Archive for the ‘Metal Legacies’ Category


EVERYBODY LOVES TOM ARAYA

Monday, June 6th, 2011 at 4:00pm by

At age five, Tom Araya left Chile with his family to come to America. Fifteen years after that, he joined the then-fledgling band Slayer. Thirty years after that (i.e., now), Slayer enjoys acclaim only shared by Iron Maiden in consistency and intensity. And as Maiden is fronted by the greatest metal singer of all time, Slayer has Araya, metal’s most compelling, visceral screamer. Two notes are all he needs. I’d attend NASCAR if he were the announcer; if he were a salesman, I’d buy used toilets from the dude.

Word of Araya’s skillz (and cuddly-bear disposition) seems to have reached authorities in Chile, as Friday he was granted the key to the city of Viña del Mar, his birthplace. Araya said:

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METAL LEGACIES: PAUL RAVEN OF 16VOLT, MINISTRY, REVOLTING COCKS DIED OCTOBER 20, 2007

Tuesday, October 20th, 2009 at 10:00am by

Metal Legacies is an ongoing memorial to extreme music pioneers who kicked the proverbial bucket way too soon.

[MetalSucks contributor Corey Mitchell managed Eric Powell's band, 16volt, from 1996-1998. He asked Powell to write about his friend and bandmate, Raul Raven, for the Metal Legacies series.]

by Eric Powell

Life. It goes by too fast and comes at you too slow. When you are 14, all you want is to be 16 so you can get the keys to the car and just drive, just drive wherever — fucking freedom. It seems like those two years take forever. You count the milliseconds waiting for your ticket out of hell. Then you blink your eyes and all of a sudden you wonder what happened to your twenties, then your thirties, and it’s all a flash. Those two years you waited for the keys to a car, barely a blip. You look back at all the days and at all the scars, and mostly at the memories, now rich with texture and variance, they blur together weaving a sort of out-of-body, self propelled storyline that hopefully ends with some kind of impact.

At some point in our lives we hopefully realize that everything we do counts for something. A never ending chain of events both understated and exaggerated, and our choices link together to write a tangled, barely understandable life story. We hopefully get to a point where our experience with time develops a conscience — a self-aware state where we appreciate all that we missed and we miss all that we didn’t.

Some are born lucky, falling into a calling early, riding it like a well built clipper attacking uncharted seas, often a rough ride, but the ride never lets them down. It’s a single threaded path holding true to itself, a line drawn by our own internal and elusive drive. These lucky few charge ahead with no rules, saber in hand, slashing and gnawing effortlessly through what seem like goals in life, but come off as merely happenstance.

You can apply this babble to the chosen few who get to play music for a living, who get to tour for a living, who make it into the “club” — a silent brotherhood of merry thieves living on the outskirts of society, in the lounges of tour buses and in the dirty back stage areas of outdated concert venues. Gathering in dark hallways to share stories of their battles over catered liquors and fruit plates, duty free cigarettes, and handheld HD video cameras, a broken generator, a sprained wrist, an amp exploding, Roman candle fights in the middle of Montana. So much that can never be spoken. Things left to the moments and events that will never be uttered, the code keeping everyone’s skeletons secret to only the lucky bastards who get to live and witness the real deal. It all falls under the banner of “Rock and Roll,” right?

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METAL LEGACIES: DENIS “PIGGY” D’AMOUR OF VOIVOD – DIED AUGUST 26, 2005

Wednesday, August 26th, 2009 at 10:00am by

piggyMetal Legacies is an ongoing memorial to extreme music pioneers who kicked the proverbial bucket way too soon.

This is only my third Metal Legacies entry, yet it is by far the hardest to write. As a college radio metal/hardcore DJ at The University of Texas from 1988-1990 I was a huge Voivod fanatic.

It was War and Pain that did me in first.

Then Rrröööaaarrr.

Then Killing Technology blew my mind.

By the time I started playing cassettes and LPs (remember those?) late Friday nights for the imaginatively titled The Metal Show, Voivod released what I believe was their greatest album, Dimension Hatröss. And while I admired every aspect of the Quebec, Canada-based futuristic space thrashers — from Snake’s wailing vocals to Blacky’s angular bass playing to Away’s soulfully robotic drumming and one-of-a-kind artwork — the key selling point was always Piggy’s guitar playing.

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METAL LEGACIES: ØYSTEIN “EURONYMOUS” AARSETH OF MAYHEM – MURDERED AUGUST 10, 1993

Monday, August 10th, 2009 at 12:00pm by

Metal Legacies is an ongoing memorial to extreme music pioneers who kicked the proverbial bucket way too soon.

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Try and pin down a description of Øystein Aarseth, AKA “Euronymous,” of Norwegian black metal stalwarts Mayhem and you are likely to contract a new disease called “Renaissance Listophobia.” Guitarist and founder of what many argue is the pinnacle black metal act, Aarseth wore more hats in his 25 years than most people do in a lifetime: guitarist, record store owner, record label owner, brain eater, God of extreme metal, extreme dickhead, theistic Satanist, dead friend corpse photographer, teddy bear, gay pro-Communist, lethargic anarchist — he’s been called it all.

One hat he did not wear, however, was that of ”knife deflector.”

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METAL LEGACIES: JASON THIRSK OF PENNYWISE – DIED JULY 29, 1996

Tuesday, July 28th, 2009 at 2:30pm by

Jason Thirsk

Metal Legacies is an ongoing memorial to extreme music pioneers who kicked the proverbial bucket way too soon.

Co-founder and bassist for the seminal Hermosa Beach punk-rock band Pennywise, Jason Thirsk was a positive contributing force to the indie rock pioneers. His contributions can be found on four albums including Pennywise and Unknown Road.

Despite his positive outlook on life and in his lyrics, Thirsk struggled with a dependency to alcohol. The freewheeling, partying lifestyle of the punk rock band caught up with the young bass player. In the summer of 1995, Thirsk left to sober up. He went to rehab several times, but he was unable to shake his addiction.

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