one had pretty solid debuts, while Devildriver and Children of Bodom continued to sell respectably.

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Vic Vaughn likes it dirty! His picks of the week are new albums by Assaulter, Rotten Sound and Trap Them in a week that also includes new releases by Across the Sun, As Blood Runs Black and Mastodon’s live DVD. His take on all of those and more after the jump.

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So, uh, I reviewed the new As Blood Runs Black album, Instinct, a couple of weeks ago, and I was more than a little surprised to see that most of the reader comments concerned the cover art. I mean, I love dissecting album art as much as the next nerd, but C’MON, guys. Let’s at least give the world the appearance of not being a bunch of shallow assholes.

So. ABRB are streaming a new song, “Angel City Gamble,” over at Noisecreep. Go listen, and then come back, and have a discussion about, y’know, the music. I don’t especially care if you like it or hate it — I’m not a huge fan of the band/album/song myself — but at least now we can talk about this like semi-intelligent post-adolescents.

Headbang here. Instinct comes out March 15 on Mediaskare.

-AR

I mean, talk about a snub, right?!?

ANYWAY, tomorrow afternoon, Vince and I will attend the wedding of one of our oldest friends. A guy I have known since I was two years old. The very dude who was by my side the first time I heard Guns N’ Roses. I don’t think he had any idea at the time that I had just headed down a path from which I would never return. He works for a classy magazine now, and wears a suit and tie to work. I do this, and usually do it in boxers and a stinky shirt with some metal band on it.

I don’t have a point or anything. I’m just feeling reflective right now.

And now that I got that out of my system, here’s the rundown of things we did this week:

• We got a tour update from Valient Thorr’s Valient Himself.
• We spoke to Tommy Rogers from Between the Buried and Me, Oppu Laine and Mikko Kotomäki from Barren Earth, Kenn Nardi from Anacrusis, and Mike Riley and Dom Romeo from Pulling Teeth.
• We checked out new releases from As Blood Runs Black, Capsule, and Crucified Mortals and Nunslaughter.
• We checked out the newest lucky band to sign to leading independent music retailer VICTORY RECORDS.
• We made the mistake of following Vinnie Paul onto his tour bus.
• We helped our friends at the Deciblog defend Guns N’ Roses’ Chinese Democracy.
• We listened to the worst dubstep metal bastardization yet.
• We got excited about the new Scar Symmetry album.
• We sent out well wishes to Vince Neil while he’s in prison.
• We read some fan mail.

Okay now I’m gonna go pick up my new suit for tomorrow! WHOO-HOO TO BEIN’ A BIG KID! See you peeps Monday.

-AR

The first cut on As Blood Runs Black’s sophomore offering, Instinct, is called “Triumph,” and it’s an appropriate title. The forty-one second long instrumental is an epic, Gothenburgian score to a horror movie that doesn’t exist — think the riff that begins and concludes The Black Dahlia Murder’s “I Will Return,” and you’ll have some idea of what I’m talking about. I enjoyed this brief intro so much, in fact, that I assumed I was about to listen to an album which, if lacking in innovation, would at least be a lot of fun. Maybe I’d finally become an ABRB fan after all.

Alas — “Triumph” is the best thing on Instinct, an otherwise fine-but-unspectacular effort.

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Well, this is kind of a bummer.

Andrew Tapley — who, until recently at least, was one of three guitar players in The Human Abstract — has posted the following message on his Facebook page:

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If you told me there was a tour with Born of Osiris and As Blood Runs Black, I’d probably tell you to have a nice time and let me know how it was. And if you told me that there was a tour with Darkest Hour and The Human Abstract, I’d probably trample your grand ma to get there. I mean, I’m sure she’s a nice lady, but she ain’t no Darkest Hour and The Human Abstract live, y’know?

As it stands, though, all four of these bands will be doing one tour together:

But y’know what? I am not going to bitch about two bands I love touring with two bands I feel lukewarm on, because, hey, at least it’s not two bands I love touring with two bands I hate, y’know? I haven’t seen Born of Osiris live since, uh, I think it was 2007, right when The New Reign came out, and at the time, I was actually pretty impressed — I didn’t sour on them until later, and even then, it was for reasons really having nothing to do with their live show; and I’ve never seen ABRB live, so I can’t talk any smack there, even if I don’t quite understand all the hype that once surrounded that band. So I’ll still take this over a Mayhem Fest or whatever, where I’d have to slog through who knows how many crappy bands just to see Slayer, any day of the week.

Dates are as follows… some of ‘em even have additional bands, like This or The Apocalypse and Sleeping Giant, on the bill:

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I remember when Allegiance came out in 2006, people were talking about As Blood Runs Black like they were the second coming. Along with groups like The Black Dahlia Murder (who were already much more well-established by then) and All Shall Perish (whose own, and in my opinion superior, breakthrough, The Price of Existence, came out the same year), they were supposed to be the future of death metal, one of the bands that would update the sound without straying too far from their influences. By now, they should have released at least two more albums, and, in theory at least, be enjoying their status as one of the godfathers of deathcore.

But something went hideously awry. I honestly don’t know what, because I thought Allegiance was fine but not great, and I didn’t pay as close attention to ABRB as maybe I should have. I kept hearing about line-up changes, but, like I said, I wasn’t paying very close attention. In any case, it seems like at a certain point everyone stopped talking about this band, and then I wasn’t even sure that this band existed anymore.

But they do! And they finally have a new album, Instinct, coming out next year. And now you can listen to a song from that album, “Resist,” by going to the band’s Facebook page and clicking the “like” button.

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Just in case Ozzfest, Mayhem, Summer Slaughter, Thrash & Burn, The Cool Tour, Scream Like You Mean It, and, to a lesser extent, American Carnage weren’t enough to keep you occupied this summer (to say nothing of all the regular plain ol’ tours goin’ on), yet another big package/fest tour has been announced: the Over the Limit tour. (And, yes, I realize the above song is actually called “Push it to the Limit.” But any excuse to listen to that awesome, awesome piece of music will suffice.)

The line-up, my thoughts on that line-up, and dates are all after the jump.

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