QUESTION OF THE WEEK: WHAT ALBUM WILL HIT YOU IN THE FACE WITH A LIMP DICK IN 2012? (or, WHAT IS YOUR LEAST ANTICIPATED ALBUM OF 2012?)
Friday, January 20th, 2012 at 4:30pm by MetalSucks
Banner Designed by Cysquatch
Welcome to “Question of the Week,” a (not really at all) weekly debate amongst the MetalSucks staff regarding a recent hot button issue.
Following the not-necessarily-logical-but-certainly-MetalSucksian conclusion that we need to counteract our recent Albums That Will Fuck Your Face Off in 2012 series, in which we preview some albums coming out this year about which we are totally stoked, this week we asked our writers:
WHAT ALBUM WILL HIT YOU IN THE FACE WITH A LIMP DICK IN 2012?
Which is just a silly way of asking:
WHAT IS YOUR LEAST ANTICIPATED ALBUM OF 2012?
The MS staff’s answers after the jump!












Invariably in the evolution of a musical genre there falls a pattern. The first wave of bands to pioneer a sound do so by combining their influences to form something new and unique. In the wake of success that follows these pioneering bands, there is invariably a glut of bands that, themselves drawing on the first-wave bands as direct influences instead of the bands that spawned the first wave, create a watered down copy of the original. Regardless of the commercial success of these second-wave bands, there is always a boom of them two to three years after the explosion of the original, and the record labels are more than complicit in snatching them up in the hopes of cashing in on the sound. Regardless of the commercial success of said second wave bands, they never ring as true as the first wave nor does history shine as kindly upon them; there is a Bush to every Nirvana, a Poison to every Motley Crue, a Limp Bizkit to every Candiria. Unfortunately for Bullet for My Valentine, the Welsh quartet are not doing much to disprove this rule. The band members are certainly proficient musicians and able songwriters, but there’s nothing here that hasn’t already been done before and done better in the peaking sub-genre of metalcore. While the band’s debut album The Poison wasn’t earth-shattering either, it at least had instantly gratifying hooks-a-plenty that made listening rewarding and enjoyable, even if in the simplest ways (nothing wrong with a great hook!). While Scream, Aim, Fire lacks in the innovation department, for the most part it also lacks in the hook department, making it an album that should prove largely forgotten once the sun has set on the burgeoning metalcore trend.
