Posts Tagged ‘Earth’


THE BEST METAL ALBUMS OF 2011, AS CHOSEN BY METAL MUSICIANS THEMSELVES — PART V

Wednesday, November 30th, 2011 at 1:00pm by

FEATURING MEMBERS OF MELVINS, RED FANG,  JUNIUS,  EXHUMED, RWAKE, ORPHANED LAND, HULL, EARTH, AND KILL THE CLIENT

Every year year, MetalSucks asks musicians from across the vast spectrum of the metalsphere (or, in a few cases, the almost-metalsphere) what their favorite albums of the year have been. Death metallers, thrash metallers, black metallers, stoners, grinders, and djenters alike have graciously contributed lists to MS, and we’ll be running them in groups of nine to ten musicians at a time two to three times a day for the whole week.

After the jump, check out the next group… we hope you enjoy seeing what some of metal’s heaviest hitters were into this year as much as we have!

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NECROLUST: GRIM KIM GIVES YOU ROADBURN 2011

Thursday, April 21st, 2011 at 2:40pm by

Hey dudes and ladies, sorry I haven’t been posting much this month. I’ve been travelingeven more than usual, and haven’t had much time to sit down and write down much of anything besides flight confirmation numbers and directions to wherever I happen to be sleeping any given evening. Cheers once again to those of you who went out and soaked up the riff-tastic metal circus that was Metalliance (especially those wonderful souls who came up to hang out or bought me a drink!), and mad love to everyone who survived that tour, especially the eternal road dogs in The Atlas Moth and Howl and my tour family on the Saint Vitus/Crowbar bus.

As soon as that madness ended, I flew over to Ireland to stay with my boyfriend J. for a couple days and get ready for my next adventure: reprising my now-yearly pilgrimage to the mighty Roadburn festival in Tilburg, Netherlands. He and I met there last year (he was playing, I was covering, the rest is history) so it was due to be special for more than the usual reasons, which are pretty fucking good reasons in and of themselves!

Roadburn is the best heavy music festival in the world, hands down. A bold statement, sure, but anyone who’s ever played, worked, or attended the event will agree with me. Yeah, the lineups are always amazing, and yes, the venues – the 013, which is separated into the Main Room, Green Room, and Bat Cave, and the Midi Theatre — are killer. The separate building for merchandise, vinyl distros, and movie screenings doesn’t hurt, nor does the charming ambiance of Tilburg itself.

The real heart and soul of this festival comes from outside, though; from the big-hearted organizers Walter and Jurgen, from the efforts of Roadburn public relations guru Yvonne (without whom the whole damn thing would have fallen apart), and from the thousands of fans and bands that have come together, united by an overwhelming sense of community and goodwill. Everyone at Roadburn is absolutely 100% thrilled to be exactly where they are. There is a reason that this year’s edition sold out – sold OUT – in fifteen minutes, and it’s not just because Swans, Godflesh, Winter, and Sunn 0))) were playing (though that can’t have hurt, either). I made it to my first Roadburn in 2009, and have made it a point to come backevery year since – I’ve heard the same pledge from a lot of first-timers, and I know a few people that are already saving pennies for next year!

This year’s lineup was insane (as always). To give you an idea, I wanted to be sure to catch Alcest, Year of No Light, Acid King, Winterfylleth, Zoroaster, Wovenhand, Naam, Blood Ceremony, Pentagram, Today is the Day, Cough, Godflesh, In Solitude, Wardruna, Soilent Green, Count Raven, Earth, Place of Skulls, Winter, Trap Them, Sabbath Assembly, Summon the Crows, Corrosion of Conformity, Menace Ruine, Sunn 0))), Hooded Menace, Grave Miasma, Scorn, Candlemass (performing Epicus Doomicus Metallicus in its entirety!), Black Math Horseman, Master Musicians of Bukkake, Weedeater, Rwake, Ludicra, Evoken, Ramesses, Shrinebuilder, Yakuza, The Gates of Slumber, Swans, Ufomammut, Blood Farmers, Coffins, Dead Meadow, and Sourvein … and that’s just me. There were plenty of other bands that I either had seen many times, was unfamiliar with, or just didn’t want to see (which is rare at Roadburn, but there’s a first time for everything).

Of course, since it’s a massive festival full of people from all over the world, a lot of whom I love dearly, I managed to miss tons of bands, but I’m okay with it. I’ll see most of them again, and Roadburn isn’t totally about the music. It’s about the experience, man.

Here are a few highlights from this year; third time’s the charm!

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COREY’S FEBRUARY 2011 BLEEDERS’ DIGEST

Monday, February 28th, 2011 at 2:30pm by

Last year (and the year before) I got way too busy with this thing called life and missed out on a lot of quality music. I am here to rectify the error of my ways, month by month.

Here are the February 2011 releases that got under my skin, burrowed their way into my brain, made my ears bleed, or simply tickled my unmentionables:

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QUESTION OF THE WEEK: SPECIAL THANKSGIVING EDITION

Wednesday, November 24th, 2010 at 2:00pm by

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Welcome to “Question of the Week,” a (sometimes) weekly debate amongst the MetalSucks staff regarding a recent hot button issue.

Tomorrow is Thanksgiving, which means we’re taking off early today and won’t be back ’til Monday. We’re sorry to leave non-American readers high n’ dry, but PLUS ONE FOR FREEDOM, MOTHERFUCKERS.

ANYWAY, in honor of the holiday, we decided to do a special Turkey Day-themed QOTW designed to make you feel all warm and cuddly inside:

WHAT (IN METAL) ARE YOU THANKFUL FOR?

The MS staff’s answers after the jump.

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MASTER MUSICIANS OF BUKKAKE

Tuesday, August 10th, 2010 at 12:00pm by

master musicians of bukkake

The guys that dreamed up Master Musicians of Bukkake knew full well that their band name would get you hornballs to pay attention. And hey, it worked.

The Seattle group features members of Sunn O))) and Earth and their music is basically like that of both groups — all sound effects and drone that go on forever and ever with no discernible structure — but done up in psychedelic/ambient form instead of a wall of fuzzy amplifiers. This would make good background music and that’s about it… I find it boring, as I do Sunn O))), and I certainly do not find it to be high art. But feel free to tell me why I’m wrong for not getting it in the comments, as you all have done so many times before.

Then again, from what I can gather from the copy on their MySpace page — and, of course, from their band name — these guys don’t take themselves too seriously. Which is good. Maybe they’re making fun of themselves? If so, I wholeheartedly support this project!

-VN

Thanks: AdamFuckingRahn

INTERVIEW WITH SUNN O)))’S GREG ANDERSON

Thursday, July 23rd, 2009 at 3:00pm by

ga4

Greg Anderson is all about uniquenesss, whether it be drone/doom kingpins Sunn 0)))’s epic trudge or the ability of his record label, Southern Lord, to stay afloat in a dreadful industry climate. The former’s new album – the sprawling, pretty excellent Monoliths and Dimensions – brings the band’s sound into new territory, a seemingly unthinkable feat considering their MO of slow, simple, and heavy up until now. Though the album was a long time in the making, Anderson has hardly been dormant: he’s spread between Southern Lord projects, the Sunn 0))) releases between Black One and Monoliths, and Burial Chamber Trio (a project with Mayhem vocalist/ frequent Sunn 0))) collaborator Atilla Csihar), among other things. In an interview with Metal Sucks, Greg discussed the changes between his main band’s prior work to that on their latest album, workng with Sunn 0))) collaborators like Csihar and Earth’s Dylan Carlson, and running Southern Lord in a time when running a label is a risky venture, to say the least.

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