MetalSucks

Some people are talented. Some people are awesome. An even rarer breed happens to be both talented and awesome. Photographer Justina Villanueva is one of those people. If you go to metal shows in New York or New Jersey, you may have noticed this diminutive young lady snapping pics of some of your favorite acts. You may have seen her work on websites like ours (ex. Alice In Chains at Irving Plaza) and BrooklynVegan (ex. Converge at Europa).

Now’s a great time to acquaint yourself with Ms. Villanueva’s work, as she has just released the premiere issue of her self-titled zine. Issue 1: Basements, Blood and Noise features spectacular shots of bands like Black Anvil, Burnt By The Sun, Marduk, Municipal Waste, and Poison The Well, as well as the aforementioned AIC. Whether you’re an old fucker like me or a youngster that has never so much as seen a zine, I strongly recommend that you buy yourself a copy.

-GS

[Gary Suarez is a lover of fine art. He usually manages Wholly Diver (a Dio tribute site) and the consistently off-topic No Yoko No. Say, why don't you follow him on Twitter?]

Now that Animosity is done, I guess vocalist Leo Miller is occupying his time by working as a correspondent for Metal Injection – in which I case I can only say, “Hey, Leo, welcome to the family!” Any friend of MI’s is a friend of ours. Except for Sid. He doesn’t like Cynic so screw that dude.

ANYWAY, here’s Leo interviewing Converge. The best part actually comes later in the video, when Jacob Bannon high-jacks the interview and… well… just watch.

-AR

MetalSucks photographer Diana Lee Zadlo was on hand at Philadelphia’s Electric Factory on November 1st to shoot the ruckus of Mastodon, Dethklok, Converge and High on Fire (for our own quick wrap of the NYC stop, check this out). Her stellar photography of all four bands, after the jump.

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With Converge’s critically acclaimed Axe To Fall still commanding the attention of the metallic hardcore faithful, this week’s release of a new album from Belgium’s Rise And Fall could naturally be overlooked. However, that would be to the detriment of those currently enjoying that higher-profile record. An intelligent, intense burst of recorded vehemence, Our Circle Is Vicious–which you can and should buy now–was (like so many Deathwish Inc. albums) produced by Converge’s Kurt Ballou and stands as a considerable improvement on 2005’s Into Oblivion. Listen to “Built On Graves” and “In Circles” at the band’s MySpace page.

The band play a few U.S. shows this week before heading back to Europe for a month-long tour with Iron Age, whose recent album The Sleeping Eye we streamed back in August and is on Vince’s “Best Of 2009″ shortlist. That tour culminates in Rise And Fall’s hometown of Gent, with a final show that also features Goatwhore, Skeletonwitch and Toxic Holocaust. The band will wrap up 2009 with a December tour through Australia, only to kick of the new year with a few gigs with labelmates The Hope Conspiracy. All dates are below.

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There’s a lyric in the song “Hour of Rats” from Fed Through the Teeth Machine, the album by The Red Chord, and this particular lyric has really taken hold in my brain as of late: “WE’VE KNOWN EACH OTHER TOO LONG TO BE FRIENDS.” What a simple, beautiful statement that I can 110% relate to these days. Hm.

Speaking of The Red Chord…

• We’re streaming The Red Chord’s new album, Fed Through the Teeth Machine, through Monday! It’s awesome, so definitely give it a listen, then go buy it when Metal Blade releases it on Tuesday, October 27! We also spoke to The Red Chord’s Mike “Gunface” McKenzie.
• We got a European tour wrap-up from Chimaira’s Mark Hunter, had a nice chat with Kowloon Walled City’s Jason Pace, and even played nice with Oceano’s Andrew Mikhail.
• Lord Gold from Horse the Band graced us with another awesome tour blog, Eyal discussed physical CDs, and Dallas explored the evolution and importance of deathcore.
• We checked out new releases from Converge, Ancestors, and Smite the Righteous.
• Janet Reno quit Attack Attack!
• We’re fairly certain that Dave Mustaine is still a Megadick. Actually, we’re positive.

Have a good weekend everyone…

-AR

Shame on me for having never heard of Australia’s Portal before. I just got their new album, Swarth (which apparently means “land covered with grassy turf”… metal teaches me a new word again!), last week, and it’s blowing my mind. I don’t even know how to describe it; it’s death metal, I guess, but it’s really pushing the limits of what “music” as a concept is. It almost reminds me of Hate Eternal, but that’s not really fair to Portal or Erik Rutan. They are just a really, really unique monster.

And I do mean “monster.” Like I said, this is really pushing the boundaries between music and noise. It’s just fucking evil, man. I’ll try to write a review one of these days, but in the meantime, I implore you to check out Portal on MySpace and buy Swarth for yourself – it just came out this week on Profound Lore.

And, oh yeah, apparently they wear costumes. Here they are doing the song “Glumurphonel” from their 2003 debut, Seepia.

For the time being it seems that Portal live shows are restricted to their native land, but they have been added to the already amazing Maryland Deathfest 2010 line-up, which will also include Converge, Eyehategod, Melechesh, Obituary, and grind gods Gridlink.

-AR

An initial impression of Axe to Fall, Converge’s latest bruiser, is that it’s a little too simplistic: the vast majority of the album find the band rocking more balls out than they have since their early days. Even “Worms Will Feed” and “Damages,” two slower tracks, feel more like uneasy breathing room than the expansive, emotional dalliances of You Fail Me’s “In Her Shadow” or No Heroes’ “Grim Rose/Black Heart.” Even despite Axe to Fall’s two further-out-than-ever-before closing songs, the majority of the album feels slight, missing a key element of what had made the band as exceptional as they are up until now. With No Heroes finding the band at once at their grindiest and most experimental, something about Axe to Fall feels empty.

Of course, initial impressions don’t do a Converge album justice; if the band are known for anything, it’s marrying the deceptively simple and the brilliantly complex. Despite its tendency to be more gruff than any modern Converge release, Axe to Fall features some of the band’s tightest, most interesting songwriting, as well as providing one of the most satisfying repeat listens of any Converge album. Compact but alarmingly dense, the band have never been this comfortable putting their heads down and charging at you, with a relentlessness that’s almost militaristic in its approach. More than just a bunch of throw-aways before its wildly expansive ending, Axe to Fall stands eye level with their genre-defining full length debut (Petitioning the Empty Sky) or their genre-shattering masterpiece (Jane Doe). Though foolish and cynical to think otherwise, the band are still as good as they’ve ever been, with no signs of coasting despite having been around exponentially longer than most of the hardcore bands they came up with.

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Pretty big week here at the MetalSucks Mansion. We laughed, we cried, we fired someone, we rocked out with our cocks out. Here’s a rundown of the highlights:

• We debuted a new song by The Devin Townsend Project, a new video by Skeletonwitch, a new song by Javelina, and the cover art for Sigh’s new album.
• Horse the Band’s Lord Gold blogged about Nawlins and cocaine, God Forbid’s Doc Coyle gave us an exclusive statement about that whole cup throwing incident, Dallas Coyle is giving away music for free, and Daath’s Eyal Levi talked about a run-in with the Polacks and drum triggers.
• We spoke to Dethklok’s Brendon Small, Converge’s Jacob Bannon, Gojira’s Joe Duplantier, and Liturgy’s Hunter Hunt-Hendrix.
• We checked out new releases from Baroness, The Red Chord, Skeletonwitch, Immortal, Vains of Jenna, Vampire Mooose, and Javelina. Also, some asshole really likes Oceano.
• We’re sponsoring the incredibly awesome Tyrants of Evil North American Tour 2010 with Arch Enemy, Exodus, Arsis, and Mutiny Within!

Alright. I’m going to see Where the Wild Things Are now. I’m fairly certain that it is going to make me weep like Gary Suarez. See ya Monday.

-AR

Axe to Fall, Converge’s once-again excellent new album, is yet another stylistic shift: the majority of it is devoted to the band playing harder and more technically than they have in their post-Jane Doe era, while the closing two songs finding them venturing further away from their comfort zone than they ever have before. But even though guitarist Kurt Ballou darts all over the fretboard more than usual, vocalist Jacob Bannon changes nothing about his performance, from the breathless rambling on opener “Dark Horse” to his trademark pterodactyl-like shriek over the course of the album. But this isn’t to say that he’s in a state of creative stasis while the rest of the band moves outwards: Bannon’s hellacious scream is just as much a part of Converge’s uniqueness as is Ballou’s nimble riffing. Bannon’s work on Axe to Fall is as savage as it’s ever been, and once again adds weight and disturbing depth to the album’s metallic hardcore-fueled chaos.

Jacob Bannon’s place in metal, hardcore, and—for better or worse—metalcore is massive, with his trademark vocals incalculably influential and lyrics favoring the abstract over the melodramatic. Even outside of Converge, Bannon manages to be prominent, with a successful visual art career and running hardcore label Deathwish Inc. A surprisingly normal sounding (at least in terms of how he sounds on record), introspective guy, Bannon comes off as both wise about the metal and hardcore world while still impressed by and interested in it. In a lengthy interview with MetalSucks, he discussed the musical and lyrical intricacies of Axe to Fall, his approach to artwork in comparison to his vocal work, and people’s changing attitudes toward heavy music as they age.

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Right here. Do it! It’s easily one of the best albums of the year. Decibel gave it a perfect score, fer Chrissakes. Now go check it out. And later this week we’ll have an interview with Jacob Bannon, and then our official review.

Axe to Fall comes out October 20 on Epitaph.

-AR

Holy shit, the editing in this video in this video is fast. On the one hand, it kinda gives me a headache; on the other hand, I really dig rhythmic editing and like the thought behind this. Plus the song is awesome. So there’s that.

Axe to Fall comes out October 20 on Epitaph.

-AR

[via FEARnet]

As you may have heard by now, yesterday Converge’s new album, Axe to Fall, leaked. The watermarked files demonstrate that the leak originated with a MetalSucks staff writer, Shaun Hand.

We would like to formally apologize on behalf of everyone at MetalSucks for the leak. We  take full responsibility.

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As rabid Converge fans chomp at the bit for the imminent release of the highly anticipated Axe To Fall, bassist Nate Newton presents something far more accessible to digest in the brief interim with Darkness Come Alive. Perhaps the most viable and visable of that New England hardcore act’s side-projects, Doomriders treat the “doom metal” tag fairly loosely, using it more as a jumping off point than a modus operandi. Distinct from the fawning nostalgia of acts like Gates Of Slumber or The Sword, the project is a satisfying hodge-podge of classic metal influences tempered by a more modern framework.

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As one of the chief riff providers for swaggercore titans Every Time I Die, Andy Williams takes pride in making the discordant into catchy. For a perfect example of this, look no further than the band’s latest (MetalSucks-approved) album, New Junk Aesthetic. Distilling the band’s decade-plus essence into a tight half hour, it’s a satisfying mix of thunderous heaviness and easily the most appealing material the band have put to tape. But while he’s often overshadowed by vocalist Keith Buckley’s relentless wiseassery, it’s his and Jordan Buckley’s Skynard-by-way-of-Dillinger-Escape-Plan guitar work that make the band stand out and ultimately worthwhile.

A self-described “chatty Cathy,” Andy Williams was remarkably frank and refreshingly earnest in a recent interview with MetalSucks on the eve of the release of New Junk Aesthetic. Among other things, he discussed why he can listen to the new album and none of the band’s other material, his thoughts on the new Converge record, the changing landscape of the scene he came up in, and life over at ETID’s new label, Epitaph.

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Axe to Fall is not better than Jane Doe. Sorry. It is, however, easily one of the best albums of the year, and very possibly Converge’s most “metal” (as opposed to hardcore) offering to date (Except the last couple of songs… which are doozies. I won’t spoil the surprise.). The album Slays with a capital “S.”

The title track is now avail as a free download from Spin, of all places. You’ve actually heard a rough version of this song before – remember that album teaser video the band released way back in March? – but it’ll rip you an even bigger bunghole with the vocals in place.

Go here to download the song.

-AR

Hatebreed have a new song, “Merciless Tide,” available for free download right here. It comes off their new, self-titled album, which will be released on E1 on September 29.

And… hey! Lookit that. I actually like it. It reminds me why I always end up enjoying Hatebreed, even if they’re never gonna make another Satisfaction is the Death of Desire. And it’s definitely better than that other song the band released. There’s multiple guitar solos, both of which I enjoy, the breakdown is fun, Jamey sounds pretty cranky.

And besides. I’ve already heard the best hardcore album of 2009. It’s called Axe to Fall.

-AR

This morning, I received the following e-mail from reader Parker Werley:

“How does a band get to earn the proud badge of having -core in their genre?”

That’s a pretty simple question, but it’s also kind of thought provoking. So I thought maybe we could explore it here a little bit. Because, honestly, I’m not sure that I know what the answer is.

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One of the most buzzed about new releases of the fall (along with Between the Buried and Me, Baroness, Converge and others) is Doomriders’ Darkness Comes Alive, out September 29th on Deathwish. For the uninitiated, the blues-tinged punk metal/rawk of Doomriders is played by Converge’s Nate Newton, Cave In’s John-Robert Conners, alongside Jebb Riley and Chris Pupecki. Bluesy breaks abound underneath furious hardcore vocals… think heavier Thin Lizzy riffs updated for the modern age.

Lucky for you the band has two brand new songs from Darkness Comes Alive streaming on their MySpace page, so you don’t have to take my word for it. You can also pre-order the record now in all sorts of nifty vinyl/CD/t-shirt configurations.

-VN

Obviously, the style of this song isn’t exactly de rigeur for Converge. Maybe that’s why it’s actually my favorite song off of No Heroes. In any case, I find it to be a very emotional song, and a great song to listen to when you’re high.

There’s some more material that’s kind of along these lines on Axe to Fall, by the way…

-AR

Speaking of our friends at Metal Injection: they found these groovy clips which collect all the metal-celeb guest appearances on Metalocalypse. In case ya don’t know, everyone from Hetfield and Hammett to Corpsegrinder to King Diamond has done voice work for the show… one of many reasons why it’s worth your time.

Here’s the clips from season 1; check out season 2 after the jump. And don’t forget that Dethklok have a new album coming out, to be immediately followed by a ridiculously awesome tour with Mastodon, Converge, and High on Fire.

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