With all due respect to Mark Hunter — a talented vocalist, extraordinary Tweeter, and Chimaira’s lone original member — this footage of three new[ish] members of Chimaira rehearsing together is about as exciting as this story’s headline makes it sound. While some would say this is “rehearsal” footage, it’d probably be a lot more accurate to call it “learning” footage. It looks like Daath’s Emil Werstler — Chimaira’s senior-most member with a 10-month silver coin – is running the show here and teaching the two new guys how to play Chimaira songs. These guys are all talented musicians and I’m sure the finished product will sound great, but at what point in the mass exodus of members does a band stop being that band? Watching a bunch of men in different bands learn songs so they can go up on stage and pretend to be some other band is just weird! On the other hand, if some kid who knows nothing of all the member swaps goes to a show and loves it, does it even matter? Does life even matter?? Aren’t we all gonna die eventually anyway?!?!?

Maybe Hunter is trying to go the Chris Barnes route; shit, Barnes has been doing it for years and Six Feet Under are still going strong… so I guess fans really don’t care. Speaking of Six Feet Under, former members of Chimaira just wrapped up their Six Feet Under cover band recording sessions and are currently in the mixing process! Now the former members of Six Feet Under just need to join up with Eyal Levi in a reconsituted version of Daath and this three-band circle jerk will be complete.

-VN

So it looks like Chimaira kept pretty busy while we were away.

First: as announced in November, last week’s twelfth annual Chimaira Christmas marked the band’s final performance with guitarists Rob Arnold and Matt DeVries. And, unfortunately, DeVries’ parting gift to vocalist Mark Hunter – who is now the band’s sole remaining original member — was to knock him over in the middle of “The Age of Hell,” resulting in Hunter taking a nasty spill and spraining his ankle. You can watch video of the incident below courtesy of The PRP (the fall comes just after the 1:18 mark), and see a photo of Hunter’s swollen ankle here.

Potentially better news is that while Hunter had thus far remained mum on his plans for Chimaira’s future, the band has since announced replacements for Arnold and DeVries.

Click to read more…

First, read vocalist — and now sole remaining original member — Mark Hunter’s statement on the matter. My own thoughts follow.

I would like to start off by thanking our fans for a great tour. This last run was a blast, and truly the most fun we’ve had in a long while. The energy from the audience was exactly what we needed, and a welcoming return. Thank you guys!

Unfortunately, as much fun as we were having, behind the scenes we were aware of some unfortunate realities that prevented us from “living the dream” and having the time of our lives. We had another bomb to drop on the fans.

Early in July we were informed that Rob Arnold and Matt DeVries would be leaving Chimaira at the end of 2011. Of course this was a huge blow, but there were no hard feelings. We understand that life invades art, everything runs its course, and we have to take different paths.

Click to read more…

If I’m not mistaken, Chimaira vocalist Mark Hunter has now been interviewed for MetalSucks more times than any other musician — which is fine by me. Not only is he one of my favorite front men all of modern metal, but I always come away from these interviews feeling like I actually learned something about a band I love. In a world where it increasingly feels like too many folks are giving what I’d call “paint by numbers” answers to interview questions, Hunter’s willingness to be so sincere is always refreshing.

And, besides, Chimaira’s new album, The Age of Hell (out today on eOne — stream it here, buy physical copies here, or download it from iTunes here), is not only totally awesome, but it arrives admist a flurry of drama and controversy, as the band changed fifty percent of the line-up in the intervening years since 2009′s The Infection. So there was certainly plenty to discuss this go-’round!

After the jump, read the full transcript of my most recent chat with Hunter, in which he discusses those line-up changes, Hell‘s creation, the band’s upcoming tour plans, and much, much more.

Click to read more…

Photo by Todd Bell

NOTE: We were all set to premiere this song this morning, but someone blew their load early and released it over the weekend. Luckily for whomever decided that person was, we have some awesome new Chimaira music to serve as an outlet for our rage, so his or her life is most likely still safe… for now. In any case, assuming you didn’t get to hear the tune yet, well, here it is!

The Age of Hell is almost upon us.

It’s no secret that these have been (ahem) hellish times for Chimaira. But if their new single, “Born in Blood” (below), is any indication, than they haven’t missed a beat creatively. A rager in the vein of the band’s anthems “Power Trip” and “Resurrection,”  ”Born in Blood” is Chimaira music at its best: more vicious than a slaughter house, and just as full of hooks. To put it simply, Chimaira have, once again, stuck the fucking landing — and they seem to know it, too.  ”There is no more doubt,” vocalist Mark Hunter bellows in simultaneous acknowledgment and dismissal of the sextet’s recent travails. “We won the war inside our minds… nothing can stop us now.” Yeah, no shit, dude!

So turn you speakers way, way, WAY up — if your walls are shaking and the neighbors are complaining, you’ve got it almost loud enough! — and then check out “Born in Blood” below. Then go here to download the track, which features a guest appearance by Whitechapel’s Phil Bozeman. You can download another new single from the band, “Trigger Finger,” here. Both songs will appear on The Age of Hell, out August 16 via eOne. We can’t wait.

[this streaming promotion has ended]

Earlier this month, From Exile released Just Like You Imagined, a free Nine Inch Nails covers EP (read my review here); now they’ve released a video for the final song on that EP, “A Warm Place.”

Directed by Michael Corrigan and shot by Sidarth Kantamneni, the video, like the song, is understated and elegant; it was wise of them to focus on guest guitarist (and #14 on our list of The Top 25 Modern Metal Guitarists) beautiful playing. This is a really nice, soothing way to start your day, no?

You can stream, or, better still, download Just Like You Imagined in mp3 or FLAC format here.

-AR

MetalSucks recently polled its staff to determine who are The Top 25 Modern Metal Guitarists, and after an incredible amount of arguing, name calling, and physical violence, we have finalized that list! The only requirements to be eligible for the list were that the musician in question had to a) play metal (duh), b) play guitar (double-duh), and c) have recorded something in the past five years. Today we continue our countdown with Emil Werstler from Dååth and Levi/Werstler…

Once upon a time, Emil Werstler made a “Betcha Can’t Play This” instructional video for Guitar World, and that video showed him playing so fast that he had to make a second video, this one in front of a live audience, just to disprove some naysayers who accused him of speeding up his performance in the original clip. I love that story, because if you knew nothing else about Werstler or his work, you’d still know that this is a guy who play with such speed and technical skill that other guitar professionals literally can’t believe his abilities are real.

Of course, if speed were Werstler’s only virtue, there’d be no place for him on his list. But he also happens to be a musician of incredible inventiveness who is able to play an intimidatingly wide array of styles — the true reason we’re so head over in heels in love with his playing.

Click to read more…

Ridiculously cool cover art by Jorden Haley

Welcome to the latest edition of “Freeloader” in which we review albums that you don’t have to feel like a douche for downloading for free. Today Axl Rosenberg checks out From Exile’s latest release…

Any band considering making a covers album, let alone a tribute album to one particular band, should be made to listen to From Exile’s new, 100% free Nine Inch Nails cover EP, Just Like You Imagined. These aren’t just rote retreads that make you think “Oh yeah, I love this song!” before shutting it off and digging out the originals. Nor are they ill-conceived drek which utilizes the originals’ lyrics and little else. They’re bona fide reimaginings of the original material, wholly recognizable as the Nine Inch Nails classics we love, but From Exile have never failed to put their own stamp on the tunes.

Click to read more…

We still don’t know when the new Chimaira album is coming out, or what it’s gonna be called, or, uh, very much else about it, to be honest. We do know that that band has a really, really excellent new line-up, though, and that said new line-up will be making their live debut next month, when they do a too-brief six date mini-tour. While new bassist Emil Werstler has played live with the band before, these shows will be the first for his Daath bandmate, Sean Z., and for new drummer Austin D’Amond (Bleed the Sky). So these shows should be pretty exciting.

Presumably, Chimaira will also use these concerts to show out some of their new material. And hopefully we get some official word on album release date soon.

In the meantime, here are the six tour dates, in case you somehow can’t read the poster above:

Click to read more…

Remember that time that you were trying to watch Once Upon A Time In The West while your roommate was blasting Meshuggah in the next room? Then you’re ready for UK’s Xerath, who fuses slamming prog-tinged death metal with soaring, tasteful film score symphonics. For some bands, this melange may stay a gimmick, an excuse to be so-so on the strength of their slick band concept. Not here. Xerath is awesome at it, and II is equal parts high drama and snug, well-built riffage (including a guest spot from our brah Emil Werstler from Daath).

Listen here now but close your curtains unless you wanna be spotted headbanging and air-conducting like this dude!

–ADF

Xerath’s second album II is out May 3 on Candlelight. Pre-order here.

Here’s some good news to wash the taste of Trent Reznor’s questionable choice for his next movie project out of your mouth: From Exile’s long-awaited Nine Inch Nails cover EP (preview here) is finally nearing completion, and will see its release in May. I still don’t have all the details just yet, but I do know that Emil Werstler, of Daath and Levi/Werstler fame, recently tracked some guitars for FE’s version of the achingly gorgeous NIN classic “A Warm Place,” and that From Exile have announced a record release show on May 14 at The Earl in Atlanta. Everyone who attends the gig will get a free copy of the CD, so if you live in the area, you should, y’know, go to that.

And, hey, here’s some even better news — video of From Exile performing a new, still-untitled track at a recent concert! And, no shocks here, it sounds pretty promising. Hopefully once the band finally wraps this NIN project up, they can get crackin’ on a new full-length. In the meantime, enjoy the vid below.

-AR

I definitely woke up on the wrong side of the bed this morning, most likely because I fucking hate Thanksgiving and just want it to be over with already. So I could have used some good news, like maybe Pig Destroyer surprising everyone with a new song, or a leaked Cristina Scabbia/Marta lesbian sex tape, or someone raising Chuck Schuldiner from the dead in order to have him wipe deathcore from the face of the planet.

Instead, I see this statement from Chimaira on The PRP:

Click to read more…

Sean Reinert is quite the accomplished drummer; aside from his job as the skinsman in Cynic, Reinert’s talents have long been appreciated and worshipped by drummers the world over. If you can remember all the way back to Spring of this year (long time ago, I know) you’d also remember that he played drums on Avalanche of Worms, the instrumental record composed by Daath’s Eyal Levi and Emil Werstler.

Of all of Reinert’s many accomplishments “instructional DVD” hasn’t been one of them until now. And you can be a part of it; the cleverly named It’s About Time, which is being presented by Sick Drummer Magazine, will cover topics requested by you, the fans. All you need to do is record a video of yourself asking Sean a question about his playing and upload it to YouTube as a response to this video on the SickDrummer YouTube Channel, and if you are selected your video will appear on the DVD.

I can’t imagine how my life might’ve been different if the now-standard technology that makes this possible were available to me as a kid. Asking Zakk Wylde a question to be included on one of his instructional videos?? Ohmigod, I would’ve freaked.

-VN

We’re just a week away from the release of Dååth’s new, self-titled album (pre-order it here!), and so we’re nearing the end of this almost two-month long look into the making of the record. I’m honestly kinda sad about that.

Today’s penultimate interview is with guitarist Emil Werstler. There was some web-nerd rage back in August when Dååth co-producer/co-engineer/mixer Mark Lewis called Werstler “the best guitar player in metal,” and while I tend to agree with Werstler’s band mate, one Mr. Eyal Levi, that the word “best” is basically impossible to define, I do think there’s a strong argument to be made that Lewis’ assessment is correct. During my brief time in the studio watching Werstler record, I saw him pull off ridiculously sick move after ridiculously sick move — I mean, the guy plays some really, really mind-blowing shit on this album. And little wonder he’s so good: Werstler professes himself to be a “learning addict” and is a tireless perfectionist. I watched him get so wrapped up in his work that he quite literally forgot to take breaks or make sure he was taking care of some of his basic human necessities, like eating.

After the jump, get Werstler’s thoughts on the recording of Dååth, how the band has evolved, his ongoing creative relationship with Eyal Levi, why he enjoys teaching guitar lessons when he’s not busy with the group, and more.

Click to read more…

Because there is. It’s also called Daath. And we love it. And we’re very excited for you to hear it. And we know that some of you think we’re biased because we’re friends with Eyal, and all we can say is, you’re right. We would never actually be friends with a talented person who is a member of a good band, only a hack whose album we can promote because we don’t really believe in it. Eyal was actually, like, our eighth choice of guest columnists, after members of Attack Attack!, The Devil Wears Prada, Oceano, Bring Me the Horizon, and this band, amongst others, turned us down.

SO. While two tracks have already been released — “Destruction/Restoration” debuted right here at MetalSucks, and “Indestructible Overdose” is streaming on the band’s MySpace page — now you’ve got a chance to hear a third: “N.A.T.G.O.D.” has just debuted over at Metal Injection. Go here to listen.

And now that you’ve heard approximately 23% of the album and you’ve come to realize that we’re not just biased and this album really does rule and you’re so excited to hear the rest of it that the October 25 release date can’t come soon enough, go here to pre-order the thing.

And while you’re jonesin’ to hear the remainder of the record… Skulls N’ Bones have now completed their series of in-studio videos chronicling the creation of Daath, and I’ve collected them all right here for you, ’cause these are really fun and I’m a nice guy like that. Here’s the one centering on Eyal…

And here’s the one about drummer Kevin Talley…

Click to read more…

Eric Guenther may end up being the unsung hero of Dååth’s forthcoming, self-titled album, which Century Media will release on October 25 (pre-order it here). He’s not even technically a member of the band; his main gig is being the guitarist/vocalist for From Exile (read my love letter to that band here). But as he did for Levi/Werstler’s Avalanche of Worms earlier this year, he has made some truly invaluable contributions to Dååth. His synths aren’t of the “Dead on the Dance Floor” variety; they’re far more subtle, adding layers of sound and atmosphere that up the record’s epicness quotient, increase its replay value (I guarantee you, you’re not gonna pick up on everything Guenther is doing the first time you hear the album), and increase the music’s insistence that it be listened to with a good pair of earphones. Praise for Guenther’s augmentations may get lost amidst all the insanity that the rest of the band brings to the table, but without his presence, Dååth would be a completely different record.

I sat down with Guenther this past June, when I was in Atlanta visiting Dååth in the studio. He’s an incredibly smart guy (read the guest blog he wrote for us this past April here), and I think his approach to his particular job on the album was just right. Check out the full transcript of our chat after the jump.

Click to read more…

I’m sitting here editing an interview with Eric Guenther, which we’re gonna run tomorrow afternoon. Guenther plays synths on the new Daath album, and did the same on Levi/Werstler’s Avalanche of Worms earlier this year, but his main gig is as guitarist and vocalist for Atlanta’s From Exile. And even though I’ve had From Exile’s self-released Monolith forever, and even though I love and listen to it constantly, I’ve never gotten around to writing about it. It doesn’t say anything about the music; it’s just one of those things.

But I’m gonna write about From Exile now, damn it. ‘Cause this is a damn fine band, and you should all be listening to them.

Click to read more…

Whether you realize it or not, you probably own an album that Mark Lewis has worked on. He started working with Jason Suecof at the already-legendary Audiohammer Studios for 2005′s Roadrunner United collection; since then, either working with Suecof or on his own, he has produced, engineered, and/or mixed a ridiculous number of major metal releases, including albums by Death Angel, Chimaira, The Black Dahlia Murder, DevilDriver, Trivium, Six Feet Under, Whitechapel, Demon Hunter, Charred Walls of the Damned, The Autumn Offering, and more. Hell, just last week we debuted a Holy Grail track, and didn’t even realize that Mark mixed the song until after the fact!

Mark is obviously ridiculously good at what he does, but he also happens to be a super cool dude — which is probably why artists are so ready to work him over and over again. In fact, Daath’s self-titled album, which Century Media will release on October 25 (pre-order it here), is his second time working with guitarists Emil Werstler and Eyal Levi (who co-produced and co-engineered the album with Lewis) just this year — he was also on-board for their excellent Avalanche of Worms album (and wrote a great guest blog for MetalSucks upon that album’s release).

When I was in Atlanta for a few days this past June visiting Daath in the studio (read my report here), I managed to pull Mark away from his console for a little while to pick his brain on the creation of this ridiculously good album. Read the full transcript of our chat after the jump.

Click to read more…

A few weeks ago, our friend, Metal Mark, posted a guitar-oriented webisode where our co-producer, Mark Lewis, said that he thought our lead guitarist, Emil Werstler, was hands down the best guitar player in metal.

His comment caused some pretty interesting dialogue. A bunch of great guitarists’ names were thrown around, as well as the customary amount of entertaining insults. Tobin Abasi, Ron Jarzombek, Ryan Night, Loomis, you suck, die, emotionless piece of shit, etc. You name it. People were getting all riled up.

And that’s okay. Music is something very personal to each and every one of us, and for some reason we take this stuff seriously. Let me say, for the record, I don’t think there is any such thing as a “best guitar player” in anything. Let me repeat, this time in bold, just so we’re clear: I don’t think there is any such thing as a “best guitar player” in anything. I think there’s only the right part played the right way at the right time, or it’s the wrong part. Some guys have a higher ratio of pulling the off “right part” than others, and they seem to do it with no effort. Some pull off “the right part” in ways that are completely non-traditional. Some guys will work their whole lives, and no matter what their girlfriends and wives tell them, they will never pull it off.

Click to read more…

Eyal Levi’s studio resides in the basement of his family’s home in suburban Atlanta. It’s a small room that couldn’t comfortably hold more than five, maybe six people; if your only mental image of a band making a record comes from A Year and a Half in the Life of Metallica, it might be a little off-putting. You’re perpetually aware that you’re actually in the middle of someone’s house; various non-local metal denizens (including this blogger) populate the guest beds and couches, while members of Daath who live within driving distance but aren’t necessarily needed at the moment come and go as they please to share meals, jokes, vape rips, and the work-in-progress. It’s only when you really look around and soak in the details of your surroundings — the box full of copies of Daath’s self-released debut, Futility; the Misery Index vinyls; the post-it note by the door that makes reference to an incident involving Arsis’ James Malone, the house security system, and the local police department — that you realize: Oh, yeah. I’ve got albums on my iPod that were recorded in this room!

Daath have returned here to make their new, self-titled album after recording 2008′s The Concealers at producer Jason Suecof’s Audio Hammer Studios in Florida. The relaxed and homey environment was chosen deliberately for this outing. The name of the game this time is “creative freedom,” and the atmosphere at Eyaland (the studio doesn’t have an official name) definitely seems to breed open thinking — which is key, given that the group has only written and demoed skeletal versions of the songs, with the flourishes that, frankly, make Daath Daath still-to-be-added.

The decision to work this way came about because the band has felt, in the past, as though sometimes their preproduction demos “would sound better than the records we released,” Eyal explains. ”Lots of times we’d feel we were making better-sounding-but-more-stale-versions of what we did [on the demos], because lightning doesn’t strike twice in the same place… This time we didn’t allow that. We got the songs to the point where we’re comfortable hitting ‘record,’ and we’re taking them to the next level in the studio.”

Click to read more…