MetalSucks

The Starbucks Incident

Yes, I am going to continue to bitch about Slash. I understand that Slash is not Jimi Hendrix but this might be the single biggest betrayal to my formative years since Metallica released everything they’ve released from Load on, and I need to mourn.

So. Some lady says that the following singers are all on Slash’s new solo album, How Could Taking My Cues from Carlos Santana Possibly Go Wrong? I have added my own thoughts because that’s what we do around here. Click to read more…

Twitter is arguably the most powerful tool available to musicians today, its micro-blogging mechanism allowing for real-time dissemination of information as well as a venue for direct communication open discussion with fans. Sadly, too many bands focus so heavily on the first of these benefits (Shadows Fall are a prime example of Twitter fan abuse, their profile replete with repeat tweets) that they squander any chance of actually connecting with their supporters. Interestingly, one musician who actually “gets” Twitter comes from a generation of rockers you’d expect to not “get” Twitter. His name is Glenn Hughes.

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Sent in by MS Maniac Marco Parra Castelán, this Black Sabbath “cover” comes to us by way of the Spanish 5-piece Fecal Coproboys.

Because farting has always been, still is, and will always be fucking hilarious.

-VN

The dudes at Metal Insider (via tipster/friend of MetalSucks Stabitha C) have come across what might the find of the year: this video of featuring the single “An Angel is Missing” by Ronnie and the Red Caps… “Ronnie” in this case being Ronnie James Dio (or just “Ronnie Dio,” as he’s called here), who not only sings, but plays the bass and trumpet as well. The single was recording in 1959, a good ten years before the formation of Elf (which also featured Ronnie and the Red Caps guitarist Nick Pantas!) and a decade and a half prior to the first Rainbow album.

I don’t think it’s any secret that Dio had a non-metal musical career earlier in his life, but I’ve never actually heard any of the music he made during that period before. Plus, check out that photo of the young Mr. Dio! WEIRD!!!

-AR

I made a joke earlier this week about Zakk Wylde taking the news of Ozzy’s new guitarist so hard that he wound up in the hospital for blood clots – but this has turned into some apparently serious shit. Not only has Wylde and Black Label Society been forced to drop off the Pedal to the Metal tour with Mudvayne, Suicide Silence, and some band where the dude has a stupid hair cut and is married to an ex-porn star, but he has to visit the hospital every 48 hours. A statement from Zakk (by way of the always helpful Blabbermouth):

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Several of you justifiably called out Axl yesterday for dissing Jake E. Lee in his post about Ozzy’s probable new guitar player, Firewind’s Gus G. Lee could definitely shred, and although his  contribution to the Ozzy legacy ultimately doesn’t stack up against Rhoads or Wylde, he did write the killer riff for “Bark at the Moon” which is actually one of my favorite Ozzy riffs ever.

So whilst making sure I had my historical facts straight here, I managed to turn up this nugget from the Wikipedia page for Badlands, the band Jake E. Lee formed after being fired by Ozzy:

After touring with Ozzy Osbourne in support of the Ultimate Sin album, Lee was fired in a telegram from Sharon Osborne while working on one of his muscle cars back in Los Angeles. Lee was completely caught off guard at the time of his firing and was under the impression he had a solid working gig with the Osborne camp.

Heyo! Sound familiar? Maybe Sharon will officially lay the gauntlet down on Wylde via Twitter. That’d be classy.

Here are Badlands performing “Highwire” live. Lee shreds. And that’s Ray Gillen on the mic, who’d just been let go from Black Sabbath upon forming Badlands with Lee.

-VN

So I’ve been living in the UK for about four months now, and have managed to take in quite a lot of this “culture” thing they’re so fond of over here. I’ve been to nine countries, eight major metal festivals, and a handful of cities in Ol’ Blighty itself; I’ve gate-crashed hotel parties in Norway with the drummer of Swallow the Sun, stage-dived into a sea of muddy grind freaks in the Czech Republic, gotten roaring drunk with Wolves in the Throne Room in the Netherlands, met Gaahl’s boyfriend in France, gotten lost in Rome, watched Electric Wizard blow an amp in Manchester, lost my mind to Eyehategod at Hellfest, seen Manowar (‘nuff said there) – and that was just the first couple months. Between all the metal, mud, bruises, whiskey, calimocho, hard cider, and terrifying Czech liquor (Becherovka and Fernet are no fucking joke, even if it is Kevin Sharp and Danny Herrera pouring you a shot), I realized that, somehow, something was still missing.

To my immense chagrin, I had yet to take that all-too-necessary pilgrimage up through the Black Country and into the Unholy Land itself – to Birmingham, England. Every metaller worth his leather (and several million other music fans besides) knows exactly why this unimpressive, coal-smudged city matters so much. Birmingham is the ancestral home of heavy metal. Everything – whether it be doom, black metal, powerviolence, or even the plague that is deathcore – everything came from here. The famed Mermaid Pub provided a fertile breeding ground for extreme metal, nestled as it was in a dodgy part of town where the cops ignored the punkers and longhairs milling around out front as the early rumblings of a deadly new sound thundered away upstairs The city itself was the original stomping ground of the dirty sexy hard rock’n’roll of Led Zeppelin, the NWOBHM gods in Judas Priest, the crusty proto-grind of Sore Throat, the scummy grindcore forefathers of Napalm Death, the industrial noise terror of Godflesh, and the one and only BLACK FUCKING SABBATH.

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This is getting kinda ridiculous already, but I can’t help it. This shit is entertaining! And for what it’s worth, this is one of the better ones I think we’ve gotten so far. From Mashup-industries.com, the mecca of the mash-up:

Snoop and Pharrell never sounded this vicious! An early Halloween gift from DJ Schmolli…

Stream it below:

DJ Schmolli – “Drop It Like Black Sabbath”

For more mashup madness: Nuclear Assault / Snoop Dogg, Iron Maiden / The Monkees, Slayer / ‘Lil Jon, and Ghost Busters / NIN.

-VN

[Thanks: Nate. W]

As a part of goth metal OGs Type O Negative, drummer Johnny Kelley’s talents are often overshadowed by the low end sultriness and antics of bassist/frontman/nude model Peter Steele. But his graceful stickwork has been holding the band together since 1995’s October Rust, and the string of Type O albums that have come out since have stood shoulder to shoulder with the band’s prior material. Along with being Danzig’s drummer, Kelly plays in Seventh Void, a stoner/trad metal outfit with Type O Negative guitarist Kenny Hickey. The latter band released their debut on Vinnie Paul’s Big Vin Records in April. In an interview with MetalSucks, Kelly discusses Type O Negative’s future, working with Glenn Danzig, and his thoughts on modern drummers.

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I’ve been meaning to mention this for a week. But I can already tell it’s gonna be a slow news day, so now seems like a good time to bring it up.

The lovely ladies at Reign in Blonde discovered that McSweeney’s has has a list of Heavy Metal Board Games. They have also added a few suggestions of their own. Here are a few that tickled me:

• Whitesnakes and Ladders
• Motley Clue
• Twister Sister
• Black Scrabbleth
• Crytopoly
• Dio’s and Dragons

Check out the rest of the list here. And, of course, I’m dying to see if y’all can come with s’more.

And if you really are bored, don’t forget that actually is a Heavy Metal Fun Time Activity Book.

-AR

There are probably more old farts making relevant music than I usually give credit for. For every Ozzy or Metallica, whose later years have been more or less a total fucking disaster (creatively if not financially), there’s a Testament or Napalm Death who are still making music worth listening to after two or even three decades in the biz.

Of course, few of those artists have been at as long as the members of Black Sabbath – now re-christened Heaven & Hell – and even most of the Sabbath peers who can still pull it out live (Priest, Maiden) aren’t really releasing albums that are worth a damn these days. So the fact that The Devil You Know is so freakin’ sweet makes it feel like something of a marvel.

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The new video for Heaven & Hell’s “The Bible Black” is… meh. Not the worst thing I’ve ever seen, but not really that interesting.

So I encourage you to concentrate on the awesomeness of the music, not the blandness of the animation – ’cause this album is pretty spectacular. I’ll post a full review sometime this week, but for now, just know, this album rules.

-AR

The Devil You Know, the new Dio-Sabbath record, is every bit as rockin’ as I’d hoped it will be. I’m working on a review before its release a week from today, but if you’re anxious to hear it – and you really, really should be – it’s currently streaming on The Leak, which, for better or worse, is a VH1 sub-site.

GO LISTEN TO THIS ALBUM. IT IS AWESOME AND PUTS ALL OTHER VETERAN BANDS TO SHAME.

-AR

We’re just a few weeks away from the release of the 21st century’s first Sabbath album, The Devil You Know, which, kind of miraculously, will actually feature a line-up people give two shits about. Seriously, if you’d told me ten years ago there’d be a new Sabbath album in 2009, I would have shrugged and wondered who Iommi recruited this go-round. But, no, it’s Dio-Sabbath, it’s really coming out, and it’s going to be kick-ass.

So. 2 things:

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Let’s cut right to the quick: Noise Creep is streaming “Bible Black,” the new single from the artists formerly known as Black Sabbath . It comes off their new album, The Devil You Know, and I really don’t have much to say about it, other than it rocks every bit as much as I hoped it would. Listen to it now and see if you agree.

The Devil You Know drops April 28.

-AR

Look: I don’t want to play into any kind of imaginary, percevied rivalry between Ozzy Osbourne and Dio-Sabbath Heaven and Hell. They are two separate entities. There’s no reason one has to be “better” than the other. Who cares, right? I mean, all parties involved are getting older and closer to death, which means that people will kinda naturally start to talk about their legacies, but so what if Ozzy’s next big project is some terrible sub-This is Howie Do It variety show on Fox while Black Sabbath are making what I’m 99.9% sure is going to be an album so rocking you’ll have no choice but to rape the neighbors’ cat? I mean, it’s totally irrelevant to the conversation, right?

Anyway, here’s the album cover for H+H Music Factory’s The Devil You Know. Yes, that giant eyeless demon appears to be holding someone who was not only crucified but stuck with hundrerds of additional nails. Yes, somewhere Kerry King and Larry Carroll are pissed they didn’t think of it, first.

The Devil You Know will be released on April 28. A first single, “Bible Black,” should be coming soon.

-AR

Vince has gone into some detail in the past about the travails of dating a girl who isn’t into metal; I’ve kept my own struggles to educate the future ex-Mrs. Axl Rosenberg more private, but I do feel Vince’s pain.

Lucky for us, then, that Thrash Hits has pointed us towards this article at self-titledmag.com, which outlines a plan to get your non-metal gf to give into the dark side. Here’s an excerpt:

Click to read more…

The short version: this is an excellent mash-up someone made of Ozzy and Dio singing “War Pigs” as a duet. There’s not much I can say about it, other than as the rare person who holds Ozzy-era Sabbath and Dio-era Sabbath in equal regard, I find it lotsa fun.

Thanks to MetalSucks Maniac Adam Meyers for sending us the link!

-AR

Have Killswitch Engage reached cultural ubiquity? It’s hard to believe, but — together with original American New Wavers Lamb of God — the Masshole metalcore pioneers have reached the top of the modern metal popularity heirarchy and just might be about to pop mainstream culture’s bubble. The moment of Zen for me came not when Axl and I watched the Hulk-like security guards of New Jersey’s Starland Ballroom sing along to every song at their show there last year, but 10 minutes ago when I realized Killswitch Engage riffs are now being used as samples in hip-hop songs.

Is the party over for Killswitch or has it just begun?

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January 16th and 17th will be the final shows ever for Norwegian rockers Stonegard. Though they apparently split-up in October 2008 and I’ve known about these Farewell concerts in Oslo for a while, I still can’t shake my disappointment at having such a great act not being able to hold itself together. I’m even more upset that they will most likely be entirely forgotten.

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