UPDATED:

Jeff Hanneman has been out of commission for most of 2011, even missing Slayer’s appearances at various Big Four shows, due to almost dying from a spider bite — which, as far as ways to almost die go, is incredibly fucking metal.

Now Hanneman has recounted the tale of his near-death experience in an interview with Classic Rock, and not only is it chock-full of surprisingly funny quotes (like the one in my headline) and details (his doctor at the hospital was a Slayer fan), but with the simple line “I could see the flesh corrupting,” it proves that Hanneman talks the same way he writes lyrics. Which is, y’know, awesome.

Here’s the juicy part of the interview:

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The highlight of last week’s Big Four show at Yankee Stadium was Slayer, and with all due respect to Kerry King, Tom Araya, Jeff Hanneman, and, in this instance, guest guitarist Gary Holt, the highlight of any Slayer show is Dave Lombardo. Never mind that, at the age of 46, he hasn’t slowed down a bit, and is still ten time better than most drummers half his age — he’s so good he has the ability to make Slayer songs on which he did not originally play, like “Disciple,” sound better. And I say that being a fan of Paul Bostaph, who recorded “Disciple” originally.

So, while I’m as sick as discussing of the Big Four as anybody, I just HAD to post these drum cam videos of Lombardo at the concert, ’cause you can’t celebrate that dude’s excellence too much. Also, because they offer the best perspective of just how many people (41,451!) were at this damn show.

Here’s “Disciple”…

…and you can check out “Post Mortem,” “Hate Worldwide,” and “War Ensemble” after the jump.

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We have successfully arrived at Yankee Stadium and are sitting in the press box. We feel so professional!

We’re gonna put the live blog after the jump so it doesn’t eat up the entire page. You’ll hafta refresh to get updates. Sorry.

And now, enjoy the snark…

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Anthrax guitarist Scott Ian went to northeast France for Wednesday’s Big Four show, but at other July dates the new father’s guitar duties are covered by Sepultura’s Andreas Kisser (as reported here). It’s weird to see Anthrax on stage without Ian — a first — but clips from Kisser’s second gig as temp on Saturday in Sweden are jamming (above)! Kisser is energy for the other Anthrax dudes who, having tirelessly performed for three decades, probably don’t retain measurable enthusiasm for favorites like “Indians,” “Madhouse,” and “Anti-SoCal.” Not to mention, those jamz date back to their writers’ mid-20s. Those guys are relaxed adults now, not lulzy youths. Shit, I bet they no longer even mind being caught in a mosh.

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SHAME ON ME! I almost forgot that today is June 6, a.k.a. “The Internatinal Day of Slayer,” until our friend Zena Metal reminded me (and by “me,” I mean “anyone who reads her website”). In any case, if you’re looking for a good excuse to drink Jäger until you puke and/or get right up in the face of some random person on the street and shout “SSSSLLLLAAAYYYYEEERRR!!!!“, well, now you have one. Just tell your boss you’re going home early because it’s a religious holiday. It’s cool, I’m sure he’ll understand.

To help you celebrate, here’s some video of the band in 1991, when Tom Araya could still headbang and Kerry King still had hair. WEIRD!!!

-AR

Am I crazy or does World Painted Blood suck? Is Slayer moving forward or caving to the post-Slipknot shitty production trend? Am I a fossil who can’t deal with a classic band’s evolution? I love serial killers and hate religion, so what’s the deal? Why did critics splooge all over this record, and do fans agree?

During a recent plane trip, I played about four hours of Slayer pinball on my mobile tablet device — to the dismay of my westerly neighbor, who frowned from behind her religious-themed novel presumably at the game’s huge glowing pentagram — and it got me thinking about World Painted Blood. Like 2006′s mehtastic Christ Illusion, the 2009 record arrived amid a rush of acclaim — as though a spiteful metal media corps had a chance to bestow retroactive cheers upon a critically spurned but iconic band. Or maybe the album is awesome, and therefore deserving of warm reception even from fancy music writers at The Onion and All Music Guide. But I don’t think so.

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(click to enlarge… so worth it)

OK, really, last Big Four post, I promise… at least until the inevitable announcement of more U.S. Big Snore dates reignites discussion about whether anyone really gives a shit. But I just couldn’t resist posting this gnarly photo of Jeff Hanneman’s spider-bitten, skin-grafted, surgically repaired right arm as he surprised an audience of 50,000 by joining Slayer for their two-song encore of “South of Heaven” and “Angel of Death.” That pretty much defines brutal.

-VN

Photo Credit:  www.AndrewStuart.me

While a press release assures us that Jeff Hanneman “has amazed his doctors with his speedy recovery from an infection thought to have been caused by a spider bite” and “has already been practicing with his guitar,” the Slayer guitarist apparently isn’t quite ready to step back into the fold yet. And Gary Holt, who has been filling in for Hanneman, has to go back to his own band — some group called Exodus. So, y’know, in case the headline didn’t already spoil the suspense… yep, Cannibal Corpse’s Pat O’Brien is the new temporary guitarist for Slayer.

O’Brien is just as strong a pick as Holt, if ya ask me; if Exodus are one of Slayer’s most revered peers, Cannibal Corpse are one of Slayer’s most accomplished disciples (no reference to the song intended). There can be no doubt that there would be no Cannibal Corpse without Slayer, and O’Brien’s style is a perfect fit for the latter band.

So Holt will continue to play with Slayer ’til April 4, and then O’Brien takes over. Here are the remaining announced tour dates with both axe men…

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I guess that Slayer/Marilyn Manson team-up from a few years back (no, not the Mayhem Fest one, the one before that) was a big hit, ’cause the band are once again doing a summer co-headlining tour with an industrial shock rocker who probably holds more mainstream appeal than they do — namely, Rob Zombie. I don’t know what the overlap of Slayer/Zombie fans actually is (Do Slayer fans think Zombie is too soft and poppy? Do Zombie fans think Slayer is too fast and lacking in hooks?), but it seems to me that this is exactly the kind of show where getting the cheapest seats available and drinking an INSANE amount throughout the evening would pretty much guarantee you a fun time.

Not hurting this line-up one bit is the fact that Exodus are playing support. It’ll be interesting to see if Jeff Hanneman has recovered and re-joined Slayer by the time this trek kicks off, or if Gary Holt will be pulling double-duty. Either way, awesome sauce.

Dates are after the jump… they’re only playing twelve gigs for whatever reason, so the vast majority of you should prepare to be sad (or indifferent, I suppose, depending on your own personal views about this line-up):

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My dad had kidney stones once when I was a kid and I remember him being in all kinds of agony. So please understand that I am not making fun of him for playing a show despite suffering from this particular malady, because that is very admirable. The set at this gig was apparently abbreviated, for obvious reasons, but for him to do what he did for the fans deserves a big pat on the back.

I am, however, making fun of him for being pompous, and for thinking that he was healed by the power of prayer.

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Slayer is already down one member, what with guitarist Jeff Hanneman currently recovering from surgery on his arm while Exodus’ Gary Holt fills in for him — or, rather, is supposed to fill in for him. ‘Cause the band got to play exactly one show with Holt before canceling their scheduled appearance at Australia’s Soundwave Festival after vocalist/bassist Tom Araya found himself in the hospital.

Lotsa folks, including us, suspected that the culprit must have been the same the same back issues that forced him to cancel touring plans last year, but this is apparently not the case. From Slayer fan site Slayerized:

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Poor Slayer. First they had to recruit Exodus’ Gary Holt to sit in for Jeff Hannenman while the guitarist recovers from surgery on his arm; then they got all the way to Australia, played one gig with Holt… and promptly had to cancel their next show, as part of the Soundwave Festival, because Tom Araya was sent to the hospital for an undisclosed malady. (Although it’s fair to speculate that the front man is once again suffering from the same back issues that took him out of commission last year.)

Holy shit, what is happening to these poor dudes? It’s starting to get to the point where if an Acme safe mysteriously falls from the sky and lands on Kerry King, no one should be surprised. Just watch: Slayer will finally break up due to old age, but Metallica will go on and on and on well into their 80s. Only the good die young I guess.

While we wait to hear if Araya is okay and if Slayer will be able to continue this Australian tour at all, enjoy this first — and possibly last — video of the band performing with Holt. He moves around more on stage in three minutes than Hanneman has in thirty years, so, uh, yeah.

-AR

[via Metal Injection]

I’m posting outside of our regular hours because I was just got a press release that Exodus’ Gary Holt has been named Slayer’s temporary replacement for Jeff Hanneman (who just had emergency surgery on his arm), and that seems like kind of a big deal. As far as I’m aware at least, it’s the first time a guitarist who isn’t Hanneman or Kerry King will play and tour with the band (I mean, I’m sure other dudes have gotten up and jammed on a song or two with the band, but it’s not quite the same thing). In fact, I don’t even know of Holt having ever really played with another band.

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So, apparently Jeff Hanneman was hospitalized last month, and underwent emergency surgery for a serious infection in his right arm, which he may or may not have contracted from a spider bite. (Not to be insensitive, but I think it would actually be kinda funny if he contracted the infection from, I dunno, jerking off too much, or opening a jar of pickles, or something like that, and the band is just saying it was a spider bite because that sounds so much more metal.)

Hanneman is expected to make a full recovery, but he’s obviously not gonna be picking up his axe anytime soon, and the band has an Australian tour coming up… so they’re gonna do the tour anyway, with a yet-to-be-announced fill-in guitarist.

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Crustcake posted this incredible video of Slayer performing “Hell Awaits” in 1985 at Studio 54. This is both weird and notable, and not just because it serves as a reminder that once upon a time, Kerry King had hair and Tom Araya could move his neck.

No, it’s weird ’cause Studio 54 — in case you’re young and don’t know — was a disco. A very famous disco, where lots of celebrities hung out — folks like Andy Warhol, Debbie Harry, Mick Jagger, etc. Y’know, the Hiltons and Kardashians of their day. (That was a joke.) The club closed in 1980 after a couple of its owners were caught embezzling profits, and today, it’s used as a Broadway theater.

Yep. Bernadette Peters and Jeff Hanneman have played the same venue. Amazing.

This clip apparently comes from an old VHS collection, Ultimate Revenge for Disco, and Exodus and Venom were also on the bill. But it’s new to me, and hopefully, to you as well.

-AR

As any metal fan with functioning ears and discerning taste knows, Slayer are one of the most overrated bands of all time. Sure, they have some great songs, but the vast majority of their catalog is boring, generic filler. For example, I am not sure why Reign in Blood is considered such a classic when there are only two good songs on it. I mean, if “Angel of Death” and “Raining Blood” were released as the two sides of a 7″, it would probably be the best record ever released, but they decided to sandwich a bunch of crappy, lifeless songs between them for some unfortunate reason. And don’t even get me started on how tepid and uninteresting their next few records are… In fact, looking back over the past 25 years or so, it is clear to me that Slayer’s best album is a tossup between two of their mid/late 90s releases that go largely unnoticed: Divine Intervention and Undisputed Attitude.

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Every metalhead has a favorite Slayer album. Mine just so happens to be Undisputed Attitude, the band’s 1996 tribute to their undeniable hardcore influences. Featuring resurrected material from Jeff Hanneman and Dave Lombardo’s Pap Smear project alongside covers of songs from artists like D.R.I., Minor Threat, and Verbal Abuse, the release met with considerable controversy and even disdain from longtime fans and critics alike for being such an anomaly in the band’s catalog. Yet nearly fifteen years later, the record sounds like it could have come out yesterday, a testament to the quality of the covers and of the production value. (“Gemini”, the sole Tom Araya/Kerry King original, still feels oddly tacked on and out-of-place.) The prospect of owning it on “180 gram audiophile vinyl” as part of the now-available boxset The Vinyl Conflict – collecting all of their American Recordings studio LPs and Live Decade Of Aggression–seems too delicious to pass up, even at the roughly $150 price point.

Hop in the Slayer Wayback Machine, watch the simple yet effective video for “I Hate You” (originally by Verbal Abuse) above and weigh in on the record below. How do you feel about Undisputed Attitude? An underrated gem in the catalog? A failed experiment that never should have been?

-GS

So unless you live under a rock in a cave beneath the ocean, you’re aware that the Big Four did some shows together this past June; at the time, I suggested that it would be cool if they all came out and jammed together, and then they did all come out and jam together (video above courtesy Metal Injection), and it wasn’t really that cool. ‘Cause when I made that suggestion, I guess I forgot that this was all the Big Four bands now, not the Big Four bands in 1990.

So I was actually a little relieved — although not at all surprised — that 75% of Slayer did not participate in the jam (the exception being Dave Lombardo, natch). ‘Cause Slayer have always been and will always be “Cooler Than Thou.”

As it turns out, though, Kerry King would have liked to have participated, but had to do the work his lazy and decrepit band mates wouldn’t do. From a recent Revolver interview:

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I hate Disturbed’s music, but the fact that he’s a hypocrite who lacks any real talent aside, David Draiman strikes me as a very intelligent guy. A reader, calling himself simply “Matt,” sent this to me awhile back, and now that Lemmy has re-raised the issue, I think it’s worth discussing even if I don’t really have a solid “answer” per se.

So. This is a Blabbermouth excerpt from a recent Revolver magazine interview with Draiman. I’m going to run the entire excerpt after the jump, and then I’m going to share my thoughts.

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If Horatio Alger were alive today, he’d be tempted to write about Slayer. Defying logic, popular fads and the moral majority, the band is an American thrash-to-riches story, having not just survived, but thrived on a regimen of non-compromise. Future musicologists will no doubt struggle to explain how four guys from Huntington Park forced Reign in Blood down the world’s collective throat, then went on to sell millions of records, win two Grammys, and amass a huge, rabid fanbase. And does any other band have a holiday dedicated to them?

As the curtain closes on their third decade in the music business, Slayer’s Dave Lombardo was good enough to shoot the proverbial shit with MetalSucks when the American Carnage Tour stopped in St. Paul, MN. Read the full transcript of our chat after the jump.

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