LACUNA COIL SHALLOW, LIVELY ON ‘SHALLOW LIFE’
Wednesday, April 29th, 2009 at 1:00pm by Anso DF
Lacuna Coil makes it easy for haters. For one thing, their latest (and best) album ostensibly explores the meaninglessness of modern life, yet Shallow Life itself is immediate, thoughtless pop. Luckily, it’s awesome pop, to be enjoyed in the same disposable way as Doritos and Indiana Jones: as good, pointless fun. And though it suffers for its lack of depth, most of the Shallow Life experience is awesome hookery bolstered by Don Gilmore’s micro-tuned (post-)production. Arrangements are mercilessly utilitarian, with very few intros or outros or reps. At first, the record’s swift economy of riffage kinda feels like abridgement, like Reader’s Digest’s Shallow Life. But it’s soon clear that the brevity is basically a mercy killing, cuz, if you recall, guitarists Cristiano Migliore and Marco Biazzi played like vaginas on 2006’s otherwise awesome Karmacode. Those two either needed to get a style, or be banished to the background with (snicker) the keyboard player – and they are on Shallow Life. Out of convenience if not necessity, Gilmore’s Lacuna Coil is no longer a guitar band, but a pop band with heavy guitars, like Paramore, Garbage, and In Flames.
