In 2001, screamer Johan Lindstrand departed Swedish death-thrashers The Crown, and the band went on with then-former At The Gates screamer Tomas Lindberg. But after one awesome album, The Crown reverted to its line-up with Lindstrand for Possessed 13, one of metal’s twenty best albums. Then, after a re-make of that Lindberg album, The Crown folded and so I spent about a year crying while lifting weights. Just as I fully rebounded, The Crown reformed in 2009 but without Lindstrand (whose One Man Army & The Undead Quartet has a line-up odyssey of its own). With God Macabre screamer Jonas Stålhammar, they released Doomsday King, an album titularly similar to their first classic but really the only Crown album to be less rad than its predecessor.

But here comes the best case of déjà vu ever! After one album completed with a different dude, The Crown welcomes back Johan Lindstrand. Fucking yeahhhh! Lindstrand said in a Friday announcement (via The PRP): Click to read more…

When picturing The Crown in my mind, I don’t see a hard-working death metal band quietly grinding out classic albums. Nah, it’s more like a sequence from The Wonder Years set to “You’re All I Need To Get By” where everything goes blurry except for five frowning Swedish dudes. Sometimes it’s closer to Beatlemania as the quintet presides over a rabid press corps at JFK. I also like to think that when eventually I am imprisoned by drug lords in the jungle, the guys in The Crown will grenade their way through the gates in a daring pre-dawn raid. One could say that they are the house band in the dive bar of my heart. Ahem. So you could see how the announcement of their reformation — plus singer Jonas Stålhammar and minus Johan Lindstrand (One Man Army & The Undead Quartet) — would cause me to do the journalist equivalent of lunging for their bra strap. I begged for an interview.

And so in a Metal Sucks Universe Exclusive after the jump, guitarist Marko Tervonen explains how most of the Crown became Dobermann, how Dobermann became The Crown, the making of their “stunning” seventh album, and of course, the past, present, and future of The Crown.

Click to read more…