MetalSucks

I don’t know whether this is actually the case, but before I met Clint Lowery (we interviewed him right after he rejoined Sevendust in early 2008) he always struck me a super-serious dude. He always just looked so fucking serious up there on stage, counter to 7D bassist Vinnie Hornsby’s class-clown stage antics. But he was super chill and affable in person. And he always responds to my emails, no matter how annoying they may be (”Hey dude, wanna send me that unreleased Dark New Day album?” “Sorry man, I wish, but I can’t.”) Maybe it’s that whole newfound sobriety thing (congrats on two years, dude!).

Anyway I’ve really been enjoying these Sevendust video diaries from the studio. They’re updated several times daily and show a whole other side of the band, especially Mr. Lowery, who’s been handling the lion’s share of the camera work. Every time the camera clicks off he makes a silly face. It’s cute. Here we see him goofing off while Lajon tracks vocals. Wonder what song it is that they’re working on?

-VN

Or at least we hope. As Axl pointed out to me one time, it’s not that Sevendust have managed to outlast their nu-metal peers and persevere through hard times; even terrible bands like Static X and Dope have done that. It’s that Sevendust have somehow managed to avoid the critical backlash that was bestowed upon nearly everyone else from their era of metal. Maybe it’s because they’re a cut above most of those bands, because they’re so fucking great live, or because they never reached the level of popularity and/or ridiculousness of many of those bands; I think it’s all of the above. Even after a string of 3 very mediocre and rushed albums written without musical mastermind Clint Lowery in the band, Sevendust have somehow managed to retain their integrity through it all.

But now Clint is back in the band, and they’re recording their first album since early 2007’s Chapter VII: Hope & Sorrow, with producer Johnny K behind the boards. There’s a lot of anticipation, but there’s also a ton of pressure.

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I haven’t done a blog in a while because the last blog I did really got me thinking about the mentality of people in the metal scene. Most particularly, the mentality of shit talking. We’re all guilty of it. I admitted to shit talking Bring Me The Horizon in magazines over in Europe when I was in God Forbid. I never heard them at that point. But now, I dig them and I feel pretty stupid for slagging them.

In my last blog I mentioned my excitement for the band Eryn Non Dae and how I was going to “borrow” some of their ideas for my new project. First of all, my last blog was PACKED with information about band business, touring and juicy tidbits of amazing knowledge :) But, the funny thing about the last blog was this guy ‘Jamie.’ Out of a five hundred word blog, he took the phrase “borrow ideas” and accused me and God Forbid of riding the coat tails of other popular bands. Killswitch was his biggest gripe. Then it was Opeth.

He claimed Gone Forever (2004) was a Killswitch rip and Earthsblood (2009) was an Opeth rip. This type of thing usually doesn’t bother me. In this instance I was fucking bothered. Jamie and I entered into a written brawl about the history of God Forbid and the intentions of our song writing for the last ten fucking years. Why would I waste my time to defend myself from this sort of claim?

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This live footage of Morgan Rose filling in for the injured Tommy Lee on drums with Motley Crue this past weekend is really entertaining. I mean, you get to see Vince Neil, who still can’t remember all the words to his own songs / gets winded after about two lines, and that in itself is always funny. And you get to see Mick Mars, who despite his status as the walking dead can still wail out those solos pretty well. But best of all, you get to see Morgan Rose, one of the greatest drummers on the planet in terms of pure, raw talent, rock through a set of songs he hadn’t heard in years for which he had zero time to prepare.

It seems that Tommy Lee burned his hand and couldn’t play. There’s video floating around of Tommy coming out on stage at this show and explaining the situation to the audience; as usual, he sounds like a total idiot. So the band flew out Sevendust’s Morgan Rose from Atlanta last minute, day of the fucking show, to fill in on drums. I know what you’re thinking… Motley songs ain’t too complicated drum-wise and they just play all the hits anyway. VRONG. This is the Dr. Feelgood tour in which the band plays the entire album start to finish, deep cuts and all, plus the usual smattering of greatest hits. Rose comes out and fucking nails it all. I love how in these clips you can see Nikki Sixx communicating with Rose about when the changes happen in the song, or when to end, or when to begin. THAT is fucking pure musicianship that can’t be taught. You either have it or you don’t. And Rose most certainly has it.

Check out “Same ol’ Situation” below and “Dr. Feelgood” after the jump.

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As a part of goth metal OGs Type O Negative, drummer Johnny Kelley’s talents are often overshadowed by the low end sultriness and antics of bassist/frontman/nude model Peter Steele. But his graceful stickwork has been holding the band together since 1995’s October Rust, and the string of Type O albums that have come out since have stood shoulder to shoulder with the band’s prior material. Along with being Danzig’s drummer, Kelly plays in Seventh Void, a stoner/trad metal outfit with Type O Negative guitarist Kenny Hickey. The latter band released their debut on Vinnie Paul’s Big Vin Records in April. In an interview with MetalSucks, Kelly discusses Type O Negative’s future, working with Glenn Danzig, and his thoughts on modern drummers.

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• FORMER MEMBER OF GN’R NOBODY GIVES A SHIT ABOUT DELIVERS HIS REACTION TO CHINESE DEMOCRACY TO A MIRROR: “Yes, I listened to it on a long drive to Phoenix, Arizona,” ex-GN’R rhythm guitarist Gilby ‘I Swear I’m Not Izzy’ Clarke allegedly told “a fan” (actually his reflection). “But there was [sic] too many slow-to-midtempo songs on it for my taste and some of the solos are a little overdone; they don’t match the song.” When the “fan” flattered Clarke by saying the album’s solos would have been vastly superior had Clarke played them, he chuckled modestly: “You’re too kind. Too kind.”
• CLINT LOWERY SAYS DARK NEW DAY’S FUTURE “DOESN’T LOOK GOOD.” Also: water is wet.
• MEMBERS OF SHADOWS FALL AND FATES WARNING JOIN FORCES IN 80′S METAL COVER BAND NAMED AFTER THE “BAD” DOJO IN THE KARATE KID: Still less fucktarded than being named after the dude from The Neverending Story.

-AR

I had the displeasure of seeing Dope live once (don’t ask). They were playing at Don Hill’s, a club here in NYC that holds about 300 people, and, to my surprise, they actually managed to pack the place pretty full. So after the band before them concluded their set, Dope kept the crowd waiting for 45 minutes while their roadies set up elaborate stage dressing fit for an arena show: extra platforms and a new PA system and lighting rig (I guess the house systems weren’t good enough for the band) and giant wooden backdrops and a chain link fence (!) and who the fuck knows what else. This kind of shit really isn’t necessary for a small club gig, but it might have been forgivable had the band come out and rocked the kids’ faces off; instead, they came out and played for… 45 minutes. To repeat: the band played for as long as they kept the crowd waiting for them to play. In hindsight, it seems clear that all the rigmarole was really because without the fancy lights and props, the band knew they didn’t have much to offer.

I’m telling you this story because Dope will be opening for Black Label Society and Sevendust on their upcoming tour, which still strikes me as an odd package – that Zakk Wylde, who once proclaimed “Fred Durst can eat a dick” on his band’s DVD, would share a stage with not one but two nu-metal bands just seems weird.

Weirder still: Wylde has now recorded a track with Dope. Let me type that again, lest you think your eyes are failing you: DOPE HAVE A SONG ON THEIR NEW ALBUM WITH ZAKK WYLDE ON GUITAR.

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We can’t listen to metal all the time, but whatwith the massive amount of CDs and press packs we receive it’s hard to find time to get to anything else. Usually if I’m not listening to metal it’s ’70s soul/r&b/funk with some classic reggae or dub thrown in for the more “festive” occasions, but there were a few non-metal records releases in 2008 that snuck their way into my iPod rotation this year. (And if you missed it… check out all of the MetalSucks staffers’ picks for Best Metal Albums of 2008).

My picks, after the fold…

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Recently re-united with his brothers, Sevendust co-founder / guitarist / background singer / musical genius Clint Lowery just released a record of his own, Chills, under the moniker Hello Demons..Meet Skeletons. The mostly acoustic record — on which Clint plays all the instruments and sings all the vocals — is a deep, dark, haunting album that reflects an equally dark time in his life. Written in spurts over the past year or so, the music on Chills stands on its own as a creative work in his own distinct style but is far different from anything Sevendust have ever done.

Lowery’s patience has been tested in recent years — after writing an entire new Dark New Day album that will seemingly never see the light of day, Lowery left the band to re-join Sevendust on the eve of a new album release he had no part in writing. Anxious to get some music of his own to the masses, Lowery elected to record a solo album on his own between Sevendust tours — with production, engineering and mixing help from his brother Corey [also of Dark New Day, Stereomud and Stuck Mojo fame] — and to self-release it on the Internet. After an online ordering snafu that was entirely my fault, I ended up on the other end of an email string with Mr. Lowery himself and he agreed to answer a few questions via email, making him the only person ever in the history of MetalSucks to be interviewed twice — about two separate bands, no less. Read the 7D interview from this past April here, and the new solo EP interview after the jump.

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Several weeks ago marked a momentous occasion: metalGF’s first ever metal show. The show in question was Sevendust at Irving Plaza; I figured what better introduction to the world of metal shows than one of the best live bands on the planet, even if not the most brutal? She had lots of fun, methinks, and made some funny observations (among them a fascination with mosh-pit culture).

After the show, metalgf remarked on drummer Morgan Rose — whom I’d told her to pay attention to because, ya know, he’s awesome — “He’s jewish, right? He has such a familiar face.” And this is a question I’ve myself often wondered. After the jump we take a look at this burning question and examine the physical evidence.

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Vince Neilstein isn’t at the MetalSucks Mansion today. He told me he had to rush to Washington to save America from our financial crisis, but I wouldn’t be surprised to find him blogging for the guys over at Metal Injection instead. He’s a slippery one, that Vince.

ANYWAY, some cool tours have been announced over the past couple of weeks, and yesterday came the announcement of a tour that strikes me as especially odd, and I feel like discussing, so let’s discuss.

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While we were busy paying homage to the world’s biggest metal band yesterday, turns out some other kind of important stuff actually happened too. Who’d've thunk it?

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Back in April, I bemoaned the inevitably of a Snot reunion, and a whole bunch of you came to the group’s defense. So while I weep, you can all rejoice: guitarists Mikey Doling and Sonny Mayo (who is in need of some cash after getting his Sevendust pink slip), drummer Jamie Miller and bassist John “Tumor” Fahnestock (worst nickname this side of “Shit Stain”) are reuniting under the Snot moniker for two shows later this year, presumably with more to follow. I’d tell you about those two announced shows, but I don’t want you to go. I’m petty like that. Click to read more…

Every time we think Dark New Day is dead, caught between quitting guitarists and a label that doesn’t give a shit, they pop up with new songs or newslike a proverbial defibrillator. In a blog posted earlier today by drummer Will Hunt, the band revealed they’ve added a new guitarist (BC Kochmit, ex-Switched, Rikets) to replace Clint Lowery; interestingly, second guitarist Troy McLawhorn’s name is absent from the roster of members on the band’s MySpace page, perhaps because he’s busy with Evanescence.

Dark New Day has also posted two new tracks on their MySpace page. The band also revealed they have approximately three albums worth of material recorded, and that they plan on releasing a series of online-only albums featuring those cuts that won’t make it onto their eventual second album starting 6-8 weeks from now. Knock on wood. Hunt also promises the final record will come out soon.

The two new songs they’ve posted, “Fiend” and “I Don’t Need You,” are good songs consistent with the Dark New Day sound, no doubt benefiting from Lowery’s penmanship. How ironic is it that DND benefits from his writing while he’s back in Sevendust touring a mediocre album he didn’t even help write?

If anyone has mp3 rips of these new Dark New Day tracks please send to news [at] metalsucks.net.

-VN

When we interviewed Sevendust guitarist Clint Lowery last month, he made it pretty clear that he reads our site on a regular basis. And he was a super nice dude. And much, much bigger than I am. So I hate to think that he might be reading this, because I’m about to say something rude about the video for Sevendust’s new single, “Prodigal Son.”

This video sucks. It’s lame, it’s boring, it’s ugly, it’s cheap looking, it’s way too literal, it’s everything that gives videos a bad name. I mean there’s some side boob so that makes my inner Butt-head happy, but mostly, I just wish this video didn’t suck so bad. Check it out for yourself below; if you’re really, really lucky, Vimeo’s crappy stream will keep stopping and starting at random intervals as you try to watch it, before freezing your computer.

Clint, if you’re reading this, drop me a line. We’ll hook you up with a decent director for your next video, and all will be good in the hood.

-AR

So while it was rumored for awhile that this year’s edition of Ozzfest would be a two day event – but it has now been announced that it’ll be just one single day, on Saturday, August 9, at at Pizza Hut Park* in Dallas, Texas. The line-up will be as follows:

Main Stage
OZZY OSBOURNE
METALLICA
SERJ TANKIAN
HELLYEAH
JONATHAN DAVIS
CAVALERA CONSPIRACY
SHADOWS FALL
APOCALYPTICA
IN THIS MOMENT
All-Star Tribute To “Dimebag” Darrell Abbott

Second Stage
SEVENDUST
DEVILDRIVER
KINGDOM OF SORROW
SOILENT GREEN
WITCHCRAFT
GOATWHORE

Texas (Third) Stage
THE SWORD
DROWNING POOL
RIGOR MORTIS

Actually, that is, by no means, a terrible line-up; if the stages are staggered at all (and I imagine they will be), it would be plenty easy to keep oneself occupied during sets from In This Moment, Jonathan Davis, and HellNo. And I guess it’s honorable of Metallica to let Ozzy play last, even though, at this point, a) they’re much bigger than Ozzy and b) Ozzy has to be in bed by 8 pm. I mean, if I was Ozzy, and I’d spent recent Ozzfests getting blown off the stage by the likes of Maiden and Priest, I certainly wouldn’t wanna follow Metallica. But, y’know, nice of Ulrich and Hetfield to step aside for one night and let the Ozzman cometh.

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“MetalSucks.net! I look at you guys all the time!” These are the first words out of Clint Lowery’s mouth when he greets MetalSucks on his tour bus. Our intrepid reporters quickly burst into semi-nervous laughter before Lowery admits that a statement he released on Dark New Day’s MySpace page was a direct response to an editorial our own Vince Neilstein had written about that band just days prior (he’ll also make reference to at least one other piece Vince has written during the course of our interview).

“I hope no one was pissed,” the surprisingly tall Lowery says apologetically in his thick Georgia drawl before he takes a seat on the nearby couch. It’s kind of a surprising to hear Lowery ask us if we’re cool with something he said, since we’re pretty much accustomed to being the proverbial Assholes. But it illustrates what a genuinely nice dude Lowery is, and how legitimately happy he seems to be back in Sevendust after a three album absence.

The fans are happy, too. Later that night, at the band’s gig at the Starland Ballroom in Sayreville, New Jersey, they create huge pits as violent as anything you’d ever see at a Hatebreed show, seemingly in Clint’s honor. This loyal and rabid fanbase is the reason Sevendust has survived while so many of their peers have fallen by the wayside. And with Lowery back in the band, it seems that they’re now poised to be more powerful than ever before.

After the jump, read Clint’s thoughts on leaving Dark New Day, returning to Sevendust, and what lies ahead for him and his bandmates.

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Killswitch Engage might hold the record for security guard singalongs at New Jersey’s Starland Ballroom, but after last night Sevendust hold the crown for roughest mosh pit. A reinvigorated Sevendust — now with founding guitarist Clint Lowery back in the band — got the crowd moving in a way I haven’t seen that room churn in years… maybe ever. Before the show Axl remarked to me that Sevendust, who traveled in a ginormous tour bus and with a full tractor-trailer of a gear, might benefit monetarily from scaling back their production just a tad — but he quickly ate his words as the awesome, all-enveloping stage show that is Sevendust began their set. Sevendust is still one of the most engaging and exciting live bands on the planet, and having Clint back in the band drives that point home.

Let’s get this out of the way first: it is fucking great to have Clint Lowery back in the band. Now sporting some manly man’s long hair, Clint rocked out hard from note one and didn’t relent all night, criss-crossing across the stage without effort and engaging the crowd, who seemed well aware of his recent return even before the band hit the stage. His stage presence is mesmerizing, and it made the overall performance of the band that much more cohesive. Sevendust was and always will be a strong live unit, and Sonny Mayo did a fine job in the 4+ years of Clint’s absence — but I don’t think there’s any doubt that the band’s show is even stronger with Clint up there. Somehow, with Clint up on stage Lajon seemed more commanding, John and Vinny more energetic, Morgan more… Morgan fucking Rose, with his screaming and stick-throwing shenanigans.

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Sonny Mayo’s sudden expulsion from Sevendust makes me worried that Snot might reunite – I mean, fuck, it almost happened once already just about a year ago.

For those of you lucky enough not to be familiar with Snot, they’re a band that holds a legendary place in the minds of kids who actually like nu metal, since they were poised to join Limp Bizkit as one of their generation’s most annoying bands when front man Lynn Strait died in a car accident in 1998 (I’m not speaking ill of the dead, mind you; I’m just speaking ill of the dead’s shitty music). After Snot disbanded, its various members went on to such craptastic acts as Amen, Invitro, Godsmack, and Hed PE. Hell Mayo’s replacement, Mike Smith, even usurped Wes Borland for the one Limp Suckit album that even Fred Durst’s most ardent supporters seem to think sucks.

ANYWAY, in this day and age when bands like Blind Melon aren’t gonna let a little thing like a dead front man stop them from living their rock n’ roll dreams, I would be in no way surprised if some re-jiggered version of this band tried to figure out a way to cash in. Be afraid. Be very afraid.

Here’s Snot’s video for “Stoopid.” Apt description if ever there was one.

[kml_flashembed movie="http://youtube.com/v/6VjJeKoVVM4" width="425" height="350" wmode="transparent" /]

Cute dog, right? Yeah. He died in the car crash, too.

-AR

Another fine metal Tuesday of new releases is upon us.

The most talked-about release today is In Flames’ controversial new album A Sense of Purpose. Does it represent a step towards current trends or the next logical evolution of the band? Read Vince’s Sunday Spotlight feature on In Flames for a career retrospective of the band up until this point.

Sevendust release their seventh record Chapter VII: Hope & Sorrow today, less than a week after announcing the return of original guitarist Clint Lowery, making this album kind of irrelevant. It’s the third Clint-less album, and hence the third to sound exactly the same. But it’s Sevendust, and there are a few gems within. Read Vince’s long review and short review.

Dream Theater release the aptly titled Greatest Hit and 21 Other Pretty Cool Songs 2-disc retrospective set. Ironically, the one “greatest hit” has been remixed and robbed of its originality.

Retro-Sabbathian metallers The Sword release their new one Gods of the Earth today; Kip W. will have a full review shortly, but preliminary reactions have been so-so.

Elsewhere, Ministry finally release their covers album Cover Up after embarking on their farewell C U LaTour with Meshuggah. Apparently Joe Satriani has a new album out, and though we haven’t heard it we’re pretty sure we know what it sounds like. And experimental art metallers Nadja have a new one too; color me interested to hear it.

So hit your local record store (at least one city, Seattle, still has an awesome one called Everyday Music that I visited this weekend), iTunes, or your favorite torrent legal music download service and get these new jams.