FEATURING MEMBERS OF KYLESA, DARKTHRONE, BRUTAL TRUTH, KATAKLYSM, 3 INCHES OF BLOOD, TEXTURES, SWASHBUCKLE, THIS OR THE APOCALYPSE, DISFIGURING THE GODDESS, BURNING THE MASSES, CHRISTIAN MISTRESS, MISERY, AND GRIFTEGARD

For 2010, we decided to do something special as part of our regular end-of-year festivities here at MetalSucks — namely, ask musicians from across the vast spectrum of the metalsphere (or, in a few cases, the almost-metalsphere) what their favorite albums of the year were. Death metallers, thrash metallers, black metallers, stoners, grinders, and djenters alike graciously contributed lists to MS, and we’ll be running them in groups of ten to twelve musicians at a time twice a day for the rest of the week.

After the jump, check out the seventh group… we hope you enjoy seeing what some of metal’s heaviest hitters were into this year as much as we have!

(And please note that these are musicians and that they, um, have a lot on their minds. So some of ‘em named albums that actually came out last year. Please don’t freak out.)

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Metal fans have been buzzing for months about Until The Light Takes Us, but official screenings have been few and far between. Consequently, 99% of the film’s core audience hasn’t seen the saga of the Norwegian black metal scene as told by filmmakers Aaron Aites and Audrey Ewell. That’s all going to change on September 28th, when Until The Light Takes Us finally gets DVD treatment. Luckily for me, my hookup Terrill, whose inventory is usually comprised of amateur porn, videocam bootlegs of current blockbusters and unreleased Tyler Perry films, somehow got his grubbies on an advance screener.

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Sometimes I feel fairly certain that a substantial portion of the people who leave comments on MetalSucks would be considered legally brain dead by most medical doctors. Having said that, I’m glad they read our website.

Here’s what happened in the world of metal this week:

• We spoke to Darkthrone’s Fenriz, Iron Age’s Wade Allison, and Swallow the Sun’s Juha Raivio.
• We debuted a new video from Austrian Death Machine.
• Everyone wants to kill everyone else because of all these decade end lists.
• Also, people are cranky about that Dimebag tribute album.
• Kip Wingerschmidt thinks that Stewert Voegtlin’s recent trashing of Baroness, Mastodon, Pelican and Neurosis was “eloquent.” The Austerity Program’s Justin Foley disagrees.
• Unfortunately, there is going to be a new Limp Bizkit album.
• Lambgoat is streaming “Mechanical Seas,” a new song by The Binary Code!
• I admit it: I left the ring stain on Julia Louis-Dreyfuss’ table.

Last night we went to a fancy-schmancy holiday party with an open bar and got faschnickered. Tonight I’m… going to a fancy-schmancy holiday party with an open bar. If I’m not here Monday, it’s because I died of alcohol poisoning.

Have a good one, y’all.

-AR

When one thinks of black metal OGs Darkthrone, most likely, the image of a gangly guy with a candelabra comes to mind, and with it, black metal’s trappings and faults. But, like true originators, the band molded the style they helped create to their liking, moving from the raw mist of tremolo picking on Transylvanian Hunger to the (relatively more) refined old school black metal on 2004’s Sardonic Wrath to the anthemic and (dare I say) kinda fun blackened crust punk of their excellent last two releases, F.O.A.D and Dark Thrones and Black Flags. Despite being an integral part of one of the most important movements in metal’s history 20 years ago, Darkthrone are still putting out some of their best work right now, still raw and confrontational and, most importantly, still not giving a fuck about what people want them to play. Punk rock has always lurked underneath the band’s best material, but its attitude of individuality is what fuels Darkthrone and sets them apart from most of their frosty peers.

Part of the band’s artistic growth could most likely be due to its distillation to its core: Guitarist/vocalist Nocturno Culto and drummer/lyricist/occasional vocalist Fenriz have been the band‘s sole members for quite a while. The latter member has become a celebrity in his own right in the metal world through assembling the occasional compilation (his latest, Trapped Under Vice II, a collection of obscure trad metal and prog, is pretty fucking great) and generally coming across as a funny dude with a broad knowledge of metal by way of entertaining interviews. One of those interviews was recently with MetalSucks via email, where Fenriz discussed his band’s future (new album in February!), his approach to vocal work both in Darkthrone and his long gestating doom metal side project Fenriz’ Red Planet, his thoughts on production, and how “true” black metal was just black metal back when they started.

[Editor's note: English is not Fenriz's first language, but in the hopes of maintaining as much of what he wanted to say the way he wanted to say it, we did very little editing to his e-mail responses. In other words, we sometimes sacrificed proper grammar for the sake of keeping the interview interesting.]

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