In what is sure to reignite controversy in the hardcore scene, Southern Lord has apparently gone all-in by signing Cro-Mags’ co-founder Harley Flanagan to the label for “several upcoming releases.” To quote label owner Greg Anderson:

Through the power of the net and sheer luck I started talking to Harley Flanagan over emails and telephone past year. I was pleasantly surprised to discover that the intensity and honesty of his playing also carried through in his personality. Harley is humble, raw, intelligent, driven and focused. To say it is an honor for Southern Lord to be working with Harley Flanagan is a enormous understatement! We’re in shock and CAN NOT WAIT to get this shit going! The first release we will be doing together will be the forthcoming Harley’s War album. The demos of the material he has shared with us for this are fucking phenomenal! The new Harley’s War material has the same feeling as the initial musical impact the Cro-Mags first had in the mid-’80s. Killer songwriting, raw lyrics and Harley Flanagan’s trademark bass playing. As mentioned above this is “other level” shit!

So why do I think this is a brilliant (albeit a tad risky) move on Southern Lord’s part?

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For those who don’t know, the guy who co-founded SOUTHERN LORD was an sxe moshbro back in the ’80s and early ’90s, and had a terrible/lulzy hardcore band called BROTHERHOOD. Then after youth crew was cool, he was in ENGINE KID, a really shitty alternative rock band. After that he was in a drone band that was kind of sweet called TEETH OF LIONS RULE THE DIVINE (lol @ hipster name), then he was in another drone band called SUNN O)), but they weren’t as good as his other drone band. Curious??? READ MOAR!

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Ahhh, it’s that time of year again. The now infamous Hottest Chicks in Metal — er, Hard Rock – issue has hit the stands, and legions of people who would otherwise be hard-pressed to remember the last time they even read an issue of Revolver are up in arms over its sexist, dehumanizing, and overall mad weak (Evanescence? Really?) content. In all the uproar, judgements, and debate about womens’ place within the world of heavy metal, though, it seems like a lot of people have forgotten the most important point: the women who are actually out there in the trenches laying down riffs, holding down the low end, wrangling the mic, and hailing Satan. In the interest of steering the conversation back towards the actual music, my next few posts are going to highlight some of the baddest bitches in the game — in doom, in black metal, in death metal, in occult rock, in grind, etc. There are so many crucial female bands and musicians who have made indelible marks upon this genre that it’d take a lot more than the sliver of time your attentions spans allow for me to write about ‘em all, so here are just a few of my favorites. This week, it’s all about the heavy…

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Chicago instru-metallers Pelican have posted a new song, “Strung Up From the Sky” — from their forthcoming full-length What We All Come To Need (October 27th, Profound Lore) — on their MySpace page. Pelican quietly released a 3-song EP earlier this year called Ephemeral, and the upcoming full-length will be their first for the Greg Anderson of Sunn O)))-owned Southern Lord Records. As someone who’s never really been that into this band before, I really dug the EP and I’m very much looking forward to the new album: the EP and one new song are tighter, clearer and seemingly more structured than what I’ve heard from the band in the past. So – check that new song out now and enjoy it whilst we wait for another one to hit the ‘net before the album drops in 2 months.

-VN

So I’ve been living in the UK for about four months now, and have managed to take in quite a lot of this “culture” thing they’re so fond of over here. I’ve been to nine countries, eight major metal festivals, and a handful of cities in Ol’ Blighty itself; I’ve gate-crashed hotel parties in Norway with the drummer of Swallow the Sun, stage-dived into a sea of muddy grind freaks in the Czech Republic, gotten roaring drunk with Wolves in the Throne Room in the Netherlands, met Gaahl’s boyfriend in France, gotten lost in Rome, watched Electric Wizard blow an amp in Manchester, lost my mind to Eyehategod at Hellfest, seen Manowar (‘nuff said there) – and that was just the first couple months. Between all the metal, mud, bruises, whiskey, calimocho, hard cider, and terrifying Czech liquor (Becherovka and Fernet are no fucking joke, even if it is Kevin Sharp and Danny Herrera pouring you a shot), I realized that, somehow, something was still missing.

To my immense chagrin, I had yet to take that all-too-necessary pilgrimage up through the Black Country and into the Unholy Land itself – to Birmingham, England. Every metaller worth his leather (and several million other music fans besides) knows exactly why this unimpressive, coal-smudged city matters so much. Birmingham is the ancestral home of heavy metal. Everything – whether it be doom, black metal, powerviolence, or even the plague that is deathcore – everything came from here. The famed Mermaid Pub provided a fertile breeding ground for extreme metal, nestled as it was in a dodgy part of town where the cops ignored the punkers and longhairs milling around out front as the early rumblings of a deadly new sound thundered away upstairs The city itself was the original stomping ground of the dirty sexy hard rock’n’roll of Led Zeppelin, the NWOBHM gods in Judas Priest, the crusty proto-grind of Sore Throat, the scummy grindcore forefathers of Napalm Death, the industrial noise terror of Godflesh, and the one and only BLACK FUCKING SABBATH.

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I’ve gotten a few e-mails today from people asking me where Vince is. Well, the truth is, Vince can’t write because he’s ill. And he’s quitting the site. No, really, he quit. We didn’t fire him. Swear it. We stand by that statement.

Here’s some other shit that happened in the world of metal this week:

• We’ve heard the new Alice in Chains album, and it is good.
• Gwar’s Oderus Urungus answered some of your questions, and will answer more in the future.
• John Bush is coming back to Anthrax because Dan Nelson quit. Oh, wait, no he didn’t. Yes he did. He probably didn’t, though.
• We spoke with Poison the Well’s Ryan Primack and Sunn O)))’s Greg Anderson.
• We checked out the latest releases from He Is Legend, Magrudergrind, Novembers Doom, and Clutch.
• Unfortunately, the 10th Annual Gathering of the Juggalos really is a real thing.
• Baby-eater Dino Cazares must be stopped!!!

Alright. Time to go buy a vaporizer of my very own. See ya Monday.

-AR

Greg Anderson is all about uniquenesss, whether it be drone/doom kingpins Sunn 0)))’s epic trudge or the ability of his record label, Southern Lord, to stay afloat in a dreadful industry climate. The former’s new album – the sprawling, pretty excellent Monoliths and Dimensions – brings the band’s sound into new territory, a seemingly unthinkable feat considering their MO of slow, simple, and heavy up until now. Though the album was a long time in the making, Anderson has hardly been dormant: he’s spread between Southern Lord projects, the Sunn 0))) releases between Black One and Monoliths, and Burial Chamber Trio (a project with Mayhem vocalist/ frequent Sunn 0))) collaborator Atilla Csihar), among other things. In an interview with Metal Sucks, Greg discussed the changes between his main band’s prior work to that on their latest album, workng with Sunn 0))) collaborators like Csihar and Earth’s Dylan Carlson, and running Southern Lord in a time when running a label is a risky venture, to say the least.

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Legendary dronesters Sunn o))) and record label Southern Lord share not just a penchant for original, outside-the-box thinking but a man by the name of Greg Anderson, who splits his time between playing guitar for the former and running all operations of the latter. In the interest of full disclosure I’m not really much of a fan of either the band or the label for no other reason than it’s just not my thing, but I have the utmost respect for the legacy of Sunn o))) and the business acumen, foresight and individuality of Southern Lord and all the bands thereon. I was recently given an opportunity to email a few questions to Mr. Anderson himself, and the man was so kind as to respond with his thoughts on the roles the band and label play in the metal community, his thoughts on the metal community at large, and what’s in store for both Sunn o))) and Southern Lord in 2009. Our chat transcript, after the jump.

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