Before reading any further, please note well: the following is a rumor only, and MetalSucks has not been able to substantiate it.
A site called MetalTalk.net is saying that they “have just been informed by a reliable source that Sharon Osbourne has fired Bill Ward.” They’re also claiming that this same source informs them that Tommy Clufetos from Ozzy’s solo band will be Ward’s replacement on Black Sabbath’s forthcoming summer shows.
Thursday, February 2nd, 2012 at 2:00pm by Axl Rosenberg
UPDATE, 2:06 pm: Reader Joe Siegler tells me that Ward didn’t “hold out” in ’97 — he was never asked to re-join the band. I apologize for my lapse in knowledge of Sabbath reunion lore. If he really wasn’t asked in 1997, that makes this whole thing all the more dramatic and dispiriting. Original story follows below…
Ward has always been the hold-out with these reunions. He didn’t participate when the band got back together for Ozzfest in ’97 (although by 1998, he had indeed rejoing the band), and he wasn’t a part of Heaven & Hell, the Dio-era Sabbath reunion, either. Now, according to a statement on his website, he may not be part of the Sabbath’s recently announced new album and tour, either:
Thursday, September 1st, 2011 at 4:00pm by MetalSucks
August is out of days on which to discuss Faith No More, but hey look we just can’t stop. Check us all into a clinic for FNM madness has overtaken us all. This August, as our Anso DF devoted 31 days of precious summer to documenting one FNM super-fan’s experience, the rest of MetalSucks’ staff and cherished friends stood aside, eyes closed, shaking their heads, and muttering: How could he disclude all Chuck jamz? Where is “Midlife Crisis,” a supremely newsworthy song? What, is he kidding with this Ansometrics?
Well, if we’ve learned absolutely, positively nothing else from 31 Days Of Faith No More featuring Anso DF, at least it’s now out in the open that we know a lot FNM super-fans. So we invited our pals — be they writer, editor, writer/editor, editor-writer, awesome band dude, “label fuck-o”, or person not named Anso DF — to write about a FNM jam’s importance and excellence and personal relevance. It’s everybody else’s turn now, commenters too! (Can some mellow dude write about “We Care A Lot” cuz none of us did! Jesus!) And now we call Faith No More back to the stage for freaking day 32 of 31 Days Of Faith No More featuring Anso DF.
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicated every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we proved that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revelled in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dipped into the staggering best of the b-sides (ditto). Along the way, we surveyed the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it. So we did it. Thanks for reading!
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Just A Man”
Written by Gould, Spruance, Patton (L); Gould, Bottum (M)
Released 1995
Appears on King For A Day, Fool For A Lifetime album
Produced by Andy Wallace
Guitars by Trey Spruance (Secret Chiefs 3, Mr. Bungle)
Key lyric ”And every night I shut my eyes/So I don’t have to see the light/Shining so bright/I dream about a cloudy sky.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based recording industry in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song “Epic”
Written by Patton (L); Gould, Martin, Bottum, Bordin (M)
Released 1989
Appears onThe Real Thing album
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”It’s in your face but you can’t grab it.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Everything’s Ruined”
Written by Patton, Gould (L); Gould, Bottum, Patton (M).
Released 1992
Appears onAngel Dust album
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”And he made us proud/He made us rich/And how were we to know/He’s counterfeit.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Crack Hitler”
Written by Patton (L); Gould, Bottum, Bordin (M).
Released 1992
Appears onAngel Dust album
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”In regards to/My usage of the drug … /It modified my personality/To the extent that I was/Highly irritable/I was like a crack Hitler.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Home Sick Home”
Written by Patton (L); Patton (M)
Released 1997
Appears onAlbum Of The Year album
Produced by Roli Mosimann (Swans, Wiseblood), Billy Gould
Guitars by Jon Hudson
Key lyric ”Come home/It’s been so long/Can’t hide no more.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”The Perfect Crime”
Written by Patton (L); Gould, Bottum, Bordin, Martin, Patton (M).
Released 1991
Appears onBill & Ted’s Bogus Journey soundtrack
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”Look in the mirror/It seems you’re shrinking, miniature/And soon enough you’re gone.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”A Small Victory”
Written by Patton (L); Gould, Bottum, Bordin, Patton (M).
Released 1992
Appears onAngel Dust album
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”A cracking portrait/The fondling of trophies/The null of losing/Can you afford that luxury?”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”King For A Day”
Written by Patton (L); Gould, Bottum, Bordin, Patton, Spruance (M)
Released 1995
Appears on King For A Day, Fool For A Lifetime album duhhhh
Produced by Andy Wallace
Guitars by Trey Spruance (Secret Chiefs 3, Mr. Bungle)
Key lyric ”Don’t let me die with that silly look in my eyes.”
Single? No. But I heard it on college radio once. I was about to phone the DJ with compliments until he came back on air to say that he’d played the longish “King For A Day” only to enable a bathroom break. Compliment retracted.
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Helpless”
Written by Patton (L); Patton, Bordin, Gould (M)
Released 1997
Appears onAlbum Of The Year album
Produced by Roli Mosimann (Swans, Wiseblood), Billy Gould
Guitars by Jon Hudson
Key lyric ”I even tried to get arrested today/But everyone looked the other way.”
Single? Almost. “She Loves Me Not” and “Helpless” were slated as fourth and fifth AotY singles; each was shelved.
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Smaller And Smaller”
Written by Patton (L); Gould, Bordin, Bottum, Wallace (M)
Released 1992
Appears onAngel Dust album
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”Someday the rains will come/My blistered hands tell me/Tomorrow, tomorrow, tomorrow.”
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”The Gentle Art Of Making Enemies”
Written by Patton (L); Gould, Bordin, Patton (M)
Released 1995
Appears onKing For A Day, Fool For A Lifetime album
Produced by Andy Wallace
Guitars by Trey Spruance (Secret Chiefs 3, Mr. Bungle)
Key lyric ”If you don’t make a friend now/One might make you.”
Single? Planned and scrapped, according to Wikipedia. But “Enemies” went out to commercial radio. I heard it once srs!
The climate One of FNM’s hardest-rocking jamz, “Enemies” represents another FNM theme: No matter where you are, or whose company you keep, or how well you think you’ve succeeded at life, no matter what … there might be someone hating you from across the room. Worse, it’s like the someone wants to hate your guts. “Happy Birthday, fucker.”
Awesome song elevated to supra-awesomeness by cinema, for at least the second time already here on 31Do’FNM on MS.net. For example, imagine this in your brain: Right around 2:38, Patton’s vocals rest, and a new, competing guitar lick is introduced and plays against the main riff, right? So, assign each of those two guitar parts to a shot in your imaginary brain movie: the main riff (the triumphant one) is you toasting champagne with friends, laughing gaily in a turtleneck; an instant later, the descending riffs accompanies a cut-away to Mike Patton standing just beyond the head of your table, clenching his fists and staring at you. The shot goes back to you being all super-thrilled to be you (duh-duh-duh-DUHHH duh-duh-DUHHHHH); back to him, sweating and thrilled to be near the time of your punching (Dehhh-deh dee-dee doo-doo doo-doo). You: A winner. Him: On the move. The song ends just when you notice that he’s upon you, fist cocked. Smiling.
Didja know? I’ve discovered a new and horrible way to break terrorists. I got the idea when I was listening to “Enemies” on my stereo on repeat, and then the youtube above started playing exactly one beat behind the stereo. I listened to the entire song all echoing itself this way and it was insane. I learned that, truly, you don’t do heavy metal in doubly. Everybody knows that.
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid similarly seminal acts Jane’s Addiction, Nine Inch Nails, and Ween) to the post-Nevermind, panic-based recording industry in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song “Ricochet”
Written by Patton (L); Gould, Bordin, Patton (M)
Released 1995
Appears onKing For A Day, Fool For A Lifetime album
Produced by Andy Wallace
Guitars by Trey Spruance (Secret Chiefs 3, Mr. Bungle)
Key lyric “And I’d rather be shot in the face/Than hear what you’re gonna say”
Awesome song elevated to supra-awesomeness by Patton’s alternating of wide-open, cracky shouts and perfect pitched singing, sometimes in the same phrase (see 3:27). Impossible to fake. Studdd.
Single? Yes, King‘s second (preceded by “Digging The Grave” and followed by “Evidence”)
The climate “Ricochet” faced Modern Rock radio competition from such timeless greats as Better Than Ezra (“Good”), Live (“Lightning Crashes” barf), and Bush (“Comedown”).
Didja know? it’s been reported that “Ricochet” is shorthanded as “Nirvana” on setlists because it was written on the day of Kurt Cobain’s death.
Spurred by a lazy crossword clue in The Onion (36 down, four letters: “Faith No More’s only hit”), MetalSucks contributor Anso DF dedicates every single day in August to celebration and exploration of the San Francisco alt-metal greats. Here we prove that history’s greatest band landed more than one commercial hit (crossword answer: “Epic” natch), we revel in FNM’s embarrassing wealth of winning album tracks (themselves often fit for chart topping), and we dip into the staggering best of the b-sides (ditto). Along the way, we survey the context of FNM’s big break (amid comparably rad acts Jane’s Addiction, Nine Inch Nails, and Ween) to post-Nevermind panic-based music commerce in which the brilliantly versatile, fearless powerhouse band operated until their 1998 demise. It’s a dirty job, but someone’s gotta do it.
Song ”Land Of Sunshine”
Written by Patton (L); Gould, Bottum (M)
Released 1992
Appears onAngel Dust album
Produced by Matt Wallace
Guitars by Jim Martin
Key lyric ”Do you feel sometimes that age is against you?”
Single? Yes, promo only (preceded by “Midlife Crisis” and followed by “A Small Victory”)
The climate As the opening track of Angel Dust, “Land Of Sunshine” welcomed listeners back to a now bleaker land of Faith No More, in which singer Mike Patton — fresh off recording and touring with Mr. Bungle — began to contribute more than just lyrics.
Awesome song elevated to supra-awesomeness by keyboardist Roddy Bottum’s vertiginous, carnivalesque arpeggios throughout the chorus, which underline the song’s — and the band’s — recurring thread that life is seasickness.
Didja know? According to Wikipedia, “Land”‘s lyrics were inspired by fortune cookies and a Church of Scientology questionnaire. Oh so that’s why Tom Cruise bumps this jam.
Whenever I was home sick as a kid I’d entertain myself in two ways (this was before I discovered masturbation): 1) The Joy of Painting with the most metal of painters, Bob Ross, 2) USA re-runs of ’70s and ’80s game shows Family Feud, The $25,000 Pyramid, The Price is Right and Press Your Luck. Much later on when cable networks greatly expanded their channel roster and niche channels like The Gameshow Network were born I always loved watching re-runs of The Match Game and Hollywood Squares. There’s something about game shows that simultaneously seems really dated yet not dated at all; the style and manner of the hosts and contestants are all easily identifiable to a certain era, yet the way people react — namely like complete idiots — to being on national television with the chance to win a ton of money hasn’t changed at all. All these years later, those Richard Dawson-hosted Family Feud episodes, with all of Dawson’s drunken buffoonery and the contestants’ rampant excitement, still hold so much entertainment value.
Leave it up to Faith No More (then Ozzy) drummer Mike Bordin to completely shatter the stereotype of person-on-a-game-show freak outs. Dude was cool as a cucumber on Who Wants to be a Millionaire?, not playing into the faux-dramatic atmosphere at all by immediately following each answer with “final” in a calm, cock-sure way. Unfortunately his knowledge of U.S. history betrayed him, and I’m not sure his buddy (and then bandmate, pre-Metallica) Robert Trujillo in the audience could’ve helped him either.
I imagine some day kids who were born in the ’90s and the ’00s will look back on re-runs of Who Wants to be a Millionaire? and Deal or No Deal in the same fond light as I did the aforementioned shows. Hopefully at least a couple of ‘em will be inspired to check out Faith No More when they come upon this gem. See also: the Mike Patton-loving character on All My Children.
Wednesday, July 7th, 2010 at 1:30pm by Axl Rosenberg
Here’s something interesting I just read on Blabbermouth. This is Ozzy Osbourne talking about the decision to remove Bob Daisley and Lee Kerslake’s tracks from the 2002 reissues of Blizzard of Ozz and Diary of a Madman and have them replaced with new recordings by Robert Trujillo and Mike Bordin:
Ozzy told The Pulse of Radio he was against the idea of replacing the original tracks when he found out about it. “Believe me, it wasn’t my doing,” he said. “I mean, I didn’t know that was being done, ’cause Sharon was fighting all the legal things that were going down at the time. I said, ‘What did you do that for?’ And she said, ‘The only way I could stop everything was if it went to that level.’ And I said, ‘You know what, whatever the circumstances were, I want the original thing back.’ I mean, I wouldn’t have done that.”
It’s pretty funny to see Ozzy place all the blame on his wife, although it isn’t hard to imagine that he’s telling the truth. Still, this is why you have to pay attention to what your handlers are doing. If he was against it, how did it ever get so far as to have the re-recordings done without his knowledge? Why not just cancel the reissues? Maybe if your brain was functioning properly, dude, it never would have gone down that way.
In any case, the original, proper recordings of those classic albums are getting another reissue sometime this year. I can already tell you that they will be both be better than Scream.
