METAL BANDS ANSWER THE ALL IMPORTANT QUESTION: “WHAT ARE THE BEST AND WORST STAGE MOVES IN METAL?”
Tuesday, August 30th, 2011 at 1:00pm by Axl RosenbergThe latest edition of Metal Injection’s “Ask the Artist” series — in which various artists are asked one uniform question (See what they did there?) — poses the query “What are the best and worst stage moves in metal?” to various bands that were on this summer’s two biggest metal tours — Mayhem Fest and Summer Slaughter.
And it’s a great question to ask, because it’s certainly one that seems to come up in metallic circles quite a bit. Just recently, a publicist told me she understood that I didn’t like one of her bands because they played too much “breakdowncore,” and I told her the breakdowncore was silly, sure, but not as silly as they choreographed stage moves they used for each and every song. So it’s interesting to hear the thoughts of the musicians who actually have to be extra-conscientious of stage moves themselves.
Not shocking — a lot of the bands, including Trivium and Fleshgod Apocalypse, poke fun at crabcore and general scene-friendly stage moves. More shocking: so do Oceano.
Check out more of Metal Injection’s “Ask the Artist” videos here.
-AR




















Say what you will about Victory Records – and chances are you have, even if you’re in a band that was once on Victory – but it’s hard to find a label with a better sense of marketing and a better understanding of its audience. Its lasting success can of course be attributed to its decision to move away from the buzz cuts ‘n’ bros hardcore on which the label was initially focused and releasing albums of mutated ‘core (post-hardcore, metalcore and later deathcore) and fringe genres that the hardcore kids could grasp on to (third wave ska, indie rock, emo, etc.). A label that can run an ad on MTV2 for Hawthorne Heights, Aiden, and Silverstein one minute and another for BTBAM, Darkest Hour, and Emmure the next is one dedicated to survival, even in an increasingly splintered music climate.