Posts Tagged ‘Daath’


DAATH’S SEAN Z. IS A METALHEAD JESUS

Wednesday, July 7th, 2010 at 4:30pm by

Remember Sean Farber, Daath’s old singer? I’ve never met the dude since his tenure with the band ended before we had any relationship with them, so for all I know the guy is a real sweetheart. But he infamously left Daath, “for all intensive purposes,” to pursue other dreams, including starting his own religion. And while I have no idea how that quest is going, the fact that I haven’t read about “Farbertology” or whatever somewhere leads me to believe that the answer is, “Not very well.”

So Sean Farber is probably pretty pissed there’s a thread on Century Media’s YouTube page in which people are positing that his successor, Sean Z.,  looks like Jesus Christ.

Click to read more…

DELIVER US FROM EVIL AREN’T CHRISTIAN, ARE FUCKING SICK

Tuesday, June 22nd, 2010 at 2:00pm by

It takes balls for five white dudes from Indiana to name their EP after a Maya Angelou poem. But I’ve been enjoying Deliver Us From Evil‘s Still I Rise EP so much, they could have just as well called it The Autobiography of Malcolm X and it wouldn’t have bothered me that much.

Whether you realize it or not, you’re probably already familiar with the band’s drummer, Alex Morgan; he’s a talented and successful photographer who has worked with Gojira and Daath, amongst others. (Check out his work at his official website, or with this MS post or this MS post, or just look about an inch up on this post.) Which makes it all the more baffling to me that Deliver Us From Evil are unsigned; they’re like eight million times better than half the bands publicists and label reps send us every day.

Click to read more…

IN WHICH DINO WON THE WAR

Friday, June 18th, 2010 at 4:30pm by

Can you imagine if everyone to whom we give endless amounts of shit followed Dino’s example? We’d have Rose Funoral cards and Tommy Lee faking his own death and Fred Durst pulling a Billy Madison and pics of Joey Belladonna with his twig and berries tucked back. That’s the kinda world I wanna live in. I believe we can make it happen if we try.

ANYWAY, here’s some shit we did this week:

Speaking of Eyal and studio updates: on Sunday I’m flying down to Atlanta to visit Daath in the studio. If you never hear from me again, assume I’ve been lost amidst a cloud of ATL purp smoke and awesome metal. But what a way to go!!!

-AR

WITH APOLOGIES TO CODY BARRICK

Wednesday, June 16th, 2010 at 9:30am by

Yesterday I gave longtime reader Cody Barrick shit for recommending a terrible band and claiming they were superior to Slayer and Daath.

Well, Cody was being sarcastic.

This is one of the dangers of e-mails – especially e-mails from someone you don’t really know: that you will completely misinterpret someone’s tone.

So my apologies to Cody, who suggested we post the below video. I salute you, good sir.

-AR

Tags: , ,

ARE. YOU. FUCKING. KIDDING ME???

Tuesday, June 15th, 2010 at 2:30pm by

I’ve never personally metal Cody Barrick, but he is the definition of a MetalSucks Maniac – he’s been reading the site for a long time and has supplied us with some really good tips for stories in the past. So when I got a “Reader’s Choice” e-mail from him today, I was curious to listen to the band he wanted to suggest.

But when I opened his e-mail, I saw the following claim…

“These guys by the name of Ennui Breathes Malice are so awesome! Way better than Daath and Slayer if you ask me.”

…and I knew I was in trouble.

Click to read more…

JUMPING DARKNESS PARADE: A DÅÅTH STUDIO UPDATE FROM EYAL!

Monday, June 14th, 2010 at 5:00pm by

Its 4:21 am on June 14th, 2010. We’re exactly one week into the drum sessions for the new DÅÅTH record. I’m sitting in a makeshift control room that was constructed for us at the Atlanta Institute of Music. After a very insane start, we’ve hit a great workflow.

Let me explain what I mean by “insane.” One of our stated goals for this record is to make it real. What I mean by “real” is that what you will hear is what we played. No smoke and mirrors, no trickery, no using the studio as a crutch. In the older days, when albums actually sold and recording budgets were high, albums would take months and months to create. Of course, the technology that is available to us today was not around back then, so things that now can be done in an hour would take a day or more. Like editing drums, for instance. It’s much easier to edit drums on a computer with a monitor than on tape that you have to cut together. For a good example of what I’m talking about ,check out that scene in A Year and a Half in the Life of Metallica where they’re talking about editing together the drum fills. While the editing capabilities have gotten better, lots of people have taken these new tools to the level of completely manufacturing what in the 90’s and earlier would be performed. Why do you think bands these days sound so damn tight on record? Its not that they’re actually tighter. It’s that they’re edited better. Bands, for the most part, were actually tighter in the analog days, because they HAD to perform their parts. They couldn’t rely on the editing skills of the engineer to fix their shortcomings.

Click to read more…

IN WHICH WE REALLY MIGHT HAVE HAD THE WORST WEEK EVER

Friday, May 21st, 2010 at 5:00pm by

Dio died. Isis broke-up. Bret Michaels is back in the hospital. And I just used Dio, Isis, and Bret Michaels in one thought-stream, which, I’m sure, offended somebody.

Luckily, we did manage to have some fun this week:

And hopefully no one awesome will die or break-up next week.

-AR

EMIL WERSTLER OF DAATH & LEVI/WERSTLER: THE METALSUCKS INTERVIEW

Wednesday, May 19th, 2010 at 2:00pm by

I’ve already expressed my love of Levi/Werstler’s Avalanche of Worms (read my review here) so many times I’m running out of synonyms for “awesome,” so let me just put it this way: it’s one of the best albums of 2010 thus far. And as much praise has been heaped on Emil Werstler – whose day job is playing lead guitar for Daath – he deserves more. If you love great guitar playing, you need to hear this record, and then you need to bow down before Werstler with a cry of “I’m not worthy!” He is, simply put, the man.

Emil recently took time out from the writing and recording of the new Daath album – which, if all goes according to plan, will be out in the fall – to answer some questions for MetalSucks via e-mail. After the jump, learn how he started playing guitar, how he first hooked up Eyal Levi, his secrets for writing a great guitar solo, how he thinks the lessons of AOW will spill over into the new Daath release, and more.

Click to read more…

IN WHICH WE SHAVED BELLADONNA’S BUSH

Friday, May 14th, 2010 at 5:00pm by

Yep, we talked a lot of smack on Joey Belladonna this week, much to the chagrin of, well, an awful lot of you. I think we’re done for a little while… but I can’t make any promises. Our job at MetalSucks is to amuse ourselves first and foremost, and, well, we thought it was pretty damned funny. So ppppfffftttt.

Here’s what else went down this week:

Alright. We’re gonna go get drunk and crank We’ve Come For You All in John Bush’s honor. Have a great weekend, everyone.

-AR

JUMPING DARKNESS PARADE: EYAL ON STAGE ETIQUETTE FOR OPENING BANDS

Friday, May 14th, 2010 at 4:30pm by

Seeming as though there will never cease to be a supply of beginner and amateur bands in the world, I’ve written some of my Jumping Darkness Parade entries in their honor. A little bit of practical advice applied to whatever it is you’re doing can help move you a long way. Well, in this case I’m talking to any band, at any level, which is performing a gig and are NOT the final act of the night. If you’re in Metallica and the whole world plays by your rules, then congratulations and don’t bother reading this. But for the rest of us, stage etiquette is essential if you aspire to have an easy working relationship with your band mates, other bands on the bill, local crews, and beyond.

I want to focus on the dreaded changeover. This is the part of the night where either the pieces are laid into place to ensure an easy start to the show, or where things will begin to fall apart. How long you take to be set up and ready to play AS WELL AS how quickly you can get offstage will have a big impact on how your band is treated that night, and in the long run. If your set ends and your drummer decides to take apart his kit on stage while your guitarist sits in a corner on stage wrapping his cables, taking their sweet-ass time while another band is dealing with a fifteen minute window to get set up and started, then your band is fucking up. And also, your band is fucking up if it’s your turn to go and your drummer starts setting up his kit onstage, guitarist is fumbling with all his cables, somebody (bassist, vocalist, whoever) is nowhere to be found, and another guitarist who got his rig up quickly is noodling away annoying everyone.

Let me go on a rant for a second. Is there anything more annoying during a changeover than watching some dude stand up there and play fifteen minutes of guitar solos while the house music is still going amidst the general chaos on stage caused by everyone else trying to get the band set up? Is there a more eloquent way to say “YOU ARE FUCKING UP, SIR?” First of all, you look like a disorganized bunch of idiots acting that way. People take note. Second of all – and this relates to what I just said – you will lose the audience looking like a bunch of bumbling idiots. Third, you are most likely holding up the show and pissing off a) the headliner, b) the other bands after you, c) their crews, d) the club and their crews.

Click to read more…

CONTEST REMINDER: WIN A JAGER WATER PIPE FROM LEVI/WERSTLER!

Monday, May 3rd, 2010 at 1:30pm by

Just a friendly reminder that you can still enter the Levi/Werstler 4/20 Jager water pipe contest! The most impressive entry wins the wonderful instrument of smoke that you see Mr. Levi holding in the photo above (for novelty use only… we’d never encourage actual smoking here at MetalSucks). Here are the rules, in case ya forgot:

  • You must be over 18 years old
  • You must live in the United States
  • Post a video of yourself doing something creative to celebrate this holiday
  • A DAATH or Levi / Werstler track must be playing in the background
  • Upload it to Youtube and title it “4/20 DAATH Contest”
  • Post he link to your entry in the comments here.

And that’s it! So if you haven’t entered yet, well… get crackin’!

IN WHICH WE GOT A FACELIFT

Friday, April 30th, 2010 at 5:00pm by

EVERYBODY SING WITH ME NOW: “I FEEL PRETTY, OH SO PRETTY, I FEEL PRETTY, AND WITTY, AND BRIIIIIIIGHT!”

No West Side Story fans in the house? No one? Okay, fuck it. Here’s what happened in the world of FUCKING METAL this week:

Next week brings so many interviews and exclusives it’ll make your head explode. See ya then!

-AR

JUMPING DARKNESS PARADE: EYAL ASSERTS THAT PEOPLE NEED TO EMBRACE THE ONLINE PURCHASING OF MUSIC

Friday, April 30th, 2010 at 4:30pm by

Have you guys noticed how hard it is to find your favorite new metal releases in Best Buy, FYE, or any of the other big chains that are still remaining? Have you noticed that with few exceptions, bands that are used to posting respectable sales numbers are now selling fractions of what they used to? They still do great at shows. They still sell tons of merch. Everyone has their albums. Their fanbases don’t seem to be diminished. What the fuck is going on?

It’s a combination of things. Everyone knows that the market for purchasing CDs is way down. I don’t remember the exact figure, but believe me, it’s WAY down. This has caused many larger chains, like Tower, to become strictly online operations. I remember the days when going to Tower Records in any given city was always great, because they were huge and had amazing selection. Gone. Virgin is on the way out as well. The one in Paris is still kicking, but didn’t the mega store in New York City close down? [Both of the ones in NYC closed down last year. -Ed.]

With larger chains biting the dust, you can only imagine what this has done to mom and pop record stores. They’re dropping like flies. The ones that are still in business are hanging on by the skin of their teeth. Right now, we’ve got a marketplace that has somewhere in the range of 40 – 50 % of the retail outlets it had only three years ago. So there’s a very limited amount of options for a CD to even be stocked. That’s one thing. Here’s the other thing. Big retailers are not interested in stocking metal releases unless there’s a guarantee of X amount of sales. For instance, if Best Buy can’t move 2,000 units of a given release in the first week they won’t stock it. This doesn’t affect the more successful bands, but what does this mean for bands that are still coming up? If Best Buy wont carry it, and most stores are R.I.P., then where do you go to get music by bands you love who aren’t necessarily huge?

Click to read more…

“DURA MATER”: THE COMPLETE LEVI/WERSTLER UPDATE

Tuesday, April 20th, 2010 at 5:30pm by

A few months ago, we posted a series of select riffs and lines from the song Dura Mater on leviwerstler.com.  We had a lot of positive feedback about the parts and transcriptions, so we wanted to put together a post for all the guitar enthusiasts.  Here are all three “Dura Mater” video updates, along with transcriptions available in PDF and Guitar Pro formats.

(Editor’s note: click here to download the PDF and Guitar Pro files.)

“Dura Mater” Intro

Click to read more…

EYAL’S TOP UNDERRATED GUITARISTS

Tuesday, April 20th, 2010 at 5:00pm by

I’ve always hated top-whatever lists. Best guitarist, best band, best blowjob, best double anal with a horse, whatever. I think that those lists are pretty much all slanted by politics, or bought and paid for. I first got that idea in my head when Titanic won as many Oscars as it did. There were so many movies that year that were far more deserving of the title that my faith in the award system died.

Jump forward about ten years. I just got back in town from the Revolver Golden God Awards. I’ll just say that I’m stoked they exist. Metal needs that in the U.S. I have no issue with their nominees and obviously you can’t pick everyone so this is definitely not directed at them. Again, THIS IS NOT DIRECTED AT REVOLVER MAGAZINE, but the concept of picking “best shredder” or “shredder of the year “is just one of those things you can’t accurately do with the amount of talent that’s out there. You want to nominate Zack Wylde or Dave Mustaine? Okay. That’s cool. Those guys have earned it. But when you leave the circle of greats and legends, how exactly do you pick a BEST shredder? I mean am I alone in thinking that when so many amazing guitarists are overlooked that the award itself loses its meaning? What guitarists am I talking about? Okay… I’ll name a few. In my opinion these guys should be winning all the awards. If I left someone out, it’s because either I haven’t heard of them, I’ve heard them and I don’t think they’re among the very best, I forgot to mention them, or I’ve heard them and I know for a fact that what you think is shredding is just studio trickery.

So here it is. My personal list of whom I think should be winning all the metal guitar awards. Am I biased? Maybe. But I’d like to also think that considering what I do for a living that I’m a good judge of competency in the field. This is in no particular order. These guys all rule for different reasons. (DISCLAIMER: Sorry that there aren’t videos for every dude I mention, but sometimes finding quality footage is tough.)

Click to read more…

THE LEVI/WERSTLER 4/20 CONTEST: WIN A JAGER WATER PIPE

Tuesday, April 20th, 2010 at 4:20pm by
In honor of the only holiday which actually means anything special to us, we’ve decided to donate a signed Jager water pipe (for novelty use only) to the MetalSucks reader who submits the most impressive entry.
So here be the rules:
  1. You must be over 18 years old
  2. You must live in the United States
  3. Post a video of yourself doing something creative to celebrate this holiday
  4. A DAATH or Levi / Werstler track must be playing in the background
  5. Upload it to Youtube and title it “4/20 DAATH Contest”
  6. Post the link to your entry in the comments here

And that’s it! Good luck…

-Eyal and Emil

MAYBE PEOPLE DON’T GO TO SHOWS BECAUSE BANDS SUCK

Tuesday, April 20th, 2010 at 4:00pm by

It’s no secret that the music industry is in shambles. What was once an industry that could stand neck and neck with Hollywood is now just a series of competing guerilla operations. Some richer than others. This is not news. This is talked about every day. All I hear about is how the sky is falling and there’s no hope.

Well… I beg to differ. I think there’s nothing but hope. You see, I attended an Opeth concert in L.A. two weeks ago. as well as one held by Muse in Atlanta about a month and a half ago. Both shows were completely sold out. The audiences were in awe of the performances. Both bands sounded incredible. Both bands had great staging. I’m sure both bands cleaned house in merch. The sorry state of the music industry didn’t seem to be affecting them too harshly.

I once read someone in Dream Theater saying something to the effect of, “We’re in a bubble that somehow protects us from what’s going on with the rest of the industry.” Why is it that some bands can clean house in any economic climate, while so many other bands that just two years ago were living the life, are now downsizing back to vans, getting real jobs, etc.? People point to the the sheer amount of tours leading to poor ticket sales. Other people say it’s just that people don’t have money due to the bad eonomy. Well, somehow they seem to have money when Opeth, or Dream Theater, or Muse, or Slipknot, or any other mega-band comes around. Kinda like your pothead friend that’s always broke, but can always find money for weed.

Click to read more…

MAYBE THIS WILL CHEER YOU GUYS UP

Tuesday, April 20th, 2010 at 3:19pm by

-EL

…OTHER REASONS TO STAY MODEST

Tuesday, April 20th, 2010 at 2:30pm by

Since this is MetalSucks and I think quite a bit of newer metal DOES suck, I’d like to take the opportunity to talk about every metal musician’s worst nightmare:  modesty and people that can make a statement with or without the assistance of technology.  In most cases if you get past the mean face, band shirt, and disdain for a suntan you are left with music and it’s delivery:

I’m not ashamed to say it.  These days I’ll give a sloppier musician with something to say the benefit of the doubt over someone that is basically living a lie, trying to reproduce live what protools produced for them in the studio.  I think there are two ways to go about it – put on a hell of a show to make people believers, or reproduce the album and all of it’s elements note for note.  I was talking about J.Lo actually…

I think talent is really making a comeback.  Gotta love bands that reunite and forget to practice.  I heard fantastic things about the At The Gates reunion shows, though.  I also heard horrible things about the Rage Against The Machine reunion shows.  This is the best comeback ever:

Click to read more…

AND NOW A QUICK BREAK FOR A FAST UPDATE ON DAATH

Tuesday, April 20th, 2010 at 1:00pm by

This MetalSucks takeover is in honor of today’s release of Avalanche Of Worms. Not to take the attention off of that, we just wanted to give you a quick rundown of what’s going on with our main band, DAATH.

We’re hard at work on our fourth album. It’s about halfway written. We’re set to start recording June 1st with an estimated October release. This one is going to have a much darker ambience to it than the last one. That’s as far as we’ll go talking about its sound. We’ve also got some European Summer festivals as well as some off dates lined up with Slayer and The Haunted.

-EL & EW