Igor Cavalera: still not in Sepultura anymore.

The guy who took Igor Cavalera’s place in Sepultura has parted ways with the band, and been replaced with a new drummer who, sources confirm, is also not Igor Cavalera. New Not Igor joins a proud tradition of musicians such Dave Kushner and Fatty Ding Dongs Van Halen, who nine out of ten fans will not care about unless he turns out to be the guitar player’s son.

[Note: New Not Igor is not Andreas Kisser's son. - Ed.]

Click to read more…

Max Cavalera is a name you’ve probably heard recently. His band, Cavalera Conspiracy, has been making waves in the metal world with their latest release, Blunt Force Trauma, and are currently on tour in the U.S. But here’s something you might not have known: he’s been at this for decades.

Max, along with his esteemed colleague and brother, Igor, made some of the most beastly and innovative thrash in the mid 80’s and 90’s in the highly influential, underground metal outlet, Sepultura (Portuguese for “grave”). Unfortunately personal differences in ’96 drew him away from the band. Upon relocating to the States, he focused his talents on a new project, the still-running Soulfly (English for “Mighty-Spirit-Mosquito”).

For years Max worked tirelessly with the group, releasing seven studio album’s and gradually building a cult following in the process. Now with a new band and his brother back at his side, the world is finally taking notice.

I recently had the opportunity to speak with the bearded bellower to get the skinny on the new album and see what he makes of his recent success.

Click to read more…

So I’m listening to the stream of the new Cavalera Conspiracy album, Blunt Force Trauma, as I type this, and…some of it is  pretty good, and some of it is just fine. None of it is terrible, so that’s cool, but there’s really only one song that I love — “Torture.” It’s the second song on the album, but it should have been the first — it makes me wanna kick someone hard in the nuts, as opposed to the actual album opener, “Warlord,” which just kinda makes me wanna tap my foot while I do busy work.

What happened? I listened to Inflikted again over the weekend to make sure I wasn’t remembering the band’s debut in a sunnier light than it deserves — and I’m not. Inflikted is awesome. It’s basically everything you’d ever want from a modern day Sepultura album. It’s overflowing with piss n’ vinegar. But only occasionally do CC seem to reach the same level of I AM GOING TO BREAK YOUR FUCKING JAW-ness on BFT. It feels like too much Soulfly seeped into this one.

Headbang here, then let me know if I’m crazy or what in the comments section. Roadrunner will release the album fo’ reals tomorrow.

-AR

Readers, I have failed you.

I feel obligated to tell you that there’s another new Cavalera Conspiracy song out (“Thrasher,” below) because it’s the Cavaleras, but I’ve listened to it three times trying to find something to say about it, and then I was like, “Oh I wanna listen to Chaos A.D.,” and then I just put Chaos A.D. on.

It’s not that I hate the Cavalera Conspiracy song or anything, it’s just that none of what we’ve heard so far socks me in the bread basket the way Inflikted did (when it was like “HOLY SHIT THESE BOYS CAN STILL WRITE SEPULTURA SONGS AFTER ALL!!!”), and, besides, like I said, I have access to Chaos A.D. And Beneath the Remains. And Arise! I should find some quality time with Arise real soon, it’s been awhile.

C&C Music Factory’s latest, Blunt Force Trauma, comes out March 28 on Roadrunner. Despite the fact that none of the songs we’ve heard so far have fucked my face off, I am going to listen to it all the way through at least once.

-AR

I wasn’t so hot on “Killing Inside,” which was the first official tack debut from Cavalera Conspiracy’s new album, Blunt Force Trauma; but now the band has released the title track, and it’s wwwwaaaayyyyy better. It basically starts off like an old Sepultura song, which is FANTASTIC, but even when it gets more modern and Gothenburgy, it’s still really, really cool. Check it out below and see what you think.

Blunt Force Trauma comes out March 28 via Roadrunner.

-AR

Cavalera Conspiracy are giving away a new song, “Killing Inside,” for free download here (you gotta give up your e-mail address to get it, natch). It’s the first song we’ve heard from the Cavalera brothers’ eagerly anticipated new album, Blunt Force Trauma, and… I think it’s kind of a bummer.

Correction: half a bummer. Everything from Marc “Why the fuck is he wearing that backpack?” Rizzo’s guitar solo onwards is exactly what I want from CC — which is to say, it sounds appropriately like old school Sepultura, with plenty of thrash elements and lots of awesome shredding. (I may not like that Rizzo was once in Ill Nino, but I can’t fault his skills as a musician.) But the first half of the song is incredibly meh. I hate to sound like the typical lugheaded metal fan, but the shit needs to be faster and more vicious — even the superior second half doesn’t hold a candle to anything on the band’s debut, Inflikted. The riff that powers “Killing Inside” is slow and redundant and kinda reminds me of the riff from the Murderolls’ “Dead in Hollywood.” Which I doubt is what Max and Igor were going for.

Download the song here, and then let us know what you think in the comments section. Blunt Force Trauma comes out March 29 on Roadrunner; I’m holding out hope that this song isn’t representative of the quality of the remainder of the record.

-AR

Cavalera Conspiracy have released the cover art for their new album, Blunt Force Trauma, and all I can say is: What the fuck is this shit?

And don’t say “Oh, it’s a continuation of the visual style from Inflikted.” Yes, I know it’s a continuation of the visual style from Inflikted, but guess what? That album cover sucked, too.

I know it’s ultimately the music that matters most, and I’m optimistic that the music on Blunt Force Trauma will be cool… but I likes me some cool album art, too.

-AR

I can’t even fucking believe this. Max Cavalera has been calling for a reunion of the classic Sepultura line-up for awhile now, first blaming Andreas Kisser and then Paulo Jr. for the fact that it hasn’t happened yet; and then the current Sepultura line-up released a video in which they just killed the idea dead, dead, dead. And that should have been the end of it.

Unfortunately, it’s not. From Blabbermouth:

Click to read more…

So Max Cavalera has been running around saying he wants to do the Sepultura reunion, but it ain’t gonna happen because Andreas Kisser is a dick, or, no, wait, Paulo is a dick, or, really, your mom is a dick and it’s all her fault that the reunion isn’t happening. And up ’til now, to the best of my knowledge at least, the remaining Sepulturians have kept their mouths shut about all of Max’s smack-talking.

Well, no more:

Now, of course, you should never say never, but that seems to be pretty definitive, at least for the moment. Maybe if Max points the finger at Igor next, though, he can really make this happen.

-AR

So back in May, Max Cavalera blamed Andreas Kisser for our current lack of a Sepultura reunion. And while I took Max’s side at the time, Anso schooled me right proper just a couple of days later, proposing that Max might be, um, less than honorable. And now that Max is changing his story just seventh months later, it’s getting really, really hard not to think that Anso nailed it right on the head.

See, all of a sudden, Max is on an anti-Paulo Jr. campaign. Last week he told Revolver that Paulo was “the only musician that didn’t improve much” during the classic Sepult-era, even going so far as to allege that Paulo didn’t record any of the bass tracks on any Sep releases prior to Roots. I didn’t think much of it at the time; for one thing, I don’t think that Paulo is anyone’s favorite member of Sepultura, and for another thing, even though it might seem weird that Max is asserting that for roughly a decade the band has a bass player so untalented that he couldn’t record his album tracks and no one ever thought to replace him, I’m sad to say that I’ve heard stories like that before, so it actually seemed entirely plausible.

But now Metal Insider has brought it to my attention that Max is once again talking smack on his former bandmate, this time saying it’s all Paulo’s fault, and not Andreas’ fault, that there hasn’t been a Sep reunion. He tells Sonic Excess:

Click to read more…

So last night’s question was tricky — so tricky, in fact, that only one person got it right! Necro’s real name is Ron Braunstein, and, yep, he’s Jewish. And despite his name, Darkest Hour’s Mike “Lonestar” Carrigan is, indeed, half-Jewish. I was caught off-guard when I saw Igor Cavalera included in this article at The Gauntlet (where a picture of From Exile’s Eric Guenther, who is not Jewish, is used for the entry on Daath’s Eyal Levi, who is… but I digress), but some research unearthed that fact that the former Sepultura drummer apparently converted when he got married. His brother Max also married a Jew, although I don’t think he converted. In any case, that just leaves Poison’s C.C. DeVille.

I understand why people would think that C.C. DeVille (né Bruce Johannesson) is Jewish, given that he’s loud, from Brooklyn, and has a big schnozz — hell, I used to assume that he was Jewish — but, alas, he’s not. So mazel tov to reader Joe Caperon, the only entrant who correctly answered the question. Joe wins a mystery prize courtesy of Century Media, and a dreidel, courtesy of us. Go Joe!

Here’s the question for night three:

• What is the name of infamous metal-themed music retailer in Tel Aviv?

E-mail your answer to axl [at] metalsucks.net with the phrase “HEAVY METAL HANNUKKAH – NIGHT 2″ in the subject line. All entries should include your name and mailing address in addition to your answer, and are due by 5 pm tomorrow (Saturday, December 4) evening. Shortly thereafter we’ll announce the winner and post night 4’s trivia question. And while you don’t have to be Jewish to enter the contest, you do have to live in the U.S. We need to conserve moolah to get all the MetalSucks Mansion Monkeys their Hanukkah gifts!!!

-AR

Mazel tov to reader Noah Mezsick, who correctly identified the first night of Hanukkah’s trivia question — yes, Orphaned Land’s Kobi Farhi is the poor musician that I accidentally introduced to frum porn earlier this year. I hear he’s had nightmares ever since. I apologize, Kobi! In any case, Noah wins a mystery prize courtesy of Century Media, and a dreidel, courtesy of us. L’chaim!

Now… ONTO NIGHT SHTAYIM!  (I think that’s Hebrew for “two.” If I fucked up, well, oops.) Here’s the trivia question:

• Which of the following metal-affiliated musicians is NOT Jewish: C.C. DeVille, Mike “Lonestar” Carrigan, Igor Cavalera, Necro

E-mail your answer to axl [at] metalsucks.net with the phrase “HEAVY METAL HANNUKKAH – NIGHT 2″ in the subject line. All entries should include your name and mailing address in addition to your answer, and are due by 5 pm tomorrow (Friday, December 3) evening. Shortly thereafter we’ll announce the winner and post night 3’s trivia question. And while you don’t have to be Jewish to enter the contest, you do have to live in the U.S. What, you want we should go broke on shipping charges?

-AR

As always, I have to preface any judgment made based on a bootleg by pointing that any unofficial (and in this case probably illegal) release is not the best work by which to judge an artist.

But this audio recording of Cavalera Conspiracy performing a new song, “Warlord,” is not hitting my g-spot.

What I — and I think most people — liked about Inflikted was that it sounded an awful lot like pre-Roots Sepultura. And awesome pre-Roots Sepultura at that. If the Cavaleras had actually reunited with Sepultura, we really couldn’t hope for anything better. Not only did it blow every post-Max Sepultura release out of the water, it blew every Soulfly release out of the water, too.

And this song sounds a lot more like Soulfly than it does anything on Beneath the Remains.

Listen to it and tell me I’m wrong. I actually WANT to be wrong about this. I want the new Cavalera Conspiracy album to come out and make me eat my hat. I actually don’t own a hat right now (weird, right?), but I would happily purchase one specifically for the purposes of Cavalera-inflikted consumption.

-AR

[via]

To say that Max Cavalera put metal on the map isn’t exactly accurate; metal’s formative years dealt with pond-crossing pollination between Europe and the U.S. But Sepultura helped bring the idea that metal was a global entity into being, from their early death metal albums, proving them more than competen,t to their later thrash/groove metal records, which combined primal heaviness with South American instrumentation. Max has continued this in Soulfly, which, despite  hisliving in the U.S. for the last decade and a half, still includes bits of his heritage. Though Sabbath, Priest, Maiden, and so forth may have (unintentionally) presented metal as a mainly Anglo-Saxon phenomenon, Sepultura proved that if metal were going to be adored worldwide, it would be made worldwide as well. Their far-reaching success (both in the form of Max Cavalera’s Soulfly and the current incarnation of Sepultura) cements their very important place in metal.

Despite being in the game for more than twenty-five years, Max hasn’t shown any sign of slowing down. He founded Cavalera Conspiracy with his formerly estranged brother/ex-Sepultura drummer Igor; Soulfly’s recently-released Omen shows the same strength, vitality, and palatable riffs that the band has always been known for; and he’ll no doubt be hitting the road for the foreseeable future. In an interview with MetalSucks conducted shortly before the album’s release, Max talks about making Omen, discusses how he manages to rope in guest performers, and makes some lofty claims about the upcoming Cavalera Conspiracy album.

Click to read more…

I don’t like to talk too much smack on Andreas Kisser, because he’s a terrific guitar player and I have no real evidence that he’s a jerk or whatever; I’ve never really seen or heard about him doing anything super-douchey, unless you consider his part in the dissolution of the classic Sepultura line-up super-douchey, which you might. It does seem awfully funny that Max Cavalera left and the band basically never made anything good again, but that really just suggests that Max was the driving creative force behind the Sepulturawesomeness, not necessarily that Andreas Kisser should suck it.

But awhile back there was a rumor that there was gonna be a Sepultureunion, and now Max has told AltSounds that it almost happened – except a certain guitar player ended up mucking up the works:

Click to read more…

…and that omen said it will come out May 4 on Roadrunner. And that it will feature guest appearances from The Dillinger Escape Plan’s Greg Puciato, Prong’s Tommy Victor, and (on b-side covers) Igor Cavalera and Zyon Cavalera. And, oh yeah, that it will be called Omen.

I’ve never liked Soulfly as much as I love Sepultura, but I did really enjoy Dark Ages, and the one time I caught the band live, they slayed. So while I’d much rather have a new Cavalera Conspiracy record, color me curious to hear this.

I’m less curious to hear the cover of “Refuse/Resist,” featuring the aforementioned Zyon Cavalera. Why does anyone ever cover their own song? The results are almost always disasterous – just ask Chuck Mosley or Slash…

-AR

In my review for AC/DC’s Black Ice, I wrote about how certain trademarks of an artist or band – Michael Jackson’s falsetto, Axl Rose’s gravelly throat, Angus Young’s dirty blues rock pecking – suck me in immediately, even despite their use for blatantly nostalgic purposes. The punch in the gut of Andreas Kisser’s muddy-but-monolithic power chords at the beginning of “A-Lex I,” the opening track on Sepultura’s eleventh album, A-Lex, pull me right back to being seventeen and getting lost in the ridiculous grooves of the band’s punk/thrash classic, Chaos A.D. Of course, when making this comparison, I meant it positively toward Black Ice. And though A-Lex doesn’t necessarily suckle at the leathery teat of nostalgia, it doesn’t lift off in the way the intro track implies. Though the album is packed with primo Sepulturaness, it’s also packed with directionless filler, bloating it from a tight groove metal record to an overly/questionably ambitious record that’s practically impossible to get through in one sitting. Their lack of self-editing ultimately mars the record, but the bits of it that are good – and don’t let my misgivings fool you, because there’s quite a bit that’s pretty fucking good – make you glad they’re still here, even if they are completely without the Cavalera brothers for the first time since the band’s inception.

Click to read more…

Blabbermouth tipped us off to the below footage of Sepultura rehearsing a new song for their upcoming album, which is apparently a concept album based on Anthony Burgess’ novel A Clockwork Orange (which was – duh – also the basis for Stanley Kubrick’s controversial classic film). This new album should provoke a lot of interest (if not record sales), ’cause it’s the first Sep album ever to feature neither of the Cavalera brothers.

So will it be any good? The riff in the video is okay, even if it doesn’t exactly knock my socks off. But the band’s last album, Dante XXI, was good enough that I’m curious to hear what Andreas Kisser and the fellas come up with.

[kml_flashembed movie="http://lads.myspace.com/videos/vplayer.swf" width="430" height="346" fvars="m=32090898;type=video" wmode="transparent" /]

So… what do y’all think? Let’s get some premature judgements up in here!

-AR

Metal has always been the unwanted red-headed stepchild at the annual SXSW Music Conference in Austin, Texas. Back when I was the metal/hardcore DJ at the University of Texas’s student radio station KVRX (’88-’90), metal at SXSW was usually relegated to one showcase at the Backroom, way far away from the hub of activity in downtown Austin.To counter that mentality, my best friend and co-DJ, Ray “Raydog” Seggern used to create our own showcases to spotlight heavier bands not cut from the dying days of glam.

Our biggest success was in 1990 when we threw our own anti-SXSW showcase in a run-down, but still active, Riverside Drive dollar movie theater, seats and all. The show featured Austin bands Zero Tolerance and Dread (featuring future Skrew/16Volt/Daniel Ash bassist Mike Peoples), Arlington thrashers Arcane, and Houstonians Dead Horse. The major coupe from the gig was getting a rep from Metal Blade to come to the show and eventually sign Dead Horse.

Fast forward 18 years to SXSW 2008 – Metal is everywhere!

Click to read more…

Infliked, the new album by Cavalera Conspiracy, may have turned out to be a pleasantly awesome surprise (read our review here), but the band’s video for first single “Sanctuary” is, alas, not nearly as cool.

The concept isn’t bad: at a photo shoot for the band, a 28 Days Later-style monster goes on the rampage and kills pretty much everyone in the room (save for the band, who, I suppose, are saved by the sheer power of their rocking). The clip is even filmed in lo-fi video to give it some sense of “realism.”

Unfortunately, it’s also shot in first-person shakey cam, a la The Blair Witch Project and the more recent Cloverfield, a.k.a. The Blair Monster Project. The result is that you can’t really see anything, and I don’t mean in a Jaws being-suggestive-is-more-scary-than-being-gory kind way; I mean, really, you can’t see very much.

So, y’know, that blows.

[kml_flashembed movie="http://youtube.com/v/uu9EgfOjBvk" width="425" height="350" wmode="transparent" /]

-AR