MetalSucks

And on that note, I’m done for the day. See ya tomorrow.

-AR

In no particular order…

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Yeah, tomorrow is Halloween. And sure, you’re all excited to dress up as that dude from Watchmen or a slutty nurse/secretary/schoolgirl/turd and probably not thinking about Christmas just yet. Since it’s less than two months away, I can’t think of a more miserable way to honor/desecrate Jesus’ birthday than with some good ol’ fashioned holiday music performed by Judas Priest’s Rob Halford. That’s right: ROB HALFORD HAS A FUCKING CHRISTMAS ALBUM OUT. Here’s the single “Christmas Comes For Everyone”:

God, this is awful. If you’re a masochist, then go ahead and download the single for free at Halford’s website.

I’m buying this album for all of my MetalSucks colleagues for Hannukah, because I hate them.

-GS

[Gary Suarez is baking you a fruitcake. He usually manages the consistently off-topic No Yoko No. Say, why don't you follow him on Twitter?]

If I had a biological clock, I’d worry that’s it’s ticking. Because this is my second story about little kids today.

Reign in Blonde has made the awesome discovery of Jonah Rocks, who is a) the only four year old I’ve ever seen that can play the drums, and b) the only four year old I’m aware of that already has a stage name. He also seems to have an endorsement deal with Vic Firth. Holy poop.

For reasons that are totally beyond me, the videos of this lil’ tyke rockin’ out are not embeddable, but if you go here, you can watch Jonah play “Harvester of Sorrow” with more skill and passion than Lars Ulrich has displayed in years.

After the jump are some more links to Jonah playing. Some of these videos were made when he was only three years old!!!

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As Vince already mentioned, we spent Friday night at the annual San Gennaro festival in Little Italy. Prior to that, though, we had warm-up drinks at Arrow Bar, where our bro-bro Bram Teitelman from Metal Insider was spinnin’. The last song he played before we headed out for Little Italy was “Painkiller,” which, needless to say, got stuck in my head for the rest of the night, and part of the next morning. It wasn’t even the whole song – it was just the chorus. It was like Halford was trying to drill his way out of my brain. Every time there was a lull in the conversation, I found myself almost involuntarily adopting that eunuch voice, screeching the chorus aloud. I’m sure I annoyed the ever-lovin’ shit outta everyone around me.

But there are way worse songs to have stuck in your head.

-AR

So I’ve been living in the UK for about four months now, and have managed to take in quite a lot of this “culture” thing they’re so fond of over here. I’ve been to nine countries, eight major metal festivals, and a handful of cities in Ol’ Blighty itself; I’ve gate-crashed hotel parties in Norway with the drummer of Swallow the Sun, stage-dived into a sea of muddy grind freaks in the Czech Republic, gotten roaring drunk with Wolves in the Throne Room in the Netherlands, met Gaahl’s boyfriend in France, gotten lost in Rome, watched Electric Wizard blow an amp in Manchester, lost my mind to Eyehategod at Hellfest, seen Manowar (‘nuff said there) – and that was just the first couple months. Between all the metal, mud, bruises, whiskey, calimocho, hard cider, and terrifying Czech liquor (Becherovka and Fernet are no fucking joke, even if it is Kevin Sharp and Danny Herrera pouring you a shot), I realized that, somehow, something was still missing.

To my immense chagrin, I had yet to take that all-too-necessary pilgrimage up through the Black Country and into the Unholy Land itself – to Birmingham, England. Every metaller worth his leather (and several million other music fans besides) knows exactly why this unimpressive, coal-smudged city matters so much. Birmingham is the ancestral home of heavy metal. Everything – whether it be doom, black metal, powerviolence, or even the plague that is deathcore – everything came from here. The famed Mermaid Pub provided a fertile breeding ground for extreme metal, nestled as it was in a dodgy part of town where the cops ignored the punkers and longhairs milling around out front as the early rumblings of a deadly new sound thundered away upstairs The city itself was the original stomping ground of the dirty sexy hard rock’n’roll of Led Zeppelin, the NWOBHM gods in Judas Priest, the crusty proto-grind of Sore Throat, the scummy grindcore forefathers of Napalm Death, the industrial noise terror of Godflesh, and the one and only BLACK FUCKING SABBATH.

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As a part of goth metal OGs Type O Negative, drummer Johnny Kelley’s talents are often overshadowed by the low end sultriness and antics of bassist/frontman/nude model Peter Steele. But his graceful stickwork has been holding the band together since 1995’s October Rust, and the string of Type O albums that have come out since have stood shoulder to shoulder with the band’s prior material. Along with being Danzig’s drummer, Kelly plays in Seventh Void, a stoner/trad metal outfit with Type O Negative guitarist Kenny Hickey. The latter band released their debut on Vinnie Paul’s Big Vin Records in April. In an interview with MetalSucks, Kelly discusses Type O Negative’s future, working with Glenn Danzig, and his thoughts on modern drummers.

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There’s plenty of room to argue about the Best Metal Albums of the 21st Century. But then there’s Judas Fucking Priest.

As undoubtedly one of the best metal bands… well, EVER, we are beyond thrilled to offer you the exclusive world premier, full album stream of the brand new Judas Priest live record A Touch of Evil – Live. Recorded during the band’s 2005 and 2008 world tours, A Touch of Evil – Live focuses primarily on fan-revered album cuts (all previously unreleased in live form on CD) as well as two tracks from the band’s 2008 concept opus Nostradamus.

Stream it right here until 11:59pm EDT on the night before the album’s official release date of July 14th! If ya like, pre-order A Touch of Evil – Live here.

[UPDATE: This promotion has now ended. Sorry.]

Steve Stamopoulos sent us this video of Rob Halford performing the Judas Priest classic “Delivering the Goods” with Skid Row on MTV. I remember watching this when it first aired, on whatever MTV’s equivalent of TRL was back in the day. The show was hosted by future ex-The Panic Channel vocalist, Steve Isaacs, who was maybe the last (only) cool VJ in the channel’s history.

There’s a studio version of this on the Skids’ most forgettable covers EP, B-Side Ourselves. It’s fun to watch this video, though, ’cause a) the song rocks and b) Halford is dressed like trailer trash.

-AR

What I like about White Wizzard, Earache Records’ latest signees, is that there’s no bullshit involved in their music. These are dudes who lived and died by their Maiden, Priest and Dio records back in the day and without a doubt still jam these records all the time. Perhaps best of all, there is not an ounce of irony here; though the dudes certainly have a sense of humor and, methinks, would categorize their music as “fun,” don’t expect them to try to out-shred anyone like a certain band or to pull any ironic “we have 15 singers” crap like another certain band. White Wizzard just like their “classic, traditional metal” (their own self-categorization), therefore that is what the play. Quite well, I might add.

Take their video for “High Speed GTO,” posted below. It’s got wizards and witches, sorcerers, general bad-assery and a storyline you’d expect from a classic Dio video, not a metal video in 2009. But the video doesn’t have these things because they think “ha ha, the ’80s were funny, let’s make fun of them!” like most of the poser rehash bands of today. No, these dudes actually think (and rightly so!) “wouldn’t it be fucking awesome if we had a video with wizards and witches and sorcerers??! that’d be fucking bad-ass!!!” It’s a fine line, kiddies.

After the jump, check out a recent EPK video featuring interviews and live footage of the band, including ex-Overloaded guitarist Erik Kluiber who recently joined White Wizzard as their second guitarist. Erik’s a talented axeman that longtime MetalSucks Maniacs will remember as commenter “ERiK.” Expect a “mini-album” (whatever that is) called High Speed GTO from White Wizzard on July 13th in the entire world. hello, Earache, it’s called “the Internet!” in Europe, and a full-length later in the year.

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A few years ago Slayer performed Reign in Blood in its entirety, a year later Metallica did Master of Puppets, and now Exodus are gonna do Bonded by Blood, Judas Priest are doing British Steel, Motley Crue are doing Dr. Feelgood, Ratt are doing Out of the Cellar, Aerosmith are doing Toys in the Attic, Melvins are doing Houdini, etc. What does the MetalSucks Haterade Mafia think; is this trend lame, or is it cool?

n

Swine flu got you down? Don’t get too scared, it was always part of the plan. Here’s a headline you should be much more concerned about: “ROB HALFORD UNVEILS NEW LINE OF SUPER CRAPPY T-SHIRTS“. WTF?? As if that isn’t horrifying enough in and of itself, the shirts look like they were designed by people with down syndrome that just couldn’t quite make the cut over at Affliction (as though Affliction Clothing isn’t bad enough). Jesus. If you want to get massively bummed out, head over to Halford’s new t-shirt line website, “Metal God Apparel” and grab yourself a sweet tee for a cool $54.99. Cheap!!

I see tons of douchebags trolling around Los Angeles in shitty shirts that look dangerously similar to these. It’s pretty sad. It’s a pandemic for sure. And there’s not really much we can do at this point. It seems even the Boston Red Sox have been struck with this “affliction” (pictured right). I hate all of you.

-MC

[Read more from Mike Conte at http://www.whiplashwhiplashwhiplash.com/]

Greg Mottola’s one of those filmmakers you know even if you don’t know you know him: he’s directed episodes of Freaks and Geeks and Arrested Development, and his feature film credits include Superbad and, now, the coming of age dramedy Adventureland.

In all seriousness: I think Adventureland is the only movie I’ve seen this year that hasn’t made me wanna tear my eyes out and carpet bomb Hollywood. Maybe it just hit that right sentimental spot for me, but it feels like such an honest, hilarious, and heartbreaking portrayal of that age when you think you have it all figured out, and you quickly realize you don’t know jack shit about jack shit.

It also has a fantastic soundtrack. In addition to some awesome non-metal acts (The Replacements, The New York Dolls, Lou Reed, etc.), it has a chase scene set to Judas Priest’s “Breaking the Law” which is pretty much the best possible cinematic use of that song I could ever imagine. Couple with Mottola’s superb exploitation of “Panama” in Superbad, I have reached the conclusion that he would be a really, really awesome dude to hang with.

Here’s Priest doing “Breaking the Law” in 1982:

-AR

Less than a year ago Judas Priest were threatening to pull an Iron Maiden and play their most recent, snooze-inducing album, Nostradamus, live in its entirety; either the band’s handlers told them that was really, really shitty idea, or the band just realized that they like making money, because now they’ve announced that they’ll “celebrate the 30th anniversary” of their classic release British Steel by playing it live from start to finish on their summer headlining tour.

Of course, no one seems to have told them that they’ll actually be celebrating the 29th anniversary of the release of British Steel, which came out in the Spring of 1980. But, hey, they’re old and my dad can’t remember what year it is either, so I sympathize.

ANYWAY, British Steel isn’t my favorite Priest record, but it’s obviously a damn fine one and Halford and company can still bring it live. So this should be a good time.

Here’s Priest performing “Living After Midnight” live in 1982. Announced tour dates thus far are after the jump; support will come from Whitesnake, which means I might actually be able to talk my woman into coming with. Rad.

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MetalSucks Maniac Matt Fields sent us the below clip this morning, bringing up all sorts of repressed demons I’d been trying to forget for years. I can’t say I’m at all surprised that Tommy Lee agreed to play with these douche chills – after all, Lee is an even bigger whore than Pamela Anderson – but I gotta ask: Why, Halford, why?!?!

-AR

Those rumors that have been floating around are apparently true: Hatebreed’s Jamey Jasta is working with Sebastian Bach on the latter’s new album. Blabbermouth reports that Jasta has said the following about the collaboration:

All the Skid Row/Bach fans need not worry; I am not trying to infuse a Hatebreed/Kingdom of Sorrow sound or style. I’m just hoping to write and produce a bunch of GREAT anthemic metal/rock songs for him. Think Painkiller-era Priest meets Vulgar Display of Power meets Slave To The Grind.

I think that Jasta has the right idea about what kind of album Baz should make – lest we forget, Skid Row and Pantera were tour mates once upon a time, and certainly the Priest/Skid direction doesn’t seem far-fetched – but I am not confident that Jasta is the man to make this happen (and I say that as someone who actually likes Hatebreed). As our pal Anso at Hipsters Out of Metal! notes, “if Jasta were able to pen material on par with Paaain!Killah!, Vulgar, [and] Slave (greatest hard rock album of all time?), I gotta ask: Why has he been holding this material back for a Sebastian Bach solo album that no one will hear?”

-AR

RevolverMag.com tells us that movie babe, ET star and childhood drug-fiend Drew Barrymore has recently been photographed wearing Iron Maiden and Judas Priest t-shirts. True metalhead or trend-following fashionista? You be the judge.

-VN

Female-fronted Judas priest cover band? Sure, why the hell not.

I’m sure there are some really juicy Priest / Halford puns to be made here but I’m lazy / tired / drained to think of any right now. Have at it in the comments. Best one wins a kiss from Axl.

-VN

[Thanks: Rui]

Even now that Slayer are Grammy winners, I don’t think any metalhead really gives a flying fuck about the Grammys. But, what the fuck – here are this year’s nominees for “Best Metal Performance”:

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First thing’s first: Axl and I are going to see AC fucking DC at Madison Square fucking Garden tonight. HOLY SHIT! Big thanks to the folks who hooked us up with tickets; you know who you are!

AC/DC also happens to have just released their own Rock Band “Track Pack,” a standalone video game available for around $40 featuring AC/DC’s legendary 1991 Live at Donington concert. This pretty much seals the deal for Rock Band as the instrument-based video game of choice for metalheads and hard rock fans; the list of available full albums already includes Judas Priest’s Screaming for Vengeance, Megadeth’s Peace Sells… but Who’s Buying?, Rush’s Moving Pictures and Dr. Feelgood by Mötley Crüe. They’ve only got one Metallica song (”Enter Sandman”), but we’ll overlook that for now.

If we get a gaming system for the MetalSucks Mansion I’d definitely go for Rock Band, if only because playing the drums is so fucking fun. But we’d have to place a moratorium on drunk girls singing, because this is always, always annoying.