Last week we posted a call for questions to ask Metalocalypse creator / Dethklok frontman Brendon Small, and you all gave us your best questions in the comments. Later that day we hand-picked our favorite ones and got on the phone with Brendon to pass them along. Your questions his answers, below.
With Velvet Revolver on what is starting to look like a permanent hiatus, Slash has been off recording a Santana-style all-star solo album with lots and lots of famous collaborators. It’s actually kind of a brilliant idea, and you wonder why he didn’t do that instead of Slash’s Snakepit Mach 2, a fun band that was really never gonna pay off for him.
Now Slash has announced his first solo offering: a two-track Japanese (and thus “internet,” whether Saul Hudson likes it or not) single called Sahara, which will offer both that song, with some Japanese dude I’ve never heard of on vocals, and… a re-recording of “Paradise City” with vocals by Cypress Hill and Fergie.
Fergie.
If Velvet Revolver’s second album, Libertad, had a bed, it shat all over it. The sales would have been considered top-notch for your average metal band, but for mega super duper rockstars likes Guns Without Rose, it was bad enough for their major label to promptly drop them.
There’s a few reasons this might have occurred. Personally, I think that VR’s debut, Contraband, was good but not great, and I think once the curiosity factor (with regards to a supergroup) had passed, the band was kind of doomed. Being a major success means doing crossover business (e.g., attracting people beyond the hardcore fanbase that would’ve bought the album even if it was by Slash’s Snakepit 3), and I know a lot of people who bought Contraband, went “meh,” and then never bothered to check out Libertad.
But even if we assume that Contraband really was Appetite’s second coming, the band released a shit first single that impressed absolutely no one. And I seem to be the only person in the world who actually thought that Libertad was superior to Contraband. So it’s possible that being creatively lackluster is why the album undersold.
Keeping all of this in mind, here’s Matt Sorum basically saying that Libertad sucked, and that it’s all Scott Weiland’s fault:
Les Paul has passed away from complications from pneumonia. He was 94.
Obviously, Paul didn’t play metal music – but as an innovator of multi-track recording and solid body guitars (he was – duh – the creator of the Les Paul model Gibson), he definitely had an effect on metal. Also, he was an all-around awesome guitar player.
I’m not sure about the past few years, but when I was a kid he used to play weekly gigs at a now-defunct club called Fat Tuesday’s. I went to see him several times, and he always blew me away. Once, when I was about thirteen, I was leaving the gig when he actually stopped me – he seemed surprised that someone so young had come out to see him. He was incredibly nice, and it made my year to get to speak with him, however briefly.
I know that Paul used to jam with some metal-types, including Slash (who, of course, plays a Les Paul model nine times outta ten). I can’t seem to find any videos of such a jam session. But here he is back in the day with his also-departed wife, Mary Ford.
-AR
MEGADETH, RUST IN PEACE
Ok, I was like, what, eleven when this shit came out? More like thirteen when I discovered it. Back then, Dave Mustaine was almost like a political figure as far as metal goes. Who knows how I’d look at his role now, but back then, he was a hero.
And then there was the songwriting. Nobody was writing music as creative as them. Listen to the guitar breaks in songs like “Five Magics” or the entire masterpiece, “Rust in Peace.” Nobody was writing stuff like that, and for the time, I felt like the lyrics actually meant something. And the solos – try playing a Marty Friedman solo when you’re thirteen. Try playing one now. The dude is/was/ and will forever be untouchable.
This band meant the world to me back then. I’m not crazy about the new directions the band has gone in, but that doesn’t diminish that they changed my life back when I was younger. I always felt like their rival bands were playing it safe, and that Megadeth was taking all the musical risks. I definitely think that this would be the musician’s choice for those of us who are and were still into real metal with real songs. Not just shred wankery.
I know we (well, I at least) give Slash a lot of shit around here – but it’s only because the dude was my hero growing up (I had his poster on my wall, was him for Halloween at least twice, etc.), and it’s always disappointing when one of your heroes, say, starts gigging with the alien “chick” (recent evidence suggests she may, in fact, be a dude) from Black Eyed Peas.
But Slash turns 44 (!!!) today, and it’s pretty much a miracle the guy is still alive. So I am going to take this moment to celebrate him by pretending that he’s still the way I’d like to remember him:
-AR
This is gonna be a long, Lefsetzian rant that is only peripherally related to metal. Don’t read it if that’s gonna bother you.
MTV’s The State came out on DVD yesterday – the complete series. For those of you too young to remember, The State was a sketch comedy series that launched all the guys (and girl) who went on to make Wet Hot American Summer, Stella, Reno 911, and a whole bunch of shit I’m forgetting.
(The troupe’s members have also written and/or acted in some terrible movies, I’m sure because it paid well, but if it funds their own work, then whatever.)
So last night after we shuttered the MetalSucks Mansion Grand Study of Doom & Horror (where we do all our “work”) for the evening, I went out (To fucking Best Buy – because there is now no place else in the city to purchase DVDs) and bought The State, came home, “got right” as Ron Saint Germain would say, and sat down to watch a show I haven’t seen in sixteen years.
Holy shit, that makes me feel old.
There’s something reassuring about knowing that people one sometimes considers cooler than him or herself were not, in fact, always so cool.
At the risk of sounding disrespectful: we cannot look at Michael Jackson through rose-colored glasses just because of his untimely passing. The dude was, to put it mildly, a weirdo, and probably very, very crazy. And the fact that he is now dead does not change that fact.
That being said, back when the guy was slightly less crazy (or, at least, the general public was less aware of his craziness), there’s no denying that he was major talent who had a huge impact on music. Denying this fact because of his later follies is just foolish. And even though I’ve been listening to metal since before I had pubes, I freely admit that I owned a copy of Thriller long before I owned a copy of Reign in Blood.
Jackson apparently had some kind of affinity for hard rock guitarists, or, at least, had someone in his camp who did. Besides employing Jennifer Batten for years, Jackson worked with Eddie Van Halen (“Beat It”), Slash (“Give in to Me”), and Steve Stevens (“Smooth Criminal”).
For the usual dumb reasons, none of the videos for these collaborations are embeddable, but you can easily find them on the net. In the meantime, here’s Jacko and Slash:
On a more cynical note, except at least one, if not more, of these guitarists to start exploiting their relationship with Jackson for publicity any second now.
-AR
I mean, it’s not like the dude has been some bastion of artistic integrity the past, oh, decade or so. He’s performed with Puff Daddy/P. Diddy/whatever the fuck his name is now, and Fergie, and done an AmEx (or was it Master Card?) commercial, and a car commercial, and wrote an autobiography primarily based around years that, by his own admission, he doesn’t really remember all that well. Obviously, the guy comes from the “You Pay Me I Show Up” school of decision making.
Yet our inbox has been flooded with e-mails of outrage that $lash would “sell-out” and appear on America’s most annoying television program. What can you do? Just blast Appetite as loud as possible and try to forget that this shit ever happened, or remember that this American Idol episode(s? I didn’t watch) is probably at least 30% less irritating than a Slash-less AI.
-AR
If you go here you can watch a video of Avenged Sevenfold’s M. Shadows being interviewed about the whole nu-GN’R/Velvet Revolver rivalry. I can’t embed it because the people at Artisan News Service, who conducted the interview, are no good smelly fuck faces, but here’s a transcription of the relevant part:
“I go more towards the Use Your Illusion records, and I know that [Axl Rose] had a major part in those. You listen to the Velvet Revolver records and you can tell that it’s more of a straight-ahead rock band. And a lot of people like that… and it’s not a diss on them, but they have a short attention span… From the new stuff I’ve heard and the demos, I can tell that Axl had the biggest part in [the Illusion albums]… the lyrics… the vocal stylings… that to me was the major part of Guns N’ Roses. Even though you can’t have Guns N’ Roses without Slash and those guys, but… just, to me, Axl was the most important part of that.”
Now, that’s not exactly an inflammatory comment – in fact, it’s pretty even handed – but it’s still hard to imagine, say, Duff McKagan and Matt Sorum (to say nothing of Izzy Stradlin) not taking serious issue with Shadows giving Axl so much credit and saying Velvet Revolver is for people with short attention spans.
So, I gotta wonder: did Shadows and Slash discuss Axl being the most important part of GN’R when Slash played with A7X last night?
-AR
[via Blabbermouth]
It was over a year ago that we first got the news that Bret Michaels was writing his autobiography (and by “writing,” I mean dictating to some dude named Shane Stanley who had to do all the actual work); the book, Roses & Thorns (nice title, schmucky), will now finally a get a release on June 23, according to People.com.
Granted, this will not be a good book. The chances that it’s as decent as The Dirt are pretty slim; hell, the chances that it’s as good as Slash are pretty thin (and even Slash was only okay). But, there is a lot of room for comedy here, especially if Michaels takes himself too seriously which, chances are, he will.
Here are things I’m looking forward to reading about in this tome:
Directly from the horse’s mouth comes the news that “guitarist n’ songwriter [emphasis added to point out mental retardation] Dj Ashba… officially replaces current NIN guitarist Robin Finck” in Guns N’ Roses. “Once Dj’s name was in the hat, the hat disappeared!!” benevolent dictator Axl Rose exclaims, doing his best impersonation of my Uncle Morty.
Showing that Rose at least has a sense of humor, the statement concludes: “Now, one step closer to the abyss, Ashba joins a band who’s all time roster is nearly as long as it’s [sic] founder Axl Rose’s rap sheet!” Oh, Axl, you scamp.
I haven’t watched any of Sam Kinison’s old stand-up in years, so I have no idea how his work holds up – but when I was a younger, I thought he was just about the funniest human being that had ever lived, and when he died, I was really, really upset about it.
I heard recently that HBO is making a TV movie about Kinison’s life – which is why I was thinking about him again – and I suddenly remembered Kinison’s video for his cover of “Wild Thing.”
Today the video seems vastly inferior to Brian Posehn’s “Metal by Numbers,” because a) that song is actually about metal, b) that song isn’t a cover, and c) that song doesn’t have Tommy Lee in its video. But at the time, this clip was the shit – I mean, in addition to the aforementioned Lee, it also features Slash, Billy Idol, Richie Sambora, members of Aerosmith and Ratt, and Jessica Hahn’s tits.
-AR
Today is Axl Rose’s 46th birthday (!), and he decided to celebrate by giving his first official interview in nine years. The interview, with Billboard, was conducted by e-mail, and Rose reveals that one of the reasons he granted the industry rag’s request was because he “liked the questions,” so apparently the only way to get in good with the guy is to give him up-front approval on everything (no real shock there). Still, there’s some entertaining nuggets in the interview, which, even from the point of view of an Axl apologist such as myself, is pretty friggin’ ridiculous. Check out the highlight reel after the jump, with our observations in italics.
In case ya didn’t know: in the years following his time in Guns N’ Roses, Duff McKagan actually went back to school and got his degree in… finance. If I’m not mistaken, that makes him the only member of the original GN’R to have a college degree – when they were most at their most successful, only Izzy Stradlin was even a high school graduate – which may explain why Duff and Izzy are the only members of the original band who have not completely humiliated themselves in the years since, either by appearing on a reality show, becoming a fucknuts recluse, taking gigs with anyone who can meet their quote, or being Matt Sorum.
ANYWAY, McKagan has a column at SeattleWeekly.com, and this week he chose to make a big announcement: he’s going to be a financial columnist for Playboy.com.
After weeks of wondering why the fuck Axl Rose was doing nothing to promote Chinese Democracy (which is selling poorly, to put it mildly), early this morning “The Howard Hughes of Rock” added another bizarre chapter to his ongoing saga by answering fans’ questions on the message boards for popular GN’R fan sites Here Today… Gone to Hell! and MyGNR.com (Under the username “Dexter,” because he’s apparently a fan of the television show and has named his cat after the titular serial killer. Seriously.).
Aside from what his reputation may have led us to believe, this was not a Dubya-like pre-planned press conference, and Rose didn’t appear offended by a variety of questions actually worth asking (e.g., Why did the album take so long?, Why did the old band break-up?, etc.). That being said, his answers were typically enigmatic, strange, and, in some cases, unsatisfactory, and anyone who thinks this “promotion” will help sales of the album is kidding themselves – casual fans may hear about this unexpected happening, but it can’t possibly have the same effect as, say, a Rolling Stone cover.
That being said, I don’t think it was Rose’s intention to boost sales* so much as it was simply to communicate, in whatever capacity, with the hardcore fans that continue to hold a candle for him. And that’s actually commendable. You could argue that communicating with fans is what Rose is supposed to do and that patting him on the back for this “interview” of sorts is like rewarding someone for not breaking the law; but the GN’R faithful can give Trekkies a run for their money in the “inappropriately passionate” department, and why rain on their parade? They’ve put up with a lot of shit over the years and deserve this little ray of sunshine.
After the jump, read some of the more interesting Q&As from Rose and his fans, including info on an upcoming video, the (seemingly) already planned re-release of Chinese Democracy, the next GN’R album, and more.
HOLY FUCKING SHIT, have you guys read the liner notes for this fucking thing? “Produced by Axl Rose and Caram Costanzo. Mixed by Andy Wallace, Caram Costanzo and Axl Rose. Final Mixing: Caram Costanzo and Axl Rose.” “Additional production and preproduction by Roy Thomas Baker.” “Additional Production: Sean Beaven.” “Additional and/or initial Engineering.” Those are just the whole album credits. Each song gets its own “initial production” credit, too, and, in one instance, an “initial arrangement by” shout out. The phrase “reamped, edited and engineered” appears at least twice. Fourteen recording studios are listed, spread out over four cities on two continents. There’s no fewer than five guitarists (six if you count Rose himself), two keyboard players (three if you count Rose), two drummers, and two composer/orchestrators cited (The fact that only one bass player, Tommy Stinson consistently plays on the album seems like something of a marvel… oh, wait, that Chris Pitman dude everyone calls “Mother Goose” for some reason plays bass on “If the World.” Nevvvvvvermind.). Donatella Versace, Kid Rock, Lars Ulrich, and Mickey Rourke are all thanked, alongside guys with names like “Mookie” and “Worm.” THERE’S A CREDIT FOR “LOGIC.” I DON’T EVEN UNDERSTAND WHAT THE FUCK THAT MEANS. IS THERE A COMPUTER PROGRAM CALLED “LOGIC” OR ARE PEOPLE ACTUALLY BEING CREDITED WITH SUPPLYING SOME LOGIC????????
I’m not making this shit up. I couldn’t make this shit up. Oh, to be a fly on the wall during the recording of Chinese Democracy! It must have made the production of Apocalypse Now seem like a long weekend on Fire Island.
But here’s the thing: as incredibly, insanely, undeniably fascinating as all that shit is, it really has nothing to with any critical analysis of the album.
Dude. Did anyone else know that Scott Weiland has a new solo album coming out two days after the release of Chinese Democracy? What the fuck? I wonder what it’s like to be Slash this week. Seriously. Is he pissed off that these two assholes get to live? Scared of the success they might achieve without him? Does he even know the albums are coming out, or is too busy having tea with Ozzy? Does SCOTT even know that Scott’s album is coming out??? The mind boggles.
In all seriousness: no matter who you vote for, please make sure you vote today. If this isn’t an important election, I don’t know what is. If you don’t vote, you forfeit your right to bitch about the state of our nation later. And your employer is legally obligated to allow you time to go hit the polls, so you’re shit out of excuses. NOW GO VOTE.
Here’s Slash performing the national anthem. He’s half-British, but still…
-AR
Advertisements:
