So we’re now five axe slingers deep into out list of The Top 25 Modern Metal Guitarists. We predicted that the list would get a lot of you angry, and, no shock, it has. Funny thing is, reading the comments, as of yet not one of you has correctly predicted which guitar player is gonna be #1. So, just lettin’ you know… you may be even angrier in the coming weeks, or maybe you’ll be less angry, but so far, it seems like you guys just do not see it comin’.

While you chew on that, here’s some other fun things we did this week:

• We premiered new music from Hate Eternal, Arch Enemy, and Nader Sadek.
• We enjoyed a new episode of “Cooking Contaminated,” this one featuring King Fowley of Deceased.
• We checked out the latest releases from Benighted and Zubrowska.
• We wondered if Metallica and friends have gone too far in their quest for the Big Fortune.
• We checked out some *real* hardcore.
• We weighed Donald Trump’s claim that President Obama was the first drummer for Overkill.
• We wondered why talent can’t be passed down via genetics.
• We weighed, compared and contrasted multiple metal concerts showcasing female-fronted bands.
• We prayed for Kurt Cobain to rise from his grave and off Miley Cyrus.
• We wondered whether or not Dave Grohl is gonna be on the new Mastodon album.

And so, in conclusion… I am going to get a slice of pizza now.

See ya next week.

-AR

Few of us are so naive as to expect the members of a huge band like Metallica to retain any connection to reality. If we, the fans, have learned anything from rock docs and hammy celebrity bios, it’s that mega-success ensures isolation, and constructs a treadmill for goal-crazed egomaniacs forever in search of their next round of applause. Hey, that’s human; we search out what feels good, even if we must disregard what is right.

And there is little right about Monday night’s announcement of ticket pricing structures for the upcoming Big Four gig at Yankee Stadium. At best, or least, a would-be ticketbuyer shells out about $100+ to squint stageward from a neighboring zip code, and possibly even provide band management with advance notice of impending weather changes. At worst, leather coat and V-neck sweater types can populate the “front general admission” area in exchange for $225 (plus the above- and below-table fees affixed by each link in the live music production chain).

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Since summer and, thus, summer festivals are almost upon us, I thought I’d take a closer look at Sonisphere, one of the biggest European music festivals. Mostly because I wanted to do some research on it, since  it’s the only festival in which I am indulging this year. Probably.

(Note: I don’t much like festivals, especially ones that are outdoors. The bands I like never play for that long ,and unless I want to be stuck in the way back, I have to suffer through all the other artists just to get a decent spot. Not to mention, the weather. I hate hot weather. I swear to God I was born with menopause, because I’m always having hot flashes. I try to spend my summers carefully planning my routes with air conditioning and avoiding any chance of getting damp that isn’t shower or pool/sea/any body of water-related. But no one likes a cranky, sweaty bitch, and I split my time between two especially humid cities, so I grit my teeth and steel myself for my few months of personal hell.)

The Sonisphere Festival has been around only since 2009, when Stuart Galbraith joined the events company Kilimanjaro Live. His idea was to hold a series of events that would change and adapt to wherever they were being held. That’s what is really interesting about Sonisphere — unlike a traveling festival with one specific list of musicians and bands that tour the continent, they have a changing roster of artists for each “territory.” In 2009, the Germany date featured Die Toten Hosen and The Prodigy, adding a more punk and house air to the festival, while the Sweden shows featured The Cult and Primal Scream to suit their audience. Of course, there are bands that headline each show (in this case it was Metallica), but I’ve never seen audience preference be such a priority for a huge festival.

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In news that should shock no one , following last week’s highly-discussable first-ever U.S. Big Four (I’ve decided I’m not writing “Big 4″ anymore, no matter what the posters say. I’m a grown up and I can take 2 extra seconds to actually type out a number.*) show, Metallica, Slayer, Megadeth, and Anthrax have announced another concert — this one on the East Coast. It will take place at Yankee Stadium on Wednesday, September 14.

A Wednesday in September. What a bunch of fucking assholes.

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(click to enlarge… so worth it)

OK, really, last Big Four post, I promise… at least until the inevitable announcement of more U.S. Big Snore dates reignites discussion about whether anyone really gives a shit. But I just couldn’t resist posting this gnarly photo of Jeff Hanneman’s spider-bitten, skin-grafted, surgically repaired right arm as he surprised an audience of 50,000 by joining Slayer for their two-song encore of “South of Heaven” and “Angel of Death.” That pretty much defines brutal.

-VN

Photo Credit:  www.AndrewStuart.me

Okay so I know we’ve just about run this Big 4 shit into the ground this week, but this is so priceless I just had to share it.

My friend, who we will refer to here only as M.A., lives in Los Angeles, and is not a metalhead. But her boyfriend is — or, at least, he’s a fan of certain bands from a certain era — and so it was with some curiosity that she accompanied him this past weekend to the Big 4 show in California.

So I shot her an e-mail this morning to see how she liked the show. What follows is her response. As metal fan, you will most certainly appreciate all her observations about the show:

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Someone has to say it: of all the hype, real or imagined, surrounding the first U.S. Big Four show in California this weekend and I, for one, am not buying it. Metallica, Slayer, Megadeth and Anthrax playing together at one show? Yawn.

Dave Mustaine can’t sing / is a boring performer. Even when they aren’t down a member, Slayer are stiff as boards and one show isn’t distinguishable from any other. Anthrax are playing with Joey Suckadonna, which could nevertheless be mildly interesting. Metallica are always great live, even if their new material isn’t. So I’d basically be going to see a Metallica show with tepid warm-up act Belladonna Anthrax and two sets of statues in between.

The specter of such a show during the bands’ primes — or even close to their primes, between 25 and 15 years ago — would’ve been incredibly exciting. Now it just feels like a cash grab for the bands, duping fans looking to relive their glory years by paying insane ticket prices on top of whatever they’ve got to pay the babysitter and spend on $4.50/gallon gas to get out to Indio. To me it all seems like a waste. If I wanted to see Metallica I had nearly half a dozen chances in the past few years and will surely have more; if I want to see Belladonna butcher Bush-era Anthrax songs I will no doubt have the chance to see that in the near future. So what’s the point?

On the other hand, you would’ve gotten to see this: [from Invisible Oranges]

Weigh in with your thoughts on the Big Four below. Did any of you go out to Indio this weekend?

-VN

Not much else to say, other than that this rules and that I particularly dig their outside-the-box interpretation of the verses.

-VN

Thanks: Amelia Rupp

Photo by Alison Webster

This month, brutal death metal trio Hate Eternal, led by producer/guitarist Erik Rutan, has been at the center of a pitched battle between MS co-lord Axl Rosenberg and MS writer-at-large Anso DF. The conflict? Is Hate Eternal’s forthcoming Phoenix Amongst The Ashes record awesomely killer (per Axl) or is it insanely ripping (per Anso)? Does it fuck the face and slam the nutz (Anso) or does it render each listener “so fucking happy to be alive” (Axl)? Can its production and performances better be described as a high watermark of contemporary metal (Axl) or as a gift from another realm to every living music listener (Anso)? Is Phoenix a shoo-in for metal album of the year (Axl) or does it crush every other record on earth (Anso)?

Welcome to our love war.

When the time came to phone up Rutan for a discussion of Phoenix and other Hate Eternal affairs, we at MetalSucks opted to settle this battle of agreement with an interview conducted by both Axl Rosenberg and Anso DF. Unsurprisingly, Rutan took on the task with good humor and ease, only succumbing to confusion at times when Axl and Anso simultaneously rushed to hail Phoenix and its predecessor Fury & Flames. In its unexpurgated glory, we present our very special double-team interview of the great Erik Rutan.

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I regularly lord it over everybody that I attended the final Pantera show ever! It 2001 at the inaugural Beast Feast two-day jam in Yokohama, Japan, also headlined by Slayer, Sepultura, and Machine Head. But by Pantera’s fest-closing set on day two, I was hardly in command of my senses because A.) drugs; and B.) late-night Skinless. See, for the truly metal and/or too high to find the train station, Beast Feast had an overnight gig nearby that bridged days one and two. And Skinless, taking the stage after the great Taiho, absolutely owned that show! They ripped! They raged! They rippaged! Memories.

So it sucks baboon balls to hear this bunch of boner-breaking jive from Skinless honcho Noah Carpenter:

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I was bummed last month when I heard that FUBAR‘s Dean “Deaner” Murdoch (Paul J. Spence) was detained at the Canadian border and would not grace the SXSW Film Festival with his presence. So, I took matter into my own hands and tracked the one-balled mustachioed metalhead down and asked him for some sticky pearls of wisdom. Instead, he gave me a Top 10 list. – CM

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I love that “Tour Of Italy” sampler at Olive Garden where you get one of all their different appetizers!! I usually end up eating all the Parmesan Calamari Fritters first and being so full I can barely even get to the Tuscan Eggplant Fingers, but the point is that variety is the spice of life. I mean all of their appetizers are so good, how can you pick just one??? Each one is delicious in its own way, and the best way to enjoy them is by having a little bit of everything. And what is the only thing as varied, delicious and universally loved as Olive Garden? That’s right: fucking BREAKDOWNS!

Like the Tour Of Italy, there are a million different kinds of breakdowns, and they are all awesome in their own way. No single genre has a monopoly on it: there are breakdowns in pretty much every kind of music, and they all go hard. I think it’s a beautiful testament to how music brings us all together that whether you are into punk, hardcore, metal or whatever, we can all agree that breakdowns are the best part of every song!

In this post, I will share some of the greatest breakdowns throughout history, like the Tour Of Italy, only for moshing. It is far from a comprehensive list, just a sampler to get the conversation started. Check these out, post your favorite breakdowns in the comments, and help us answer the one of life’s big questions: what is THE BEST BREAKDOWN OF ALL TIME???

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So Lambgoat tells me that Prosthetic Records’ latest sign is a band from Chicago, Black September. And trying to be a dutiful blogger, I’m listening this band for the first time now, and while their brand of black metal is nothing you haven’t heard before, it’s also pretty good stuff — nice riffage, appropriately vitriolic vocals, some songwriting chops… I could imagine this band being really fun live, too.

All of that being said, I really, really wish this band didn’t have the same moniker as the Palestinian terrorist group that kidnapped and murdered eleven Israeli athletes in addition to a West German police officer at the ’72 Munich Summer Olympics.

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While a press release assures us that Jeff Hanneman “has amazed his doctors with his speedy recovery from an infection thought to have been caused by a spider bite” and “has already been practicing with his guitar,” the Slayer guitarist apparently isn’t quite ready to step back into the fold yet. And Gary Holt, who has been filling in for Hanneman, has to go back to his own band — some group called Exodus. So, y’know, in case the headline didn’t already spoil the suspense… yep, Cannibal Corpse’s Pat O’Brien is the new temporary guitarist for Slayer.

O’Brien is just as strong a pick as Holt, if ya ask me; if Exodus are one of Slayer’s most revered peers, Cannibal Corpse are one of Slayer’s most accomplished disciples (no reference to the song intended). There can be no doubt that there would be no Cannibal Corpse without Slayer, and O’Brien’s style is a perfect fit for the latter band.

So Holt will continue to play with Slayer ’til April 4, and then O’Brien takes over. Here are the remaining announced tour dates with both axe men…

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I guess that Slayer/Marilyn Manson team-up from a few years back (no, not the Mayhem Fest one, the one before that) was a big hit, ’cause the band are once again doing a summer co-headlining tour with an industrial shock rocker who probably holds more mainstream appeal than they do — namely, Rob Zombie. I don’t know what the overlap of Slayer/Zombie fans actually is (Do Slayer fans think Zombie is too soft and poppy? Do Zombie fans think Slayer is too fast and lacking in hooks?), but it seems to me that this is exactly the kind of show where getting the cheapest seats available and drinking an INSANE amount throughout the evening would pretty much guarantee you a fun time.

Not hurting this line-up one bit is the fact that Exodus are playing support. It’ll be interesting to see if Jeff Hanneman has recovered and re-joined Slayer by the time this trek kicks off, or if Gary Holt will be pulling double-duty. Either way, awesome sauce.

Dates are after the jump… they’re only playing twelve gigs for whatever reason, so the vast majority of you should prepare to be sad (or indifferent, I suppose, depending on your own personal views about this line-up):

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So this is pretty cool… in theory at least. Last week, the videogame Homefront was released (I haven’t played it so I have no idea how it is, although I read some decent reviews), and yesterday, the makers of the game started giving away a FREE compilation of metal bands doing covers of war-appropriate songs, sometimes by other metal bands, sometimes by non-metal artists. You can download it here, and should get on that ASAP, as they’re only giving away 25,000 of the free downloads. As of this writing, DLs are still avail, though. Also, I’m sure this thing will remain all over the internet forever and ever, so don’t freak too hard if they’re all gone by the time you get there.

Another reason no to freak out too hard if you don’t get to download this puppy? Even though this is 100% free, like most cover albums, it’s not actually all that amazing. Let’s take a look at what the album has to offer, shall we?

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My dad had kidney stones once when I was a kid and I remember him being in all kinds of agony. So please understand that I am not making fun of him for playing a show despite suffering from this particular malady, because that is very admirable. The set at this gig was apparently abbreviated, for obvious reasons, but for him to do what he did for the fans deserves a big pat on the back.

I am, however, making fun of him for being pompous, and for thinking that he was healed by the power of prayer.

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This isn’t quite as funny/clever as that Slater graffiti, but whomever designed it clearly did his or her homework… the placement of each letter is perfect.

So, yeah, that happened.

-AR

[via Buzzfeed... thanks to Hetal Bhatt for the tip]

Sure, it’s been a shitty week for Kvelertak and their stateside fans: We reported Saturday that the Norwegian scream-rockers got separated from vital travel documents right before departure for their first-ever US tour dates (including the MetalSucks co-presented SXSW super-jam). That bums me out cuz duh those fuckerz jam (which is good for concertgoers), but moreso because I was pumped for the band’s imminent chance to, like, collect on their roaring buzz here (which is good for them). Okay sorry about that mixed metaphor. But the point is that if I were a member of Kvelertak (please can I be a member of Kvelertak?), I’d want to further enable American rockers to pony up some cash for the record that about a billion of us have possessed/loved for months ahead of its proper US release. All is not lost cuz a bonus track-laden US version of Kvelertak still drops Tuesday, but I can’t help but lament the fact that a string of ballsack-singeing live sets would’ve cranked open a lot more wallets a lot wider. And deservedly so.

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Oh, man, remember Demiricous?  Their Metal Blade debut, One (Hellbound), fucked our faces off in 2006, and they released an equally crushing follow-up, Two (Poverty), just a year later. They had such a bright future! They were Kerry King’s favorite band! And then… well, they pretty much fell apart. Word around the campfire is they got completely fucked by some scumbag manager, and then they fell split with Metal Blade in 2008. In 2009 they announced that they were working on new material, but 2010 came and went with no news whatsoever from the band.

But there’s news now! According to Lambgoat, they’re releasing a four-song EP/demo this Thursday, March 10 (rad cover art above). And there’s already two new songs streaming on their Facebook page! Hoo-ray!

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