MetalSucks

Jesse Leach and Howard Jones doing KSE’s “My Last Serenade” as part of the Roadrunner United event in December 2005

So last night Killswitch Engage sent out a press release announcing they’re going to finish their current tour with All That Remains’ Phil LaBonte handling vocal duties for Howard Jones, who had to break out early, apparently due to illness.

But that’s not really interesting news. What I actually found most intriguing about the press release was that it made no mention of the rumors that original KSE front dude Jesse Leach would be returning to the fold for the two NYC stops on the tour. It’s worth noting that Leach himself helped fan the flames of those rumors with an interaction on Facebook with MS Suckalo Chris Steeves. And just as intriguing as the absence of any mention of Leach in the press release is that he has removed the exchange with Steeves from his Facebook page (although you can still see it here).

So what does this mean? There are a few possibilities:

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Earlier this week Howard Jones had to drop off of Killswitch Engage’s current headlining tour, apparently due to illness. All That Remains’ Phil LaBonte has been filling in for Jones – The PRP has been referring to this incarnation of the band as “Philswitch Engage” (cute) – but now MS Suckalo has done some investigative reporting and it seems that original KSE front man Jesse Leach may be returning to the band for their NYC shows next month. Have a look at this recent Facebook exchange (Yes, Facebook. I know, we’re not exactly Woodward and Bernstein.):

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UPDATE! From Phil LaBonte’s Twitter account:

So it sounds like Howard is just sick. Thanks to Matthew Fieger for letting us know!

Original story after the jump:

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Dude, I haven’t played Guitar Hero (or Rock Band, for that matter) in for-ever. But apparently their song “Graves of Opportunity” is available as part of a track pack for Guitar Hero world tour, alongside an awesome Chimaira song (“Walking On Broken Glass”) and something by a band I don’t care to mention who are named after a Meryl Streep movie, so maybe it’s time I picked up my plastic guitar and rocked out again.

The “Graves of Opportunity” certainly gives me the desire to do so – I mean, it looks like it was more fun to film than it is to watch. Phil Labonte looks like he’s having a good time, at least.

If there really were Unearth avatars for Guitar Hero, it would be awesome if when you hit “overdrive” or whatever the fuck it’s called, the digital Ken Susi would spit in the air, catch it in his hand, and then run it through his hair. Ah. I can dream, can’t I?

“Graves of Opportunity” comes off of Unearth’s excellent album The March, which is out on Metal Blade now.

-AR

The big beef on the Webernets this weekend concerned a Twitter fight between Shadows Fall frontman Brian Fair and All That Remains frontman Phil Labonte over the latter’s girlfriend. Yup, a Twitter fight. In the end it can most likely be chalked up to a bunch of drunks quibbling, but it sure is funny! Have a look at the Twitter war play by play over at Metal Injection.

Turns out All That Remains have a new video too, for the track “Forever in Your Hands.” I’ve been over All That Remains since the first time I saw them live and realized Labonte couldn’t touch those high notes he hits on record with the assistance of ProTools. Not that I was ever really into the band in the first place. But, ya know, some of you may dig this band… so here’s the video, which features cameos by God Forbid’s Byron Davis, Killswitch’s Adam D. and others.

-VN

It’s Labor Day weekend here in the U.S., which means we’re shuttering the Mansion early this week, and won’t be back ’til Tuesday. We’re sure you’ll find some way to live without us.

Here’s some shit that happened this week:

• We debuted a new track from Salome.
• Sigh’s Mirai Kawashima sent in his final guest-blog from the studio, and revealed the track listing for the band’s upcoming album, Scenes from Hell.
• We chatted with Trivium’s Matt Heafy, The Black Dahlia Murder’s Trevor Strnad, Job for a Cowboy’s Brent Riggs, and All That Remains’ Phil LaBonte.
• We celebrated the triumphant return of Beavis & Butt-Head, and decided that in their particular relationship, Vince is the Beavis to Axl’s Butt-Head.
• Tom Araya thinks Dave Mustaine is a dick, Kerry King thinks Dave Mustaine is a dick, Scott Ian thinks Kerry King is a dick, and everyone in Dimmu Borgir thinks that everyone else in Dimmu Borgir is a dick.

Alright. I’m going to enjoy a little sunshine while I still can. See ya Tuesday!

-AR

Sitting down with All That Remains frontman / Affliction-wearer Phil Labonte was a tad bit uncomfortable, for all the not-so-nice things (but not terribly offensive, either, comparatively speaking) we’ve said about his band. I’m actually not even sure that Phil knew with whom he was conducting an interview — the on-site press coordinator at the Rockstar Mayhem Festival simply introduced me by my birth-given first name, Phil said, “Hi, I’m Phil,” we sat down at a table and that was that. It’s probably a good thing too, since Phil is really into his iPhone, Twitter (which I asked him about) and claims to “read a lot of stuff on the Internet.”

So, whether he knew who I was or not, Phil and I chatted mostly about the band’s newfound mainstream success. What’s it been like? Has he seen a change in the audience at shows? Will it change the band’s approach on the next record? Has it alienated the core fans? Despite my best attempts to get some kind of averse reaction out of Labonte, he held his ground quite well and insisted that for the most part nothing about the band has really changed all that much. Phil was a nice chap and certainly seemed earnest about his answers.

Our chat, after the jump.

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As I mentioned earlier this week, a little while back I got an e-mail from The Autumn Offering vocalist Matt McChesney to discuss an extremely negative review I’d given the band’s last album, Fear Will Cast No Shadow. McChesney could have been a total dick about the whole thing, but as it turns out, he’s a very even headed, intelligent, and cool dude. So what else was there to do but interview him about the band’s new album, Requiem, which will come out June 9 on Victory. McChesney was even good enough to let us debut the first single off of that album, “The Curtain Hits The Cast,” for which the band will shoot a video in the coming weeks.

I still haven’t heard the new album, but I do already like this song way, way more than anything from Fear Will Cast No Shadow; it’s catchy and it doesn’t sound overly processed, which, I think, is what The Autumn Offering were striving for. Check out the song below, and then my conversation with Matt McChesney after the jump! (FYI – for fear that this was all a set-up for Matt to have me murdered, the interview was conducted by e-mail.)

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“I’d hate to be in one of those bands where every song has screamed verses and sung choruses. We’re averse to writing songs with any kind of formula.”

-Phil Labonte, Decibel, October 2008

Ladies and gentlemen, seven of the eleven songs on All That Remains’ latest, Overcome, follow this exact formula.

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I know some people that are absolutely fuckin’ fanatical about All That Remains, the Masshole group fronted by former Shadows Fall front dude/devout Christian/self-professed porn addict Phil Labonte (who actually seems to have found a fairly stable line-up for the band after years of constant member changes). I’ve always had a lot of respect for the band, but never quite got to a point where I was as into them as some of their American New Wave peers; maybe that’s because, as much as I’ve enjoyed their albums (particularly 2004’s This Darkened Heart), I’ve seen them live a few times and they never exactly knocked my socks off. Still, I’ll take them over As I Lay Dying any day of the week.

ANYWAY, ATR have a new album, Overcome, coming out on Prosthetic on September 16, and now two new songs from said album, entitled “Before the Damned” and “Relinquish,” have made their way onto the band’s MySpace page.

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