RUSSIAN CIRCLES / THESE ARMS ARE SNAKES BASSIST BRIAN COOK: THE METALSUCKS INTERVIEW
Tuesday, November 3rd, 2009 at 2:30pm by Vince Neilstein
Instru-metallers Russian Circles’ new album Geneva is out now. Even Axl, who usually doesn’t get into all of the same instrumental / trippy / wank stuff that I do, is enjoying the album and described it as “really cinematic.” If you’ve yet to experience this amazing band, be sure to listen to a few tracks on their MySpace page and catch them on their current tour with Young Widows and Coliseum.
Current These Arms Are Snakes / ex-Botch bassist Brian Cook recently became a full-time member of Russian Circles after having recorded and toured with them on their last record Station. I recently emailed Brian a batch of questions about joining the band, recording the new album, balancing the workload between all of his projects, and what the future holds for Russian Circles, to which he was more than happy to respond in detail. My questions, his answers… after the jump.

“Russian Circles” is like an onomatopoeia of band names; I have no idea what a Russian Circle is, but I do know that if the band name is spoken — not written — it’s accurate as fuck. Listen to any Russian Circles song and tell me their music doesn’t sound just like circles that are rushing, spiraling and spinning (hint: it helps if you’re stoned). Their excellent 2008 release Station was one of my favorite instru-metal releases of that year, and judging from the new track “Malko,” their new record Geneva (October 20th, Suicide Squeeze) will bring more of the same rushing, circling goodness.
The name Dave Verellen should mean something to anyone who laments the 2002 breakup of Botch, the esteemed hardcore act whose legacy has made it more popular now than when it was an active unit. As the voice of that group, Verellen deserves partial credit – and perhaps a little blame – for the glut of roaring metalcore vocalists that came in his wake. From a publicity perspective, this influence strengthens the already impressive pedigree of Narrows, his latest band featuring members of noteworthy heavy ensembles such as Unbroken and These Arms Are Snakes. As evidenced by its full-length debut New Distances, the group refuses to rest on its proverbial laurels and instead goes above and beyond its participants’ discographies, yielding something truly exceptional.
I’m admittedly a late bloomer when it comes to getting into Deathwish Records, but after buying Blacklisted’s Heavier Than Heaven, Lonelier Than God a couple months ago I knew I’d be back for the rest of the roster, which includes 








