I imagine that when the members of, say, Daath get together for rehearsal, no one expects to be paid for said rehearsal. They’re all dudes who are friends – some of them even grew up together, if I’m not mistaken – and it’s not like they’re making squillions of dollars playing metal. Rehearsal, then, has to be viewed as an investment – get better as a band, put on a good show for the crowd, and, knock on wood, your band will get bigger and the money will come.
I also imagine it’s different being in someone’s solo band. If your boss is Ozzy Osbourne or Axl Rose or Dave Mustaine or Trent Reznor, there’s going to be a lot of money involved, and your creative input is going to be somewhat limited (I imagine). I know for a fact that the members of nu-GN’R are paid an annual retainer, just in case they’re needed; I assume members of certain other solo bands are given a similar (if perhaps less lucrative) deal. And actors definitely get paid to rehearse; granted, the rehearsal rate is less than the performance rate, but the unions insist that if you want an actor there for rehearsals, he or she must be compensated.
Now. Sebastian Bach’s record sales obviously are not what they used to be. But the guy still opens for arena bands, routinely plays large festivals, and, by his own admission, gets paid very large sums of money to appear on crappy reality shows. Doing something like, say, paying for his band’s member’s gas so they can get to rehearsal seems reasonable, especially when you’re talking about dudes like Metal Mike Chlasciak, who, even if he’s not exactly Zakk Wylde, has played with dudes like Halford, and is definitely a “known entity.”
Well, Baz disagrees. He’s looking for a new guitarist and a new bassist, and, more specifically, he’s looking for someone to do it for bubcus. Check out this statement from the Old Dude Gone Wild:
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