I remember a time when if a singer couldn’t sing, they either a) did not get to have a career, or b) fronted a really dirty-sounding band so that it didn’t matter that they sounded kinda, uh, off. I mean, Tom Araya was never exactly Ronnie James Dio, and no one gave a shit. It’s rock n’ roll, man! It’s not s’posed to sound perfect!

This tradition of “Fuck it if the singer doesn’t sound amazing” barely seems to exist anymore. And for that reason alone, I have to tip my hat to Duff McKagan. His band Loaded have a new album, The Taking, coming out in the spring, and they’ve released a bunch of new songs from that album. None of them are great songs by any stretch of the imagination, but I kind of admire the fact that McKagan’s vocals more or less sound like crap. I mean, they’re not modern-day Dave Mustaine bad, but they’re still really bad. He could have auto-tuned the fuck out’ve ‘em, but, no, the guy comes from a punk rock tradition, and clearly just does not give a shit about trying to convince the world that he’s any better than he is.

Check out some new tracks from The Taking after the jump to get a sense of what I mean…

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I remember a time when if a singer couldn’t sing, they either a) did not get to have a career, or b) fronted a really dirty-sounding band so that it didn’t matter that they sounded kinda, uh, off. I mean, Tom Araya was never exactly Ronnie James Dio, and no one gave a shit. It’s rock n’ roll, man! It’s not s’posed to sound perfect!

This tradition of “Fuck it if the singer doesn’t sound amazing” barely seems to exist anymore. And for that reason alone, I have to tip my hat to Duff McKagan. His band Loaded have a new album, The Taking, coming out in the spring, and they’ve released a bunch of new songs from that album. None of them are great songs by any stretch of the imagination, but I kind of admire the fact that McKagan’s vocals more or less sound like crap. I mean, they’re not modern-day Dave Mustaine bad, but they’re still really bad. He could have auto-tuned the fuck out’ve ‘em, but, no, the guy comes from a punk rock tradition, and clearly just does not give a shit about trying to convince the world that he’s any better than he is.

Check out some new tracks from The Taking after the jump to get a sense of what I mean…

Click to read more…

The interwebs are all aflutter today because Dave Grohl has announced that his former Nirvana bandmate, Krist Novoselic, is going to make a guest appearance on the new Foo Fighters album — which is also being produced by Garbage’s Butch Vig, a.k.a. “The Dude Who Produced Nevermind.” This will mark the first time Grohl and Novoselic have recorded with one another since Kurt Cobain injected himself with enough heroin to kill an elephant, and then stuck a shotgun in his mouth, just to make sure that medical science didn’t get any bright ideas.

Look: I know Nirvana were cool, and I know that Cobain’s premature passing means they get to stay cool forever and ever and ever because the dude didn’t get to grow up to be lame like Billy Corgan and Chris Cornell, but I really don’t see any reason to get excited about this. Novoselic was never a songwriter; he was never even a particularly distinctive bass player. Cobain was Cobain and Grohl certainly beat the ever-lovin’ shit outta his drums, but Nirvana pretty much could have swapped out Novoselic for another bassist at any point and not missed a beat. This song isn’t gonna sound like Nirvana — you’d need to re-animate Cobain to make that happen — it’s just gonna sound like Foo Fighters. I’d wager that the bass lines won’t even be that special, since, like I said, Novoselic’s playing never had much discernible personality. So you’re not even gonna get the “What might that sound like?” curiosity factor that you might get from, say, Dave Lombardo filling in for Lars Ulrich at a Metallica show, or Duff McKagan joining Jane’s Addiction. Creatively speaking, this reunion doesn’t amount to much more than a gimmick.

All of that being said… I’ll take any excuse to post the below video of Novoselic hitting himself in the head with his bass at the 1992 MTV VMAs while Grohl taunts Axl Rose from the stage. This has to be one of the five proudest moments in MTV’s history, right?

-AR

So E! is apparently doing a new reality show, called Married to Rock, which, in case the title doesn’t make it obvious, is about the wives of some famous rock stars. Here’s a rundown of the women who are going to be on this show (some barely safe for work pics after the jump… you’ve been warned, you horn dogs):

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video courtesy MissPinksMusic

So Duff McKagan joined Axl Rose and his new Guns N’ Roses on-stage at the 02 Arena in London last night, playing bass for “You Could Be Mine” (video above) and rhythm guitars for “Knockin’ On Heaven’s Door” and “Nice Boys.”  (You can also see photos here.) Inevitably, this is going to make people ask the question: “Is the original line-up (or something closely resembling the original line-up) of Guns N’ Roses getting back together?” As MetalSucks’ resident GN’R geek, I hereby take it upon myself to provide reckless analysis regarding this blessed event. After the jump, get both sides of the argument, as provided by my drug-addled fanboy brain.

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Welcome to “Question of the Week,” a (sometimes) weekly debate amongst the MetalSucks staff regarding a recent hot button issue.

For no particular reason whatsoever other than we thought it would be fun, this week we asked our writers:

IF YOU COULD HAVE BEEN PRESENT FOR THE CREATION OF ANY SINGLE METAL ALBUM, WHICH ONE WOULD IT BE AND WHY?

The MS staff’s answers after the jump.

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‘Cause apparently he’s out. No word yet on whether he was quit or fired, but either way, this news should be about as shocking as the fact that Axl Rose walked off-stage during a show in Dublin last week. Why? ‘Cause Jane’s Addiction have had four bass players just since 2001. Either these dudes are really hard to get along with, or they have terrible luck. And I don’t believe in luck.

And it’s too bad, really, ’cause for people like me, who basically gave up on Jane’s Addiction when they heard Strays (y’know, from the band’s second reunion), having McKagan in the group was probably a good incentive to pay attention again. And McKagan seemed like a good fit for Jane’s Addicition, ’cause Jane’s and GN’R are similar in that they’re both bands that released a couple of killer records forever ago, and whose members manage to milk those records’ popularity to remain in the spotlight even as their work becomes increasingly lackluster.

No word on who Jane’s Addiction’s next soon-to-be-former bassist will be, although I’m really pulling for Jason Newsted. Meanwhile, I imagine McKagan will now go back to his non-solo solo project, Loaded, and calling Slash at all hours of the night, asking when Velvet Revolver can get back together.

-AR

We now rejoin Allyson B. Crawford (Bring Back Glam!) and Anso DF (MetalSucks) and their riveting analysis of Glam Metal’s Ten Best Must-Have Records.

Get caught up on yesterday’s action here.

***

7. TRASH - Alice Cooper

July 25, 1989 // Epic Records // p: Desmond Child

The hits: “Poison” “Bed of Nails” “House of Fire” “Only My Heart Talkin’”

The heart: “Hell Is Living Without You” “Spark In The Dark” “I’m Your Gun”

Anso: So by 1989′s Trash, Coop had been in a booze stupor for like seven straight albums. The good news was that his successful comeback tour inspired some check-writing at Epic Records. But that support came with strict control, or at least that’s what the presence of Bon Jovi/Kiss/Aerosmith/Ratt hit-maker Desmond Child implies. So Allyson, what’s your stance on Desmond Child?

Allyson: I got to interview Alice Cooper once. One of the highlights of my life, I swear. The man rules. He was all about sobriety when we spoke and I think that’s awesome. Now, Desmond Child. Oh my. I’ve written about him before on Bring Back Glam!. I suppose he is — no, he is a genius, but damn. Aerosmith is my favorite band of all time and Child sort of took away their grit. So that hurt. But for some people he really, really helped and that’s Alice Cooper. Alice needed a hit for a new generation and Trash came along at the right time, didn’t it? Oh and I’d be lying if I said I didn’t want to meet and interview Desmond Child, so there you go.

Anso: Hey, same here! His stuff is mega-cheesy, but so are delicious Cheetos. Plus, Detonator rules, so it’s easy to forgive misfires like “I Was Made For Lovin’ You.” Oh and of course I warmed to him after VH1 aired that hilarious footage of his collaboration with (and antagonism of) Vince Neil. You saw that right? “Hello-o! Successs!”

Allyson: Yeah, I’ve seen that. Oh, I’ve seen it.

Anso: Okay, Trash was buffed up by a full whack of celebrity guests: Richie Sambora and Jon Bon Jovi, Kip Winger, Guy Mann-Dude, Steve Lukather, and 80% of Aerosmith. I suppose they helped pull chicks and young people to this old man record. Did these guys make Trash more attractive to you in any way?

Allyson: Because I’m a chick? Well, here’s the thing about me. I’ll agree there are some hot guys in rock, but that doesn’t mean much to me when it comes to music I like. If the song rocks, awesome. If not, okay. I like tons of music that is mocked — often right here on MetalSucks, ha! — and I always “go my own way if you will.” Trash is awesome to me because I love the songs. “Only My Heart Talkin’” is a great love song, a completely different type of power ballad. But, back to guests. I usually don’t care about guest stars on albums. I buy records because I want to hear the real band — not a slew of guests, you know?

Anso: Yeah. I’m not an Alice Cooper scholar, but I’ll wager that Trash is his sexiest record. It’s a bit uncomfortable to hear a 41-year old Coop describe passionate banging.

Allyson: As you know, my dear Anso, sexy is in the eyes of the beholder.

Anso: Hey, let’s talk about Trash‘s super-hit, “Poison.” Can you think of any single in history with such a memorably quirky riff? It’s awesome on its own and I love how they set it against different chords in the intro.

Allyson: So I’ve talked to Alice guitarist Keri Kelli a few times. Once I said I was frustrated trying to learn bass and guitar parts for some Alice songs. And Keri said something like, “Look, if you want to learn ‘Poison’ it’s just going to take awhile.” This frustrated me because I have little patience. I think I got off the phone with Keri, looked at the guitar and then sat down with a bag of chips or something. Anyway, yes, “Poison” is freaking epic. One of the best songs of the ’80s. Then again, Alice is a master. I love when the band performs “Poison” live. The crowd always goes batshit crazy.

Anso: What else makes you love this record?

Allyson: Hmm. It’s the sum of its parts I guess. I think all the songs fit well together, there’s not really a dud and the album helped push Alice to the top again. The cover photo is iconic. It was in magazines first and then Alice chose it as his cover — so I remember seeing the image of Alice everywhere as a kid. I had this instant connection to the record I suppose.

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Well, no, not really. But Velvet Revolver do accompany her on “Kissed It,” a new track from her forthcoming album The Sellout. (Hm. Interesting title.) And by “Velvet Revolver,” I mean, “The track listing says “featuring Velvet Revolver,” but of the four current members of that band, only three appear.

Guess which one doesn’t?

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MetalSucks Maniac K-milo just sent us a link to the below video of Jane’s Addiction performing a new track, “Soulmate.” We can assume it marks the co-writing debut of one Mr. Duff McKagan, who is now the bass player for the band.

And, um… y’know, it’s hard to judge ’cause it’s not the highest-quality recording, but it doesn’t do much for me. I dunno. I think it needs a stronger hook or something. But check it out and let us know what you think…

-AR

• Slash has been unveiling a song a day from his new, self-titled solo album, so at this point, if you’ve wanted to hear the entire record, you pretty much have. But if you’re like me, and you were too lazy to keep checking back all the various websites where the shit has been streaming these past week, AOL now has the entire album in one place. I’ll try to write a full review in time for Slash‘s release on Tuesday, but the short version is: “Hey! It’s not the total face-raping I was expecting!” Which I guess would make it Slash’s Death Magnetic. So, April Fool’s on me, I guess.
• I don’t think it will come as a galloping shock to anyone to learn that the rumors are true: Duff McKagan is the new bass player for Jane’s Addiction. Slash basically spilled the beans in an interview a couple of weeks back, and then some photos of Duff working with the band popped up online, and now he’s actually gigged with the group – that grainy video up top is footage of Duff’s Addiction covering Led Zep’s “Whole Lotta Love.” I’m excited that Duff will now once again be in a band that plays for more than fifty people a night, although I’m sure the dudes in Loaded are pretty bummed. Of course, between this and Slash’s solo album, I’d wager we won’t get any new developments on the Velvet Revolver front until 2012, if ever.
• Finally: the drums on Slash’s solo album were recorded by Josh Freese, who also played drums on the nu-GN’R song “Oh My God,” which featured a guitar solo by… Dave Navarro. Small world. But I find it funny that Slash and Duff are now both working with dudes who have played with Axl Rose more recently than they have.

-AR

So the Australian branch of iTunes has apparently uploaded thirty-second clips of all the songs from Slash’s forthcoming, self-titled solo album, and, of course, someone has uploaded all of those clips to YouTube. Gotta love the internet! So I thought we’d play one of our favorite games here at MetalSucks. It’s called “Let’s make premature judgments based on not very much actual music at all.” Listen to the clips in the video below, and then get my thoughts after the jump.

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In the last few weeks, several of you have emailed the same basic question:

“How is Guns N’ Roses still around if Axl is the only one left?”

While I can’t tell you definitively, here’s how it might have happened.

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Well here’s a nice juicy rumor to end the week. From Blabbermouth:

“According to The Pulse of Radio, the JANE’S ADDICTION fan web site Xiola.org has reported that VELVET REVOLVER and ex-GUNS N’ ROSES bass player Duff McKagan is writing and recording with the band, following the departure of original member Eric Avery for the second time in the group’s troubled history. After JANE’S reunited for a third time in late 2008 — with Avery on board for the first time since the band originally broke up in 1991 — and toured last spring with NINE INCH NAILS, the band began feuding once again as it tried to record new music, with recent rumors suggesting that Avery was headed out the door…

“…There has been no official announcement about McKagan from JANE’S ADDICTION themselves, except a brief post by frontman Perry Farrell saying that the band was working with a new ‘writing partner.’”

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With Velvet Revolver on what is starting to look like a permanent hiatus, Slash has been off recording a Santana-style all-star solo album with lots and lots of famous collaborators. It’s actually kind of a brilliant idea, and you wonder why he didn’t do that instead of Slash’s Snakepit Mach 2, a fun band that was really never gonna pay off for him.

Now Slash has announced his first solo offering: a two-track Japanese (and thus “internet,” whether Saul Hudson likes it or not) single called Sahara, which will offer both that song, with some Japanese dude I’ve never heard of on vocals, and… a re-recording of “Paradise City” with vocals by Cypress Hill and Fergie.

Fergie.

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If Velvet Revolver’s second album, Libertad, had a bed, it shat all over it. The sales would have been considered top-notch for your average metal band, but for mega super duper rockstars likes Guns Without Rose, it was bad enough for their major label to promptly drop them.

There’s a few reasons this might have occurred. Personally, I think that VR’s debut, Contraband, was good but not great, and I think once the curiosity factor (with regards to a supergroup) had passed, the band was kind of doomed. Being a major success means doing crossover business (e.g., attracting people beyond the hardcore fanbase that would’ve bought the album even if it was by Slash’s Snakepit 3), and I know a lot of people who bought Contraband, went “meh,” and then never bothered to check out Libertad.

But even if we assume that Contraband really was Appetite‘s second coming, the band released a shit first single that impressed absolutely no one. And I seem to be the only person in the world who actually thought that Libertad was superior to Contraband. So it’s possible that being creatively lackluster is why the album undersold.

Keeping all of this in mind, here’s Matt Sorum basically saying that Libertad sucked, and that it’s all Scott Weiland’s fault:

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I imagine that when the members of, say, Daath get together for rehearsal, no one expects to be paid for said rehearsal. They’re all dudes who are friends – some of them even grew up together, if I’m not mistaken – and it’s not like they’re making squillions of dollars playing metal. Rehearsal, then, has to be viewed as an investment – get better as a band, put on a good show for the crowd, and, knock on wood, your band will get bigger and the money will come.

I also imagine it’s different being in someone’s solo band. If your boss is Ozzy Osbourne or Axl Rose or Dave Mustaine or Trent Reznor, there’s going to be a lot of money involved, and your creative input is going to be somewhat limited (I imagine). I know for a fact that the members of nu-GN’R are paid an annual retainer, just in case they’re needed; I assume members of certain other solo bands are given a similar (if perhaps less lucrative) deal. And actors definitely get paid to rehearse; granted, the rehearsal rate is less than the performance rate, but the unions insist that if you want an actor there for rehearsals, he or she must be compensated.

Now. Sebastian Bach’s record sales obviously are not what they used to be. But the guy still opens for arena bands, routinely plays large festivals, and, by his own admission, gets paid very large sums of money to appear on crappy reality shows. Doing something like, say, paying for his band’s member’s gas so they can get to rehearsal seems reasonable, especially when you’re talking about dudes like Metal Mike Chlasciak, who, even if he’s not exactly Zakk Wylde, has played with dudes like Halford, and is definitely a “known entity.”

Well, Baz disagrees. He’s looking for a new guitarist and a new bassist, and, more specifically, he’s looking for someone to do it for bubcus. Check out this statement from the Old Dude Gone Wild:

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I was a little taken aback when I was this editorial in the New York Times this morning, written by former Guns N’ Roses/current Velvet Revolver bassist/current Loaded front man, Duff McKagan. Not so much because I was surprised to see that Duff is literate – he has a column in Playboy – but because the byline features his birth name, Michael McKagan.

Maybe it’s wrong of me to assume that the Times was being snotty – perhaps it was his idea to use his real name in the Paper of Record – but the whole thing is just kind of a head-scratcher.

No word yet on whether or not Axl Rose will now start writing for the Washington Post under the name “Bill Bailey.”

-AR

P.S. I interviewed Duff back in April. The MetalSucks Mansion Monkeys have been dragging their feet getting that shit transcribed, but at some point, you’ll get to read it.

I really like this video for “Flatline,” a new song by Duff McKagan’s Loaded. Sure, it was clearly done on the cheap, but it has a good sense of fun, and the song is a catchy lil’ hard rock ditty, which is more than I can say for the Marilyn Manson songs. Plus, it has cute girls and a little bit of cleavage, so it can’t be all bad.

Sick, the new album by Duff McKagan’s Loaded, will be out April 7 on Century.

-AR

[via Noise Creep]

Today is Axl Rose’s 46th birthday (!), and he decided to celebrate by giving his first official interview in nine years. The interview, with Billboard, was conducted by e-mail, and Rose reveals that one of the reasons he granted the industry rag’s request was because he “liked the questions,” so apparently the only way to get in good with the guy is to give him up-front approval on everything (no real shock there). Still, there’s some entertaining nuggets in the interview, which, even from the point of view of an Axl apologist such as myself, is pretty friggin’ ridiculous. Check out the highlight reel after the jump, with our observations in italics.

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