Posts Tagged ‘The Howling Wind’


IN WHICH WE WERE GRATEFUL THAT TIMES SQUARE DIDN’T EXPLODE

Friday, May 7th, 2010 at 5:00pm by

A few hours ago authorities evacuated Times Square for the second time in a week after someone found a “suspicious cooler” on the street. Of course, everyone was just being overly cautious, but as long as it doesn’t infringe on my civil rights, there’s nothing necessarily wrong with that. I think Vince was in Michigan when 9/11 went down, but I was here, and if I never see another tank rolling down my street again or run all over the city because there’s no cell service and I need to make sure that all of my friends and family are still alive, well, I’ll be good.

While I nurse my PTSD, here are some happier, metalier things that happened this week:

Next week brings even more betterer br00tal goodness – interviews, debuts, guest blogs, all that shit. It’s gonna get real up in this bitch. See ya then.

-AR

THE HOWLING WIND TAKE YOU INTO THE CRYOSPHERE, AND YOU COME OUT A MAN

Tuesday, May 4th, 2010 at 3:00pm by

Even in the diverse universe of U.S. black metal, New York City is an anomaly. On top of being the least black metal place around by kvltist standards (what with it not being a heavily wooded area in Europe), it would seem to be rife with musicians who approach the music in a condescending fashion and with a deep sense of detachment, viewing it as a novelty or outsider art. And yet, NYC has produced a brilliant, bouillabaisse-style approach to the genre, with proggy, post-Weakling bands (Krallice), hardcore veterans cherry-picking from black metal to maximum effect (Tombs), and a well-meaning but generally snore-inducing variety (Liturgy). The common thread between the best Metro Area-based BM enthusiasts is their unironic approach to the genre, a deep understanding of its history and DNA instead of finding Transylvanian Hunger in a used record store and declaring, “Oh yeah, I ‘love’ black metal.” And this trend is ably continued by Profound Lore signees The Howling Wind, a band that has a burly, mid-paced take on proceedings without sacrificing heart or history (especially on Into the Cryosphere, their latest). But like recent releases by Valkyrja and Ov Hell, it also has a lot to offer metalheads less sympathetic to the genre’s grim and frostbitten charms, with tons of muscle alongside atmospherics. Despite being associated with the U.S.’ most vibrant metropolis, they can still trade blows with their most grim and isolated peers.

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