The Revolver Golden Gods Awards will air on VH1 later this month (or something… I know we got a press release but I was too lazy to read it), and it will be interesting to see that, because I was there, but I didn’t actually see very much of the show. I saw the schmuck from Asking Alexandria drop his mic two seconds into “Youth Gone Wild,” and I saw some of Avenged Sevenfold’s performances with Duff McKagan and Vinnie Paul, and I saw enough of Chris Jericho performing “For Whom the Bell Tolls” to consider throwing myself over the balcony and ending the awards in spectacular fashion (sometimes, sacrifices must be made for the greater good). But by and large I was too busy snorting coke in the bathroom with a girl who fucking swore to me that it wasn’t a herpes sore that lying bitch! to be bothered.

So one thing I had absolutely no idea even transpired was the below montage paying tribute to the five guys who died in the past year that are relevant to the readers of Revolver, which is to say, not Phil Vane or Frankie Sparcello.

But I shouldn’t be a jerk about it, it’s really a very touching video.

-AR

[via Metal Underground]

When I look back at the last twenty years, there is perhaps no more important musical entity in my life than England’s EARACHE RECORDS (srs). Back when I was a little kid on a quest to find the fastest, most cock-smashingly brutal music I could get my hands on, I stumbled across a copy of the legendary Grindcrusher compilation, and I’ve been hooked on death metal ever since. As my gateway to metal, Earache will always have a special place in my heart– and when you care for someone as I do for Earache, it hurts to see them lose their way, stumble, and fall as Earache did in the 90s and 00s. I had written them off as yet another band/label/artist who has a brief moment of brilliance, burns brightly, then fizzles out before dying in undignified circumstances [via Vincent Van Gogh]. But I am happy to report that I couldn’t be more wrong! Earach is back on the horse, stronger than ever, and signing more relevant, exciting bands than ever (srs).

In this post, I will briefly recap the label’s history in three sections to bring newer readers up to speed on Nottingham’s finest export. I will then share my thoughts on their current signings and solicit suggestions on which bands the label should sign next– hopefully Dig is reading!

Click to read more…

The above has been posted on Extreme Noise Terror’s official website. The cause of death has not yet been released. He was only 46.

It’s always hard to know what to say in a situation like this. ENT are truly one of the godfathers of grind, and as a founding member of the band, Vane’s loss will certainly have a great impact on our community.

Our thoughts go out to Vane’s family and friends.

Here’s Vane and Extreme Noise Terror performing in 2008:

I think that I (and about a hundred other people who write about metal) have extolled the virtues of Decibel editor Albert Mudrian’s Choosing Death many times in the past, but just to be sure: it’s an awesome history of death and grind, and if you’ve never read it, you really, really should. He got pretty much everybody to go on record about the early days of metal’s most extreme subgenres. If you’re new to these styles of music and need a primer, it’s a perfect place to start; if you already love these styles of music, I guarantee you you’ll still learn some shit ya didn’t know.

One of the things that Mudrian spends a good deal of time discussing is John Peel’s old national BBC radio show, which was the place to hear all the best new grind. And now Earache will commemorate Peel’s show with Grind Madness At The BBC (The Earache Peel Sessions), a three disc (!), three and a half hour set that will feature 118 recordings of sessions done on Peel’s show, including performances by Carcass, Extreme Noise Terror, Godflesh, Napalm Death, and a shitload more.

This is obviously a must-own for grind fans. Earache puts the set out on October 12. Mark it in your calendars.

-AR

‘Cause I fuckin’ feel like it. And ’cause I think the British dude at the beginning is fuckin’ funny.

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-AR