MetalSucks

By now, y’all are more than aware that Chris Cornell has been recording with hip-hop producer Timbaland. The consensus around the blogosphere has been that this is going to be a fiery trainwreck of Mariah Carey Glitter proportions. Now, throwing fuel on the burning upholstery, Cornell solo concerts to promote Scream (as in, what you’ll probably do when you eventually hear this album) have been announced. I know I should just go hide in my secret underground bunker with my special lady and repopulate society until this whole thing blows over – but I think I actually want to see this disaster LIVE!

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The economy’s in the shitter and the sun is setting earlier and earlier every day. Still, there was reason to rejoice this week in the world of metal:

• The members of Twisted Sister are apparently now willing to “take it.”
• We interviewed Dani Filth of Cradle of Filth, Ronny Munroe of Metal Church, and Brian Fair of Overcast / Shadows Fall.
• Dallas raged against the McCain machine (as did the Foo Fighters). You raged against Dallas.
• Crikey! Scar Symmetry hire two new vocalists to take the place of one.
• Scars on Broadway call off their tour; we call bullshit.
• FUCK FUCK FUCK FUCK FUCK FUCK FUCK FUCK FUCK FUCK FUCK. And Fuck.
• Gojira got heavy in every sense of the word.
• Bam Bam Bigelow + Marty Jannetty = ’80s Vinnie Paul.

Sayonara suckers. See you next week.

-VN

Can Chris Cornell please take his midlife crisis out of the public eye? If the guy wants to drive a sports car and fuck an eighteen year old, that’s between him and his psyche, but why does he feel the need to foist his desperate attempts to remain relevant upon his loyal fans?

Mere months after the announcement that Cornell was working with Timbaland comes the news that the once-great rock singer has now written a song for American Idol winner David Cook. The press release forwarded to us by MetalSucks Maniac “Porkspam” didn’t feature a comment from Cornell himself, I imagine because even he knows there’s nothing he can say at this point that won’t come across as total bullshit. ‘Cause while I don’t know Cook’s other “work,” I do know that anyone and everyone who has ever won American Idol is bankrupt artistically, spiritually, ethically, and in every other way imaginable. If you simply love to sing, you can do that in the shower; people go on Idol ’cause they wanna be famous so badly they don’t care if they have to sign their soul away (And I’ve see the contract Idol contestants have to sign – you might as well allow the show’s producers to surgically attach marionette strings to your arms and legs.).

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Since we all seem to be in agreement that the new Chris Cornell / Timbaland joint is a steaming pile of dog turds, let’s harken back to better times, shall we? Are you a fan of the early, raw Soundgarden featuring Mr. Cornell running around in combat boots with his shirt off, or the proggier, trippier Soundgarden of the mid ’90s? You tell us.

So back in March we reported the rumors that Chris Cornell was recording his next solo album with famous hip-hop producer Timbaland (Justin Timberlake, Snoop Dogg, Nelly Furtado, etc) and wondered aloud about said project.

Lucky for you (or not, as it were), an anonymous source has sent us a radio rip of the first single “Long Gone.”

Please excuse me while I log into my ebay account to sell all of my Soundgarden CDs.

-VN

That is a fucking great question; what the fuck has ex-Soundgarden axeman Kim Thayil been up to recently? We all know what Chris Cornell has been doing, and some of us might know that ex-Soundgarden skinsman Matt Cameron has been busy playing drums for some band called Pearl Jam for the last 10 years. As for bassist Ben Shepherd, “Nobody gives a flying fuck what Ben Shepherd is doing because bassists do what again?” But thankfully MetalSucks reader and fellow blogger NoYokoNo has done some research and turned up an answer about how Soundgarden’s resident beardo is keeping busy.

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People Magazine is reporting that Chris Cornell’s (ex-Soundgarden, ex-Audioslave) third solo album will be produced by hip-hop guru Timbaland (Nelly Furtado, Justin Timberlake, Snoop Dogg, etc). Said Timbaland, “This is the best work I’ve done in my career,” and said Cornell, “This is the most excited I’ve been about an album in years. The music is natural, not self-conscious … open.” Timbaland said he is currently mixing the album and hopes to release it within a month (!).

This is either going to be the worst rap/rock combination since Limp Bizkit and Method Man’s “N 2 together now” (confession: I liked this song when it came out. It was still 10x better than any proper Limp Bizkit songs) or the most genius collaboration since Mike Patton and Dan the Automator. Or it could just sound like an ordinary rock record… and be mostly uninteresting like Cornell’s last effort.

-VN

Maybe it’s because the Soil version Vince just posted is so damn awful, maybe ’cause the iconic Johnny Cash would probably never appear on this website otherwise — in any case, here’s the dark cowboy’s cover version of Soundgarden’s “Rusty Cage”…and it’s pretty awesome!

JOHNNY CASH – “Rusty Cage”

Also, if you weren’t depressed enough that it’s Monday, here’s the weepy Mark Romanek-directed video of the Johnny Cash cover version of Nine Inch Nails’ “Hurt”. Ironically Mr. Cash’s last video ever; very touching and fitting as his final performance.

[kml_flashembed movie="http://www.youtube.com/v/AO9dbmJ_2zU" width="425" height="350" wmode="transparent" /]

-KW

Our Weekend of Grunge found us taking a look back at the genre’s progenitors, examining the relationship between grunge and metal, and even questioning what in the heck grunge actually is and surmising about its demise. What better way to cap off that last thought than by listening to a mostly lame cover of Soundgarden’s “Rusty Cage” by nu-metal torch-bearers Soil? Gone are the raw, aggressive production and soaring Cornell vocals, and in their place are dull, downtuned thuds and weak nu-metal yarls.

There should be a rule; thou shalt not attempt to be Chris Cornell. Thou shalt not cover Soundgarden (unless thou happen to be Operator). Now why’d these guys have to go and ruin a good thing? Check it out on Soil’s MySpace page.

-VN

Okay, so Vince may have beaten me to the punch in reminding y’all bout the strength of seminal Soundgarden in light of recent/impending poop from lead singer Chris Cornell, but I simply cannot remain mum on the subject given just how f’n AWESOME the band was — here’s a fistful-o-tunes to get yr weekend started…

I still can’t get enough of this band. What a milestone and a treat it has been to experience the magic of Soundgarden; who else is writing songs with this much dynamic and range that r-o-c-k so fucking hard? This is some of the smartest and most heartfelt aggressive songwriting EVER.

And there’s no question that Chris Cornell was the 90s Robert Plant — a title that Cedric from The Mars Volta rightfully earns (so far) for the 21st century — similarly, Cornell can wail and sustain for so goddamn long, at such a high register, that from time to time it’s hard not to wonder if he is indeed a castrati. Girl can sang!

SOUNDGARDEN – “Hands All Over”, from Louder Than Love (1989)

**SOUNDGARDEN – “Birth Ritual”, from Singles Soundtrack (1992)

SOUNDGARDEN – “Rusty Cage”, from Badmotorfinger (1991)

SOUNDGARDEN – “Jesus Christ Pose”, from Badmotorfinger (1991)

SOUNDGARDEN – “Mind Riot”, from Badmotorfinger (1991)

SOUNDGARDEN – “Holy Water”, from Badmotorfinger (1991)

SOUNDGARDEN – “Let Me Drown”, from Superunknown (1994)

SOUNDGARDEN – “Fell On Black Days”, from Superunknown (1994)

SOUNDGARDEN – “The Day I Tried To Live”, from Superunknown (1994)

Enjoy — but leave the frickin flannel in the back of the closet, fer chrissakes!

-KW

BONUS!!

Checkacheckout Soundgarden’s first-ever music video, for “Flower”, from Ultramega OK (1990):

Ah, our good old friends Grunge and Alternative, those bastions of ’90s rock nostalgia. Are they one in the same? Did they start out meaning different things but over time come to mean the same? At some point in ‘92 we started hearing both of these terms bandied about in equal measure to describe the crop of bands emerging from the Seattle scene and their ilk, but over time these words seem to have lost all meaning. What the hell is “grunge” music anyway? And for that matter, what the fuck is “alternative”?

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