IN WHICH EVERYONE GOT SICK
Friday, February 19th, 2010 at 5:30pm by Axl RosenbergVince brought the shits back with him from Egypt and in the past twenty-four hours I’ve been hit with a cold so bad that I’m probably gonna go to sleep right around the time I hit “publish” for this post. So before I pass out, here’s a run-down of what we did while Vince was playing Camel jockey:
- We spoke to Mutiny Within’s AJ Jacobs and producer/mixer Kevin Antreassian.
- As I Lay Dying’s Nick Hipa discussed fate versus free will on L O S T.
- We premiered “The Last Horse” by Tiger Flowers.
- We checked out new releases by Xasthur and Borknagar and read a book by Andy McCoy, too!
- Dream Theater’s Mike Portnoy is recording with Avenged Sevenfold; black is white, up is down, cats love dogs.
- The new Bullet For My Valentine song makes a lot of people angry, either ’cause you had to tweet about it just to hear it or simply because it exists.
- One thing MS Suckalos seem to agree upon: Jake E. Lee was not Ozzy’s best guitar player.
Okay, NyQuil time. See ya Monday!!!
-AR



Most Dream Theater fans consider the band’s peak to have spanned the era starting with 1994’s Awake and extending through 2002’s double-disc opus Six Degrees of Inner Turbulence (excepting 1997’s bland and boring Falling Into Infinity). I’d actually argue that the band’s “golden” era extended one album further through Train of Thought, unquestionably the band’s heaviest offering ever, if not just because of the good songwriting but for the fact that this was the last album on which the band pushed themselves forward. Since then (Octavarium, Systematic Chaos) Dream Theater have settled into cruise control, pumping out decent but ultimately unspectacular prog metal albums that don’t so much tread new ground as walk confidently atop terrain already explored. The band’s latest, Black Clouds and Silver Linings, continues in this vein; it’s the third album in a row to show little to no musical progression (isn’t this supposed to be “progressive” metal?) and as such ends up feeling mostly same-sounding and… meh. Still, it’s hard to knock anything Dream Theater do too heavily; the band already indelibly changed the metal landscape once, and anything they do warrants at the very least a rating of “pretty good.”







