JUMPING DARKNESS PARADE: DAATH’S EYAL LEVI ON THE HEIRARCHY OF THE METAL WORLD
Friday, August 14th, 2009 at 4:30pm by Eyal Levi
So playing underground metal is interesting for various reasons. There’s a real hierarchy to it. It has its own set of stars. Its own celebs. Legends. Etc. But in the grand scheme of the music industry, it’s nothing but a drop in the bucket.
Forget Metallica and the huge bands. I’m talking about everything else. Maybe these days, when records don’t sell like they used to and metal sells like it always has, it’s a bigger drop in the bucket. But check this out. A metal band sells 100,000 units. I’ts something to open up champagne and do coke off of strippers asses over. Tour buses, flat screen TVs, WOW WE’RE ROCKSTARS. Do you guys realize that on a major label in the mainstream world, 100,000 units is an abject failure?







I had the displeasure of seeing Dope live once (don’t ask). They were playing at Don Hill’s, a club here in NYC that holds about 300 people, and, to my surprise, they actually managed to pack the place pretty full. So after the band before them concluded their set, Dope kept the crowd waiting for 45 minutes while their roadies set up elaborate stage dressing fit for an arena show: extra platforms and a new PA system and lighting rig (I guess the house systems weren’t good enough for the band) and giant wooden backdrops and a chain link fence (!) and who the fuck knows what else. This kind of shit really isn’t necessary for a small club gig, but it might have been forgivable had the band come out and rocked the kids’ faces off; instead, they came out and played for… 45 minutes. To repeat: the band played for as long as they kept the crowd waiting for them to play. In hindsight, it seems clear that all the rigmarole was really because without the fancy lights and props, the band knew they didn’t have much to offer.









