THE METALSUCKS SPONSORED TYRANTS OF EVIL NORTH AMERICAN TOUR 2010 RIPS NYC A NEW ONE
Monday, January 25th, 2010 at 10:18am by Axl Rosenberg
Marquee at the Nokia Theatre in Times Square, January 22, 2010. Photo courtesy Ken Pierce of Piercing Metal.
Although I’m not entirely sure how old the dudes in Mutiny Within are, if you told me that they weren’t even born yet when Exodus released Bonded by Blood, I wouldn’t be surprised. But that’s cool, ’cause I also wouldn’t be surprised if you told me that they were cranking Arsis in high school, the way James Malone was almost certainly cranking Amott’s recordings with Carcass when he was in high school and early A.E. a little later, and Amott was almost certainly cranking vintage Exodus when he was in high school.
My point is this: this Tyrants of Evil tour has four generations of bands. It’s like a living, breathing codification of the history and ideals of this particular sect of the metal world. None of the two bands sound the same, exactly, but there’s a clear through-line to be drawn from the oldest to the youngest. There’s something incredibly cool about that.
Which must be why the Nokia in Times Square was packed with a wide spectrum of fans when the tour rolled into Times Square this past Friday night, and why those fans seemed to arrive early and stay late.




















When people talk about neo-thrash bands like Warbringer, their words usually carry a subtle hint of disdain. I concede that it’s hard not to mention what they are (neo-Bay Area Thrash) before saying how good they are (very). But to brand Warbringer (or Municipal Waste) fetishizers of a bygone era implies something vaguely untrustable, beyond a mere affection for the Thrash idiom. And it’s true, there’s little about Warbringer that suggests an original vision. All the same, their debut full-length War Without End and now the Gary Holt-produced Waking Into Nightmares are too awesome to be the creation of some tribute band; it’s simply not possible that Warbringer is comprised of five masters of mimicry. Rather, it’s clear they feel that Bay Area-native bands did shit right. And now they do.