Well, this is interesting.

Ex-White Zombie bassist and feminist rawk pioneer Sean Yseult recently posted a song called “Dawn of the Horrible Gorilla!” to her Soundcloud page — but it’s not a new Yseult solo jam, or a new song at all. Yseult explains:

“Dimebag Darrell, Sean Yseult and Philip Anselmo created this absurdity at 6am after a long night of drinking on a Pantera/White Zombie Tour in ’92. Recorded on Darrell’s 4-Track in his hotel room, the song was made up on the spot with Darrell on guitar (and drum machine) Sean on bass, and Phil singing. This comes from a cassette from Sean Yseult’s archives, never heard before!”

No shock given the circumstances under which it was made: the song isn’t really all that good. It’s also VERY 1992. That being said, it is a fun peek into what three young metal stars were doing with their free time — hey, you and me will never get drunk and record a song with Phil Anselmo, that’s for damn sure — and at this point, I think any long-lost Dime recordings are pretty valuable, no?

The track is not currently embeddable, but you can check it out here.

-AR

Thanks: Paul Bigue 

Say, are you one of the three people in the world who not only thought that metal needed another supergroup, but also thought that metal needed another supergroup featuring Anthrax/The Damned Things guitarist Rob Caggiano? If so, have we got a band for you!

They’re called Temple of the Black Moon, and in addition to Caggiano, the group features Cradle of Filth vocalist Dani Filth, former Gorgoroth bassist King ov Hell, and drummer John Tempesta, who has played a gajillion different bands, including both White Zombie and Rob Zombie’s solo group, Exodus, Testament, The Cult, and Helmet. It seems safe to assume that Caggiano played a significant role in putting this project together — not only did he produce two Cradle of Filth releases (2004′s Nymphetamine and 2006′s Thornography), but Tempesta has also worked as a drum tech for ‘Thrax — but between the two bands he’s already in and the producing he does, I can’t believe he felt like he had too much free time. Maybe Worship Music is seriously never coming out.

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I am not cool, but it occasionally appears that way cuz my incidental awareness of cutting-edge music. There’s a simple reason for that, one which I share with tons of other fortunates out there: I have an older sibling. She’s cool. She dated cool guys. Those cool punk and alternative and goth guys stopped at nothing to get within sniffing distance of her bod; as such, most found it worthwhile to cultivate the kid-brother endorsement.

The astute dudes recognized that the way to my heart is through my headphones and funneled a lot of free tapes (!) and CDs my way. (One particularly smitten Doc Martens aficionado worked at local college radio and hooked me up with my own evening time slot when I was 15.) My sister and I hardly got along, so my input on her suitors was never solicited, much less heeded; I thank her for neglecting to mention this fact to all those hornballs whose awareness of interesting music exploded my horizons.

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Billboard ran a story on Wednesday that seemed to credit Motley Crue drummer Tommy Lee as stating that “the film adaptation of the Crue’s 2002 memoir The Dirt: Confessions of the World’s Most Notorious Rock Band … is now on track with Rob Zombie as it’s director. [sic]” It’s odd that this tasty bit of breaking news appeared outside of quotes while every other semi-coherent Lee mumbling was firmly attributed to the Methods of Mayhem frontman (if not represented by accurately punctuated copy). It’s extra odd because Rob Zombie would be such an odd match for The Dirt, unless there’s a new script that includes murderous hillbillies or dick-biting ghouls. And it’s super-mega-odd cuz according to Zombie, it’s untrue. He said as much Thursday on his Twitter:

Why does everyone keep asking if I am directing The Dirt? I am not. I am directing The Lords of Salem. Recording a CD after that.

Why does everyone keep asking Zombie that? Well, I am half-retarded on drugs and even I can answer that one: This rumor has Nikki Sixx’s gooey fingerprints all over it. It sounds dramatic to suggest that Sixx is launching an underhanded public campaign to railroad Zombie into helming this doomed flick, but if you think so that means you’ve forgotten that Sixx views himself as a string-pulling maestro who can bend anyone to his will. And hey I’d suffer from the same delusion if I successfully banged Kat Von D for like months. So, the lesson here is Kat Von D call me and all will see who the real puppetmaster is here.

–ADF

Rob Zombie’s The Lords of Salem is slated to begin shooting this Spring. Motley Crue joins Poison and The New York Dolls on tour kicking off June 7 in Dallas. Full dates here.

Trying to keep up with the changes at a music festival is like trying to herd a pack of rabid cats. The South by Southwest (SXSW) Music Festival is the biggest musical kitty corral of them all. That’s why you have me here to help you make heads or tails of all your SXSW metallic/hard rock/punk rock/experimental/etc. needs.

There have been plenty of line-up changes since my last SXSW music post over a week ago. First on the list is the welcome news that NOLA-sludgekings eyehategod will team up with doom metal pioneers Pentagram to close out the conference on Saturday, March 19 (both bands will be going on after midnight, so, technically, they are playing on March 20) at the Scoot Inn. They’ll be joined by a stellar group of bands including Cough and Naam.

Other notable additions include YOB, Slough Feg, and Zoroaster.

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Former White Zombie bassist/feminist pioneer Sean Yseult on the current status of her relationship with Rob Zombie:

“As soon as you’re not in his world, you’re out of his world.”

Yep, Sean, that’s pretty much how it works! As soon as you’re not in something, you’re out of it. That’s why the words “in” and “out” are considered to be antonyms. Welcome to the English language. You’re gonna love it!

-AR

[via]

It seems like the number of “Why did you ban me from commenting?!?” e-mails from readers has increased as of late, and the gist of those e-mails is often “Whassa matter, can’t take it when someone tells you you suck?” or whatever. And we’ve never banned anyone for disagreeing with us. We don’t give a shit if you disagree with us. We don’t agree with one another half the time — that’s part of the fun of MetalSucks.

Here’s what really happens: you use a word which is on our “no-no” list, and it gets stuck in our spam filter. Some of these words we actively do not allow on MetalSucks (e.g., slurs against minorities), and some of them just get stuck because so many actual spammers use them (e.g., “rape”). We try to be diligent about checking the spam filters and making sure none of you are getting caught in there, but sometimes we miss a few. And sometimes we ultimately don’t allow the comment onto the site (e.g., “I hate this album, this band is fucking gay” will never survive). But even then, we don’t BAN people from commenting. I think I can count on one hand the number of people we’ve banned in four years, and most of them were spammers and/or former Megadeth guitarists. So if your comment isn’t going through, consider first if you used a word we don’t allow, and if you didn’t, just shoot us a POLITE e-mail and we’ll investigage the problem ASAP. M’kay?

And on that note, here’s what we did this week:

• Darkest Hour’s Mike Schleibaum gave us our latest Legacy Tour diary, Intronaut’s Sacha Dunable worked out his black metal daddy issues, and The Red Chord’s Greg Weeks offered to write a song for any sports team that’s not from New York.
• We spoke to After the Burial’s Trent Hafdahl and American Hardcore author Steven Blush.
• We got the skinny from Darkest Hour’s Ryan Parrish about why DH and Veil of Maya got kicked off their own tour bus, and asked Jucifer’s Amber Valentine about Sean Yseult’s claim to being the only woman in metal during her tenure in White Zombie.
• We checked out the latest release from The Unraveling.
• Sergeant D. schooled us in uber-kvlt metalcore bands.
• We contemplated the worst metal albums of 2010 and the best metal songs of 2010.
• We mourned on the six year anniversary of Dimebag’s murder.
• We celebrated Ozzy Osbourne’s terrific taste in modern metal (he put Korn above Firewind).
• We had mixed feelings about the retirement of Judas Priest.
• We got excited that At the Gates are playing more shows in 2011.

Alrighty then. Next week is our last week of regular posting before we shut down for the holidays. You know what that means – YEAR END LISTS! Get ready to argue like your entire sense of self-worth depended on everyone agreeing with you all the time with no exceptions ever.

-AR

Sean Yseult, bassist for the defunct White Zombie, has just released a memoir through well respected independent publisher Soft Skull Press. Yet my mild interest in this title hit a pretty severe low after reading some shoddy and downright untruthful marketing copy. I’ve bolded the offending passage below, which inflates her role in metal to comic proportions and completely discounts reality.

I’m in the Band charts White Zombie’s rise from the gritty music scene of New York’s Lower East Side in the eighties to arena headliners during the nineties alternative-explosion that followed in Nirvana’s wake, while sharing the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene: bands, roadies, managers, you name it—with the exception of girlfriends and groupies, Yseult was in a world by herself.

Of course, the preposterous statement emphasized above is easily disproved within seconds, as any way you slice it it’s patently false. Not only were there female metal musicians before, during, and after Yseult’s tenure in White Zombie, but there were other female bassists in metal too, including Jo Bench (Bolt Thrower) and Lori Black (Melvins). I’m not even going to comment further on it; rather, I’ll let one of Yseult’s contemporaries reminder her that she wasn’t alone. Jucifer frontwoman Amber Valentine, take it away!

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Rob Zombie’s Hellbilly Deluxe 2 just came out in February, but daddy needs a new cowboy hat, so Roadrunner is doing a super-duper-special edition re-release of the album on September 28. It’s not even an eight month turnaround; I don’t know if that’s a record or it just feels even faster than usual.

As is pretty much standard with these re-releases, there will be new songs included; not standard, though, is that those new songs will be interspersed throughout the old ones — as opposed to just putting them all after whatever the last song used to be, or on their own disc, or whatever — which makes HB2 George Lucas Style almost a new album, creatively if not actually. By which I mean, I’ve met bands that are ridiculously perfectionistic when it comes to figuring out their sequencing — sequencing means something, and a lot of thought goes into the flow of the record. Adding new material will, presumably, alter that flow in some regard.

Either that, or I just spent more time thinking about the sequencing of Hellbilly Deluxe 2 than Rob Zombie did.

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In the last few years, something seemed to happen and I barely noticed. Suddenly, I’m no longer the young kid at the show. I’m one of the guys hiding out by the bar. I’m not crowd surfing, not covered in sweat with my shirt off, and I’m certainly not moshing. I’m also not randomly yelling “Slayer!”, but that seems to span all demographics. I became… (gulp)… an adult. I don’t know what the range is in the ages of the followers of MetalSucks, but I’ll assume that it’s a mix of younger and older metal fans. I am 29 years old, but I still feel relatively young and energetic considering my opening salvo. I’m the youngest member of my band, and younger than a good majority of my friends in bands and the industry.

With that said, I think there comes a time for all metal heads, and probably all adults for that matter, when you look at what is popular amongst the true youth culture (16-24), and you feel as if not only do you not relate to it, but it feels alien, as if it’s creation was not meant for your consumption (which it wasn’t) – and it also seems inferior to music that you grew up with. I’m only 29, and I’m already having “back in my day” moments. It kind of scared me, and I began to wonder if I was being obtuse and a little too set in my ways, or if my analysis was accurate.

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Poor Joey Jordison must get bored when he’s not busy with Slipknot; besides Corey Taylor and Clown, he’s easily the most visible member of the band, even when they’re on hiatus (as they are right now). This is extra-amazing when you consider the fact that, unlike Taylor or Clown, he doesn’t really have a side-project: the one he started, Murderdolls, released one album in 2002, did a whole bunch of touring behind it, and then promptly broke-up. (MD vocalist Wednesday 13 recently hinted at a possible Murderdolls reunion, but that doesn’t actually seem to be happening.) But Jordison constantly manages to stay in the spotlight, be it through producing gigs (3 Inches of Blood’s Fire Up the Blades) or, more often, guest spots with other well-known bands: he recorded some drums for Otep’s House of Secrets (as though Otep didn’t sound enough like Slipknot already), toured with Ministry, and did a few tour dates with Satyricon before a couple of their members got arrested on a kiddie-sex charge and that trek was canceled.

And now it’s been announced that Jordison will spend the spring and summer playing for Rob Zombie.

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Was Rob Zombie never cool and I was just an idiot? Or am I right that he’s only recently become kind of a let down? I honestly can’t tell.

Anyways, even if we ignore the cheesiness of the fact that Zombie is obviously trying to cash-in on past glories by making a sequel album (Has there ever been a good “Part 2″ record? First person to say Operation: Mindcrime II gets a kick in the anus.), this cover art clearly comes from the Marilyn Manson school of “Have an intern whip something up on Photoshop.” Which is not only lame, but kinda weird: Zombie went to the prestigious art school Cooper Union.

You can do better than this, Rob. C’mon. Be cool again.

-AR