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Believe it or not, folks still buy CDs. I know… I’m shocked too. But the weekly Soundscan numbers released by Neilsen actually do include digital downloads too. I know what you’re thinking… people still pay for music? I s’pose so. Here are the most recent week’s charting hard rock and metal releases, with my own snarky commentary, natch. Check those tags down yonder for a list of covered releases.
I’m seriously asking, ’cause now I can’t remember. I seem to recall “Get Inside” being like a more radio-friendly version of Slipknot (that was before Slipknot were actually fairly radio friendly), but you would definitely call it metal — I mean, you’d never hear that song and think “Gee, this band should tour with Nickelback.” Which is what their latest single, “Say You’ll Haunt Me,” makes me think.
Stone Sour’s latest, Audio Secrecy, comes out September 7 on Roadrunner.
-AR
Did you know that Slipknot/Stone Sour vocalist Corey Taylor has a Facebook page? And that he’ll accept virtually anyone as his friend? And that he’s really, really bummed about the recent line-up change in Mutiny Within?
So, uh, like, Corey’s on tour in Europe right now with Stone Sour, and his bandmate and very good friend recently passed away, but he’s concerned about who’s playing drums for Mutiny Within? Why? ‘Cause he’s never seen bands change members before? ‘Cause they’re his labelmates? Or is he just a really big MW fan?
Or could it be because there is no fucking way that this is actually Corey Taylor?
Well… it does.
Audio Secrecy comes out September 7 on Roadrunner. Despite the gentle ribbing I give this band, I really, sincerely hope that Corey Taylor becomes the next singer for Anthrax.
-AR
The big question since Paul Gray died last month has been, “Will Slipknot go on without him?” On the one hand a member passing away is obviously a huge emotional trauma for a band to have to cope with, and Gray was, at least as I’ve always heard it, a key songwriter for the group; on the other hand, bands persevere in the face of tragedy all the time, and there’s already another potential bass player in the band (and I suspect they could make do without a second percussionist/third drummer/whatever) if they didn’t want to bring someone new into the fold.
But – no shocks here – Jim Root, guitarist and guy who gets to sleep with Cristina Scabbia, says the band hasn’t even discussed it yet. From an interview posted on the official Sonisphere site:
To say that Max Cavalera put metal on the map isn’t exactly accurate; metal’s formative years dealt with pond-crossing pollination between Europe and the U.S. But Sepultura helped bring the idea that metal was a global entity into being, from their early death metal albums, proving them more than competen,t to their later thrash/groove metal records, which combined primal heaviness with South American instrumentation. Max has continued this in Soulfly, which, despite hisliving in the U.S. for the last decade and a half, still includes bits of his heritage. Though Sabbath, Priest, Maiden, and so forth may have (unintentionally) presented metal as a mainly Anglo-Saxon phenomenon, Sepultura proved that if metal were going to be adored worldwide, it would be made worldwide as well. Their far-reaching success (both in the form of Max Cavalera’s Soulfly and the current incarnation of Sepultura) cements their very important place in metal.
Despite being in the game for more than twenty-five years, Max hasn’t shown any sign of slowing down. He founded Cavalera Conspiracy with his formerly estranged brother/ex-Sepultura drummer Igor; Soulfly’s recently-released Omen shows the same strength, vitality, and palatable riffs that the band has always been known for; and he’ll no doubt be hitting the road for the foreseeable future. In an interview with MetalSucks conducted shortly before the album’s release, Max talks about making Omen, discusses how he manages to rope in guest performers, and makes some lofty claims about the upcoming Cavalera Conspiracy album.
Under normal circumstances I might be inclined to make fun of “Mission Statement,” the first new song we’ve heard from Stone Sour’s upcoming Audio Secrecy; but coming after the putrid waste of everything that is the new Methods of Mayhem song, it sounds like it was written by a super-group consisting of Saint-Saëns, John Lennon, and a young James Hetfield.
Actually, I keep thinking that it sounds like some 90′s alt-arena-rock band trying to do a Sepultura song. Which makes since, I guess, since Stone Sour really wanna be a 90′s alt-arena-rock band, the members of which probably all grew up on Sepultura.
You can download the song here if you want. It’s really nothing special (again, it’s Stone Sour, so no shocks there), but it’s free, so, uh, why not?
-AR
Through amazing mind-reading technology created by the MetalSucks Mansion Monkey affectionately known as “You Worthless Retard,” MetalSucks was exclusively able to listen-in on Joey Belladonna’s most private thoughts while he contemplated whether or not to return to Anthrax.* What follows is a transcript of those thoughts…
Okay, Joey. Now, let’s be rational. Let’s think this all the way through. Let’s not make any brash decisions this time.
I mean, these dudes have not been cool to me. Remember when they fired me in 1992 for no apparent reason? And they hired me back to do that reunion tour. And then they, uh, y’know. Fired me again. And this time, I found out about it over the internet. They weren’t even good enough to give me a phone call! And then Scott and Charlie talked an awful lot of shit about me in the press, and said that I should “Grow up and be a man. Take responsibility for your life.” And I had, like, no idea what they were talking about. Just a couple of months ago, Scott made fun of me on television! I kinda think it might be because the reunion was less financially successful than we’d hoped. But I don’t really know, ’cause I never actually spoke to them about it.
And now they wanna hire me back! Again! And they want me to sing some other dude’s parts on a new album, without actually contributing anything myself! And the guy is some kid they hired because when John Bush showed a little backbone and refused to come back to the band after I was re-fired, they decided they’d rather work with pretty much anyone but me. Actually, they decided they’d rather work with Corey Taylor than me. But Corey’s business manager had more sense than that, and then they decided they’d rather work with pretty much anyone but me. The nerve!
UPDATE: The actual line-up and dates for this tour after the jump. Still pretty awful. Original story below.
At some point, aren’t all these big package tours just gonna cannibalize one another? It seems like they’re all either competing for the same audience, or at least for a portion of the same audience. And now Metal Insider tells me that there’s gonna be another one, which, like Mayhem, will be sponsored by Rockstar Energy Drink: Uproar.
Gotta love the dudes whose job it is to sit around and think of new names for these things.
Slipknot always take extended breaks in-between albums; that downtime is usually used for Corey Taylor to go do something with Stone Sour, Joey Jordison and Shawn “Clown” Crahan to go play with/produce whomever the hell they’re playing with/producing at the moment, and the rest of the band to pretty much fall off the face of the planet. Not to be rude or anything, I mean, maybe the other six dudes in the band all have very their own musical side-projects, but I’ve never heard about any of them, which isn’t a great sign.
But Slipknot percussionist Chris Fehn (a.k.a. “The one whose mask has a Pinocchio schnozz“) is getting in on the action now: Lambgoat reports that he is now the new bassist for Will Haven. So, hey, lookit that! He can do more than hit a garbage can with a baseball bat and jerk-off his nose. Killer.
After the 2009 edition of Rocklahoma – a.k.a. the Wacken of Hair Metal – turned out to be an epic fail, it was announced that AEG live, “the world’s largest producer of music festivals,” had been put in charge of “revamping” the fest for the 2010 version – including helping with “talent booking.” At the time, I suggested that this might be code for “no more hair metal bands,” and as it turns out, I was right. Here’s the line-up for this year’s fest, in nifty poster form (via Bring Back Glam):
Scott Weiland’s been out of Velvet Revolver for quite some time now, and there’s still no word on their search for a new singer. I had assumed that they hadn’t announced anyone because they just couldn’t find someone famous enough. I mean, let’s be real – they’re not gonna hire some unknown. If they did, they’d fail to be a supergroup – they’s just be Slash’s Snakepit III. As it stands, Slash doesn’t know Dave Kushner’s name (he repeatedly identifies his co-guitarist as “Dave Kirshner” in his autobiography), and he’s known Kushner since they were kids; what the fuck would he do with an unknown singer?
I guess there must be some other issue, though – ’cause Corey Taylor, front man for Slipknot and Stone Sour, recently revealed that he tried out for the spot:
“I had a meeting with those guys, we did some demos together, and it just didn’t work — for whatever reason… It was just really cool. It was one of those things where it’s like I could have got to jam with legends, man, in my opinion. But, you know, it was cool, and I still know those guys, I still hang out with them, and I still have nothing but respect.”
So I gotta wonder why this didn’t work out. Taylor’s voice is comparable to Weiland’s, he’s well-known, he’d probably bring in some young kids who might otherwise not give a shit about Guns Without Rose, and he’s a very charismatic and entertaining band leader. So did his personality just not gel with that of the dudes in VR? Were they worried that with two other bands, he was already over-committed? Did Roadrunner (the label that distributes both Slipknot and Stone Sour) put the kibosh on the whole thing, as they allegedly did when Taylor almost replaced John Bush in Anthrax? We might never know, but I find the whole thing pretty curious.
Weigh in with your thoughts on Taylor as the new Axl Weiland below. And while you’re pontificating, enjoy this bootleg video of Taylor performing “It’s So Easy” with Slash. It might be the closest we ever get to seeing a Taylor-fronted VR.
-AR
I have no idea what made me think of them – maybe I saw a tranny in the Village or something, or maybe it was just writing about Dope, since half the members of Murderdolls started in Dope and then there was a ridiculous flame war between the two bands. But, uh, somehow they popped in my mind.
We all know what Joey Jordison is up to, and Blabbermouth tells me that Wednesday 13 still has something resembling a career. I see Acey Slade walking around the neighborhood sometimes, so I guess he’s still DJing at Don Hill’s or some shit. Actually, that guy used to spin pretty good, if you were in the mood for hair metal and 70s rawk. I have no idea what happened to the other d00ds in this band, though. In fact, I don’t even know what their names are.
I’d still rather listen to this than post-Feelgood Motley Crue. Or most Stone Sour, for that matter. If for some reason those were my only choices. I can’t imagine any scenario in which that happened, but, hey.
-AR
Slipknot’s new album, All Hope is Gone, hasn’t even been released yet, and already guitarist Jim Root is expressing dissatisfaction with producer Dave Fortman. During a recent interview, when asked if working with Fortman was a better experience than working with Rick Rubin, Root responded thusly:
So about a week back Slipknot released the following two minute-plus video “teaser” for the new, still untitled album. And even though I’m generally prone to defending Slipknot and I’m all in favor of trying things that are new and creative, I have to say, I have no fucking idea how this pertains to a new Slipknot album. I mean, there’s no music in it. Are they trying to tell us that their new disc will be an hour’s worth of ambient noise recorded around their hometown of Des Moines, Iowa? Or just that we should expect to be bored off our asses?
I assume that this thing was directed by Shawn Crahan (he’s the one in the clown mask, in case ya didn’t know), who also directed the very avant garde-y Slipknot DVD Voliminal: Inside the Nine. But this video makes that DVD look like a straightforward piece of narrative storytelling.
The new Slipknot album comes out in August. Former Ugly Kid Joe guitarist/current Evanescence producer Dave Fortman is manning the boards, which, if I’m being completely honest, makes me a little nervous – I have no interest in a glorified Stone Sour album. Hopefully my cynicism will turn out to be unfounded.
-AR
[Welcome to the second entry of our exclusive blog series from the new thrash supergroup Iron Steel, featuring Morgan Rose (Sevendust) on drums; Jim LaMarca (Chimaira), Dave Ellefson (ex-Megadeth) and Rachel Bolan (Skid Row) all on bass (!); with vocalist and guitarist Fran Strine and guitarist Tommy Redd. Each week a different member will be posting a blog entry at MetalSucks. This week Chimaira's Jim LaMarca reports on the post-NAMM show apocalypse.]
As the wild NAMM weekend came to a close, Iron Steel almost broke up. Hung over from our release party, we had our first band meeting. Tommy was late, as usual, because he and Diggity Dave from Pimp My Ride closed down the party and moved it over to the custom shop, bringing the majority of the women in attendance with them. Fran had been barricaded in the bathroom of his hotel suite, hiding from Lacey from Rock of Love. She stalked him during the party and chased him all the way back to his hotel room. Morgan took his Sevendust bandmates, John Connolly and Sonny Mayo, left the party early and somehow wound up in jail for performing lewd acts at nearby Disneyland. Ellefson, in his usual ‘work mode’ did an impromptu ‘side-side project’ with some of the remaining musicians in attendance at the party – recruiting Mick Thomson (Slipknot), Josh Rand (Stone Sour), Marc Rizzo (Soulfly), Doc (God Forbid) – into a band that was all guitar players – and he was the only bassist (finally). I observed it all with Rob and Matt from my other band, Chimaira, sitting in the ultra-ultra-VIP section where nobody could see or speak to us – it was an invisibility chamber, actually – created just for Iron Steel.
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