Hellyeah have a new video for “Better Man,” a song unreasonable people would probably argue isn’t a power ballad. In the video, the band sits around someone’s house for no apparent reason and plays the song, all while remembering some pseudo-romantic tragic bullshit.

And if all this seems familiar, well, it ought to: sitting around a random house and playing a power ballad while remembering some pseudo-romantic tragic bullshit was one of hair metal’s silliest clichés. Take, for example…

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[Like my colleague Vince Neilstein, I too feel compelled to share with you, the readers, some "under-appreciated gems" that deserve your attention and consideration for your personal "Best of 2010" lists. Some of these may have suffered from lack of promotion, or simply may have gotten lost in the shuffle amid higher profile releases. Hopefully this informal series will help rectify that -- and not give too much away in advance of the publications of the staff lists on December 16.]

Pantera, much like their cultural forebears The Beatles, assuredly will never reunite. Even if we could discount the untimely, cataclysmic death of “Dimebag” Darrell Abbott in 2004 at the hands of a mentally disturbed assassin whose very name doesn’t deserve repeating, the fractures that resulted in the band’s dissolution have only deepened with time, categorized by seemingly endlessly feuding between factions of the surviving members and their surrogates. This year’s expanded 20th anniversary reissue of Cowboys From Hell – coincidentally timed with a boxed reissue of John Lennon’s solo discography — provides a view of what we can expect as Pantera’s legacy matures and amplifies, namely that music industry machinery will take advantage of contractual opportunities while the estranged and quarreling factions collect deserved checks and dangle demos, live versions, and previously unreleased “vault tracks” (such as “The Will to Survive”) to disproportionately feed our insatiable hunger for more.

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When it comes to music (and other things really), I tend to play devil’s advocate. If everyone is shitting on a certain band, for some reason, I become more attracted to that band and seek them out. I don’t know what it is about my personality, but I think it stems from the same perspective that inspired me to write the antagonistic blog about rethrash. It may be a character flaw, but I’m sure it has something to do with a need to be an individual. From what I gather, this website is inhabited mainly by “true” metal heads. What I define as “true” are people whom are purists in the realm of metal and usually scoff at any band or trend that reeks of premeditated commercialism or an overt play for popularity, and who usually demand a certain level of musicianship and underground credibility. These fans usually hate every Metallica record after …And Justice For All, and for that matter always prefer any particular band’s older releases, which usually have a more raw and unrefined recording quality, as well as more abstract, less traditional song writing. For example, they will prefer Carcass’s Necrotiscim to Heartwork, or Morbid Angel’s Blessed Are The Sick to Domination. Oh yeah, and these guys gave up on In Flames and Soilwork years ago.

I have a good deal of that purism in my bones, but it always seemed short sighted and close minded. You have no idea how many arguments the Adler brothers from Lamb of God and I have gotten into over the merits of a particluar Metallica or Megadeth record. If you even bring up Disturbed or Limp Bizkit on MetalSucks, it is mocked and disregarded 100% of the time. I think metal heads often have a sheep mentality because of the fear of being viewed by their peers as less credible for liking bands that aren’t considered “true” or “real” enough. We all have guilty pleasures, but the real question is “Why should we feel guilty about something we enjoy?”

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After the horrific murder of his brother, no one would have faulted Pantera/Damageplan drummer Vinnie Paul for dropping off the face of the Earth. But instead, the man chose to soldier on, starting his own record company, Big Vin Records, and resuming his drumming duties for boozy groove metallers Hellyeah. The former has signed Type O Negative side project Seventh Void and released the successful Dimebag Darrell tribute DVD Dimevision; the latter’s toured the globe in support of their debut album, with plans to record and tour again in the near future. A relentlessly positive guy who sounds a little like the metal version of King of the Hill’s Boomhauer, Vinnie seems content with the past and satisfied with the present (upon hearing that I was conducting the interview from Massachusetts after I shut my tape recorder off, he gave his thoughts on the Boston Bruins’ then-upcoming playoff game with Montreal Canadiens and stated that his dream Superbowl would be between the Cowboys and the Patriots, if it were possible). In his inteview with MetalSucks, he gives his thoughts on the upcoming 20th anniversary of Cowboys from Hell, running a record label, and the future of Hellyeah.

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I can’t believe that there’s going to be a new Hellyeah album. I honestly thought we’d be rid of this insipid band after one phoned-in cash-in. I guess I don’t have any real reason to be too upset though, as not only will I never ever never listen to this record, but I honestly don’t know anyone else who ever will either.

In any case, here are some things I’d rather hear than new “music” from Hellyeah:

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