IN WHICH WE DREW FOUR
Friday, February 26th, 2010 at 5:30pm by Axl RosenbergI haven’t been able to shake this cold, and so I’ve actually been playing a lot of on-line Scrabble with a friend this week (because I’m just that cool). It would be really hard to play Scrabble at a metal show, though, not least of all because so many metal d00dz can’t spell.
When we weren’t beating this whole Uno debacle to death like it had just heckled us, here’s what was happening in the world of metal:
- We streamed Mutiny Within’s self-titled debut album, and premiered a track by Dallas Coyle’s new project, Genetic.
- God Forbid’s Doc Coyle defended mainstream metal, As I Lay Dying’s Nick Hipa discussed the cliffside cave list on L O S T, and, yeah, Intronaut’s Sacha Dunable and Daath’s Eyal Levi each weighed-in on a certain incident involving a certain card game.
- Each of the MetalSucks writers endorsed a finalist for the Scion No Label Needed Contest.
- We checked out new albums by The Breathing Process, Hayaino Daisuki, and Bane and Rhinoceros.
- We debated the morality of a label head posting a link to an album leak.
- We are woman, hear us roar.
- We looked at Mike Patton’s penis, and are now increasingly happy our shrink is coming back from vacation next week.
- Our homeboy Corey Mitchell is co-authoring Phil Anselmo’s autobiography!
Okay. Back to Scrabble! See ya Monday. Stay warm.
-AR







Absolute garbage. It’s taken me a little while to absorb what Rose Funeral’s sophomore effort, The Resting Sonata, has to offer to anyone with a mature vocabulary of metal, and, unfortunately, the answer is resounding: Not a lot. Though I’m aware that I can sometimes hold bands to a pathetically low-standard as long as they are representative of a sub-genre, play tight and have a lot of heart, Rose Funeral is a grand example of a band that is upsettingly unoriginal and, to be honest, creatively flawed.








