The musician John O’Brien, who passed away in August, was best friends with Dave “Slash Couldn’t Even Spell My Damn Name Correctly in his Autobiography” Kushner. And so the guitarist — unsurprisingly, the only member of Velvet Revolver to drop off the face of the planet when the band went on hiatus four years ago — organized a reunion of his most famous project for a memorial concert in O’Brien’s honor, which will take place on January 12 at the House of Blues in Los Angeles.

Yes, that means that Scott Weiland is going to be performing with Velvet Revolver again.

And while the gig is currently scheduled to be a one-off affair, now Kushner tells Rolling Stone that Weiland could ultimately end up coming back to the fold for good:

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The gates of the Mansion may be shuttered this week, but that doesn’t mean there won’t still be a few bibs and bobs happening in the metal world before the holidays put us all into a food coma. To boot:

• Axl Rose booted a concertgoer out of the GN’R show in Vancouver, just like in the good ol’ days. Watch video of the incident above, in which DJ Slashba stands there and looks on awkwardly. In other GN’R news, Duff McKagan joined the band in Seattle to play “You Could Be Mine” (after his band, Duff McKagan’s Loaded featuring Duff McKagan, opened the show.)
• Attack Attack! are now a djent band. Check out their new tune here. Sergeant D misses the old Attack Attack!.
• Every Time I Die invited fans up on stage for their last song at their annual Christmas song in Buffalo, NY, but the venue’s security team wasn’t having it. Watch video of the bench-clearing brawl that ensued here. Maybe it’s a pre-cursor for what’s to come when all the scene bands open for Every Time I Die at the 2012 New England Metal and Hardcore Fest?
• Ratt singer Stephen Pearcy released an unplugged album of seven Ratt classics under his solo name. I wonder how his bandmates feel about that?
• Jeff Loomis just completed a three-week clinic tour of China, Taiwan and Indonesia. Here’s Jeff permorning “Enemies of Reality” in Jakarta; Gawd, I love this dude.
• Tool have announced a few more live dates as part of their winter U.S. run, and Intronaut might be the opening act.

-VN

In October, Axl Rose told That Metal Show that Duff McKagan’s Loaded featuring Duff McKagan was going to open some shows on GN’R current North American headlining tour. But then we didn’t hear anything else about it for over a month, so I think most people either assumed it wasn’t happening, or forgot about it all together.

But now it’s actually happening, and is happening this week, no less, in Seattle and Vancouver.

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I woke up this morning to a seemingly endless number of headlines announcing that Guns N’ Roses have, indeed, been voted into the Rock N’ Roll Hall of Fame, and I’m as baffled by all the excitement now as I was when the band first became eligible for induction.

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That Metal Show‘s interview with Axl Rose — the singer’s first on-camera interview in close to a decade – aired this past Friday night, and it was about what I expected. Rose tells some great stories about the good ol’ days, sometimes displays a genuine sense of humor (he sarcastically commands Dj Ashba — who says nothing and is present for no discernible reason — to stop interrupting him), and, naturally, refuses to take responsibility for absolutely anything he has ever done. (To hear him tell it, the infamous rant from “Get in the Ring” was the brainchild of Duff McKagan and A&R guru Tom Zutaut, and when “shit hit the fan,” they both abandoned Rose to deal with the repercussions. Poor, defenseless Axl!)

The complete episode is now available below for your viewing pleasure. Other highlights include a live performance of “Live and Let Die,” and Eddie Trunk looking as though he’s struggling to stay awake through this wee-hours-of-the-morning chat.

-AR

In 2006, with a little help from Sebastian Bach, Eddie Trunk actually got Axl Rose to come on his radio show for, like, hours, which is obviously a pretty major coup, given that Rose usually only grants incomprehensible e-mail interviews. And the chat was incredibly entertaining, even if Trunk didn’t ask any of the burning questions Rose refuses to answer (e.g., “So, like, what the fuck, dude?” ), ’cause he did get Rose to lighten up and tell some great stories about David Lee Roth, Jimmy Iovine, and the classic days of Guns N’ Roses. (That’s just one part of the interview above; the rest is easy to find on YouTube.)

And I guess Rose was happy with the way things went, too, ’cause over the weekend he apparently granted Trunk another really long interview, this time for Trunk’s television program, That Metal Show. And while the full episode hasn’t been released yet, Trunk did reveal over Twitter that Rose said that Duff McKagan’s Loaded featuring Duff McKagan will be opening some future GN’R shows. (Actually, Trunk just said “Loaded will open shows,” but presumably he meant GN’R shows. Either that, or he has no sense of how context works.)

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Here’s a fun quote from a recent Sammy Hagar interview with Attention Deficit Delirium. Discussing the possibility of a reunion of the original Guns N’ Roses, Hagar says:

“They’ve proved it again and again and again that it ain’t [about] the money. They just don’t get along because Axl goes out for a lot less money with his version of Guns N’ Roses, and Slash goes out for a lot less money with Velvet Revolver or by himself. The amount of money they could make if they got it all back together, made a great record and toured the world would probably be as much as the Rolling Stones [get], and for them not to do it, it obviously ain’t about the money. Because they could do it. I would manage them. I’d be their manager and make sure they got the right deal from all the promoters. They could be the biggest band in the world if they wanted to.”

There’s three things I find funny about this statement:

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So long as Axl Rose, Slash, Izzy Stradlin, and Duff McKagan are all involved, no one would be more excited about a reunion of the original Guns N’ Roses than me. Yeah, I’d prefer if Steven Adler were the drummer instead of Matt Sorum, but that seems unlikely, and I’d be willing to settle. I’d be severely depressed about it, but I’d probably even be willing to settle for Gilby Clarke instead of Izzy if it came down to it. And I know there’s really no chance that the reunion would be great; Axl has turned into Yosemite Sam and Slash has a pacemaker and can’t run around the way he used to, so, at best, it would be a total nostalgia trip. But it would be a lot of fun, and given that Rose has completely failed to maintain a stable line-up of G&R (a.k.a. “Guns N’ Roses 2.0,” a.k.a. “Nu-GN’R”) anyway, might as well, right?

And now Guns N’ Roses are one of the fifteen finalist nominees for induction into the Rock N’ Roll Hall of Fame in 2012. And it seems like they have a pretty decent chance of being one of the five artists who will actually get in, despite the fact that they only made four albums of original material in four years and only toured for an additional two, because, well, those albums sold a gajillion copies, and inducting them would, frankly, be good for business. And so, of course, people are starting to get really excited, because if they get inducted, maybe that reunion we’ve all been dreaming about for almost twenty freakin’ years will finally happen, right?

Only here’s the thing: There is absolutely no chance in hell that the original band will reunite, even if they are inducted into a meaningless museum.

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Tomorrow marks the twentieth anniversary of the release of Guns N’ Roses’ double-disc opus, Use Your Illuision. It seems like public perception has soured on these albums over the years — even Axl Rose and Slash have accused them of being bloated and over-produced — but I still love ‘em to death. For one thing, seeing as they ended up being the last proper studio albums of original material from the actual Guns N’ Roses (not Axl Rose’s solo group or whatever),  I’m glad that the band basically included every song they had written up ’til that point here. And for another thing, I love the diversity of the records — that they didn’t just end up being Appetite for More Destruction. Maybe the Illusion albums ended up being a failed experiment, but I still, to this day, find them to be a pretty exciting experiment*.

So. Since we didn’t do a “Question of the Week” this week, and I wanted to do something to commemorate this anniversary, I thought we’d play a fun game that Vince and I (and a lot of our other friends) used to play in the past: whittling these two mammoth albums down to one collection. Geffen Records actually did that themselves in 1998, releasing a twelve-song single volume version of UYI that, if you ask me, had a pretty strange selection of songs on it… but it’s an entertaining time waster to see if you can do better.

There are no rules to the game, other than a) all the songs on your track list have to come from the Illusions albums (duh), and b) it all has to fit on one CD (roughly 80 minutes), despite the fact that CDs are now obsolete. I’ve included my own personal version after the jump… I’ll be more than a little excited to see all of yours as well.

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Remember Motley Crue’s The Dirt? Of course you do, it’s like the single greatest thing ever written by anyone anywhere in the history of writing or even conveying stories via grunts and finger painting on cave walls. And Neil Strauss, the guy who put it together, clearly understands storytelling as an art form; for one of the cardinal rules of telling a story is “Grab your reader right from the start,” and Strauss certainly accomplished that. Here’s the entire first paragraph of The Dirt, told from the point of view of Vince Neil:

“Her name was Bullwinkle. We called her that because she had a face like a moose. But Tommy, even though he could get any girl he wanted on the Sunset Strip, would not break up with her. He loved her and wanted to marry her, he kept telling us, because she could spray her cum across the room.”

BRILLIANT. A++++ WDBWA. In just four sentences, Strauss has pretty much assured that you will read the rest of The Dirt. This paragraph has sex, it has humor, it makes immediate reference to other members of Motley Crue, and it offers a “Psst! Wanna hear some gossip?” tone that allows the reader to feel secure that he or she did not waste his or her money. No wonder this thing was such a high seller.

Now, let’s contrast this with the opening paragraph of It’s So Easy and Other Lies, Duff McKagan’s new autobiography, the first eighty pages of which are now available for free download here:

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The most recent album by Jane’s Addiction, 2003′s Strays, was a big-budget, big-production heavy rock record that kinda flopped despite its awesomeness. Since those distant days, Jane’s members have flirted with a full reunion (momentarily counting longtime hold-out Eric Avery as a returned member), with ex-Guns N’ Roses/current Velvet Revolver bassist Duff McKagen (he came and went within weeks), and with total futility (via singer Perry Farrell’s lame project The Satellite Party, featuring his wife and Extreme guitarist Nuno Bettencourt).

So, along with my fandom, Jane’s has my curiosity about their new stuff — not just for the abovementioned travails, but also ’cause the album is a Rich Costey production (Mastodon, Muse, Cave In) and is the beneficiary of creative goosings by TV On The Radio dude Dave Sitek. I don’t care about TVOTR, but I’ve surmised that a dose of noisy post-rock might be good medicine for trio of moribund freak-rockers whose attempted return to glory was a safe, anthemic rock radio record. And now I see that my diagnosis is accurate, so far: Just listen to their thunderous, cacophonous new jam “End To The Lies” and its nipply new video (above, NSFW; audio only here). The jam is on fire! Turn it up!

-ADF

Jane’s Addiction’s fourth album The Great Escape Artist is out August 23 on Capitol Records.

The Revolver Golden Gods Awards will air on VH1 later this month (or something… I know we got a press release but I was too lazy to read it), and it will be interesting to see that, because I was there, but I didn’t actually see very much of the show. I saw the schmuck from Asking Alexandria drop his mic two seconds into “Youth Gone Wild,” and I saw some of Avenged Sevenfold’s performances with Duff McKagan and Vinnie Paul, and I saw enough of Chris Jericho performing “For Whom the Bell Tolls” to consider throwing myself over the balcony and ending the awards in spectacular fashion (sometimes, sacrifices must be made for the greater good). But by and large I was too busy snorting coke in the bathroom with a girl who fucking swore to me that it wasn’t a herpes sore that lying bitch! to be bothered.

So one thing I had absolutely no idea even transpired was the below montage paying tribute to the five guys who died in the past year that are relevant to the readers of Revolver, which is to say, not Phil Vane or Frankie Sparcello.

But I shouldn’t be a jerk about it, it’s really a very touching video.

-AR

[via Metal Underground]

So I was hanging out on the smoking balcony at the Revolver Golden Gods on Wednesday night when I spotted a few of the below promotional cards scattered on a nearby table.

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Avenged Sevenfold and Vinnie Paul, “Mouth For War”

Matt Cerone over at MetsBlog.com does these daily “the least you should know” wrap-ups after every game, which this season have essentially all boiled down to “they sucked.” In that spirit, here’s an abbreviated report from the Revolver Golden Gods Awards in L.A., which Axl and I had the privilege of attending and which, unlike the Mets, most definitely did not suck. We had a rip-roaring good time and got rip-roaringly drunk before realizing that oh yeah, this is L.A. and you have to fucking drive home. What a nightly buzzkill, literally! Thanks, Axl, for driving my drunk ass home.

The least you should know about the 2011 Revolver Golden Gods Awards before we have time to properly recap the event:

• Avenged Sevenfold were easily the most popular band there; most kids at the show were wearing their shirts. Their performance was fantastic and even converted a few industry non-believers I spoke with; in addition to a “hit and run” set of the band’s most popular songs, they played “It’s So Easy” with Duff McKagan and “Mouth For War” with Vinnie Paul (video above).
• Alice Cooper played very early in the night but rocked nonetheless. (video after the jump)
• Vince Neil: not sober.
• Asking Alexandria frontman: definitely not sober yet. Lost his mic under the drum riser 10 seconds into “Youth Gone Wild” with Sebastian Bach (video after the jump).
• Sebastian Bach: still awesome.
• Sebatian Bach to Dave Grohl, upon running into him backstage: “Hey! Dave Grohl!” [hugs]
• Rammstein vocalist Till Lindemann was hilariously hitting on every woman in sight, including L.A. metal sorta-celeb Metal Sanaz.
• Other backstage celeb sightings: Dino Cazares (who Tweeted “where’s the baby?” at us), Dave Navarro (who still looks 20 years old), Rob Zombie, Alan Robert of Life of Agony (mega-cool dude), Taylor Momsen, Pat Smear, Taylor Hawkins, Sasha Grey, Jenna Haze, Steven Adler, dude from Puddle of Mudd, William fucking Shatner, the ghost of Dime.
• Black Veil Brides winning “Best New Band.” Lulz!

Fun videos after the jump! More extensive coverage coming soon.

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Duff McKagan, vocalist and lead guitarist of Duff McKagan’s Loaded, bassist for Velvet Revolver, and former bassist of Guns ‘n Roses, took to the interwaves (via phonerview) to slam the “reality” television show Celebrity Rehab with Dr. Drew.

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Crave Online has premiered Duff McKagan’s Loaded’s new video, “Dead Skin,” and in this case, “dead skin” seems to be a clever metaphor for “clothing.” Because the best parts of this video have Mrs. Duff, the almost unfairly beautiful former model/current designer Susan Holmes, stripping away various articles of clothing. Not that I’m complaining  – the rest of the video is pretty boring.

On a less lecherous note, it’s nice to see drummer Isaac Carpenter (formerly of Loudermilk) getting so many close-ups. Humorously enough, Loudermilk started out as a Guns N’ Roses cover band, .22s N’ Tulips, and now Carpenter actually plays in McKagan’s band. Guy’s an awesome drummer, so he deserves any success that comes his way.

-AR

UPDATE: Whoops. Pic is apparently photoshopped. Thanks to our readers for catching what I missed. Oh well. It was a funny story in theory at least!

It was just in January that Corey Taylor refused to deny that he’s the new singer for Velvet Revolver, which he really should not have done unless he IS the new singer for Velvet Revolver. And then it was just in February that Duff McKagan publicly sucked Taylor off, which he really should have done unless Taylor is the new singer for Velvet Revolver. I guess what I’m saying is, all signs point to Corey Taylor being the new singer for Velvet Revolver. Right?

Wrong. Check out this shirt Taylor was sporting at a recent performance:

So I guess that’s the closest thing to a public statement we’ll get from Taylor. Maybe his next shirt will tell us whether or not there’s gonna be a new Slipknot album.

-AR

[via 94 WYSP... thanks to Saul Hudson for the tip]

So Revolver are doing their Golden Gods awards for the third year in a row on April 20 in L.A. (read our coverage from previous years here, here, here, and here) and the nominees have been announced.

Now, the first thing you will notice is that the nominees are more or less fairly ridiculous. For example, if these awards are to be believed, than Disturbed’s Dan Donegan is a better guitarist than Misha Mansoor, and Times of Grace (which is really just Killswitch Engage), We Are the Fallen (which is really just Evanescence), and The Damned Things (which is a supergroup) are all new bands.

That being said… I do not get particularly offended by these nominations the way I do with the Grammys. I think that’s because I know there are people who take the Grammys seriously, and think those awards actually mean something, whereas the only people who pay attention to the Golden Gods are already metal fans who either a) know that this is really just an excuse to throw an awesome party and have a big event promoting metal as a genre, or b) are eleven years old.

So check out the noms after the jump, and try not to get your panties in a twist. You should also be aware that Alice Cooper, Duff McKagan, DevilDriver, Asking Alexadria, Volbeat, and Fozzy are all performing, and that Motley Crue are getting the Ronnie James Dio Lifetime Achievement Award. (Their lifetime achievement: still being alive.)

So, about those nominees…

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Here’s the latest round of idiotic news revolving around the band you can pretty much blame for this website’s existence.

First of all, Corey Taylor has been heavily rumored to be the new vocalist for Velvet Revolver, and then a couple of weeks ago, he refused to contradict that rumor, thereby pretty much confirming it. Now Metal Insider tells me that Duff McKagan thinks he’s being cute by pretty much doing the same thing, telling fans during a recent online chat that “I can neither confirm nor deny” that Taylor is the group’s new singer before apparently mistaking Taylor for a can of Pepsi: “He’s the voice of a whole new generation.”

Slipknot’s been around for over a decade now, so I guess McKagan doesn’t actually know what the phrase “new generation” means, but whatever. Like I said last month, there’s absolutely no reason to say shit like this in the press unless Taylor got the job. And at this point, VR absolutely needs to start denying the rumor, or just announce Taylor as the new singer. Because now if he’s not the new singer, whomever the new singer is is gonna hafta be pretty frickin’ awesome and/or famous, or the whole thing is just gonna seem anticlimactic. In fact, if Taylor isn’t the new singer, I’d say they either need to get Robert Plant, or just announce a reunion of the original Guns N’ Roses.

Which, incidentally, some morons think is what’s gonna happen. From Classic Rock:

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I remember a time when if a singer couldn’t sing, they either a) did not get to have a career, or b) fronted a really dirty-sounding band so that it didn’t matter that they sounded kinda, uh, off. I mean, Tom Araya was never exactly Ronnie James Dio, and no one gave a shit. It’s rock n’ roll, man! It’s not s’posed to sound perfect!

This tradition of “Fuck it if the singer doesn’t sound amazing” barely seems to exist anymore. And for that reason alone, I have to tip my hat to Duff McKagan. His band Loaded have a new album, The Taking, coming out in the spring, and they’ve released a bunch of new songs from that album. None of them are great songs by any stretch of the imagination, but I kind of admire the fact that McKagan’s vocals more or less sound like crap. I mean, they’re not modern-day Dave Mustaine bad, but they’re still really bad. He could have auto-tuned the fuck out’ve ‘em, but, no, the guy comes from a punk rock tradition, and clearly just does not give a shit about trying to convince the world that he’s any better than he is.

Check out some new tracks from The Taking after the jump to get a sense of what I mean…

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