MetalSucks

Some unorganized observations about this video by Australian shredder lady Orianthi, sent to me by Zena Metal:

• Is that a sequined PRS? Good lord! Hideous.
• What’s with the guitar neck protruding out into all the shots? Is that an attempt to relate to the Guitar Hero generation? If so, how come none of it matches up with the song??
• She can definitely play!
• Nice dive bomb at the 3:00 mark.
• Apparently she was to be Michael Jackson’s guitarist for his This Is It shows. Eddie Van Halen… Steve Stevens… Slash… Orianthi. Hmmm. That’s some pretty righteous company.
• So many 12 year old dudes are going to have raging hard-ons for her. 12 year old Vince would’ve been ALL over this!
• All things considered, this isn’t bad. It’s middle of the road guitar/power pop made for tweens. Even if not for the shred it’d still be alright. If kids are listening to this over Ashley Tisdale, that’s a step in the right direction. But hey, this coming from the guy who genuinely enjoyed Avril Lavigne’s first record… so don’t trust me too much.

-VN

I know exactly two people who will be really really excited that Vince Neil is working on a new solo album: me and Axl. Woot woot!

Some time in 1993 Axl dubbed me a tape; on one side was Living Colour’s Stain, and on the other side Vince Neil’s first solo record Exposed. My life was changed forever. While my namesake hasn’t managed to hold onto much any credibility in the years since, Exposed still holds up thanks in no small part to the guitar wizardry of the indomitable Steve “Jew from the Bronx changed my name to be a rockstar” Stevens.

While I’m not sure who’s even in Neil’s solo band at the moment (Keri Kelli?) I’m certain it isn’t Stevens, making this record circumspect from the getgo. Not that there aren’t other good guitar players out there but let’s face it, Neil’s a complete hack who definitely needs song written for him ala Ozzy, nahmean? So let’s (as in me and Axl) just agree to be cautiously optimistic about this one.

Here’s Neil w/ Stevens performing “Look In Her Eyes” in Chicago in 1993.

-VN

At the risk of sounding disrespectful: we cannot look at Michael Jackson through rose-colored glasses just because of his untimely passing. The dude was, to put it mildly, a weirdo, and probably very, very crazy. And the fact that he is now dead does not change that fact.

That being said, back when the guy was slightly less crazy (or, at least, the general public was less aware of his craziness), there’s no denying that he was major talent who had a huge impact on music. Denying this fact because of his later follies is just foolish. And even though I’ve been listening to metal since before I had pubes, I freely admit that I owned a copy of Thriller long before I owned a copy of Reign in Blood.

Jackson apparently had some kind of affinity for hard rock guitarists, or, at least, had someone in his camp who did. Besides employing Jennifer Batten for years, Jackson worked with Eddie Van Halen (”Beat It”), Slash (”Give in to Me”), and Steve Stevens (”Smooth Criminal”).

For the usual dumb reasons, none of the videos for these collaborations are embeddable, but you can easily find them on the net. In the meantime, here’s Jacko and Slash:

On a more cynical note, except at least one, if not more, of these guitarists to start exploiting their relationship with Jackson for publicity any second now.

-AR

As far as I can tell, in the year 2008 the Steve Stevens fan club consists of exactly three people: Vince Neilstein, myself, and Allyson at Bring Back Glam. So I was happy yesterday to find that Allyson had written something of an ode to Stevens, which included the below music video for the Billy Idol axeman’s Grammy award winning theme to that 1980s bastion of homoeroticism, Top Gun.

Y’know what? All these years, I had no friggin’ idea that Steve Stevens had anything to do with those infamous Top Gun guitars. I mean, the music was credited to Harold Faltermeyer, which means Stevens was probably just a session player, but still, if I know all the lyrics to the Stevens/Vince Neil collaboration “Sister of Pain,” I should probably have known that.

Gotta love Stevens’ hair in this video. It’s like Vince’s beard, if Vince’s beard were on his head instead of his face. And was gay.

-AR

Last week I gleefully reported that Memory Crash, the solo album from Billy Idol and ex-Vince Neil all-around-awesome shredmaster (and Brooklyn Jew) Steve Stevens, had hit the shelves nationwide (or at least the shelves of the Amazon warehouse). So it came as a surprise to see a press release today — one full week after the scheduled release date — announcing that the release date has been moved to March 4th. Pushed-back album release dates aren’t uncommon these days due to the product not being ready in time, distribution problems, etc, but generally when an album is pushed back the announcement is made, ya know, before the scheduled release date.

Anyway, MetalSucks is perhaps the only website to actually give a shit and this certainly doesn’t temper my excitement for Memory Crash. Stevens’ performance on the Vince Neil solo effort Exposed is far, far underrated; Neil pretty much gave him free reign to take it over the top, and take it over the top he did. Not to speak of his amazing guitar work (and songwriting) for Billy Idol,which goes without saying (but there, I said it anyway).

For a preview of what’s in store (or not, as it were. ba-dum-bum ching!), check out Stevens’ MySpace page. The title track alone is a good taste, Vai-virtuosity meets Idol-accessibility. King’s X crooner Doug Pinnick also makes a guest appearance on the album, as does drummer Brian Tichy (Idol, ex-Ozzy).

-VN

The big Tuesday for politics may be next week, but today is the first important release date of the year for metal. Let’s take a look at what you can now easily pirate buy at your local record store on this fine day:

• Stonerider – Three Legs of Trouble (Trustkill) – Southern-fried rawk n’ roll, Crowes Mule & Roses, if you will.
• Bullet for My Valentine – Scream Aim Fire (Jive / SonyBMG) – One of the biggest releases so far this year, coming from Welsh second-gen metalcore quartet previously known as nu-metallers Jeff Killed John. (Read our review here.)
• The Mars Volta – The Bedlam in Goliath (Universal) – Fourth album from progiffied funk spazz freaks, ex-At the Drive In. (Read our detailed retrospective on the band.)
• Tiles – Fly Paper (InsideOut) – Progressive hard rockers from Detroit who have been round a while, and have toured with the likes of Dream Theater.
• Airbourne – Runnin’ Wild (Roadrunner) – Australian AC/DC-influenced AC/DC rock that sounds like AC/DC. Nuff said.
• Steve Stevens – Memory Crash (Magna Carta) – Solo shredfest from ex-Vince Neil and longtime Billy Idol axeslinger.
• Course of Nature – Damaged (Silent Majority) – Nickelcreedbenjaminseetherhinderback.
• Protest the Hero, Fortress (Vagrant) – Post-prog, shred-tastic, metal and hardcore-influenced amazingness. One of the most important records of 2008 so far.

This is the news that Axl, myself, and approximately 7 other guitar dorks worldwide have been eagerly awaiting. Steve Stevens — Billy Idol’s guitarist for years, Vince Neil’s guitarist on the Exposed album, and king Brooklyn Jew (birth name: Steve Schneider –take a look at that shnoz!) — will be releasing a new solo album, Memory Crash, on January 29th via Steve Vai’s Magna Carta record label. Doug Pinnick of King’s X makes a guest appearance lending his soulful voice to one track, as does Billy Idol / ex-Ozzy bassist Brian Tichy.

Those who have followed Steve Stevens closely over the years as I have — and I’m guessing there’s maybe one of you who has — know what an underrated and incredible guitarist he is. In addition to writing all those classic Idol riffs (”Rebel Yell,” “White Wedding,” etc etc etc), Stevens absolutely tore it up on Vince Neil’s Exposed record, his 1993 post-Motley solo debut. He wrote some amazing songs, and fuck did he ever go nuts on the guitar on that album. He’s also done a bunch of experimental stuff over the years (Bozzio / Levin / Stevens) and some studio work here and there.

Stevens says about the record, it’s “a journey through another dimension, It’s virtually musical cinema.” Citing influences such as prog-rock giants Pink Floyd, Yes, King Crimson, and Emerson, Lake & Palmer, he continues, “I’ve always loved that about the prog records, like Dark Side Of The Moon. You enter this little theater of the mind. It’s a true headphone experience.”

Cool.

-VN