After their mentoring session with Shadows Fall, Scion No Label Needed Contest winners Iron Thrones visited New York City a few weekends ago for a little fashion upgrade. Blasko and Maria Brink came along to offer fashion advice and Scion provided the dollar bills for the whole affair. Even if the dirty metal dudes in Iron Thrones took the fashion tips with a grain of salt, how can you complain about getting to shop for new clothes on someone else’s dime? Watch Iron Thrones on their shopping escapade below, and stay tuned for continuing video updates from Metal Injection.

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It’s been a month since MetalSucks-faves Iron Thrones were announced as the winners of the Scion No Label Needed contest. So what have the dudes been up to since?

Our Stuck Bro-jos over at MetalInjection have been documenting the band’s life since winning the contest, including a mentoring sessions with Shadows Fall, a recording session at world-famous Machine Shop studio, a style consultation with Maria Brink (blue dress not included) and the rest of the paid-for perks that come with their contest prize package.

MetalInjection published two videos over the past couple of days. The first is an introduction to the band that provides a glimpse into their motivations and aspirations as artists, and the second is their sit-down with Shadows Fall, in which Iron Thrones ask questions about life in a band and the industry in general that many of you in unsigned bands are probably wondering as well.

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“Bark at the Moon” is to Shadows Fall as “Holy Diver” is to Killswitch Engage. They’re both covers of classic solo tracks by former Sabbath vocalists, and both songs were released in their original incarnation in 1983. (The connection between the two songs gets even weirder if you consider that Vinny Appice played drums on “Diver,” while his brother, Carmine, appears in the original “Moon” video even though he didn’t play on the recording.) And just as I imagine that it’ll be some time before KSE ever play another set without doing “Diver,” so it seems that “Moon” is now a staple of the Shads’ live show.

The band recently played the song in Toronto, with a special guest appearance from Alex Skolnick on guitars. The influence of Testament on Shadows Fall has always seemed pretty clear, so it’s cool to watch them get to jam with one of their heroes. Bonus: you can imagine an alternate world where Skolnick left Testament in 1992 and became Ozzy’s guitar player. It would have been post-No More Tears, the last truly worthwhile Ozzy album; Skolnick might have saved us from another seventeen years of sub-par material and guitar squeals!

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[via Metal Insider]

It’s not bad enough that that Bullet For My Valentine’s “The Last Fight” is about as shitty as metal song as I’ve ever heard. Nnnnoooo. The director of the accompanying video had to interpret the song’s title as literally as possible as make the clip about fighting. More specifically, “extreme fighting,” or MMA fighting, or whatever the fuck it is that has the kids all hot n’ bothered these days.

How many fucking times am I gonna have to watch this crap in a video? It’s been done. It was done just last week, in fact, and it was already unoriginal then. Fuck, Chimaira did it three years ago!

You really can’t think of a single different idea? I have a hard time believing that. This is just lazy, cynical bullshit. Sorry. Epic fucking fail.

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When it comes to music (and other things really), I tend to play devil’s advocate. If everyone is shitting on a certain band, for some reason, I become more attracted to that band and seek them out. I don’t know what it is about my personality, but I think it stems from the same perspective that inspired me to write the antagonistic blog about rethrash. It may be a character flaw, but I’m sure it has something to do with a need to be an individual. From what I gather, this website is inhabited mainly by “true” metal heads. What I define as “true” are people whom are purists in the realm of metal and usually scoff at any band or trend that reeks of premeditated commercialism or an overt play for popularity, and who usually demand a certain level of musicianship and underground credibility. These fans usually hate every Metallica record after …And Justice For All, and for that matter always prefer any particular band’s older releases, which usually have a more raw and unrefined recording quality, as well as more abstract, less traditional song writing. For example, they will prefer Carcass’s Necrotiscim to Heartwork, or Morbid Angel’s Blessed Are The Sick to Domination. Oh yeah, and these guys gave up on In Flames and Soilwork years ago.

I have a good deal of that purism in my bones, but it always seemed short sighted and close minded. You have no idea how many arguments the Adler brothers from Lamb of God and I have gotten into over the merits of a particluar Metallica or Megadeth record. If you even bring up Disturbed or Limp Bizkit on MetalSucks, it is mocked and disregarded 100% of the time. I think metal heads often have a sheep mentality because of the fear of being viewed by their peers as less credible for liking bands that aren’t considered “true” or “real” enough. We all have guilty pleasures, but the real question is “Why should we feel guilty about something we enjoy?”

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Gus Van Sant’s shot-for-shot remake of Psycho was a massive failure of an experiment, a ridiculous exercise that could never, ever replace Alfred Hitchcock’s original. On the other hand, Shadows Fall’s new video for “Bark at the Moon,” which was directed by David Brodsky and is basically a shot-for-shot recreation of Ozzy Osbourne’s original video, is AWESOME, because clearly, no one was taking this shit seriously. That’s not to say that the band’s love of Ozzy or 80s metal is ironic – if you know their music, you know that Shadows Fall’s love of 80s metal is 100% unironic – but, y’know, they clearly had a lot of fun with this one. It’s kind of like what Killswitch Engage did with their “Holy Diver” video, but taken to a whole other level.

Plus, a dreadlocked werewolf? Classic.

Who wants to place bets that this is already a million times better than the new Wolfman movie that opens today?

And in case for some reason you’ve never seen it, Ozzy’s original video is after the jump.

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Last month we told you about the Scion No Label Needed Contest & Series, which would allow one lucky unsigned band to win, well, just about anything and everything an unsigned band could ever possibly want. Seriously, this contest is amazing.

Well, the time for submissions has past, and the judges have now selected twenty finalists for the contest. You can listen to all of these unsigned bands, and cast your vote for who you think should win, here. Two of them, Iron Thrones and Iris Divine, are even bands we’ve written about before! But all of these groups are really talented, and would make worthy winners. This is an awesome way to discover some great unsigned bands, at least one of whom could very well represent the future of metal.

All the details after the jump.

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No riff is as tasty as an ’80s metal riff (pick one) and the Shadows Fall tandem of Matt Bachand and Jon Donais are two of the tastiest classic-style riffers in metal today. Put the two together and you’ve got Kobra Kai, an ’80s cover supergroup that also features current and ex-members of Fates Warning, All That Remains and Dark Day Sunday. So it couldn’t've been much of a stretch for Bachand and Donais to take their passion for ’80s metal to the big leagues by covering a song with one of the tastiest riffs ever, “Bark at the Moon;” shit, they probably already knew it.

Apparently the Shads’ cover of the Ozzy classic has been burning up the radio charts of late, but I hadn’t heard it until this live video landed in my inbox. I like how for the most part it’s a straight cover but Bachand and Donais still infuse hints of their distinct Shadows Fallian guitar style into Jake E. Lee’s masterful riffage. And while Brian Fair ain’t the best singer on the block, he sure sounds better than Ozzy “teleprompter” Osbourne these days… and he remembers the lyrics, too. Yes, folks, this is how it’s done. Yes yes, ya’ll.

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So apparently Ozzfest is coming back this summer, and is coming back as a traveling tour again (as opposed to the one-off fest it was in 2008). And that’s all well and good, only… who’s gonna be on the bill?

Mayhem, which is basically Ozzfest 2.0, has already scooped up a lot of big-name bands for the summer, including many who have played multiple past Ozzfests – namely Korn, Rob Zombie, Lamb of God, Atreyu, Shadows Fall and Hatebreed, the latter of whom I think have been on something like 90% of all Ozzfests ever.

Add to that other Ozzfest alum like Chimaira, In This Moment and Norma Jean, and some bands the kids today all seem to like, such as Winds of Plague and They Who Shall Not Be Named, and, well, that’s a whole bunch of potential mainstage and second stage draws right there.

Then there’s the mini-fests like Summer Slaughter. I can’t tell you which bands we already know are booked for some of these tours without betraying a lot of people’s confidence, but I can tell you that some great bands are now no longer available for Ozzfest.

And, oh yeah, Megadeth, Slayer, and Testament are now doing their American Carnage tour in the summer, so they’re out.

So who’s left? After the jump, I’m going to play my favorite game: it’s called “over-think about something incredibly unimportant.”

Before we proceed, it’s worth noting that I’m going to try and be semi-realistic when moving forward with some barely-educated guesses about who’ll be playing Ozzfest. If a band already has summer tour dates booked, I’m going to assume they’re not avail, although I acknowledge that they could cancel those dates in favor of playing for a bigger crowd. And I’m not even going to bother with bands like Pig Destroyer, Sigh, and Salome – bands that will play Ozzfest right around the time Joey Belladonna’s solo band plays four sold-out headlining shows at Giants Stadium. Also, obviously not all of these bands are gonna end up on the bill – these are just bands I think could end up there.

And so, without further bullshit…

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Whenever hair rock is ridiculed, discounted, and slighted by metal’s sandy vaginas/haircut jockeys, it’s conveniently forgotten that the reviled oh-faced crotchboys only represent the most visually memorable/thematically asinine segment of the genre. I can’t FUCKING STAND this blind slagging, especially from dudes who weren’t there/out of diapers at the time. I was only a pre-teen (who looted a relative’s purse to buy the first Badlands tape  – sorry, Aunt Rita), yet even I knew about the movement of bands opposed to the fluffy, boob-crazy antics of Warrant, Poison, et al. Most were bluesier and dark, and therefore aimed at listeners whose incentive to purchase music lay beyond the promise of nipple-packed videos. And though it’s a microscopic distinction, I point out that the harder-edged hair rock acts put emphasis not on partying so much as on getting fucking fucked up. Also: No synths, but the occasional organ. Tight leather and denim, but no spandex. You get it. Sleaze Rock, not Splits-Off-Drum Riser Rock.

So why did these non-pretty, non-eyeliner bands get signed to major labels? I guess it’s thanks to the danger of Appetite For Destruction, but one could imagine the logic of targeting horny dudes who buy shitloads of CDs, though none offered by guys with names like Kip Winger or Mark Slaughter. (Except Florentine – total bulge-petter.) Okay, so none really went beyond Gold sales, but each landed a (probably awful) major deal: Atlantic signed Badlands, Geffen had Junkyard. Warners and BulletBoys. Columbia added to their Dokken-tainted roster both Love/Hate and arguably the most lovable and least loved, Dangerous Toys.

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MetalSucks will be involved in this very cool contest for unsigned bands, brought to you by Scion. We hope you like what we have in store… it’s going to be really cool and we’re quite excited. And now the details from Mr. Dan Rodriguez at Metal Insider:

The No Label Needed Contest & Series presented by Scion is now open for submissions! You can sign up your unsigned band now at metalinsider.net/nolabelneeded (terms and conditions apply).

The contest and series is an unprecedented experiment in helping one lucky unsigned band circumvent the dated label system and learn the industry ropes on their own. It’s a DIY crash course in the metal biz, and the winner will get all the tools they need to produce, release and market music on their own terms.

By everything, we mean everything: the winner will travel to Massachusetts to meet with their new mentors, Shadows Fall. The Grammy-nominated artist will be there to offer advice and work on the winner’s songs. Then they’ll go to the Machine Shop to record a 5-song EP with legendary producer Machine (Lamb of God, Every Time I Die). The winner will get a shopping spree with Maria Brink from In This Moment and Blasko from Ozzy’s band to pick out new wardrobe – for a photo shoot. After all, they’ll need new press photos for a press campaign from Big Machine Media. We’re also going to bring in partners for radio promotion campaigns, new merchandise, website re-designs and a ton more.

This band will be completely set up with nearly everything they’d be asking a label to do for them, and they’ll learn all about it themselves, hands-on.

The best part? Metal Insider will be reporting back on progress along the way, so readers like you can learn every bit as much about the industry as our winner. You’ll see a ton of videos, how-to blogs, live chats and other educational pieces from our experts.

Hit the jump for the full press release and tell everyone you know to sign up at metalinsider.net/nolabelneeded!

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The line-up for the 2010 Rockstar Energy Drink Mayhem Festival (Jesus I hate typing all that shit) has been announced. See who’ll be playing one of the summer’s biggest metal tours after the jump, along with my snarky commentary, of course…

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Hard to believe it’s been almost a year since Dallas Coyle and God Forbid parted ways, but there ya have it. And a lot of God Forbid fans – including this one – were wondering who was gonna take Dallas’ spot in the band. Former Himsa guitarist Matt Wicklund has been doing live shows with the group since last summer’s Mayhem Fest, and the rumors have been swirling that he was taking the job pretty much ever since -  a couple of readers e-mailed us to say that Wicklund was introduced as “our new guitar player” on-stage, and earlier this month he tweeted that he was “Getting ready to go to rehearsal!”, although rehearsal for what was left kinda-sorta vague.

Well, the rumors are no longer rumors: Wicklund is, in fact, the new full-time guitarist for God Forbid. A statement from Doc Coyle reads as follows:

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My last blog was fucking hilarious. I mean, really. It was good. No, it was better than good. It was great. Besides some of my blogs that have nothing to do with metal (Susan Boyle) I was able to write something that wasn’t serious at all. And again, it was completely hilarious. The best part of the blog was -

Half of you mother-fuckos didn’t even get it!

And Jesus, it was sad. I mean, come the fuck on. What are you guys paying attention to? One of my choices for my year end list was Joe Duplantier  – For being ‘better than everyone else.’ Oh… and one of my favorites: Ivan Moody’s ‘VOICE’ from FFDP. His voice! His god damn voice?

Wake up, you assholes!
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[MetalSucks will be involved in this very cool contest for unsigned bands, brought to you by Scion and Metal Insider. We hope you like what we have in store... it's going to be really cool and we're quite excited. -Ed.]

Your band shows tremendous promise. You have accumulated a solid following, written memorable songs, put together a great live show and have real momentum. With help from MetalInsider – including advice from industry professionals including a mentoring session with Shadows Fall and the opportunity to record with super-producer, Machine – you’ll be well on your way to the next level.

The No Label Needed Contest and Series presented by Scion in collaboration with MetalInsider will help one band leave labels behind and take on the industry all on their own.  The series will show readers how it’s done, all while helping one special contest-winning band get ahead in a spectacular way.

From 1/18 through 2/1, unsigned acts can submit demo packages at www.metalinsider.net/nolabelneeded. Twenty finalists will be selected and one winner will be voted on by a panel of label heads, A&R executives, writers, and site readers to win all the help and education they need to become a truly self-sufficient artist without having to sign a traditional record deal.

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Whilst going through a massive pile of CDs on my desk earlier this week I came across a copy of Only Living Witness’ Prone Mortal Form. I wasn’t cool enough to have known about Prone Mortal Form when it came out in ’93, and in fact I only discovered it when Shadows Fall covered “December” on their Fallout From the War b-sides record a few years back (see? those things work). But I’m so glad I didp; since rediscovering this CD earlier this week I’ve been jamming it non-stop… so good.

Here’s Only Living Witness performing the record’s title track back in the day in what looks like a sweaty basement or VFW hall. Wish I could’ve seen this band live in their heyday… the audience looks pumped.

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I really like the Rockstar Mayhem Festival – it’s like someone went to Ozzfest and figured out a way to make it way better. Having two side-by-side second stages was a stroke of genius; there’s no downtime in-between bands, because one act can set up while another plays. The mainstage has been solid, too, although there’s always one co-headliner that’s totally missable – in other words, Disturbed and Marilyn Manson played those slots. But so have Slayer, Mastodon, and a bunch of other great bands, so there’s that.

Well, our pals at Metal Insider are reporting a few rumors as to whom might be on this year’s fest, and it looks as though the skipable band this year may very well be Korn.

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Twitter is arguably the most powerful tool available to musicians today, its micro-blogging mechanism allowing for real-time dissemination of information as well as a venue for direct communication open discussion with fans. Sadly, too many bands focus so heavily on the first of these benefits (Shadows Fall are a prime example of Twitter fan abuse, their profile replete with repeat tweets) that they squander any chance of actually connecting with their supporters. Interestingly, one musician who actually “gets” Twitter comes from a generation of rockers you’d expect to not “get” Twitter. His name is Glenn Hughes.

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The big beef on the Webernets this weekend concerned a Twitter fight between Shadows Fall frontman Brian Fair and All That Remains frontman Phil Labonte over the latter’s girlfriend. Yup, a Twitter fight. In the end it can most likely be chalked up to a bunch of drunks quibbling, but it sure is funny! Have a look at the Twitter war play by play over at Metal Injection.

Turns out All That Remains have a new video too, for the track “Forever in Your Hands.” I’ve been over All That Remains since the first time I saw them live and realized Labonte couldn’t touch those high notes he hits on record with the assistance of ProTools. Not that I was ever really into the band in the first place. But, ya know, some of you may dig this band… so here’s the video, which features cameos by God Forbid’s Byron Davis, Killswitch’s Adam D. and others.

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Five heavy hitting heavy hitters — Alice in Chains, Hatebreed, Austrian Death Machine, Steel Panther and Dethklok — all released new records last week. Solid 2nd and 3rd week performances from Three Days Grace, Muse, Megadeth, Five Finger Death Punch and others made it an all-around big week for metal. Let’s see how everyone fared after the jump.

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