Posts Tagged ‘corrosion of conformity’


IF YOU WANNA HEAR TWO NEW CORROSION OF CONFORMITY SONGS, GET IN HERE

Wednesday, January 11th, 2012 at 3:00pm by

Metal Hammer has debuted not one but TWO new Corrosion of Conformity songs, which you can check out via the below video. The songs, of course, will appear on the band’s new, self-titled album, which comes out next month, and is their first full-length with  Animosity line-up since, well, Animosity. In other words, expectations are pretty high.

So how’d the band do? I don’t find these tracks to be especially mind-blowing, but they are pretty good. In other words, C.O.C. have by no means embarrassed themselves, which is terrific!

Corrosion of Conformity comes out February 28 on Candlelight. Needless to say, the band is going to tour behind the release; get the dates here.

-AR

CORROSION OF CONTOURMITY

Wednesday, January 4th, 2012 at 1:30pm by

In case my oh-so-witty headline didn’t give it away, Corrosion of Conformity are hitting the road for a U.S. headlining trek. I haven’t seen the reunited CoC, but I’ve heard some people say they’re great and some people say they’re not so great… I guess this will be my chance to finally find out.

Support on most dates is coming from Torche, Valient Thorr, and A Storm of Light, so that’s a pretty nifty line-up — regular MS readers will already be aware that we’ve very sweet on Valient Thorr. But the first show of the run, on January 22 in Asheville, NC, will have support from Hail!Hornet — okay whatevs — and a screening of Slow Southern Steel, the documentary about southern metal that CT from Rwake made. That could be pretty sweet, too.

Here are all the dates:

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VAN MOSH: GRIM KIM’S COC/CLUTCH TOUR PLAYLIST

Wednesday, August 3rd, 2011 at 2:30pm by

There are many awesome things about touring. You get to see new places, make new friends, hang with old ones, get free booze (sometimes), develop sweet guns from lugging gear around (Seriously, you should see my biceps. I’m straight-up Amazonian by this point.), make a little money (sometimes) and, if you’re lucky, get to listen to bands you love play every night (or, barring that, make fun of the shitty opening bands who never got the memo that 1999 is dead and gone, and that ripping off Pantera isn’t nearly as great an idea as it sounded when they came up with it in their PBR-scented basements).

One of the things that sucks most about touring, though, is that you almost never have a moment to yourself. You have free time, sure, but you’re generally always in or around the company of your bandmates, road crew, or just, like, dudes. It’s tough to get a moment alone to sit down and write, but I always do my best to sneak off and get shit done. That being said, it’s been more hectic that usual this time around, and instead of gushing at length about the latest EP from Invidious or mourning the sold-out status of the live Blasphemophagher/Diocletian tape, I’m going to give you guys a peek into what I’ve been jamming these past few weeks on the road with Corrosion of Conformity and Clutch. Some songs are the result of Woody Weatherman’s DJing bouts, some are favorites from the sets I see every night, some remind me of home/loved ones, and some are just fucking rad.

 

CLUTCH – “Profits of Doom” (Blast Tyrant, 2004)

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PEPPER KEENAN! WITH C.O.C.! ONSTAGE! LIVE!!!

Tuesday, June 21st, 2011 at 11:40am by

Last summer, D.X. Ferris interviewed Corrosion of Conformity’s guitarist Woodroe “Woody” Weatherman for us about the band’s Animosity-era line-up reunion, and, of course, the issue of whether or not Pepper Keenan would ever return to the fold was one of the topics of conversation. Here’s what Weatherman had to say about the subject:

“It’s kind of a weird way it came about. It was Pepper that stirred everybody’s bones back into motion. He had brought us up, doing some things in Europe this summer. Then with Mullin coming back in, being the original guy or whatever, that kind of fell through. Our cages had been rattled.

“Mullin came out of the shadows, so we kept on going with it. When the time is right, when Pepper is willing and everybody else is willing, we’ll probably do more four-piece stuff later on.”

Well, hey, guess what? Keenan recently joined the band onstage during a gig in Bilbao, Spain. Here’s some fan-filmed video:

Of course, this doesn’t mean that Keenan is back in the band for good — he seems to be pretty busy with Down at the moment — but it is one step closer to getting that four-piece reunion going. So I’ll take it, and happily.

-AR

[via Metal Insider]

 

IS REX BROWN OUT OF DOWN? DON’T ASK PEPPER KEENAN!

Tuesday, May 3rd, 2011 at 11:30am by

Rex Brown is not participating in Down’s current tour, and this interview seems to suggest that he’s never coming back to the band. And so, in an effort to get some clarification, The Delaware County Daily Times, your leading source for rock and metal news, decided to ask Down’s Pepper Keenan outright whether or not Brown is still Down. His answer?

“I don’t know what to really say on that; he’s not out of the band, but he’s not playing with us live.”

Well, that’s reassuring!

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NECROLUST: GRIM KIM GIVES YOU ROADBURN 2011

Thursday, April 21st, 2011 at 2:40pm by

Hey dudes and ladies, sorry I haven’t been posting much this month. I’ve been travelingeven more than usual, and haven’t had much time to sit down and write down much of anything besides flight confirmation numbers and directions to wherever I happen to be sleeping any given evening. Cheers once again to those of you who went out and soaked up the riff-tastic metal circus that was Metalliance (especially those wonderful souls who came up to hang out or bought me a drink!), and mad love to everyone who survived that tour, especially the eternal road dogs in The Atlas Moth and Howl and my tour family on the Saint Vitus/Crowbar bus.

As soon as that madness ended, I flew over to Ireland to stay with my boyfriend J. for a couple days and get ready for my next adventure: reprising my now-yearly pilgrimage to the mighty Roadburn festival in Tilburg, Netherlands. He and I met there last year (he was playing, I was covering, the rest is history) so it was due to be special for more than the usual reasons, which are pretty fucking good reasons in and of themselves!

Roadburn is the best heavy music festival in the world, hands down. A bold statement, sure, but anyone who’s ever played, worked, or attended the event will agree with me. Yeah, the lineups are always amazing, and yes, the venues – the 013, which is separated into the Main Room, Green Room, and Bat Cave, and the Midi Theatre — are killer. The separate building for merchandise, vinyl distros, and movie screenings doesn’t hurt, nor does the charming ambiance of Tilburg itself.

The real heart and soul of this festival comes from outside, though; from the big-hearted organizers Walter and Jurgen, from the efforts of Roadburn public relations guru Yvonne (without whom the whole damn thing would have fallen apart), and from the thousands of fans and bands that have come together, united by an overwhelming sense of community and goodwill. Everyone at Roadburn is absolutely 100% thrilled to be exactly where they are. There is a reason that this year’s edition sold out – sold OUT – in fifteen minutes, and it’s not just because Swans, Godflesh, Winter, and Sunn 0))) were playing (though that can’t have hurt, either). I made it to my first Roadburn in 2009, and have made it a point to come backevery year since – I’ve heard the same pledge from a lot of first-timers, and I know a few people that are already saving pennies for next year!

This year’s lineup was insane (as always). To give you an idea, I wanted to be sure to catch Alcest, Year of No Light, Acid King, Winterfylleth, Zoroaster, Wovenhand, Naam, Blood Ceremony, Pentagram, Today is the Day, Cough, Godflesh, In Solitude, Wardruna, Soilent Green, Count Raven, Earth, Place of Skulls, Winter, Trap Them, Sabbath Assembly, Summon the Crows, Corrosion of Conformity, Menace Ruine, Sunn 0))), Hooded Menace, Grave Miasma, Scorn, Candlemass (performing Epicus Doomicus Metallicus in its entirety!), Black Math Horseman, Master Musicians of Bukkake, Weedeater, Rwake, Ludicra, Evoken, Ramesses, Shrinebuilder, Yakuza, The Gates of Slumber, Swans, Ufomammut, Blood Farmers, Coffins, Dead Meadow, and Sourvein … and that’s just me. There were plenty of other bands that I either had seen many times, was unfamiliar with, or just didn’t want to see (which is rare at Roadburn, but there’s a first time for everything).

Of course, since it’s a massive festival full of people from all over the world, a lot of whom I love dearly, I managed to miss tons of bands, but I’m okay with it. I’ll see most of them again, and Roadburn isn’t totally about the music. It’s about the experience, man.

Here are a few highlights from this year; third time’s the charm!

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SXSW ’11 UPDATES: ALOHA EYEHATEGOD/PENTAGRAM, ADIOS BENEA REACH + HAARP, SKATENIGS, RIGOR MORTIS (???) & MORE

Wednesday, February 23rd, 2011 at 11:30am by

Trying to keep up with the changes at a music festival is like trying to herd a pack of rabid cats. The South by Southwest (SXSW) Music Festival is the biggest musical kitty corral of them all. That’s why you have me here to help you make heads or tails of all your SXSW metallic/hard rock/punk rock/experimental/etc. needs.

There have been plenty of line-up changes since my last SXSW music post over a week ago. First on the list is the welcome news that NOLA-sludgekings eyehategod will team up with doom metal pioneers Pentagram to close out the conference on Saturday, March 19 (both bands will be going on after midnight, so, technically, they are playing on March 20) at the Scoot Inn. They’ll be joined by a stellar group of bands including Cough and Naam.

Other notable additions include YOB, Slough Feg, and Zoroaster.

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SORRY, DUDES, BUT THESE AIN’T ELEPHANTS MARCHING RIFFS

Thursday, January 6th, 2011 at 12:30pm by

I was elated to see all the recommendations for good elephants marching riffs following my love letter to that conceit earlier this week. I was a little less elated to discover that there’s almost as much confusion over what qualifies as an elephants marching riff as is there over what qualifies as a taco riff.

For example, here are some excellent riffs by some excellent bands that some of you excellently suggested but which are, rather unexcellently, not elephants marching riffs:

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BBQ + TNT + COC = SXSW ’11

Tuesday, January 4th, 2011 at 12:00pm by

Coolest band logo...ever!!!

Oops! I recently popped a Woodroe when I was informed that Corrosion of Conformity, the COC that I knew and loved, will be playing the South by Southwest (SXSW) Music Festival this March.

Now, you may ask, why is this year of COC any different? Because they are stripped back down to the original three-piece of Woodroe “Woody” Weatherman, Reed Mullin, and Mike Dean, the same crusty trio I remember seeing up close and personal at the former Ritz Theater in Austin, Texas (which is now home to the Alamo Drafthouse Ritz movie theater) on tour in support of their hardcore-classic Animosity. That was the COC that used to be fucking dangerous. It was a show where you weren’t quite sure if you’d make it out alive. Seriously. It was back when Mike Dean looked more like a Dragworm who just stumbled in from nearby Guadalupe Street (“Dragworms” are Austin’s equivalent to homeless people) looking even more crazed and demented than Charles Manson in front of a television camera. This is the Animosity/Technocracy COC that I worshipped (minus Simon Bob Sinister on the latter EP). Nothing against Pepper Keenan, but I don’t even consider anything beyond this era to be COC.

This COC, along with D.R.I., The Offenders, M.D.C., The Fearless Iranians From Hell, and the Cro-Mags — that was the shit. Now get off my lawn!!

Anyway, time to relive my youth and to, hopefully, find more new metallic talent at this year’s SXSW. Here are some of the already announced metallish bands appearing at the world’s greatest music conference in addition to COC:

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C.O.C.: FROM “RABID DOGS” TO RAISING HOGS — AND BACK AGAIN

Thursday, August 5th, 2010 at 1:20pm by

From left to right: Weatherman, Mullin, and Dean. Pic courtesy C.O.C.

C.O.C. is not only one of the best bands to come out of the old-school 1980s hardcore movement; technically, it’s at least five of the best groups to emerge from the scene. Over 28 years, every release – and later, every other album – has found the veterans with a new lineup and an all-new sound.

The band launched in North Carolina in 1982 as Corrosion of Conformity. In its first incarnation, the band played crusty, heavy, speedy hardcore. In 1984, the Eye for an Eye LP introduced the punk world to the group’s spiky skull mascot, one of the great extreme-music icons.

The lineup and sound reshuffled by 1985’s Animosity LP. The crossover disc was released on Metal Blade imprint Death Records, where they held their own against labelmates D.R.I. and the Ugly Americans. (The latter band featured singer Simon “Simon Bob Sinister” Bob, who would step as vocalist for C.O.C.’s 1987 Technocracy EP.)

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SEVENTH VOID TRADE IN THEIR BLACK CLOTHES FOR A BOTTLE OF BOURBON

Monday, May 4th, 2009 at 1:02pm by

Several of you (ok… three) have emailed MetalSucks urging us to check out Seventh Void — the new band featuring Johnny Kelly and Kenny Hickey of Type-O Negative — whose debut record Heaven is Gone just dropped last month on Vinnie Paul’s Big Vin Records. Seventh Void sound nothing like the goth-laden, morose metal played by half of the band in their day jobs; instead we get southern-tinged, bluesy hard rock with little pretense that sounds more like Down, Corrosion of Conformity or early Soundgarden than anything Type-O have done to date. Check out their new video for the Heaven is Gone’s title track below, then have a listen to more on Seventh Void’s MySpace page. Look out for MS interviews later this month with both Johnny Kelly and Vinnie Paul!

-VN

CORROSION OF CONFORMITY, NOT AN ALBATROSS

Monday, May 19th, 2008 at 1:33pm by

From UrbanDictionary.com:

A sexual position in which one male pleasures four others by giving a blow job, taking it in the butt, and giving two hand jobs simultanesously, hence the flapping motion of said bird.

Hopefully Corrosion of Conformity did not have this in mind when they wrote their 1994 landmark single “Albatross.” Around that time there was a very short-lived radio station experiment here in NYC on Q104.3 (now classic rock) which billed itself as “Pure Rock,” and this song was a staple in the station’s brief time on the planet (along with Type O Negative, Pantera, and others. Can you even imagine?). Young Axl and I thought it was pretty much the coolest station ever. And it was.

-VN

CORPORATE PUNISHMENT RECORDS TO RELEASE SOMETHING THAT DOESN’T COMPLETELY SUCK

Friday, January 4th, 2008 at 12:27pm by

On a Pale Horse

Corporate Punishment Records — the LA-based record label specializing in C-level nu-metal bottom feeders, never-wases, and flavor of the moment metalcore — is set to release a record that doesn’t completely suck. On A Pale Horse, a five-piece metal outfit from that bastion of Obama-caucusing and Slipknot-hating-masked-bands, is set to release their new record A Generation of Vipers in March on Corporate Punishment Records; and it doesn’t completely blow.

On A Pale Horse play some amalgam of Black Sabbath, Down and Corrosion of Conformity-inspired groove metal; it ain’t gonna reinvent the wheel, but there’s some pretty decent rockers on their MySpace page, including the incredibly groovy and riff-heavy “Sound the Alarm.” Mic-bearer Aaron Peltz doesn’t always hit the mark, but then again neither does modern day Phil Anselmo. But hey, at least it doesn’t totally blow, and that’s saying something!

-VN