IN WHICH DEVIN TOWNSEND SUCKED
Friday, November 20th, 2009 at 5:00pm by Axl RosenbergLast week one of you accused us of being a “bunch of negative miserable fucks.” I can only assume that this person had never been to this site before, and was somehow unaware that it’s called “MetalSucks.”
Still, this was probably the best worst week ever, because:
- Devin Townsend took over our site for a day!
- We finally got around to making MetalSucks t-shirts and hoodies!
- Vince interviewed Between the Buried and Me’s Dan Briggs for the third time in as many years!
- There’s gonna be a new Pig Destroyer album in 2010!
- There’s a new Sigh song!
- Varg Vikernes came out of the closet!
So, see? LIFE IS BEAUTIFUL!!!
In conclusion:
Have a good weekend.
-AR







Between the Buried and Me bassist Dan Briggs name-dropped St. Louis, MO experimental metal band
Great way to start the week off: apparently we’re getting new Between the Buried and Me music today. Posted by the band (
If there’s such a thing as “the North Carolina sound” Seneca have got it; think Between the Buried and Me, Glass Casket, even Bloodjinn. No surprise then that Reflections was produced by fellow North Carolinian Jamie King who also produced the former two of the above three bands. Seneca have actually been around since 2002, but their March release Reflections is their first for Lifeforce Records, and it’s a surprisingly solid listen. Seneca actually sound a whole lot like BTBAM in particular — at times a little bit too much — but manage to modify BTBAM’s prog-core sound just enough to be original. Where BTBAM go big and epic with 8 or soon-to-be 6-song albums full of long songs Seneca somehow manage to cram all of their epic structures, song-changes and shred into much shorter templates, with most songs on Reflections coming in at under 4 minutes and many even under 3. There are a few too many deathcore-skirting breakdowns on Reflections for my tastes, but the band still manages to keep it interesting most of the time. Call them the working man’s Between the Buried and Me.
Cries of “blasphemy!” surrounding the omission of Between the Buried and Me’s 2007 opus Colors from our 








