First things first: screamo is literally worse than the Holocaust in my book. With a few notable exceptions, I absolutely cannot stand this shit. That said, with bands like The Devil Wears Prada and Underoath selling out huge venues, putting out platinum-selling albums, and selling truckloads of cookie-cutter merch to every angsty suburban teen within driving distance of a Hot Topic, it’s hard not to pay attention to the genre. I might not like it, but Kids These Days certainly do. My biggest question: Where the fuck did this shit come from??

As someone who saw the birth of metalcore and “true screamo”/skramz firsthand in the 90s, I am highly confused when I listen to these bands. On the one hand, they are not so different from anything that could have been on Victory or Indecision in the 90s (Earth Crisis, All Out War, Bloodlet). Obviously there are some things that have changed over time, but the fundamentals of metalcore are still there (see my post “The 5 Kinds Of Music Teens Are Into” for more details). On the other hand, the kids in Alesana, August Burns Red, and possibly even As I Lay Dying have no fucking idea who those pioneering metalcore bands are, much less that screamy vocals were born in the tiny basement shows and vegan bakesales of the 90s DIY hardcore scene.

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From the “Holy shit, fo’ real?” department comes /Film’s reminder that the original live-action Teenage Mutant Ninja Turtles movie was released TWENTY YEARS AGO today. I’m fairly certain Vince and I (and some other friends) saw this together at an old RKO movie theater that is now an Equinox Gym. That makes me feel old, the same way I feel old when I hear “Smells Like Teen Spirit” on a classic rock station.

So in real life, the Ninja Turtles would now be struggling with kids, divorce, and the disappointment of knowing that defeating Shredder was the apex of their lives; luckily, they’re only make-believe, so they can go on being pizza-loving adolescents forever and ever and ever.

And so, to celebrate the fact that I keep getting old while these Ninja Turtles just stay the same age, here, yet again, is the Teenage Mutant Hardcore Turtles video, which, for me at least, never really gets old:

-AR

Hard to believe it’s been almost a year since Dallas Coyle and God Forbid parted ways, but there ya have it. And a lot of God Forbid fans – including this one – were wondering who was gonna take Dallas’ spot in the band. Former Himsa guitarist Matt Wicklund has been doing live shows with the group since last summer’s Mayhem Fest, and the rumors have been swirling that he was taking the job pretty much ever since -  a couple of readers e-mailed us to say that Wicklund was introduced as “our new guitar player” on-stage, and earlier this month he tweeted that he was “Getting ready to go to rehearsal!”, although rehearsal for what was left kinda-sorta vague.

Well, the rumors are no longer rumors: Wicklund is, in fact, the new full-time guitarist for God Forbid. A statement from Doc Coyle reads as follows:

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It was back in December of ’08 that my man Vince first observed that E1 (then still called Koch) was signing every fucking metal band in the world. At that point, the label had recently made deals with or released albums by In Flames, Hatebreed, High On Fire, Satyricon, Otep, Throwdown and Straight Line Stitch; now there’s a rumor that they’ve added Black Label Society to their roster, too.

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It’s hard to believe that Dime has been gone for five years, but December 8 will be the anniversary of one of metal’s bleakest moments. To cash-in on commemorate the event, Metal Hammer have enlisted a bunch of well-known acts to record Pantera covers (but not Damageplan covers, because, y’know, let’s get real here) for a CD that will come with the magazine. Metal Hammer has done this a few times in the past – I remember they had they entire Master of Puppets album re-recorded by various bands, including Mastodon, Machine Head, Chimaira and Trivium when that album reached its twentieth anniversary, and some of it was pretty good.

Get the complete track list for Metal Hammer’s Dime tribute disc after the jump, along with my thoughts in bold.

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…MS Maniac Daisy May Tinklepants just pointed out to us that the cover art for their new album, Revisions, is awfully similar to the cover art for Throwdown’s new album, Deathless. The two are being released too closely together for me to think that one is ripping off the other (also, their respective music is so dissimilar that I wouldn’t be surprised if either band didn’t care for the other’s work), so let’s just call it serendipity.

And, while we’re on the topic, here’s Slayer’s video of “Eyes of the Insane,” which the reader known only as “Jimmy” pointed out was the precursor for both of these covers.

-AR

Pros and cons of streaming the new Throwdown album, Deathless:

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Nah, just kiddin’. It’s just a new Throwdown song! “This Continuum,” from the band’s forthcoming album Deathless, is streaming at Noiscecreep right now.

It’s really mean of me to keep poking this band for sounding so much like Pantera. For one thing, I’ve really enjoyed some Throwdown in the past; for another thing, I interviewed TxDx (do people really refer to them that way?) guitarist Mark Choiniere once, and he was a really, really nice dude. But, y’know. They do sound a lot like Pantera.

That being said, the chorus to this song strikes me as being kinda, well… Godsmack-y. Am I alone there?

Deathless comes out November 10 on E1.

-AR

I am SO PISSED that I missed Chimaira’s most recent tour (with Hatebreed), because a) Chimaira slay live and b) I’m fucking dying to hear some more material from The Infection in a live setting – when I saw the band on this spring’s Music as a Weapon tour, the album had literally just come out that day and the band were, consequently, only playing two new songs.

So. Rhythm guitarist Matt DeVries had to pull a Mark Morton and leave the tour early so he could get home for the birth of his new child, Austin (Mazel tov, Matt!); filling in for him is Daath co-guitarist/all around cool dude Emil Werstler. I am using this little fact as an excuse to post this video I saw on Blabbermouth of the Wersterful Chimaira performing “The Venom Inside.” Also, to point out that bassist Jim LaMarca seems to have shed his signature locks. That leaves DeVries as the only dude in Chimaira capable of windmilling. Just sayin’.

Chimaira continue to decimate Europe alongside Unearth, Throwdown, and our friends in Daath through October 12; then, at the end of the month, they hit the States again with Trivium, Whitechapel and Dirge Within. Get dates here.

-AR

First of all, I have to say, if you’re into Muse then check out their new album, The Resistance, which comes out today. It’s fucking brilliant. They always manage to take a different approach from album to album, and this one continues on that path. Anyways, its great stuff and I recommend it highly.

I’ve had music writing on my mind a lot these days. Maybe its because I have a lot on my plate. The record I’m doing with Emil from DAATH and Cynic’s Sean Reinert needs to be delivered by the first of the year. It’s going to be released in the spring of 2010. My side project wants to record an EP of still to be written material this December. And last but not least, DAATH is looking to go into the studio in April to record our next one. We’d like for it to be out by the end of Summer 2010.

That’s a shit load of music to write in a very short period of time if you consider that we’re still touring. Some advice I get from people is “Don’t rush.” That’s good advice. None of this is going to be rushed and it will all get what it needs and wants so that it can grow into the work of art it deserves to become. I think I’ve figured out how to write on the road and this next tour will be the perfect situation for that. We are sharing the bus with a straightedge band. Can’t be partying like usual because my health could relapse. Instead of staring into space and wishing I could party, I’ll occupy my time with creative things. So I’ll be writing music on the road. And a lot of it!

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I listened to The Infection over the weekend for the first time in a little while. Guess what? Still kills. I can’t wait to see some of this shit played live.

Here’s a not-so-great quality bootleg of the band playing the first cut off the album, “The Venom Inside.” As Vince says, “This song just makes me happy.” What a killer way to open the show. Sounds like the crowd is almost as loud as Mark Hunter.

Friendly reminder: Chimaira are on tour right now with Hatebreed, Dying Fetus, Toxic Holocaust and Winds of Plague. Then they head to Europe in September with Unearth, Throwdown, and our friends in Daath. You can get all the tour dates here.

-AR

Even if you’re one of those people who only listen to metal, hardcore, or other such heavy music styles, you have to concede the fact that many of the musicians you love do not share that singular devotion to one genre. Some artists go even further and apply their broad tastes to the music they make. (Mike Patton might be one of the best examples of this.) That being said, I was admittedly quite surprised to learn that Melvins drummer Dale Crover plays on indie rocker Lou Barlow’s forthcoming solo album Goodnight Unknown. And not just on one track…

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Laying in a bed in Atlanta, Georgia has never felt so sweet. One week ago tonight I was laying in a hospital bed in Hartford, not sure if I was going to live out the week. One week before that, I was breaking fevers in the van once every three hours, not able to breath, and breaking down from the exhaustion of getting really fucking sick on the road.

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I hope you guys enjoyed the 21 Best Metal Albums of the 21st Century… So Far. I thought it was awesome that it got so much feedback, and shows that the site is really picking up steam. I was drawn to this site because of the humor and I think it’s coming into it’s own. I called to ask them for the blog and they were gracious enough to say, ‘yes.’ Now that I’m not in God Forbid, they may feel gyped!

With that said, a lot of my blogs have been controversial, and with me leaving God Forbid, everyone is wondering why I still have a blog here. I’ve wondered the same thing. I want to help people out in the biz the best way I can. So for a while I’m going to make this blog a question and answer sort of thing. You can ask any question but if it’s stupid, I won’t answer. If it asks about my decision to leave GF, I won’t answer. Those questions don’t help anyone. Post your questions in the comments section and I’ll try and answer as many relevant ones as possible. I will keep it up weekly if the questions keep coming.

On a side note, I am working on new music that is turning out to be pretty bad ass. Axl and Vince have heard some of the stuff, although rough, and it’s pretty heavy. The vocals are all singing. Think Gojira mixed with Alice In Chains. I’m diggin’ it, bigtime!

OK, on to some questions.

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So I know we’ve all seen this before, but it seemed only appropriate to post again:

-AR

Actually, it’s just a new album from Throwdown, but who can tell the difference?

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It seems like every day we get a press release here at the MS Mansion announcing that some respectable metal band has signed to Koch Records. High On Fire, Satyricon and Throwdown are the latest crop, having all signed to Koch within the past few weeks. Add that to the already formidable metal roster of In Flames, Otep, Hatebreed and Straight Line Stitch… despite a couple of admittedly terrible bands in that bunch, from a business perspective that’s some serious fucking firepower there, all added within the last year, give or take.

So what the hell is going on over there?

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Though much has been said (here and elsewhere) about the decline of Soilwork as a relevant metal force, 2007′s Sworn to a Great Divide was a pleasantly solid record that [almost] stands up to anything else in the band’s catalogue. And despite replacing their two key guitarists within the span of a year and a half, the band still rips shit up live. Enjoy this footage from the band’s U.S. tour with Throwdown this past Spring; hopefully they’ll come back soon on a proper headline run and play a longer set.

-VN

Just a little over a month ago, Bleeding Through lashed out at Trustkill Records for allegedly screwing them out of royalties; that conflicts seems to have been temporarily resolved, as Trustkill will release Bleeding Through’s new album, Declaration, September 30.

But now Throwdown vocalist Dave Peters is lashing out at Trustkill for nearly identical reasons (As an interesting side note, Bleeding Through front man Brandan Schieppati used to be a member of Throwdown). A guest column on Headbanger’s Blog reads in part:

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Well, well, well.. at least one person thought Apocalypto was a good movie, and his name is Max Cavalera.

The below, Gibson-esque video is for “Unleash,” the new single from Cavalera’s Soulfly, which will be the former Sepultura main man’s second release this year, after Cavalera Conspiracy’s Inflikted. It features guest vocals by Pantera’s Phil Anselmo Throwdown’s Dave Peters, and while I think it’s an okay song, it lacks that Sepultura-ness that made Inflikted such a nice surprise.

Check out the video and then weigh in in our comments section. Soulfly’s new album, Conquer, drops July 29 on Roadrunner.

-AR